Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu
Three reflections of Yugoslav modernity in the mirror of the Museum of Contemporary Art in Belgrade
Апстракт
U radu se istražuje karakter jugoslovenske modernosti u socijalističkom periodu viđen kroz prizmu Muzeja savremene umetnosti u Beogradu. Polazeći od predstavljanja tri naročite 'posete' ovom muzeju u godinama neposredno nakon njegovog otvaranja, prepoznaju se određene karakteristike jugoslovenske modernosti: kulturna i društvena paradoksalnost, politička i ideološka opravdanost, te individualna i kolektivna zavodljivost. Ove karakteristike se dovode u vezu s opštim društvenoekonomskim uslovima u Socijalističkoj Jugoslaviji, a polazeći od teze da je Muzej savremene umetnosti svojevrsni generator slike o Jugoslaviji kao modernoj zemlji. Otuda i pretpostavka da tri izabrana 'lika', ogledajući se u inverznom ogledalu Muzeja, mogu pouzdano da svedoče o specifičnostima jugoslovenske modernosti u socijalističkom periodu.
The paper examines the character of Yugoslav modernity in the socialist period, seen through the prism of the Museum of Contemporary Art in Belgrade. Starting from the presentation of three special 'visits' to this museum in the years immediately after its opening, certain characteristics of Yugoslav modernity are recognized. The main thesis is that the Museum of Contemporary Art was a specific generator of Yugoslavia's image as a modern country, and that this concept is related to the general socioeconomic conditions in the Socialist Yugoslavia. Hence the assumption that the three chosen 'visitors' of the museum - Ivo Andrić (writer), Josip Broz Tito (president of SFRJ), and Nenad and Predrag (fictional twin brothers) - reflected in its inverse mirror, can reliably testify about specificities of the Yugoslav modernity in the socialist period: about its cultural and social paradoxes, political and ideological validations and individual and collective seduction.
Кључне речи:
Socijalistička Jugoslavija / ogledalo / Muzej savremene umetnosti u Beogradu / modernost / Socialist Yugoslavia / Museum of Contemporary Art in Belgrade / modernity / mirrorИзвор:
Kultura, 2018, 161, 221-234Издавач:
- Zavod za proučavanje kulturnog razvitka, Beograd
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Popadić, Milan PY - 2018 UR - http://reff.f.bg.ac.rs/handle/123456789/2487 AB - U radu se istražuje karakter jugoslovenske modernosti u socijalističkom periodu viđen kroz prizmu Muzeja savremene umetnosti u Beogradu. Polazeći od predstavljanja tri naročite 'posete' ovom muzeju u godinama neposredno nakon njegovog otvaranja, prepoznaju se određene karakteristike jugoslovenske modernosti: kulturna i društvena paradoksalnost, politička i ideološka opravdanost, te individualna i kolektivna zavodljivost. Ove karakteristike se dovode u vezu s opštim društvenoekonomskim uslovima u Socijalističkoj Jugoslaviji, a polazeći od teze da je Muzej savremene umetnosti svojevrsni generator slike o Jugoslaviji kao modernoj zemlji. Otuda i pretpostavka da tri izabrana 'lika', ogledajući se u inverznom ogledalu Muzeja, mogu pouzdano da svedoče o specifičnostima jugoslovenske modernosti u socijalističkom periodu. AB - The paper examines the character of Yugoslav modernity in the socialist period, seen through the prism of the Museum of Contemporary Art in Belgrade. Starting from the presentation of three special 'visits' to this museum in the years immediately after its opening, certain characteristics of Yugoslav modernity are recognized. The main thesis is that the Museum of Contemporary Art was a specific generator of Yugoslavia's image as a modern country, and that this concept is related to the general socioeconomic conditions in the Socialist Yugoslavia. Hence the assumption that the three chosen 'visitors' of the museum - Ivo Andrić (writer), Josip Broz Tito (president of SFRJ), and Nenad and Predrag (fictional twin brothers) - reflected in its inverse mirror, can reliably testify about specificities of the Yugoslav modernity in the socialist period: about its cultural and social paradoxes, political and ideological validations and individual and collective seduction. PB - Zavod za proučavanje kulturnog razvitka, Beograd T2 - Kultura T1 - Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu T1 - Three reflections of Yugoslav modernity in the mirror of the Museum of Contemporary Art in Belgrade EP - 234 IS - 161 SP - 221 DO - 10.5937/kultura1861221P ER -
@article{ author = "Popadić, Milan", year = "2018", abstract = "U radu se istražuje karakter jugoslovenske modernosti u socijalističkom periodu viđen kroz prizmu Muzeja savremene umetnosti u Beogradu. Polazeći od predstavljanja tri naročite 'posete' ovom muzeju u godinama neposredno nakon njegovog otvaranja, prepoznaju se određene karakteristike jugoslovenske modernosti: kulturna i društvena paradoksalnost, politička i ideološka opravdanost, te individualna i kolektivna zavodljivost. Ove karakteristike se dovode u vezu s opštim društvenoekonomskim uslovima u Socijalističkoj Jugoslaviji, a polazeći od teze da je Muzej savremene umetnosti svojevrsni generator slike o Jugoslaviji kao modernoj zemlji. Otuda i pretpostavka da tri izabrana 'lika', ogledajući se u inverznom ogledalu Muzeja, mogu pouzdano da svedoče o specifičnostima jugoslovenske modernosti u socijalističkom periodu., The paper examines the character of Yugoslav modernity in the socialist period, seen through the prism of the Museum of Contemporary Art in Belgrade. Starting from the presentation of three special 'visits' to this museum in the years immediately after its opening, certain characteristics of Yugoslav modernity are recognized. The main thesis is that the Museum of Contemporary Art was a specific generator of Yugoslavia's image as a modern country, and that this concept is related to the general socioeconomic conditions in the Socialist Yugoslavia. Hence the assumption that the three chosen 'visitors' of the museum - Ivo Andrić (writer), Josip Broz Tito (president of SFRJ), and Nenad and Predrag (fictional twin brothers) - reflected in its inverse mirror, can reliably testify about specificities of the Yugoslav modernity in the socialist period: about its cultural and social paradoxes, political and ideological validations and individual and collective seduction.", publisher = "Zavod za proučavanje kulturnog razvitka, Beograd", journal = "Kultura", title = "Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu, Three reflections of Yugoslav modernity in the mirror of the Museum of Contemporary Art in Belgrade", pages = "234-221", number = "161", doi = "10.5937/kultura1861221P" }
Popadić, M.. (2018). Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu. in Kultura Zavod za proučavanje kulturnog razvitka, Beograd.(161), 221-234. https://doi.org/10.5937/kultura1861221P
Popadić M. Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu. in Kultura. 2018;(161):221-234. doi:10.5937/kultura1861221P .
Popadić, Milan, "Tri lika jugoslovenske modernosti u ogledalu Muzeja savremene umetnosti u Beogradu" in Kultura, no. 161 (2018):221-234, https://doi.org/10.5937/kultura1861221P . .