Приказ основних података о документу

dc.creatorVukadinović, Maja
dc.creatorMarković, Slobodan
dc.date.accessioned2021-10-12T12:34:18Z
dc.date.available2021-10-12T12:34:18Z
dc.date.issued2017
dc.identifier.issn0048-5705
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2397
dc.description.abstractThe study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers' aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.en
dc.publisherDruštvo psihologa Srbije, Beograd
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-sa/4.0/
dc.sourcePsihologija
dc.subjectproprioceptionen
dc.subjectdanceren
dc.subjectchoreographiesen
dc.subjectaudienceen
dc.subjectaesthetic experienceen
dc.titleThe relationship between the dancers' and the audience's aesthetic experienceen
dc.typearticle
dc.rights.licenseBY-SA
dc.citation.epage481
dc.citation.issue4
dc.citation.other50(4): 465-481
dc.citation.rankM23
dc.citation.spage465
dc.citation.volume50
dc.identifier.doi10.2298/PSI160222009V
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1147/2394.pdf
dc.identifier.scopus2-s2.0-85040320422
dc.identifier.wos000419017600003
dc.type.versionpublishedVersion


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