Umetnost i politika - portreti dve princeze iz dinastije Arpadović
Art and politics: Portraits of two princess from the Arpadović dynasty
Апстракт
Posmatrajući dva portreta mađarskih princeza iz poslednje generacije drevne mađarske vladarske dinastije Arpadovića, pokušaće da se sagleda značaj ženskih portreta i uopšte vizuelne kuture u srednjovekovnoj politici i međunarodnim odnosima. Princeza Marija i Katelina Arpadović bile su dve ključne figure, preko kojih je trebalo ostvariti legitimitet na nasleđivanje mađarskog trona. Preko Marije dinastija napuljskih Anžujaca, a preko Kataline Nemanjići iz Srbije nadmetali su se za vlast u ovoj srednjovekovnoj Igri prestola. Ni jedna ni druga princeza nisu direktno učestvovale u ovom ratu, ali se njihovim poreklom, kao i likom manipulisalo u cilju ostvarenja političkog plana. U politici srednjeg veka, kao i današnjoj, medijski rat igrao je izuzetnu ulogu. U manipulaciji, vizuelna poruka imala je, u najmanju ruku jednak, ako ne i veći uticaj od pisane ili izgovorene reči. Vladarski portreti predstavljaju ključne tragove za proučavanje medijskih ratova srednjeg veka, koji se u svojoj osnovn...oj ideji ne razlikuju od savremenih.
When the Hungarian Arpad dynasty died out, princesses Mary and Katelina Arpad were the two key figures in medieval Game of Thrones in Hungary. In the politics of the Middle Ages, and today, the media war has played a very important role. In order to manipulate, visual message had, at least equal, if not greater impact than the written or spoken word. The royal portraits are key clues for the study of media wars of the Middle Ages. In addition to Irina Piroska, only two princesses of the first Hungarian royal family Arpad whose portraits are preserved, are Princess Katelina and Mary. Portrait of Princess Mary is preserved in the Anjou Bible from Naples, while the portrait of Princess Katelina in the narthex of the church of St. Achilles in Arilje. The main function of the portrait was to provide an ideal picture of the ruler or his wife. For the ruler, a good reputation played an important role since the earliest times, through the Middle Ages, and so it has remained to this day. Today,... the image of the ideal ruler is created by a whole team of people, but a similar situation was also in the Middle Ages. With a picture of the ideal ruler necessarily goes the picture of the ideal wife, whose name and reputation should not be doubted. Something like a picture of Jackie Kennedy and Jovanka Broz in the twentieth century. It is clear that the role of women in the Middle Ages in culture and politics was much more limited compared to men, both in Western Europe and in Byzantium. However the role of women cannot be neglected in a society in which political influence was based on power and reputation of the great noble families, which made their political connections by marriage.
Кључне речи:
ženski portret / vizuelna kultura / srednji vek / propaganda / medijski rat / visual culture / propaganda / Middle Ages / media war / female portraitИзвор:
Kultura, 2016, 152, 183-197Издавач:
- Zavod za proučavanje kulturnog razvitka, Beograd
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Piperski, Nikola PY - 2016 UR - http://reff.f.bg.ac.rs/handle/123456789/2150 AB - Posmatrajući dva portreta mađarskih princeza iz poslednje generacije drevne mađarske vladarske dinastije Arpadovića, pokušaće da se sagleda značaj ženskih portreta i uopšte vizuelne kuture u srednjovekovnoj politici i međunarodnim odnosima. Princeza Marija i Katelina Arpadović bile su dve ključne figure, preko kojih je trebalo ostvariti legitimitet na nasleđivanje mađarskog trona. Preko Marije dinastija napuljskih Anžujaca, a preko Kataline Nemanjići iz Srbije nadmetali su se za vlast u ovoj srednjovekovnoj Igri prestola. Ni jedna ni druga princeza nisu direktno učestvovale u ovom ratu, ali se njihovim poreklom, kao i likom manipulisalo u cilju ostvarenja političkog plana. U politici srednjeg veka, kao i današnjoj, medijski rat igrao je izuzetnu ulogu. U manipulaciji, vizuelna poruka imala je, u najmanju ruku jednak, ako ne i veći uticaj od pisane ili izgovorene reči. Vladarski portreti predstavljaju ključne tragove za proučavanje medijskih ratova srednjeg veka, koji se u svojoj osnovnoj ideji ne razlikuju od savremenih. AB - When the Hungarian Arpad dynasty died out, princesses Mary and Katelina Arpad were the two key figures in medieval Game of Thrones in Hungary. In the politics of the Middle Ages, and today, the media war has played a very important role. In order to manipulate, visual message had, at least equal, if not greater impact than the written or spoken word. The royal portraits are key clues for the study of media wars of the Middle Ages. In addition to Irina Piroska, only two princesses of the first Hungarian royal family Arpad whose portraits are preserved, are Princess Katelina and Mary. Portrait of Princess Mary is preserved in the Anjou Bible from Naples, while the portrait of Princess Katelina in the narthex of the church of St. Achilles in Arilje. The main function of the portrait was to provide an ideal picture of the ruler or his wife. For the ruler, a good reputation played an important role since the earliest times, through the Middle Ages, and so it has remained to this day. Today, the image of the ideal ruler is created by a whole team of people, but a similar situation was also in the Middle Ages. With a picture of the ideal ruler necessarily goes the picture of the ideal wife, whose name and reputation should not be doubted. Something like a picture of Jackie Kennedy and Jovanka Broz in the twentieth century. It is clear that the role of women in the Middle Ages in culture and politics was much more limited compared to men, both in Western Europe and in Byzantium. However the role of women cannot be neglected in a society in which political influence was based on power and reputation of the great noble families, which made their political connections by marriage. PB - Zavod za proučavanje kulturnog razvitka, Beograd T2 - Kultura T1 - Umetnost i politika - portreti dve princeze iz dinastije Arpadović T1 - Art and politics: Portraits of two princess from the Arpadović dynasty EP - 197 IS - 152 SP - 183 DO - 10.5937/kultura1652183P ER -
@article{ author = "Piperski, Nikola", year = "2016", abstract = "Posmatrajući dva portreta mađarskih princeza iz poslednje generacije drevne mađarske vladarske dinastije Arpadovića, pokušaće da se sagleda značaj ženskih portreta i uopšte vizuelne kuture u srednjovekovnoj politici i međunarodnim odnosima. Princeza Marija i Katelina Arpadović bile su dve ključne figure, preko kojih je trebalo ostvariti legitimitet na nasleđivanje mađarskog trona. Preko Marije dinastija napuljskih Anžujaca, a preko Kataline Nemanjići iz Srbije nadmetali su se za vlast u ovoj srednjovekovnoj Igri prestola. Ni jedna ni druga princeza nisu direktno učestvovale u ovom ratu, ali se njihovim poreklom, kao i likom manipulisalo u cilju ostvarenja političkog plana. U politici srednjeg veka, kao i današnjoj, medijski rat igrao je izuzetnu ulogu. U manipulaciji, vizuelna poruka imala je, u najmanju ruku jednak, ako ne i veći uticaj od pisane ili izgovorene reči. Vladarski portreti predstavljaju ključne tragove za proučavanje medijskih ratova srednjeg veka, koji se u svojoj osnovnoj ideji ne razlikuju od savremenih., When the Hungarian Arpad dynasty died out, princesses Mary and Katelina Arpad were the two key figures in medieval Game of Thrones in Hungary. In the politics of the Middle Ages, and today, the media war has played a very important role. In order to manipulate, visual message had, at least equal, if not greater impact than the written or spoken word. The royal portraits are key clues for the study of media wars of the Middle Ages. In addition to Irina Piroska, only two princesses of the first Hungarian royal family Arpad whose portraits are preserved, are Princess Katelina and Mary. Portrait of Princess Mary is preserved in the Anjou Bible from Naples, while the portrait of Princess Katelina in the narthex of the church of St. Achilles in Arilje. The main function of the portrait was to provide an ideal picture of the ruler or his wife. For the ruler, a good reputation played an important role since the earliest times, through the Middle Ages, and so it has remained to this day. Today, the image of the ideal ruler is created by a whole team of people, but a similar situation was also in the Middle Ages. With a picture of the ideal ruler necessarily goes the picture of the ideal wife, whose name and reputation should not be doubted. Something like a picture of Jackie Kennedy and Jovanka Broz in the twentieth century. It is clear that the role of women in the Middle Ages in culture and politics was much more limited compared to men, both in Western Europe and in Byzantium. However the role of women cannot be neglected in a society in which political influence was based on power and reputation of the great noble families, which made their political connections by marriage.", publisher = "Zavod za proučavanje kulturnog razvitka, Beograd", journal = "Kultura", title = "Umetnost i politika - portreti dve princeze iz dinastije Arpadović, Art and politics: Portraits of two princess from the Arpadović dynasty", pages = "197-183", number = "152", doi = "10.5937/kultura1652183P" }
Piperski, N.. (2016). Umetnost i politika - portreti dve princeze iz dinastije Arpadović. in Kultura Zavod za proučavanje kulturnog razvitka, Beograd.(152), 183-197. https://doi.org/10.5937/kultura1652183P
Piperski N. Umetnost i politika - portreti dve princeze iz dinastije Arpadović. in Kultura. 2016;(152):183-197. doi:10.5937/kultura1652183P .
Piperski, Nikola, "Umetnost i politika - portreti dve princeze iz dinastije Arpadović" in Kultura, no. 152 (2016):183-197, https://doi.org/10.5937/kultura1652183P . .