Icons of Maria Angelina Doukaina Palailologina
Само за регистроване кориснике
2019
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Icons of Maria Angelina Doukaina Palaiologina are examples of female ktetorship in Byzantine cultural sphere (Byzantine culture) in late Middle Ages. Made at the end of the 14th century, these icons transferred the position of their female ktetor to entire Christian hierarchy and furthermore, they reflected her private piety and devotion to Jesus Christ, Virgin Mary and Thomas the Apostle, whom she perceived as her protectors and advocates at the Last Judgement. Through ktetorial portraits on forementioned icons, Maria build her identity as a ruler, a legitimate sovereign of Epirus and Ioannina. The foundation of her ruling identity and self-representation lay in family relations with Komnenos, Doukas, Palaiologos and the holy dynasty of Nemanici. The new iconography of an older and well-known depiction of the Incredulity of Saint Thomas was made as a result of the changes in politics and society of the Byzantine commonwealth that were closely connected with Maria Angelina Doukaina Pal...aiologina and her political influence.
Кључне речи:
Thomas Preljubovic / the Incredulity of Saint Thomas / ruling ideology / private piety / Monastery of Transfiguration in Meteora / Maria Angelina Doukaina Palaiologina / ktetorship / Icons / iconographyИзвор:
Zbornik Matice srpske za likovne umetnosti, 2019, 47, 47-56Издавач:
- Matica srpska, Novi Sad
Финансирање / пројекти:
- Хришћанска култура на Балкану у средњем веку: Византијско царство, Срби и Бугари од 9. до 15. века (RS-MESTD-Basic Research (BR or ON)-177015)
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Vinulović, Ljubica PY - 2019 UR - http://reff.f.bg.ac.rs/handle/123456789/2998 AB - Icons of Maria Angelina Doukaina Palaiologina are examples of female ktetorship in Byzantine cultural sphere (Byzantine culture) in late Middle Ages. Made at the end of the 14th century, these icons transferred the position of their female ktetor to entire Christian hierarchy and furthermore, they reflected her private piety and devotion to Jesus Christ, Virgin Mary and Thomas the Apostle, whom she perceived as her protectors and advocates at the Last Judgement. Through ktetorial portraits on forementioned icons, Maria build her identity as a ruler, a legitimate sovereign of Epirus and Ioannina. The foundation of her ruling identity and self-representation lay in family relations with Komnenos, Doukas, Palaiologos and the holy dynasty of Nemanici. The new iconography of an older and well-known depiction of the Incredulity of Saint Thomas was made as a result of the changes in politics and society of the Byzantine commonwealth that were closely connected with Maria Angelina Doukaina Palaiologina and her political influence. PB - Matica srpska, Novi Sad T2 - Zbornik Matice srpske za likovne umetnosti T1 - Icons of Maria Angelina Doukaina Palailologina EP - 56 IS - 47 SP - 47 UR - https://hdl.handle.net/21.15107/rcub_reff_2998 ER -
@article{ author = "Vinulović, Ljubica", year = "2019", abstract = "Icons of Maria Angelina Doukaina Palaiologina are examples of female ktetorship in Byzantine cultural sphere (Byzantine culture) in late Middle Ages. Made at the end of the 14th century, these icons transferred the position of their female ktetor to entire Christian hierarchy and furthermore, they reflected her private piety and devotion to Jesus Christ, Virgin Mary and Thomas the Apostle, whom she perceived as her protectors and advocates at the Last Judgement. Through ktetorial portraits on forementioned icons, Maria build her identity as a ruler, a legitimate sovereign of Epirus and Ioannina. The foundation of her ruling identity and self-representation lay in family relations with Komnenos, Doukas, Palaiologos and the holy dynasty of Nemanici. The new iconography of an older and well-known depiction of the Incredulity of Saint Thomas was made as a result of the changes in politics and society of the Byzantine commonwealth that were closely connected with Maria Angelina Doukaina Palaiologina and her political influence.", publisher = "Matica srpska, Novi Sad", journal = "Zbornik Matice srpske za likovne umetnosti", title = "Icons of Maria Angelina Doukaina Palailologina", pages = "56-47", number = "47", url = "https://hdl.handle.net/21.15107/rcub_reff_2998" }
Vinulović, L.. (2019). Icons of Maria Angelina Doukaina Palailologina. in Zbornik Matice srpske za likovne umetnosti Matica srpska, Novi Sad.(47), 47-56. https://hdl.handle.net/21.15107/rcub_reff_2998
Vinulović L. Icons of Maria Angelina Doukaina Palailologina. in Zbornik Matice srpske za likovne umetnosti. 2019;(47):47-56. https://hdl.handle.net/21.15107/rcub_reff_2998 .
Vinulović, Ljubica, "Icons of Maria Angelina Doukaina Palailologina" in Zbornik Matice srpske za likovne umetnosti, no. 47 (2019):47-56, https://hdl.handle.net/21.15107/rcub_reff_2998 .