Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje
Contemporary Serbian church building: Streams, research and valuation
Апстракт
U radu se, u formi preglednog izlaganja sa elementima rasprave, komentariše graditeljska delatnost Srpske Pravoslavne crkve, intenzivirana tokom poslednje dve decenije na prostorima bivše SFRJ i u dijaspori. Sa gašenjem jednopartijskog političkog sistema u Jugoslaviji, buđenjem nacionalne svesti i jačanjem društvene uloge crkve, građenje pravoslavnih hramova početkom devedesetih godina doživljava veliki procvat. Od tada do danas, diljem Republike Srbije, Republike Srpske, Republike Hrvatske i Republike Crne Gore, sagrađeno je preko trista pravoslavnih crkava različitih tipova i struktura, dok je veći broj decenijama nezavršenih hramova dovršen. Njihovo istoriografsko tumačenje, bez obzira na neveliku istorijsku distancu neophodno je pokrenuti i produbiti.
Building activities of the Serbian Orthodox Church was intensified during the last two decades on the territory of former Yugoslavia and in Diaspora firstly was commented in domestic publicist literature, rarely in works with scientific character. Estimate argumentation of all up to now judges, from anonymous publicists until specialized academic researchers with this contribution we wish to instigate more complete historiography valorization of that comprised segment of our contemporary building culture. Pressed beck in decades and from 1990 spirited and branched, new Serbian church building was found in front of much demanded civilization tasks. Appeared need for its creative renewal as much as for radical accommodation to needs of enlightened believers from the end of the 20th century. Conceptually satisfied interest of two primary strategies stimulated by the financial means of local and republic authorities domestic and foreign donators: more extended and more conservative mimetic... monumentality options, conditioned by the megalomania of inpatient, frustrated in decades believers, hold by the liberal intellectual circles as much as with formalistic discipline of unbounded builders. Literally and exclusively took example by own building sources, characteristic for the first building stream, partly is originated from coercive cultural and political isolation of Serbian society during the nineties of the last century when it could not in the right time get introduce to actual world aspiration and with that transform and radically turn to symbolic forms of expression in sacral architecture. Examples of both strategies show that their representatives respected proclaimed ideological prerequisite for national recognition of new built temples. There from is structurally and morphologically concept of their realizations was directed to return of extensive neglected national identity of the Serbs in communist Yugoslavia. The most of the new temples has recognizable national and geopolitical marks, expressed in evocative shaped silhouette of historicity compositions permeated by the citations. Retrospective aesthetic of the epoch of postmodernism united three dominant streams of new Serbian sacral architecture. In the first is evocative paraphrased approach more expressed (churches of Predrag Ristic, Radoslav Prokic, Ljubisa Folic) while in the second approach is less literally and freely worked out (temples of Mihajlo Mitrovic, Miladin Lukic), and in third completely abandoned (works of Branislav Mitrovic, Spasoje Krunic, Sasa Budjevac). Significantly for cultural public in Raska district, except note that temples recently built on its territory should comment separately is the fact that old Raska's architecture in many segments successfully evoked in the best examples of the new sacral building. Among those examples is separated church of Saint Apostle Luke (1995-1999) built in the settlement Filmski grad in the southwest edge of Belgrade, by the architect and conserver Miladin Lukic (1956) winner of the great expert competition. In a whole and in fragments this church represents some kind of homage to whole Raska style group of ancient monuments, the oldest and fundamental for entire development of Serbian medieval sacral building.
Кључне речи:
tradicija / postmodernizam / moderna / kanon / crkva / arhitekturaИзвор:
Novopazarski zbornik, 2009, 32, 149-163Издавач:
- Muzej "Ras", Novi Pazar
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Kadijević, Aleksandar PY - 2009 UR - http://reff.f.bg.ac.rs/handle/123456789/843 AB - U radu se, u formi preglednog izlaganja sa elementima rasprave, komentariše graditeljska delatnost Srpske Pravoslavne crkve, intenzivirana tokom poslednje dve decenije na prostorima bivše SFRJ i u dijaspori. Sa gašenjem jednopartijskog političkog sistema u Jugoslaviji, buđenjem nacionalne svesti i jačanjem društvene uloge crkve, građenje pravoslavnih hramova početkom devedesetih godina doživljava veliki procvat. Od tada do danas, diljem Republike Srbije, Republike Srpske, Republike Hrvatske i Republike Crne Gore, sagrađeno je preko trista pravoslavnih crkava različitih tipova i struktura, dok je veći broj decenijama nezavršenih hramova dovršen. Njihovo istoriografsko tumačenje, bez obzira na neveliku istorijsku distancu neophodno je pokrenuti i produbiti. AB - Building activities of the Serbian Orthodox Church was intensified during the last two decades on the territory of former Yugoslavia and in Diaspora firstly was commented in domestic publicist literature, rarely in works with scientific character. Estimate argumentation of all up to now judges, from anonymous publicists until specialized academic researchers with this contribution we wish to instigate more complete historiography valorization of that comprised segment of our contemporary building culture. Pressed beck in decades and from 1990 spirited and branched, new Serbian church building was found in front of much demanded civilization tasks. Appeared need for its creative renewal as much as for radical accommodation to needs of enlightened believers from the end of the 20th century. Conceptually satisfied interest of two primary strategies stimulated by the financial means of local and republic authorities domestic and foreign donators: more extended and more conservative mimetic monumentality options, conditioned by the megalomania of inpatient, frustrated in decades believers, hold by the liberal intellectual circles as much as with formalistic discipline of unbounded builders. Literally and exclusively took example by own building sources, characteristic for the first building stream, partly is originated from coercive cultural and political isolation of Serbian society during the nineties of the last century when it could not in the right time get introduce to actual world aspiration and with that transform and radically turn to symbolic forms of expression in sacral architecture. Examples of both strategies show that their representatives respected proclaimed ideological prerequisite for national recognition of new built temples. There from is structurally and morphologically concept of their realizations was directed to return of extensive neglected national identity of the Serbs in communist Yugoslavia. The most of the new temples has recognizable national and geopolitical marks, expressed in evocative shaped silhouette of historicity compositions permeated by the citations. Retrospective aesthetic of the epoch of postmodernism united three dominant streams of new Serbian sacral architecture. In the first is evocative paraphrased approach more expressed (churches of Predrag Ristic, Radoslav Prokic, Ljubisa Folic) while in the second approach is less literally and freely worked out (temples of Mihajlo Mitrovic, Miladin Lukic), and in third completely abandoned (works of Branislav Mitrovic, Spasoje Krunic, Sasa Budjevac). Significantly for cultural public in Raska district, except note that temples recently built on its territory should comment separately is the fact that old Raska's architecture in many segments successfully evoked in the best examples of the new sacral building. Among those examples is separated church of Saint Apostle Luke (1995-1999) built in the settlement Filmski grad in the southwest edge of Belgrade, by the architect and conserver Miladin Lukic (1956) winner of the great expert competition. In a whole and in fragments this church represents some kind of homage to whole Raska style group of ancient monuments, the oldest and fundamental for entire development of Serbian medieval sacral building. PB - Muzej "Ras", Novi Pazar T2 - Novopazarski zbornik T1 - Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje T1 - Contemporary Serbian church building: Streams, research and valuation EP - 163 IS - 32 SP - 149 UR - https://hdl.handle.net/21.15107/rcub_reff_843 ER -
@article{ author = "Kadijević, Aleksandar", year = "2009", abstract = "U radu se, u formi preglednog izlaganja sa elementima rasprave, komentariše graditeljska delatnost Srpske Pravoslavne crkve, intenzivirana tokom poslednje dve decenije na prostorima bivše SFRJ i u dijaspori. Sa gašenjem jednopartijskog političkog sistema u Jugoslaviji, buđenjem nacionalne svesti i jačanjem društvene uloge crkve, građenje pravoslavnih hramova početkom devedesetih godina doživljava veliki procvat. Od tada do danas, diljem Republike Srbije, Republike Srpske, Republike Hrvatske i Republike Crne Gore, sagrađeno je preko trista pravoslavnih crkava različitih tipova i struktura, dok je veći broj decenijama nezavršenih hramova dovršen. Njihovo istoriografsko tumačenje, bez obzira na neveliku istorijsku distancu neophodno je pokrenuti i produbiti., Building activities of the Serbian Orthodox Church was intensified during the last two decades on the territory of former Yugoslavia and in Diaspora firstly was commented in domestic publicist literature, rarely in works with scientific character. Estimate argumentation of all up to now judges, from anonymous publicists until specialized academic researchers with this contribution we wish to instigate more complete historiography valorization of that comprised segment of our contemporary building culture. Pressed beck in decades and from 1990 spirited and branched, new Serbian church building was found in front of much demanded civilization tasks. Appeared need for its creative renewal as much as for radical accommodation to needs of enlightened believers from the end of the 20th century. Conceptually satisfied interest of two primary strategies stimulated by the financial means of local and republic authorities domestic and foreign donators: more extended and more conservative mimetic monumentality options, conditioned by the megalomania of inpatient, frustrated in decades believers, hold by the liberal intellectual circles as much as with formalistic discipline of unbounded builders. Literally and exclusively took example by own building sources, characteristic for the first building stream, partly is originated from coercive cultural and political isolation of Serbian society during the nineties of the last century when it could not in the right time get introduce to actual world aspiration and with that transform and radically turn to symbolic forms of expression in sacral architecture. Examples of both strategies show that their representatives respected proclaimed ideological prerequisite for national recognition of new built temples. There from is structurally and morphologically concept of their realizations was directed to return of extensive neglected national identity of the Serbs in communist Yugoslavia. The most of the new temples has recognizable national and geopolitical marks, expressed in evocative shaped silhouette of historicity compositions permeated by the citations. Retrospective aesthetic of the epoch of postmodernism united three dominant streams of new Serbian sacral architecture. In the first is evocative paraphrased approach more expressed (churches of Predrag Ristic, Radoslav Prokic, Ljubisa Folic) while in the second approach is less literally and freely worked out (temples of Mihajlo Mitrovic, Miladin Lukic), and in third completely abandoned (works of Branislav Mitrovic, Spasoje Krunic, Sasa Budjevac). Significantly for cultural public in Raska district, except note that temples recently built on its territory should comment separately is the fact that old Raska's architecture in many segments successfully evoked in the best examples of the new sacral building. Among those examples is separated church of Saint Apostle Luke (1995-1999) built in the settlement Filmski grad in the southwest edge of Belgrade, by the architect and conserver Miladin Lukic (1956) winner of the great expert competition. In a whole and in fragments this church represents some kind of homage to whole Raska style group of ancient monuments, the oldest and fundamental for entire development of Serbian medieval sacral building.", publisher = "Muzej "Ras", Novi Pazar", journal = "Novopazarski zbornik", title = "Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje, Contemporary Serbian church building: Streams, research and valuation", pages = "163-149", number = "32", url = "https://hdl.handle.net/21.15107/rcub_reff_843" }
Kadijević, A.. (2009). Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje. in Novopazarski zbornik Muzej "Ras", Novi Pazar.(32), 149-163. https://hdl.handle.net/21.15107/rcub_reff_843
Kadijević A. Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje. in Novopazarski zbornik. 2009;(32):149-163. https://hdl.handle.net/21.15107/rcub_reff_843 .
Kadijević, Aleksandar, "Savremeno srpsko crkveno graditeljstvo - tokovi, istraživanje i vrednovanje" in Novopazarski zbornik, no. 32 (2009):149-163, https://hdl.handle.net/21.15107/rcub_reff_843 .