Приказ основних података о документу

dc.creatorMolnar, Aleksandar
dc.date.accessioned2021-10-12T12:15:23Z
dc.date.available2021-10-12T12:15:23Z
dc.date.issued2015
dc.identifier.issn0353-5738
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2097
dc.description.abstractIn the article the author concentrates on Immanuel Kant's philosophical musings on phantasy and its artistic products such as novels (Romane). Although Kant was one of the first critics of the early German romanticist endeavors to emancipate the force of phantasy from the domination of the mind/reason, he was also incapable to resist the temptation to give phantasy important role in the cognitive activities of man. Ultimately, phantasy was crucial in Kant's concept of aestheticised natural order of things (because it leads man to perceive nature as beautiful as well as to begin "poetic daydreaming" about nature), but also in his concept of divine worldly order of things after the end of history (because it enables men to be certain about coming of God's kingdom on Earth).en
dc.publisherUniverzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceFilozofija i društvo
dc.subjectromanticismen
dc.subjectreasonen
dc.subjectphantasyen
dc.subjectnovelen
dc.subjectnatureen
dc.subjectminden
dc.subjectKanten
dc.subjectGoden
dc.titleKant and the Temptations of Phantasyen
dc.typearticle
dc.rights.licenseBY-NC-ND
dc.citation.epage26
dc.citation.issue1
dc.citation.other26(1): 5-26
dc.citation.rankM24
dc.citation.spage5
dc.citation.volume26
dc.identifier.doi10.2298/FID1501005M
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/890/2094.pdf
dc.identifier.wos000410422200001
dc.type.versionpublishedVersion


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Приказ основних података о документу