Two monuments by Sreten Stojanović: Continuity in discontinuity
Само за регистроване кориснике
2013
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The sensitive nature of monuments, their dependence on the fuctuating network of social mediators (state, party, media) and in particular their tendency toward historical and political exploitation, has meant that monuments have become objects of disciplining rather than subjects that discipline the memory and stand as material evidence of "continuity in discontinuity". Here, on the example of two monuments by the same author, Sreten Stojanović - the monument King Peter from 1928, and the monument The Combat from 1949, which originated within two distinct politicohistorical contexts and within two different ideological frameworks - we will discuss the dynamics of the culture of memory and the culture of forgetting, in other words, the ways in which cultures, regimes and classes transfer knowledge about the past, use it, reorganize it, but also repress, forget and transform it.
Кључне речи:
Sreten Stojanović / Public monuments / Post-War Yugoslavia / Peter I Karadordević / Nevesinje / Kingdom of Yugoslavia / Identity / Discontinuity / Continuity / Collective memory / BelgradeИзвор:
Acta Historiae Artis Slovenica, 2013, 18, 2, 59-74Издавач:
- ZRC SAZU, Zalozba ZRC
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Čubrilo, Jasmina PY - 2013 UR - http://reff.f.bg.ac.rs/handle/123456789/1742 AB - The sensitive nature of monuments, their dependence on the fuctuating network of social mediators (state, party, media) and in particular their tendency toward historical and political exploitation, has meant that monuments have become objects of disciplining rather than subjects that discipline the memory and stand as material evidence of "continuity in discontinuity". Here, on the example of two monuments by the same author, Sreten Stojanović - the monument King Peter from 1928, and the monument The Combat from 1949, which originated within two distinct politicohistorical contexts and within two different ideological frameworks - we will discuss the dynamics of the culture of memory and the culture of forgetting, in other words, the ways in which cultures, regimes and classes transfer knowledge about the past, use it, reorganize it, but also repress, forget and transform it. PB - ZRC SAZU, Zalozba ZRC T2 - Acta Historiae Artis Slovenica T1 - Two monuments by Sreten Stojanović: Continuity in discontinuity EP - 74 IS - 2 SP - 59 VL - 18 UR - https://hdl.handle.net/21.15107/rcub_reff_1742 ER -
@article{ author = "Čubrilo, Jasmina", year = "2013", abstract = "The sensitive nature of monuments, their dependence on the fuctuating network of social mediators (state, party, media) and in particular their tendency toward historical and political exploitation, has meant that monuments have become objects of disciplining rather than subjects that discipline the memory and stand as material evidence of "continuity in discontinuity". Here, on the example of two monuments by the same author, Sreten Stojanović - the monument King Peter from 1928, and the monument The Combat from 1949, which originated within two distinct politicohistorical contexts and within two different ideological frameworks - we will discuss the dynamics of the culture of memory and the culture of forgetting, in other words, the ways in which cultures, regimes and classes transfer knowledge about the past, use it, reorganize it, but also repress, forget and transform it.", publisher = "ZRC SAZU, Zalozba ZRC", journal = "Acta Historiae Artis Slovenica", title = "Two monuments by Sreten Stojanović: Continuity in discontinuity", pages = "74-59", number = "2", volume = "18", url = "https://hdl.handle.net/21.15107/rcub_reff_1742" }
Čubrilo, J.. (2013). Two monuments by Sreten Stojanović: Continuity in discontinuity. in Acta Historiae Artis Slovenica ZRC SAZU, Zalozba ZRC., 18(2), 59-74. https://hdl.handle.net/21.15107/rcub_reff_1742
Čubrilo J. Two monuments by Sreten Stojanović: Continuity in discontinuity. in Acta Historiae Artis Slovenica. 2013;18(2):59-74. https://hdl.handle.net/21.15107/rcub_reff_1742 .
Čubrilo, Jasmina, "Two monuments by Sreten Stojanović: Continuity in discontinuity" in Acta Historiae Artis Slovenica, 18, no. 2 (2013):59-74, https://hdl.handle.net/21.15107/rcub_reff_1742 .