Park na jezeru Ibera Robera u Narodnom muzeju u Beogradu

Abstract

Slika Park na jezeru, delo francuskog slikara Ibera Robera (1733- 1808), čuva se u Zbirci strane umetnosti Narodnog muzeja u Beogradu, u fondu francuske umetnosti, od jula 1949, kada je, zajedno sa grupom umetničkih dela dopremljenih iz Nemačke, primljena na ime ratnih restitucija. Ona je, kao i celokupna Roberova umetnost, suma raznorodnih fenomena francuske vizuelne kulture XVIII veka. Utemeljena je u senzibilnoj kulturi prve polovine veka prosvetiteljskim stavovima o prirodi i estetici pitoresknog. Oni su objedinjeno, podstakli razvoj popularnih vizuelnih formi - vedute di fantasia, čiji je Rober bio dominantni francuski predstavnik. Na slici Park na jezeru predstavljen je imaginarni domen u kojem su se prožela Roberova sećanja na vrtove italijanskih renesansnih vila i njegovo iskustvo dizajnera vrtova francuske elite. Kontakti sa teoretičarima hortikulture čije je vrtove oblikovao doprineli su da Rober bude cenjen kao 'najprirodniji' kreator slika i vrtnih 'slika'. Pitoreskni šarm Parka na jezeru, podstaknut integracijom prirode i zdanja iz prošlih epoha, sugestivne i poetične forme koje pobuđuju senzitivni kapacitet posmatrača i pozivaju ga da 'dovrši' sliku svojim interpretacijama i da 'prošeta' po njoj, potvrđuju Roberovu slavnu reputaciju.

The painting Park on a Lake, a work of the French painter Hubert Robert (1733-1808) has been preserved in the collection of foreign art of the National Museum in Belgrade, in the fund of French art since July 1949, when it arrived from Germany with a group of other works of art and was accepted as war restitution. Like entire Robert's art, the painting is a sum of different phenomena of French visual culture of the 18th century. It is founded on the sensitive culture of the first half of the century, as well as on the enlightenment attitudes on the nature and esthetics of the picturesque. United, they inspired the development of popular visual forms vedute di fantasia, with Robert as a dominant French representative. The painting Park on a Lake represents an imaginary domain where Robert's memories of the gardens of Italian renaissance villas intertwined with his experience of garden design of the French elite. Contacts with horticultural theoreticians whose gardens he shaped contributed to the fact that Robert was appreciated as the 'most natural' creator of paintings and garden 'paintings'. The picturesque charm of Park on a Lake was motivated by the integration of nature and buildings from the past, suggestive and poetic forms that inspire the sensitive capacity of the observer and invite him to 'finish' the painting with his interpretations and to 'walk' through it thus confirming Robert's glorious reputation.