dc.creator | Ajduk, Marija | |
dc.date.accessioned | 2024-04-02T10:00:54Z | |
dc.date.available | 2024-04-02T10:00:54Z | |
dc.date.issued | 2014 | |
dc.identifier.isbn | 978-86-6401-003-0 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/6386 | |
dc.description.abstract | Predmet istraživanja koje je jednim svojim delom prezentovano u ovoj monografiji, predstavlja analiza uloge muzike u konstruisanju lokalnog identiteta. Osnovna hipoteza od koje polazim jeste da muzika poseduje "sposobnost" da formira identitet nekog grada, odnosno da određena vrste muzike utiče na stvaranje skupa predstava i (sa)znanja o nekom mestu koji jedan broj ljudi deli. Primer na kojem se ispituje odnos muzike i mesta u ovom radu jeste novi talas u rokenrol muzici u Beogradu osamdesetih godina dvadesetog veka. U skladu sa prethodno iznetom hipotezom, osnovna intencija ovog istraživanja jeste potvrda da je novi talas moguće posmatrati kao lokalni muzički i kulturni fenomen, kao i da novi talas predstavlja element konstrukcije određenog beogradskog identiteta, koji bih, za potrebe analize, odredila kao "novotalasni identitet", a koji je kao takav prepoznat od strane određene grupe ljudi. | sr |
dc.description.abstract | The topic of this research is understanding a two-way
relationship between the concepts of music and place. The
hypothesis I am starting from is that music has an
“ability" to create an identity of a certain space. More
specifically, that would mean that music can have an
impact on the establishing a set of images and knowledge
of a specific city through daily social interactions (such as
socializing, going out, going to concerts). In this case, “an
identity of a city", comprises everything that is identified
as an important identification mark within a specific
sociocultural context and understood in that way, can be
reflected in different physical places (e.g. a club, cultural
center, café, park, square), and in various modes of
everyday living in that particular city and in experiences
that evolve from it (e.g. daily routes within a city, a
specific style of speech, topics for conversation). The
example which I have chosen to analyze this relationship
on is the new wave rock-and-roll music scene in Belgrade in the eighties. Although this music phenomenon is not
something that accounts for an original local product, it
possesses its local authenticity. Therefore, my goal is to
explore the process of creating that specific Belgrade
identity, and draw attention to the features which make
the authentic local phenomenon of this musical “wave".
Analyzing current narratives about this phenomenon in
the local discourse, I endeavor to identify and abstract the
key elements of the “new wave" Belgrade identity and
consider them in the light of the theories (in the first place
anthropological) which treat music and place as a
sociocultural (and therefore contextually dependent and
fluid) categories. The analysis is based on the interviews
which have been made during the summer of 2011. | sr |
dc.language.iso | sr | sr |
dc.publisher | Srpski genealoški centar | sr |
dc.publisher | Odeljenje za etnologiju i antropologiju Filozofskog fakulteta u Beogradu | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177018/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.subject | antropologija | sr |
dc.subject | muzika | sr |
dc.subject | novi talas | sr |
dc.subject | Beograd | sr |
dc.subject | lokalni identitet | sr |
dc.title | Beograd na "novom talasu". Muzika kao element konstrukcije lokalnog identiteta | sr |
dc.type | book | sr |
dc.rights.license | BY | sr |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/16430/monografija.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_reff_6386 | |
dc.type.version | publishedVersion | sr |
dc.identifier.cobiss | 210203660 | |