Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos
Апстракт
The parakklesion of Saint Euthymios in Thessaloniki and the parakklesion of the
Theotokos Pammakaristos in Constantinople were built by protostrator Michael Glabas Tarchaneiotes and his wife Maria Doukaina Brana Palaiologina at the beginning of the 14th century. The wall paintings of these two chapels are very complex,
especially the cycle of Saint Euthymios as well as the composition of the extended
Deesis in the parakklesion of the Pammakaristos within which the portrait of Saint
Euthymios is painted. These compositions testify to interconnectedness of the wall
painting of this two parakklesia and to the ktetor’s private piety toward Saint Euthymios who was their private patron.
Извор:
Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings, 2022, 311-311Издавач:
- Venezia: Edizioni Ca’ Foscari - Venice UniversityPress
Институција/група
Istorija umetnosti / History of ArtTY - CONF AU - Vinulović, Ljubica PY - 2022 UR - http://reff.f.bg.ac.rs/handle/123456789/6072 AB - The parakklesion of Saint Euthymios in Thessaloniki and the parakklesion of the Theotokos Pammakaristos in Constantinople were built by protostrator Michael Glabas Tarchaneiotes and his wife Maria Doukaina Brana Palaiologina at the beginning of the 14th century. The wall paintings of these two chapels are very complex, especially the cycle of Saint Euthymios as well as the composition of the extended Deesis in the parakklesion of the Pammakaristos within which the portrait of Saint Euthymios is painted. These compositions testify to interconnectedness of the wall painting of this two parakklesia and to the ktetor’s private piety toward Saint Euthymios who was their private patron. PB - Venezia: Edizioni Ca’ Foscari - Venice UniversityPress C3 - Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings T1 - Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos EP - 311 SP - 311 UR - https://hdl.handle.net/21.15107/rcub_reff_6072 ER -
@conference{ author = "Vinulović, Ljubica", year = "2022", abstract = "The parakklesion of Saint Euthymios in Thessaloniki and the parakklesion of the Theotokos Pammakaristos in Constantinople were built by protostrator Michael Glabas Tarchaneiotes and his wife Maria Doukaina Brana Palaiologina at the beginning of the 14th century. The wall paintings of these two chapels are very complex, especially the cycle of Saint Euthymios as well as the composition of the extended Deesis in the parakklesion of the Pammakaristos within which the portrait of Saint Euthymios is painted. These compositions testify to interconnectedness of the wall painting of this two parakklesia and to the ktetor’s private piety toward Saint Euthymios who was their private patron.", publisher = "Venezia: Edizioni Ca’ Foscari - Venice UniversityPress", journal = "Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings", title = "Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos", pages = "311-311", url = "https://hdl.handle.net/21.15107/rcub_reff_6072" }
Vinulović, L.. (2022). Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos. in Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings Venezia: Edizioni Ca’ Foscari - Venice UniversityPress., 311-311. https://hdl.handle.net/21.15107/rcub_reff_6072
Vinulović L. Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos. in Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings. 2022;:311-311. https://hdl.handle.net/21.15107/rcub_reff_6072 .
Vinulović, Ljubica, "Connected through private piety: The wallpainting of the parakklesion of Saint Euthymios and the parakklesion of the Theotokos Pammakaristos" in Abstracts of the Free Communications, Thematic Sessions, Round Tables and Posters. The 24th International Congress of Byzantine Studies Venice and Padua, 22-27 August 2022 Proceedings (2022):311-311, https://hdl.handle.net/21.15107/rcub_reff_6072 .