The poor between the "culture of poverty" and Miracle in Milan
Апстракт
The issue of understanding, empathy and the relationship to the poor, the socially and economically marginalized segments of most contemporary societies, represents one of the most challenging political socio-economic, humanist, and scientific problems of today. The paper compares two ways of understanding and representing the urban poor -anthropological and cinematographic. The theoretical and practical achievements of Oscar Lewis and his idea of the "culture of poverty" are given as an example of the anthropological study and understanding of the poor. On the other hand, an analysis of the representation of the poor in Vittorio De Sica's film Miracle in Milan (1951) is given as an example of the cinematographic treatment of the issue. The aim of this comparison is the confronting of two viewpoints - one which aims to get to the scientific truth about poverty and the other - which gives a subjective artistic interpretation of the "old and romantic story about the rich man and the paup...er" and the consideration of their cognitive and interpretative effects and potential for an anthropological theory and practice on the issue which would be "better" and wider in scope.
Кључне речи:
the urban poor / the film Miracle in Milan / Oscar Lewis / Italian neorealism / culture of povertyИзвор:
Etnoantropološki problemi, 2017, 12, 2, 349-378Издавач:
- Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
Финансирање / пројекти:
- Идентитетске политике Европске Уније: Прилагођавање и примена у Републици Србији (RS-MESTD-Basic Research (BR or ON)-177017)
Институција/група
Etnologija i antropologija / Ethnology and AnthropologyTY - JOUR AU - Gačanović, Ivana PY - 2017 UR - http://reff.f.bg.ac.rs/handle/123456789/2386 AB - The issue of understanding, empathy and the relationship to the poor, the socially and economically marginalized segments of most contemporary societies, represents one of the most challenging political socio-economic, humanist, and scientific problems of today. The paper compares two ways of understanding and representing the urban poor -anthropological and cinematographic. The theoretical and practical achievements of Oscar Lewis and his idea of the "culture of poverty" are given as an example of the anthropological study and understanding of the poor. On the other hand, an analysis of the representation of the poor in Vittorio De Sica's film Miracle in Milan (1951) is given as an example of the cinematographic treatment of the issue. The aim of this comparison is the confronting of two viewpoints - one which aims to get to the scientific truth about poverty and the other - which gives a subjective artistic interpretation of the "old and romantic story about the rich man and the pauper" and the consideration of their cognitive and interpretative effects and potential for an anthropological theory and practice on the issue which would be "better" and wider in scope. PB - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd T2 - Etnoantropološki problemi T1 - The poor between the "culture of poverty" and Miracle in Milan EP - 378 IS - 2 SP - 349 VL - 12 DO - 10.21301/EAP.V12I2.2 ER -
@article{ author = "Gačanović, Ivana", year = "2017", abstract = "The issue of understanding, empathy and the relationship to the poor, the socially and economically marginalized segments of most contemporary societies, represents one of the most challenging political socio-economic, humanist, and scientific problems of today. The paper compares two ways of understanding and representing the urban poor -anthropological and cinematographic. The theoretical and practical achievements of Oscar Lewis and his idea of the "culture of poverty" are given as an example of the anthropological study and understanding of the poor. On the other hand, an analysis of the representation of the poor in Vittorio De Sica's film Miracle in Milan (1951) is given as an example of the cinematographic treatment of the issue. The aim of this comparison is the confronting of two viewpoints - one which aims to get to the scientific truth about poverty and the other - which gives a subjective artistic interpretation of the "old and romantic story about the rich man and the pauper" and the consideration of their cognitive and interpretative effects and potential for an anthropological theory and practice on the issue which would be "better" and wider in scope.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd", journal = "Etnoantropološki problemi", title = "The poor between the "culture of poverty" and Miracle in Milan", pages = "378-349", number = "2", volume = "12", doi = "10.21301/EAP.V12I2.2" }
Gačanović, I.. (2017). The poor between the "culture of poverty" and Miracle in Milan. in Etnoantropološki problemi Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 12(2), 349-378. https://doi.org/10.21301/EAP.V12I2.2
Gačanović I. The poor between the "culture of poverty" and Miracle in Milan. in Etnoantropološki problemi. 2017;12(2):349-378. doi:10.21301/EAP.V12I2.2 .
Gačanović, Ivana, "The poor between the "culture of poverty" and Miracle in Milan" in Etnoantropološki problemi, 12, no. 2 (2017):349-378, https://doi.org/10.21301/EAP.V12I2.2 . .