Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882)
Religious Art and the Public in the Principality of Serbia (1830–1882)
Апстракт
У раду се разматрају утицаји које је друштевна и културна јавност имала, посредством штампаних медија, на развој и уобличавање црквеног живота и црквене уметности у Кнежевини Србији (1830-1882). Иако је у ранијој историографији уочено да је уметничка критика изношена у штампи 19. века била важан фактор њеног уобличавања, није посвећена посебна пажња црквеној уметности и утицајима јавности на њу. Кроз преглед ставова и коментара изречених у новинама и периодици у вези са црквеном архитектуром, сликарством и разним црквеним активностима усмереним на изградњу, обнову и украшавање храмова у Кнежевини Србији, циљ је да се актуелизује значај утицаја штампаних медија на развој црквене уметности 19. века у даљим истраживањима.
In the Principality of Serbia in the 19th century, the Orthodox Church represented
a significant entity and had a privileged position as a state and national institution. This all affected its place in public life, as well as the public control of all the
church activities regarding the churches’ construction, equipping, painting, and renovation. Thus, the aesthetical criteria, demands, and effects of the cultural and
scientific public were a tremendous factor in making church art common during
the 19th century. The public had an influence on art development through various
forms in the Principality of Serbia, and some of the instruments were both daily
and periodical (printed) press.
The public’s attitude towards the church art was stated in the press and humongously affected the people’s consciousness of the Church and church art’s significance in relation to the state and nation, as well. Also, the ordering parties’
tastes had thus been formed, which also had an impact on th...e complex mechanisms
of the general church art trends during the 19th century. This kind of practice
was characteristic of 19th-century Europe and Russia, and from there it was also
accepted and developed in Serbia. Despite the fact that in the 19th century the
Serbian people had lived in the territory of three states – the Ottoman Empire, the
Principality/Kingdom of Serbia, and Austria, the periodical literature and newspapers had been available to the Serbian social and cultural elite at the mentioned
territories. Since the press had not been strictly limited by the state boundaries,
a wider reading audience had been familiar with the information and attitudes
about art presented in both the newspapers and periodical literature, which were
printed in Serbia and Austria, as well. The newspapers coming out in the period
1830–1882, such as Šumadinka, Srbske novine, Novine Čitališta beogradskog, Sion,
Podunavka, Golubica, Orao, and others, contained different aesthetical attitudes on
the church painting and architecture, but also considered various problems on the
topics of erecting and painting the churches. The public significance of the works
regarding the construction and equipping of the churches had been highlighted.
Certain models of the church architecture and painting had been promoted, along
with the individual artists’ works. By reading the daily and periodical press, the
reading public had been informed about the church heritage from the past through
the reports about medieval churches and some debates on their renovation. Finally,
the public of experts promoted, by using the (printed) press, certain advisable behavior models, such as the contribution activities towards the Church which were
seen as the ultimate patriotic endeavor.
Кључне речи:
црквена уметност / штампа / јавност / Кнежевина Србија / religious art / printed media in 19th century / Principality of SerbiaИзвор:
Zbornik radova Filozofskog fakulteta u Prištini, 2022, 52, 2, 193-211Издавач:
- Filozofski fakultet, Univerzitet u Prištini
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200163 (Универзитет у Београду, Филозофски факултет) (RS-MESTD-inst-2020-200163)
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Kostić, Ana PY - 2022 UR - http://reff.f.bg.ac.rs/handle/123456789/3941 AB - У раду се разматрају утицаји које је друштевна и културна јавност имала, посредством штампаних медија, на развој и уобличавање црквеног живота и црквене уметности у Кнежевини Србији (1830-1882). Иако је у ранијој историографији уочено да је уметничка критика изношена у штампи 19. века била важан фактор њеног уобличавања, није посвећена посебна пажња црквеној уметности и утицајима јавности на њу. Кроз преглед ставова и коментара изречених у новинама и периодици у вези са црквеном архитектуром, сликарством и разним црквеним активностима усмереним на изградњу, обнову и украшавање храмова у Кнежевини Србији, циљ је да се актуелизује значај утицаја штампаних медија на развој црквене уметности 19. века у даљим истраживањима. AB - In the Principality of Serbia in the 19th century, the Orthodox Church represented a significant entity and had a privileged position as a state and national institution. This all affected its place in public life, as well as the public control of all the church activities regarding the churches’ construction, equipping, painting, and renovation. Thus, the aesthetical criteria, demands, and effects of the cultural and scientific public were a tremendous factor in making church art common during the 19th century. The public had an influence on art development through various forms in the Principality of Serbia, and some of the instruments were both daily and periodical (printed) press. The public’s attitude towards the church art was stated in the press and humongously affected the people’s consciousness of the Church and church art’s significance in relation to the state and nation, as well. Also, the ordering parties’ tastes had thus been formed, which also had an impact on the complex mechanisms of the general church art trends during the 19th century. This kind of practice was characteristic of 19th-century Europe and Russia, and from there it was also accepted and developed in Serbia. Despite the fact that in the 19th century the Serbian people had lived in the territory of three states – the Ottoman Empire, the Principality/Kingdom of Serbia, and Austria, the periodical literature and newspapers had been available to the Serbian social and cultural elite at the mentioned territories. Since the press had not been strictly limited by the state boundaries, a wider reading audience had been familiar with the information and attitudes about art presented in both the newspapers and periodical literature, which were printed in Serbia and Austria, as well. The newspapers coming out in the period 1830–1882, such as Šumadinka, Srbske novine, Novine Čitališta beogradskog, Sion, Podunavka, Golubica, Orao, and others, contained different aesthetical attitudes on the church painting and architecture, but also considered various problems on the topics of erecting and painting the churches. The public significance of the works regarding the construction and equipping of the churches had been highlighted. Certain models of the church architecture and painting had been promoted, along with the individual artists’ works. By reading the daily and periodical press, the reading public had been informed about the church heritage from the past through the reports about medieval churches and some debates on their renovation. Finally, the public of experts promoted, by using the (printed) press, certain advisable behavior models, such as the contribution activities towards the Church which were seen as the ultimate patriotic endeavor. PB - Filozofski fakultet, Univerzitet u Prištini T2 - Zbornik radova Filozofskog fakulteta u Prištini T1 - Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882) T1 - Religious Art and the Public in the Principality of Serbia (1830–1882) EP - 211 IS - 2 SP - 193 VL - 52 DO - 10.5937/zrffp52-36847 ER -
@article{ author = "Kostić, Ana", year = "2022", abstract = "У раду се разматрају утицаји које је друштевна и културна јавност имала, посредством штампаних медија, на развој и уобличавање црквеног живота и црквене уметности у Кнежевини Србији (1830-1882). Иако је у ранијој историографији уочено да је уметничка критика изношена у штампи 19. века била важан фактор њеног уобличавања, није посвећена посебна пажња црквеној уметности и утицајима јавности на њу. Кроз преглед ставова и коментара изречених у новинама и периодици у вези са црквеном архитектуром, сликарством и разним црквеним активностима усмереним на изградњу, обнову и украшавање храмова у Кнежевини Србији, циљ је да се актуелизује значај утицаја штампаних медија на развој црквене уметности 19. века у даљим истраживањима., In the Principality of Serbia in the 19th century, the Orthodox Church represented a significant entity and had a privileged position as a state and national institution. This all affected its place in public life, as well as the public control of all the church activities regarding the churches’ construction, equipping, painting, and renovation. Thus, the aesthetical criteria, demands, and effects of the cultural and scientific public were a tremendous factor in making church art common during the 19th century. The public had an influence on art development through various forms in the Principality of Serbia, and some of the instruments were both daily and periodical (printed) press. The public’s attitude towards the church art was stated in the press and humongously affected the people’s consciousness of the Church and church art’s significance in relation to the state and nation, as well. Also, the ordering parties’ tastes had thus been formed, which also had an impact on the complex mechanisms of the general church art trends during the 19th century. This kind of practice was characteristic of 19th-century Europe and Russia, and from there it was also accepted and developed in Serbia. Despite the fact that in the 19th century the Serbian people had lived in the territory of three states – the Ottoman Empire, the Principality/Kingdom of Serbia, and Austria, the periodical literature and newspapers had been available to the Serbian social and cultural elite at the mentioned territories. Since the press had not been strictly limited by the state boundaries, a wider reading audience had been familiar with the information and attitudes about art presented in both the newspapers and periodical literature, which were printed in Serbia and Austria, as well. The newspapers coming out in the period 1830–1882, such as Šumadinka, Srbske novine, Novine Čitališta beogradskog, Sion, Podunavka, Golubica, Orao, and others, contained different aesthetical attitudes on the church painting and architecture, but also considered various problems on the topics of erecting and painting the churches. The public significance of the works regarding the construction and equipping of the churches had been highlighted. Certain models of the church architecture and painting had been promoted, along with the individual artists’ works. By reading the daily and periodical press, the reading public had been informed about the church heritage from the past through the reports about medieval churches and some debates on their renovation. Finally, the public of experts promoted, by using the (printed) press, certain advisable behavior models, such as the contribution activities towards the Church which were seen as the ultimate patriotic endeavor.", publisher = "Filozofski fakultet, Univerzitet u Prištini", journal = "Zbornik radova Filozofskog fakulteta u Prištini", title = "Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882), Religious Art and the Public in the Principality of Serbia (1830–1882)", pages = "211-193", number = "2", volume = "52", doi = "10.5937/zrffp52-36847" }
Kostić, A.. (2022). Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882). in Zbornik radova Filozofskog fakulteta u Prištini Filozofski fakultet, Univerzitet u Prištini., 52(2), 193-211. https://doi.org/10.5937/zrffp52-36847
Kostić A. Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882). in Zbornik radova Filozofskog fakulteta u Prištini. 2022;52(2):193-211. doi:10.5937/zrffp52-36847 .
Kostić, Ana, "Crkvena umetnost i javnost u Kneževini Srbiji (1830-1882)" in Zbornik radova Filozofskog fakulteta u Prištini, 52, no. 2 (2022):193-211, https://doi.org/10.5937/zrffp52-36847 . .