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dc.creatorPišev, Marko
dc.date.accessioned2021-10-12T12:51:54Z
dc.date.available2021-10-12T12:51:54Z
dc.date.issued2018
dc.identifier.issn0353-1589
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2685
dc.description.abstractThe paper tries to determine what exactly means when the city and the state (indirectly) authorities call some object "the new symbol of Belgrade." This scientific problem is considered on the case of a musical fountain on Slavija Square. What kind of symbol is that and on what basis it is attributed to this status? What should a musical fountain represent, as the "new" symbol of the capital? On these and other questions, I will try to answer with anthropological analysis to mise-en-scene and symbolic of the fountain. Under the mise-enscene I mean everything that lies around the fountain, which can be implicitly or explicitly brought it to a spatial connection. The symbolic plane of the fountain includes, inter alia, its musical content, which will also be considered in the text.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177017/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceEtnoantropološki problemi
dc.subjectsymbolen
dc.subjectSlavija Squareen
dc.subjectpopular musicen
dc.subjectmusic fountainen
dc.subjectideologyen
dc.subjectcultureen
dc.titleOne Song a Day Takes Mischief Away: Anthropological analysis of the music fountain on Slavija Squareen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage438
dc.citation.issue2
dc.citation.other13(2): 415-438
dc.citation.rankM24
dc.citation.spage415
dc.citation.volume13
dc.identifier.doi10.21301/eap.v13i2.7
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1369/2682.pdf
dc.identifier.wos000440525900008
dc.type.versionpublishedVersion


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Приказ основних података о документу