(Re)definisanje tradicije na primeru world music fenomena
(Re)defining tradition: the example of the world music phenomenon
dc.creator | Ajduk, Marija | |
dc.date.accessioned | 2024-03-28T18:07:56Z | |
dc.date.available | 2024-03-28T18:07:56Z | |
dc.date.issued | 2014 | |
dc.identifier.issn | 0353-1589 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/6369 | |
dc.description.abstract | U radu se problematizuje razumevanje pojma tradicije u kontekstu world music fenomena. Na tržištu plasiran kao hibridni muzirki žanr, world music iz perspektive antropološke teorije predstavlja kompleksan kulturni fenomen, rezultat prožimanja globalnih i lokalnih uticaja koji se reflektuju ne samo u pogledu stvaranja specifirnog zvuka već i kroz različite percepcije same muzike (publika, muzičari, producenti, kreatori kulturnih politika itd.). Analizom srpske world music scene na primeru rada World Music asocijacije Srbije, kao i održavanja domaćeg Serbia World Music festivala u Takovu, nastojim da utvrdim na koji način je koncept muzike sveta percipiran u lokalnim narativima, da li se doživljava kao vid muzičke tradicije, te šta se u tom smislu označava i reprezentuje kao tradicija. | sr |
dc.description.abstract | The paper problematizes the understanding of the concept of tradition in the context of the world music phenomenon. Marketed as a hybrid music genre, from the perspective of anthropological theory, the world music genre is a complex cultural phenomenon, the result of mixing global and local influen-ces which are reflected not only in the creation of a specific sound, but thro-ugh different perceptions of music itself (the audience, musicians, producers, creators of cultural policies etc.) By analyzing the Serbian world music scene as exemplified by the work of the World Music association of Serbia, as well as the Serbia World Music Festival in Takovo, I will attempt to determine the way in which the concept of world music is perceived in local narratives, whether it is experienced as a form of musical tradition and if so, what is sig-nified and represented as tradition in this context. | sr |
dc.description.abstract | Dans cette étude je procède à une problématisation de la notion de la tradi-tion dans le contexte du phénomène de la musique du monde. Lancé sur le marché comme un genre musical hybride, comme le résultat de l’interpénétra-tion des influences globales et locales, manifestes non seulement dans la créa-tion d’un son particulier, mais aussi dans les différentes perceptions de la mu-sique elle-même (par le public, les musiciens, les producteurs, les créateurs des politiques culturelles etc.). A l’aide de l'analyse du travail de l’Association serbe de World Music, ainsi que de l’organisation du World Music festival àTakovo, je m’efforce de déterminer de quelle manière le concept de la musi-que du monde est perçu dans les récits locaux, puis s’il est appréhendé comme un aspect de la tradition musicale, et enfin ce qui est désigné et représenté comme tradition. | sr |
dc.language.iso | sr | sr |
dc.publisher | Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177018/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.source | Etnoantropološki problemi | sr |
dc.subject | tradicija | sr |
dc.subject | globalizacija | sr |
dc.subject | redefinisanje | sr |
dc.subject | world music | sr |
dc.subject | World Music asocijacija Srbije | sr |
dc.subject | Serbia World Music festival u Takovu | sr |
dc.subject | tradition | sr |
dc.subject | globalization | sr |
dc.subject | redefining | sr |
dc.subject | World Music Association of Serbia | sr |
dc.subject | Serbia World Music Festival in Takovo | sr |
dc.subject | globalisation | sr |
dc.subject | redéfinition | sr |
dc.subject | musique du monde | sr |
dc.subject | Association serbe de World Music | sr |
dc.subject | Serbia World Music festival à Takovo | sr |
dc.title | (Re)definisanje tradicije na primeru world music fenomena | sr |
dc.title | (Re)defining tradition: the example of the world music phenomenon | sr |
dc.title | (Re)définition de la tradition à l'exemple du phénomène de la musique du monde | sr |
dc.type | article | sr |
dc.rights.license | BY | sr |
dc.citation.epage | 82 | |
dc.citation.issue | 1 | |
dc.citation.spage | 69 | |
dc.citation.volume | 9 | |
dc.identifier.doi | 10.21301/EAP.v9i1.4 | |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/16360/Marija+R+EAP-9-1-2014+(1)FINAL.pdf | |
dc.type.version | publishedVersion | sr |
dc.identifier.cobiss | 524183191 |