Приказ основних података о документу

dc.creatorŠpehar, Olga
dc.date.accessioned2021-10-12T12:32:00Z
dc.date.available2021-10-12T12:32:00Z
dc.date.issued2017
dc.identifier.issn0352-6844
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2360
dc.description.abstractRoman art changed through centuries because of many different cultural and historical circumstances. However, sepulchral art, alongside with the funerary customs, changed very slowly. In the time when Christianity begun to take over the leading role among the religions of the Empire, in Pannonia Secunda a tomb was painted on the necropolis in modern Beska, that shows the endurance of Roman tradition when the understanding of afterlife is in question. Its wall paintings were published more than thirty years ago, because their repertoire is very interesting, but the explanation of its program as a whole is still missing. This work is an attempt to fill the gap by offering one possible interpretation of those paintings.en
dc.publisherMatica srpska, Novi Sad
dc.rightsrestrictedAccess
dc.sourceZbornik Matice srpske za likovne umetnosti
dc.subjectRoman tomben
dc.subjectPannonia Secundaen
dc.subjectLate Antiquityen
dc.subjectfunerary arten
dc.subjectBeskaen
dc.titleHome for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beskaen
dc.typearticle
dc.rights.licenseARR
dc.citation.epage24
dc.citation.issue45
dc.citation.other(45): 13-24
dc.citation.rankM51
dc.citation.spage13
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_reff_2360
dc.identifier.wos000424588600001
dc.type.versionpublishedVersion


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Приказ основних података о документу