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The synthronon and locus inferior of the metropolitan of Pozega. Liturgical furniture and wall paintings of the Orahovica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
The paper discusses the appearance of the synthronon, the position of the
locus inferior (αρχιερατικός, or δεσποτικός θρόνος, the episcopal throne in
the nave, donje mesto) of the Metropolitan of Požega at the Orahovica
...
A note on two unpublised Coptic extiles from Belgrade
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
This text presents to the academic public two so-far unpublished pieces from the collection of Coptic textiles housed at the Museum of Applied Art in Belgrade. The aim of this text is to identify the motifs represented on ...
Observations on the oldest known icons of the Monastery of King Marko (I): The issue of the patronage of Helena Dragas and the inscription on the shield of St Demetrios
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2013)
The paper refutes the assumption of Peter Miljkovie-Pepek that the oldest icons in the treasury of Monastery of King Marko were painted between 1395 and 1405, as a gift the Byzantine empress Helena Dragas made to the ...
Traces of the throne of grand zupan Stefan Nemanjic and the fresco decoration of the main church of the monastery of Studenica
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper deals with the bearings of the structure preserved in the floor beside the southwestern support of the dome in the Studenica katholikon, and on the dado rail of that pilaster From the appearance of the bearings, ...
The iconostasis in Decani - the original painted programme and subsequent changes
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted ...
Newly discovered portraits of rulers and the dating of the oldest frescoes in Lipljan
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
On the facade of the church of the Presentation of the Virgin, in Lipljan, the damaged depictions of two rulers were discovered under a more recent layer of fresco mortar. The depictions can be identified as portraits of ...
On the donor's inscription of Prince Miroslav in the Church of St. Peter on the Lim
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The Old Slavonic Cyrillic letters "o" and "x" written at the end of Prince Miroslav's inscription in the church of St. Peter in Belo Polje are not, as was earlier thought, an abridged invocation or an acronym. One should ...
The iconography of light. A possible interpretation of the decoration of a three nozzle lamp from Viminacium
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
This paper focuses on offering a possible iconographic interpretation of the decoration of a rare three nozzle lamp discovered in the ancient city of Viminacium, on the locality of a necropolis called Pecine, dated to the ...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In the katholikon of the monastery of Praskvica there are remains of two
layers of post-Byzantine wall-painting: the earlier, from the third quarter
of the sixteenth century, and later, from the first half of the ...