“Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era
Само за регистроване кориснике
2024
Поглавље у монографији (Објављена верзија)
,
De Greuyter
Метаподаци
Приказ свих података о документуАпстракт
Monuments of the former Yugoslavia are a highly contested case when it comes to narrating the conflicted past(s) in Europe. Built mainly between the late 1960s and the early 1980s, they mirror the idea of Yugoslavia between the political, economic, and cultural antagonists of the Cold War. Today, 30 years after the wars of the 1990s, these over-dimensional open-air museums undergo a visible entry into art and popular culture. In fact, the ‘source’ communities are witnessing a process of colonisation where ‘the others’ are narrating their stories in either art vocabulary or popular images. This paper proposes introduction of performing heritage as a possible way to address the layered narratives, without neglecting the gap between their origins in Yugoslav culture and their current state in post-socialist times. Performing heritage offers a method to engage in narrating the past as politics of the body. Through examples of mentored student field work performing heritage is explored as a... tool of a critical and foremost bodily encounter with Yugoslav history and post-socialist presence.
Кључне речи:
performing heritage / Performativity / Staging monuments / Yugoslavia / Post-SocialismИзвор:
Museums, Narratives, and Critical Histories, 2024, 289-302Издавач:
- De Greuyter
Институција/група
Istorija umetnosti / History of ArtTY - CHAP AU - Đorđević, Marija AU - Krankenhagen, Stefan PY - 2024 UR - http://reff.f.bg.ac.rs/handle/123456789/6335 AB - Monuments of the former Yugoslavia are a highly contested case when it comes to narrating the conflicted past(s) in Europe. Built mainly between the late 1960s and the early 1980s, they mirror the idea of Yugoslavia between the political, economic, and cultural antagonists of the Cold War. Today, 30 years after the wars of the 1990s, these over-dimensional open-air museums undergo a visible entry into art and popular culture. In fact, the ‘source’ communities are witnessing a process of colonisation where ‘the others’ are narrating their stories in either art vocabulary or popular images. This paper proposes introduction of performing heritage as a possible way to address the layered narratives, without neglecting the gap between their origins in Yugoslav culture and their current state in post-socialist times. Performing heritage offers a method to engage in narrating the past as politics of the body. Through examples of mentored student field work performing heritage is explored as a tool of a critical and foremost bodily encounter with Yugoslav history and post-socialist presence. PB - De Greuyter T2 - Museums, Narratives, and Critical Histories T1 - “Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era EP - 302 SP - 289 DO - 10.1515/9783110787443-017 ER -
@inbook{ author = "Đorđević, Marija and Krankenhagen, Stefan", year = "2024", abstract = "Monuments of the former Yugoslavia are a highly contested case when it comes to narrating the conflicted past(s) in Europe. Built mainly between the late 1960s and the early 1980s, they mirror the idea of Yugoslavia between the political, economic, and cultural antagonists of the Cold War. Today, 30 years after the wars of the 1990s, these over-dimensional open-air museums undergo a visible entry into art and popular culture. In fact, the ‘source’ communities are witnessing a process of colonisation where ‘the others’ are narrating their stories in either art vocabulary or popular images. This paper proposes introduction of performing heritage as a possible way to address the layered narratives, without neglecting the gap between their origins in Yugoslav culture and their current state in post-socialist times. Performing heritage offers a method to engage in narrating the past as politics of the body. Through examples of mentored student field work performing heritage is explored as a tool of a critical and foremost bodily encounter with Yugoslav history and post-socialist presence.", publisher = "De Greuyter", journal = "Museums, Narratives, and Critical Histories", booktitle = "“Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era", pages = "302-289", doi = "10.1515/9783110787443-017" }
Đorđević, M.,& Krankenhagen, S.. (2024). “Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era. in Museums, Narratives, and Critical Histories De Greuyter., 289-302. https://doi.org/10.1515/9783110787443-017
Đorđević M, Krankenhagen S. “Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era. in Museums, Narratives, and Critical Histories. 2024;:289-302. doi:10.1515/9783110787443-017 .
Đorđević, Marija, Krankenhagen, Stefan, "“Use Me, When Needed Again”: Performing Heritage at Monuments of the Yugoslav Era" in Museums, Narratives, and Critical Histories (2024):289-302, https://doi.org/10.1515/9783110787443-017 . .