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dc.creatorKovačević, Ivan
dc.date.accessioned2021-10-12T12:11:19Z
dc.date.available2021-10-12T12:11:19Z
dc.date.issued2015
dc.identifier.issn0353-1589
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2032
dc.description.abstractThe film "The Coach" (Trener, 1978) directed by Purisa Dordevic, uses the film's story as a prism through which many events from the reality of football in that time period as well as the past represented by the war and death camps are viewed, and contrasts this with the economic and social context of the time in which the film was made. When the titular coach of a big football club goes abroad to Germany to work, his decision is situated at the crossroads of the professionalization of football and the economic social reality on the one hand and the reminiscence about war and German death camps and their victims on the other. The results of a football match which will determine whether the German or the Yugoslav team will qualify for the final of an important European championship symbolize the results of the passage of time and the 25 year-long development of Germany and Yugoslavia after the war.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177035/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceEtnoantropološki problemi
dc.subjectwaren
dc.subjectThe Coachen
dc.subjectPurisa Dordevicen
dc.subjectprofessional sportsen
dc.subjectguest workersen
dc.subjectfilmen
dc.subjectdeath campsen
dc.titleFootball and film: "The Coach"en
dc.typearticle
dc.rights.licenseBY
dc.citation.epage963
dc.citation.issue4
dc.citation.other10(4): 945-963
dc.citation.rankM24
dc.citation.spage945
dc.citation.volume10
dc.identifier.doi10.21301/eap.v10i4.9
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/842/2029.pdf
dc.identifier.wos000436269200010
dc.type.versionpublishedVersion


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