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Antropologija muzike: od folka do roka
The anthropology of music: contemporary theoretical perspectives
dc.creator | Kovačević, Ivan | |
dc.creator | Ajduk, Marija | |
dc.date.accessioned | 2024-03-27T16:14:38Z | |
dc.date.available | 2024-03-27T16:14:38Z | |
dc.date.issued | 2014 | |
dc.identifier.issn | 0353-1589 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/6355 | |
dc.description.abstract | Antropološka proučavanja muzike svoj fokus stavljaju na značenja koja muzika u specifičnom sociokulturnom kontekstu proizvodi. Preferencija određene vrste muzike usko je povezana sa sklonošću ka određenim kulturnim vrednostima, te tako muzika predstavlja važan faktor identifikacije u svakodnevnom životu. U srpskoj etnologiji i antropologiji muzika se dugo posmatrala kao deo srpske tradicijske kulture, te je i interesovanje istraživača išlo u pravcu "tradicionalne muzike". Osamdesetih godina počinju da se javljaju prvi radovi koji analiziraju i muziku koja izlazi iz tradicionalnih okvira (npr. novokomponovana narodna muzika), a ta tendencija se pojačala u poslednjih deset godina. | sr |
dc.description.abstract | The anthropological study of music focuses on meanings which music hah and produces in a specific sociocultural context. Preferences toward a certain genre of music are tightly linked to the preference of certain cultural values, so music represents an important factor of identification in everyday life. In Serbian ethnology and anthropology music was long viewed as part of Serbian traditional culture, so the interests of researchers focused on "traditional music". In the 1980’s first papers analyzing music which went outside the traditional frameworks appeared (new folk music – turbofolk), and this tendency has increased in the last ten years. | sr |
dc.language.iso | sr | sr |
dc.publisher | Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177035/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.source | Etnoantropološki problemi | sr |
dc.subject | muzika | sr |
dc.subject | kultura | sr |
dc.subject | identiteti | sr |
dc.subject | značenja | sr |
dc.subject | antropologija muzike | sr |
dc.subject | etnomuzikologija | sr |
dc.subject | Srbija | sr |
dc.subject | music | sr |
dc.subject | culture | sr |
dc.subject | identity | sr |
dc.subject | meanings | sr |
dc.subject | anthropology of music | sr |
dc.subject | ethnomusicology | sr |
dc.subject | Serbia | sr |
dc.title | Antropologija muzike: od folka do roka | sr |
dc.title | The anthropology of music: contemporary theoretical perspectives | sr |
dc.title | Anthropologie de la musique: Perspectives théoriques contemporaines | sr |
dc.type | article | sr |
dc.rights.license | BY | sr |
dc.citation.epage | 1053 | |
dc.citation.issue | 4 | |
dc.citation.spage | 1037 | |
dc.citation.volume | 9 | |
dc.identifier.doi | 10.21301/EAP.v9i4.13 | |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/16321/Ivan+i+Marija+NSA+EAP-9-4-2014.pdf | |
dc.type.version | publishedVersion | sr |