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dc.creatorZlatović, Anja
dc.date.accessioned2021-10-12T13:27:53Z
dc.date.available2021-10-12T13:27:53Z
dc.date.issued2021
dc.identifier.issn0353-1589
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/3256
dc.description.abstractThe fear of death and the myth of immortality are themes long present in various narratives, whether literary or visual. Science fiction as a genre offers us many venues for new explorations of this idea. Mind uploading is one of them. This fictional technique, related to cloning, is performed when the mind and consciousness of a person are transferred to another biological body or machine with the help of technology. In this way, a person continues their social life through their brain functions. This paper looks at four separate recent screen narratives - the movies Self/less, Transcendence, and Replicas, and the episode "Be Right Back" of the TV show Black Mirror. With the help of Tzvetan Todorov's structural analysis, we find clauses that arc present in all of the plots and see what ideas and topics they share. The paper also uses the idea of anthropological reading of science fiction and therefore uses scientific research to analyze these themes. By looking at anthropological findings of immortality, mortality, death in modern society, and digital techniques, we see how the analyzed narratives portray a unique mixture of fear of and longing for all the mentioned processes and ideas. Finally, this paper shows how science fiction could possibly reflect reality - both through presenting thoughts of society and inspiring future technological advances and ideas (in this case, the quest for immortality). While humans are still far from achieving eternal life, the mentioned screen narratives portray the growing stream of ideas that deal with mind uploading in the age of the interne and social media.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/inst-2020/200163/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceEtnoantropološki problemi
dc.subjecttechnologyen
dc.subjectpopular cultureen
dc.subjectmyth of immortalityen
dc.subjectmind uploadingen
dc.subjectfilmen
dc.subjectfear of deathen
dc.titleUntil Death Do Us Part and They Upload Us Into Clones: An Analysis of Film Narratives About Mind Uploading and the Myth of Immortalityen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage548
dc.citation.issue2
dc.citation.other16(2): 527-548
dc.citation.rankM23
dc.citation.spage527
dc.citation.volume16
dc.identifier.doi10.21301/eap.v16i2.9
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1848/3253.pdf
dc.identifier.wos000675794900009
dc.type.versionpublishedVersion


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