Приказ основних података о документу

dc.creatorVučković, Aleksandra
dc.date.accessioned2024-03-20T09:40:31Z
dc.date.available2024-03-20T09:40:31Z
dc.date.issued2024
dc.identifier.isbn978-86-7419-388-4
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/6309
dc.description.abstractThe role of mass media in the dissemination of political propaganda has been widely explored; however, this research focuses on more sublime political messages that are conveyed through films, particularly blockbusters that target relatively broad audiences. Since the beginning, Hollywood movies have served as a reflection of viewpoints that have been socially acceptable at a given moment. Nowadays, filmmakers and movie studios often use the method of mild self-deprecation as a way of legitimizing broader political messages. In other words, they criticize themselves to avoid much harsher criticism from the audience. We use the recent examples of Barbie and Oppenheimer to explore the current trend in strategies - such as limited self-awareness and pseudo-self-criticism - that are used to justify far more glaring issues with capitalism and (American) imperialism.sr
dc.language.isoensr
dc.publisherBelgrade: Institute for Political Studiessr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceFilm and Politics: Edited book from the international scientific conference held on the 18th and 19th of March 2024 in Belgrade (Ed. Ivan Matić)sr
dc.subjectphilosophysr
dc.subjectself-criticismsr
dc.subjectlegitimacysr
dc.subjectfilmssr
dc.subjectpoliticssr
dc.subjectideologysr
dc.subjectBarbiesr
dc.subjectOppenheimersr
dc.titleCinematic Self-Criticism as a Method of Justification of Contemporary Politics: The Case of Barbie and Oppenheimersr
dc.typeconferenceObjectsr
dc.rights.licenseBYsr
dc.citation.epage398
dc.citation.spage381
dc.identifier.doi10.18485/ips_film_politics.2024.ch24
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/16037/bitstream_16037.pdf
dc.type.versionpublishedVersionsr


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