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The Spatial and Programmatic Context of the Noble Portraits: Byzantium-Serbia-Bulgaria
(The Serbian National Committee of Byzantine Studies, 08-2016)
The portraits of mediaeval nobility were located in various parts of the interior of Byzantine,
Bulgarian and Serbian churches, most frequently the naos or narthex. Very oten such portraits
were also placed on church ...
The programmatic context of the Serbian nobility portraits during the Nemanjić dynasty / Програмски контекст српског властеоског портрета у доба Немањића
(Матица српска, Нови Сад, 2023)
Portraits of nobility were thoughtfully incorporated into the thematic programme of medieval churches and brought into connection with the representations of patrons, religious compositions, and portraits of contemporaries. ...
Artification of Memory: “Trench Art” and Remembering Serbian Soldiers from the Great War / Артифицирање сећања: „Рововска уметност“ и памћење српских војника из Великог рата
(Faculty of Philosophy, University of Belgrade, 2021)
Objects made from war
matériel
, munition shells and arms whose primary military function is transformed by the act of artification emerged as a phenomenon in European visual culture during and after WW1. These ob- ...
Portraits of Nobility in Serbian Medieval Art. A contribution to the study of their iconography / Властеоски портрети у српској средњовековној уметности. Прилог проучавању њихове иконографије
(Матица српска, Нови Сад, 2021)
Portraits of Serbian nobility, representatives of various social categories
that were created in the 14th and in the first half of the 15th century, were preserved in Serbian
mural and icon painting. The main goal of ...
Зидно сликарство градачког католикона. Попис фресака и запажања о појединим програмским особеностима / Les peintures murales du catholicon du monastère de Gradac. Répertoire des fresques et observations sur les particularités de certaines représentations
(Институт за историју уметности, Филозофски факултет Универзитета у Београду, 2012)
У раду је изложен иконографски програм фресака Благовештенске цркве манастира Градца, идентификовани су неки до сад непрепознати делови живописа, објављени сачувани натписи на фрескама, као и текстови
на свицима архијереја ...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
Et in Patria ego: Medieval monuments in travelogues from Serbia from the beginning of the 19th century
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The paper analyzes writings on medieval monuments in Serbia noted in a number of literary essays written after the Second Serbian uprising. Seeing as in prior historiographical accounts these data on Serbian antiques were ...
Newly discovered portraits of rulers and the dating of the oldest frescoes in Lipljan
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
On the facade of the church of the Presentation of the Virgin, in Lipljan, the damaged depictions of two rulers were discovered under a more recent layer of fresco mortar. The depictions can be identified as portraits of ...
Literarno tumačenje likovnog dela - primeri iz metodologije Srpske istorije umetnosti prve polovine 20. veka / Literary interpretation of a painting: Examples from the methodology of Serbian art history in the first half of the 20th century
(Univerzitet u Kragujevcu - Filološko-umetnički fakultet, Kragujevac, 2011)
U radu se prepoznaju i klasifikuju primeri (ostataka) literarnog tumačenja umetnosti u okvirima novoformirane istorije umetnosti kao nauke. Razmatra se zašto svaki naučnik koji uvodi novi metod ove nauke istovremeno nastavlja ...
Critical regionalism in the work of architect Branislav Mitrovic
(Matica srpska, Novi Sad, 2019)
In the Serbian architecture from the end of the twentieth and at the beginning of the twenty-first century, Branislav Mitrovic (1948) distinguished himself as the most successful author of the whole orientation, as opponent ...