TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2023
UR  - http://rifdt.instifdt.bg.ac.rs/123456789/3670
UR  - http://reff.f.bg.ac.rs/handle/123456789/6423
AB  - Zoran Đinđić bio je prvi (i do sada jedini) srbijanski premijer sa doktorskom diplomom filozofa i objavljenim knjigama koje su, u celosti ilidelimično, bile posvećene filozofiji politike. Otuda se nameće pitanjeda li je postojao uticaj njegovih ranih filozofskih stavova na kasnijebavljenje politikom. U članku se autor bavi onim što misli da je bioglavni diskontinuitet i glavni kontinuitet u misli Zorana Đinđića. Glavni diskontinuitet pojavio se u oblasti filozofije istorije: u suprotnostisa njegovom ranom kritikom filozofije istorije on je, dok je bio navlasti, formulisao svoju „filozofiju srpske istorije”. Na drugoj strani, ukritici prosvetiteljstva (shvaćenog kao totalitarnog) bio je dosledando kraja svog života. Štaviše, vernost mladalačkom anarhizmu izgleda da je došla do izražaja u poslednjim mesecima Đinđićevog života,kada je počeo da poprima crte Barbarogenija, onako kako ga je svojevremeno opisao Ljubomir Micić.
AB  - Zoran Đinđić was the first (and so far only) Serbian prime minister with a PhD in philosophy and publications entirely or partially devoted to the philosophy of politics.Therefore, it is worth asking whether there was any impact of his early philosophicalviews on his later politics. The author is dealing with what he considers to be the maindiscontinuity and the main continuity in Đinđić’s thought. The former one marks thefield of philosophy of history: in contrast to his early critique of philosophy of history,once in power Đinđić formulated his own „philosophy of Serbian history”. The latterone, his critique of Enlightement as totalitarian, proved to be persistent throughouthis life. In the last months of his life Đinđić began to take on the features of a Barbarogenius, as Ljubomir Micić once described himself.
PB  - Beograd : Institut za filozofiju i društvenu teoriju
T2  - Kritika: časopis za filozofiju i teoriju društva
T1  - Zoran Đinđić – od anarhiste do barbarogenija
T1  - Zoran Đinđić: From Anarchist to Barbarogenius
EP  - 341
IS  - 2
SP  - 323
VL  - 4
DO  - 10.5281/zenodo.10206842
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2023",
abstract = "Zoran Đinđić bio je prvi (i do sada jedini) srbijanski premijer sa doktorskom diplomom filozofa i objavljenim knjigama koje su, u celosti ilidelimično, bile posvećene filozofiji politike. Otuda se nameće pitanjeda li je postojao uticaj njegovih ranih filozofskih stavova na kasnijebavljenje politikom. U članku se autor bavi onim što misli da je bioglavni diskontinuitet i glavni kontinuitet u misli Zorana Đinđića. Glavni diskontinuitet pojavio se u oblasti filozofije istorije: u suprotnostisa njegovom ranom kritikom filozofije istorije on je, dok je bio navlasti, formulisao svoju „filozofiju srpske istorije”. Na drugoj strani, ukritici prosvetiteljstva (shvaćenog kao totalitarnog) bio je dosledando kraja svog života. Štaviše, vernost mladalačkom anarhizmu izgleda da je došla do izražaja u poslednjim mesecima Đinđićevog života,kada je počeo da poprima crte Barbarogenija, onako kako ga je svojevremeno opisao Ljubomir Micić., Zoran Đinđić was the first (and so far only) Serbian prime minister with a PhD in philosophy and publications entirely or partially devoted to the philosophy of politics.Therefore, it is worth asking whether there was any impact of his early philosophicalviews on his later politics. The author is dealing with what he considers to be the maindiscontinuity and the main continuity in Đinđić’s thought. The former one marks thefield of philosophy of history: in contrast to his early critique of philosophy of history,once in power Đinđić formulated his own „philosophy of Serbian history”. The latterone, his critique of Enlightement as totalitarian, proved to be persistent throughouthis life. In the last months of his life Đinđić began to take on the features of a Barbarogenius, as Ljubomir Micić once described himself.",
publisher = "Beograd : Institut za filozofiju i društvenu teoriju",
journal = "Kritika: časopis za filozofiju i teoriju društva",
title = "Zoran Đinđić – od anarhiste do barbarogenija, Zoran Đinđić: From Anarchist to Barbarogenius",
pages = "341-323",
number = "2",
volume = "4",
doi = "10.5281/zenodo.10206842"
}

Molnar, A.. (2023). Zoran Đinđić – od anarhiste do barbarogenija. in Kritika: časopis za filozofiju i teoriju društva
Beograd : Institut za filozofiju i društvenu teoriju., 4(2), 323-341.
https://doi.org/10.5281/zenodo.10206842

Molnar A. Zoran Đinđić – od anarhiste do barbarogenija. in Kritika: časopis za filozofiju i teoriju društva. 2023;4(2):323-341.
doi:10.5281/zenodo.10206842 .

Molnar, Aleksandar, "Zoran Đinđić – od anarhiste do barbarogenija" in Kritika: časopis za filozofiju i teoriju društva, 4, no. 2 (2023):323-341,
https://doi.org/10.5281/zenodo.10206842 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/3351
AB  - In this paper, the authors argue that Franz Boas had a coherent theory of the secret society, which he did not systematically develop anywhere, but which can be reconstructed from several of his works. The authors are not dealing with the whole theory, but only with the postulate of the warfare origin of secret societies (which later became the foundation of the Mannerbund theory). Namely, Boas believed that the secret societies of the North American Indians were originally warlike, but that by the beginning of the 20th century they either retained only the functions of initiation and education, or were transformed into therapeutic and dance societies. Although he claimed that the mythology of the Indians did not provide additional insights into the origins of secret societies, his dealings with the myth of the "culture hero" and the "trickster" proved the contrary. The authors try to go a step further and find new contributions for the study of the origins of secret societies in North America in the myth of Wolf as the brother (father) of the "culture hero."
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Franz Boas' Postulate of the Warfare Origin of Secret Societies and Myths about the "Culture Hero" and the "Trickster" in North America
EP  - 48
IS  - 1
SP  - 19
VL  - 16
DO  - 10.21301/eap.v16i1.1
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2021",
abstract = "In this paper, the authors argue that Franz Boas had a coherent theory of the secret society, which he did not systematically develop anywhere, but which can be reconstructed from several of his works. The authors are not dealing with the whole theory, but only with the postulate of the warfare origin of secret societies (which later became the foundation of the Mannerbund theory). Namely, Boas believed that the secret societies of the North American Indians were originally warlike, but that by the beginning of the 20th century they either retained only the functions of initiation and education, or were transformed into therapeutic and dance societies. Although he claimed that the mythology of the Indians did not provide additional insights into the origins of secret societies, his dealings with the myth of the "culture hero" and the "trickster" proved the contrary. The authors try to go a step further and find new contributions for the study of the origins of secret societies in North America in the myth of Wolf as the brother (father) of the "culture hero."",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Franz Boas' Postulate of the Warfare Origin of Secret Societies and Myths about the "Culture Hero" and the "Trickster" in North America",
pages = "48-19",
number = "1",
volume = "16",
doi = "10.21301/eap.v16i1.1"
}

Jeremić-Molnar, D.,& Molnar, A.. (2021). Franz Boas' Postulate of the Warfare Origin of Secret Societies and Myths about the "Culture Hero" and the "Trickster" in North America. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 16(1), 19-48.
https://doi.org/10.21301/eap.v16i1.1

Jeremić-Molnar D, Molnar A. Franz Boas' Postulate of the Warfare Origin of Secret Societies and Myths about the "Culture Hero" and the "Trickster" in North America. in Etnoantropološki problemi. 2021;16(1):19-48.
doi:10.21301/eap.v16i1.1 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Franz Boas' Postulate of the Warfare Origin of Secret Societies and Myths about the "Culture Hero" and the "Trickster" in North America" in Etnoantropološki problemi, 16, no. 1 (2021):19-48,
https://doi.org/10.21301/eap.v16i1.1 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2892
AB  - In the article the authors are dealing with Paul's cult of the possessed by the spirit of the late magician Jesus, as well as with the place and the meaning of singing in its two main rituals: ritual meal and ritual conjuring of Jesus' spirit. The conclusion of the analysis is that both rituals had the same two-part structure. Ritual meal consisted of love feast (agape), where the members of the cult were supposed to sing appropriate songs together, and Eucharist, where each member,sung in his heart" only. On the other side, ritual conjuring of Jesus' spirit was divided in worship and seance of communication with Jesus. In the first part the whole community recited psalms, hymns and spiritual songs, while in the second part the chosen medium delivered Jesus' messages through the,wordless groans".
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Singing in Paul's Cult of the Possessed by Jesus' Spirit
EP  - 1148
IS  - 4
SP  - 1131
VL  - 14
DO  - 10.21301/eap.v14i4.3
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2019",
abstract = "In the article the authors are dealing with Paul's cult of the possessed by the spirit of the late magician Jesus, as well as with the place and the meaning of singing in its two main rituals: ritual meal and ritual conjuring of Jesus' spirit. The conclusion of the analysis is that both rituals had the same two-part structure. Ritual meal consisted of love feast (agape), where the members of the cult were supposed to sing appropriate songs together, and Eucharist, where each member,sung in his heart" only. On the other side, ritual conjuring of Jesus' spirit was divided in worship and seance of communication with Jesus. In the first part the whole community recited psalms, hymns and spiritual songs, while in the second part the chosen medium delivered Jesus' messages through the,wordless groans".",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Singing in Paul's Cult of the Possessed by Jesus' Spirit",
pages = "1148-1131",
number = "4",
volume = "14",
doi = "10.21301/eap.v14i4.3"
}

Jeremić-Molnar, D.,& Molnar, A.. (2019). Singing in Paul's Cult of the Possessed by Jesus' Spirit. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(4), 1131-1148.
https://doi.org/10.21301/eap.v14i4.3

Jeremić-Molnar D, Molnar A. Singing in Paul's Cult of the Possessed by Jesus' Spirit. in Etnoantropološki problemi. 2019;14(4):1131-1148.
doi:10.21301/eap.v14i4.3 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Singing in Paul's Cult of the Possessed by Jesus' Spirit" in Etnoantropološki problemi, 14, no. 4 (2019):1131-1148,
https://doi.org/10.21301/eap.v14i4.3 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2428
AB  - U članku autori pokušavaju da pruže sociološki uvid u poreklo i inicijalni smisao pripisan evharistiji kao jednom od prvih hrišćanskih sakramenata. Analiza se ograničava na smisao evharistije za zajednicu učenika koja ju je stvorila nakon Isusovog pogubljenja. U prvom koraku autori se bave teorijom Rene Žirara, kako bi otkrili dinamiku 'generativne produkcije žrtvenog jarca' unutar zajednice Isusovih učenika. U drugom koraku oni upotrebljavaju teoriju regeneracije maga (tj. njegovog ponovnog rođenja kao maga), koju je razvio Maks Veber, u cilju utvrđivanja dominantnog problema koji je učenicima ostao nakon pogubljenja njihovog učitelja, koji je bio izvanredno uspešan mag. Uz pomoć ove dve teorije, autori pronalaze poreklo i smisao evharistije u inovaciji inicijacijskog rituala u cilju uspostavljanja novog načina sticanja profesionalnih sposobnosti maga Isusa.
AB  - In the article the authors are trying to give sociological insight in the origin and initial meaning attributed to Eucharist as one of the first Christian sacraments. The analysis is limited to the meaning of Eucharist for the community of disciples which originated it after the execution of Jesus. In the first step the authors are dealing with the theory of René Girard, in order to reveal the dynamic of the 'generative production of scapegoat' within the community of Jesus' disciples. In the second step they are using the theory of magician's regeneration (i.e. his second birth as a magician), developed by Max Weber, in order to establish the dominant professional problem the disciples are left with after the execution of their teacher, who was extraordinary successful magician. With help of this two theories, the authors find the origin and the meaning of Eucharist in the innovation of the initiation ritual aiming at providing the new way of acquiring the professional skills of Jesus, the magician.
PB  - Sociološko društvo Srbije, Beograd
T2  - Sociološki pregled
T1  - Poreklo i smisao evharistije - sociološki aspekt
T1  - The origin and the meaning of Eucharist: Sociological aspect
EP  - 299
IS  - 2
SP  - 276
VL  - 51
DO  - 10.5937/socpreg1702276J
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2017",
abstract = "U članku autori pokušavaju da pruže sociološki uvid u poreklo i inicijalni smisao pripisan evharistiji kao jednom od prvih hrišćanskih sakramenata. Analiza se ograničava na smisao evharistije za zajednicu učenika koja ju je stvorila nakon Isusovog pogubljenja. U prvom koraku autori se bave teorijom Rene Žirara, kako bi otkrili dinamiku 'generativne produkcije žrtvenog jarca' unutar zajednice Isusovih učenika. U drugom koraku oni upotrebljavaju teoriju regeneracije maga (tj. njegovog ponovnog rođenja kao maga), koju je razvio Maks Veber, u cilju utvrđivanja dominantnog problema koji je učenicima ostao nakon pogubljenja njihovog učitelja, koji je bio izvanredno uspešan mag. Uz pomoć ove dve teorije, autori pronalaze poreklo i smisao evharistije u inovaciji inicijacijskog rituala u cilju uspostavljanja novog načina sticanja profesionalnih sposobnosti maga Isusa., In the article the authors are trying to give sociological insight in the origin and initial meaning attributed to Eucharist as one of the first Christian sacraments. The analysis is limited to the meaning of Eucharist for the community of disciples which originated it after the execution of Jesus. In the first step the authors are dealing with the theory of René Girard, in order to reveal the dynamic of the 'generative production of scapegoat' within the community of Jesus' disciples. In the second step they are using the theory of magician's regeneration (i.e. his second birth as a magician), developed by Max Weber, in order to establish the dominant professional problem the disciples are left with after the execution of their teacher, who was extraordinary successful magician. With help of this two theories, the authors find the origin and the meaning of Eucharist in the innovation of the initiation ritual aiming at providing the new way of acquiring the professional skills of Jesus, the magician.",
publisher = "Sociološko društvo Srbije, Beograd",
journal = "Sociološki pregled",
title = "Poreklo i smisao evharistije - sociološki aspekt, The origin and the meaning of Eucharist: Sociological aspect",
pages = "299-276",
number = "2",
volume = "51",
doi = "10.5937/socpreg1702276J"
}

Jeremić-Molnar, D.,& Molnar, A.. (2017). Poreklo i smisao evharistije - sociološki aspekt. in Sociološki pregled
Sociološko društvo Srbije, Beograd., 51(2), 276-299.
https://doi.org/10.5937/socpreg1702276J

Jeremić-Molnar D, Molnar A. Poreklo i smisao evharistije - sociološki aspekt. in Sociološki pregled. 2017;51(2):276-299.
doi:10.5937/socpreg1702276J .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Poreklo i smisao evharistije - sociološki aspekt" in Sociološki pregled, 51, no. 2 (2017):276-299,
https://doi.org/10.5937/socpreg1702276J . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/2097
AB  - In the article the author concentrates on Immanuel Kant's philosophical musings on phantasy and its artistic products such as novels (Romane). Although Kant was one of the first critics of the early German romanticist endeavors to emancipate the force of phantasy from the domination of the mind/reason, he was also incapable to resist the temptation to give phantasy important role in the cognitive activities of man. Ultimately, phantasy was crucial in Kant's concept of aestheticised natural order of things (because it leads man to perceive nature as beautiful as well as to begin "poetic daydreaming" about nature), but also in his concept of divine worldly order of things after the end of history (because it enables men to be certain about coming of God's kingdom on Earth).
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Kant and the Temptations of Phantasy
EP  - 26
IS  - 1
SP  - 5
VL  - 26
DO  - 10.2298/FID1501005M
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2015",
abstract = "In the article the author concentrates on Immanuel Kant's philosophical musings on phantasy and its artistic products such as novels (Romane). Although Kant was one of the first critics of the early German romanticist endeavors to emancipate the force of phantasy from the domination of the mind/reason, he was also incapable to resist the temptation to give phantasy important role in the cognitive activities of man. Ultimately, phantasy was crucial in Kant's concept of aestheticised natural order of things (because it leads man to perceive nature as beautiful as well as to begin "poetic daydreaming" about nature), but also in his concept of divine worldly order of things after the end of history (because it enables men to be certain about coming of God's kingdom on Earth).",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Kant and the Temptations of Phantasy",
pages = "26-5",
number = "1",
volume = "26",
doi = "10.2298/FID1501005M"
}

Molnar, A.. (2015). Kant and the Temptations of Phantasy. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 26(1), 5-26.
https://doi.org/10.2298/FID1501005M

Molnar A. Kant and the Temptations of Phantasy. in Filozofija i društvo. 2015;26(1):5-26.
doi:10.2298/FID1501005M .

Molnar, Aleksandar, "Kant and the Temptations of Phantasy" in Filozofija i društvo, 26, no. 1 (2015):5-26,
https://doi.org/10.2298/FID1501005M . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/2095
AB  - Monteskje nigde u svom delu nije dao precizno određenje despotije kao jednog od tri tipa državnog uređenja. Ipak, na brojnim mestima na kojima je pisao o despotiji Monteskje je sledio jedan prilično konzistentan model koji se temelji na pet ključnih principa: 1) suprematija jedine (vladajuće) političke sile; 2) jednakost podanika u ništavnosti; 3) jednostavnost društvene strukture (lišene klasa i rangova); 4) administrativna distribucija jedne (vladajuće) političke sile; kao i 5) metropolizacija kao konsekvenca homogenizacione politike jedne (vladajuće) političke sile.
AB  - Nowhere in his work Montesquieu did give a precise definition of despotism as one of three types of government. However, a number of places where Montesquieu wrote about despotism reveal a fairly consistent model based on five key principles: 1) the supremacy of only one (ruling) political force; 2) equality of subjects based on their nothingness; 3) simplicity of social structure (devoid of class and rank); 4) administrative distribution of only one (ruling) political force; as well as 5) metropolization as a consequence of homogenization policy of one (ruling) political force.
PB  - Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd
T2  - Sociologija
T1  - Inovativnost Monteskjeovog određenja despotije
T1  - The novelty of Montesquieu's definition of despotism
EP  - 420
IS  - 3
SP  - 401
VL  - 57
DO  - 10.2298/SOC1503401M
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2015",
abstract = "Monteskje nigde u svom delu nije dao precizno određenje despotije kao jednog od tri tipa državnog uređenja. Ipak, na brojnim mestima na kojima je pisao o despotiji Monteskje je sledio jedan prilično konzistentan model koji se temelji na pet ključnih principa: 1) suprematija jedine (vladajuće) političke sile; 2) jednakost podanika u ništavnosti; 3) jednostavnost društvene strukture (lišene klasa i rangova); 4) administrativna distribucija jedne (vladajuće) političke sile; kao i 5) metropolizacija kao konsekvenca homogenizacione politike jedne (vladajuće) političke sile., Nowhere in his work Montesquieu did give a precise definition of despotism as one of three types of government. However, a number of places where Montesquieu wrote about despotism reveal a fairly consistent model based on five key principles: 1) the supremacy of only one (ruling) political force; 2) equality of subjects based on their nothingness; 3) simplicity of social structure (devoid of class and rank); 4) administrative distribution of only one (ruling) political force; as well as 5) metropolization as a consequence of homogenization policy of one (ruling) political force.",
publisher = "Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd",
journal = "Sociologija",
title = "Inovativnost Monteskjeovog određenja despotije, The novelty of Montesquieu's definition of despotism",
pages = "420-401",
number = "3",
volume = "57",
doi = "10.2298/SOC1503401M"
}

Molnar, A.. (2015). Inovativnost Monteskjeovog određenja despotije. in Sociologija
Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd., 57(3), 401-420.
https://doi.org/10.2298/SOC1503401M

Molnar A. Inovativnost Monteskjeovog određenja despotije. in Sociologija. 2015;57(3):401-420.
doi:10.2298/SOC1503401M .

Molnar, Aleksandar, "Inovativnost Monteskjeovog određenja despotije" in Sociologija, 57, no. 3 (2015):401-420,
https://doi.org/10.2298/SOC1503401M . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/1960
AB  - U članku se autor bavi koncepcijom upravne centralizacije koju je razvio Aleksis de Tokvil, uglavnom u svojim poznim radovima. Iako je u nekim delovima neutemeljena, Tokvilova centralna teza o obrazovanju posebnog francuskog obrasca centralizacije u osamnaestovekovnoj monarhiji i njegovom perpetuiranju u demokratskim režimima 19. veka izgleda i danas validna. Autor veruje da Tokvilov model može biti koristan u istraživanju savremenih trendova centralizacije, posebno u postkomunističkim i samo površno demokratizovanim društvima poput Srbije.
AB  - In the article the author is dealing with the conception of administrative centralization developed by Alexis de Tocqueville, mostly in his last writings. Although inaccurate in some points, Tocqueville's central thesis on the shaping of specific French pattern of centralization in 18th century monarchy and its perpetuation in democratic regimes of 19th century seems to be still valid. The author believes that Tocqueville's model could be useful in the investigation of contemporary trends of centralization, especially in post-communist and only superficially democratic countries like Serbia.
PB  - Vojvođanska politikološka asocijacija, Novi Sad
T2  - Politikon
T1  - Tokvilova kritika upravne centralizacije u Francuskoj
T1  - Tocqueville's critique of administrative centralization in France
EP  - 23
IS  - 12
SP  - 9
UR  - https://hdl.handle.net/21.15107/rcub_reff_1960
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2015",
abstract = "U članku se autor bavi koncepcijom upravne centralizacije koju je razvio Aleksis de Tokvil, uglavnom u svojim poznim radovima. Iako je u nekim delovima neutemeljena, Tokvilova centralna teza o obrazovanju posebnog francuskog obrasca centralizacije u osamnaestovekovnoj monarhiji i njegovom perpetuiranju u demokratskim režimima 19. veka izgleda i danas validna. Autor veruje da Tokvilov model može biti koristan u istraživanju savremenih trendova centralizacije, posebno u postkomunističkim i samo površno demokratizovanim društvima poput Srbije., In the article the author is dealing with the conception of administrative centralization developed by Alexis de Tocqueville, mostly in his last writings. Although inaccurate in some points, Tocqueville's central thesis on the shaping of specific French pattern of centralization in 18th century monarchy and its perpetuation in democratic regimes of 19th century seems to be still valid. The author believes that Tocqueville's model could be useful in the investigation of contemporary trends of centralization, especially in post-communist and only superficially democratic countries like Serbia.",
publisher = "Vojvođanska politikološka asocijacija, Novi Sad",
journal = "Politikon",
title = "Tokvilova kritika upravne centralizacije u Francuskoj, Tocqueville's critique of administrative centralization in France",
pages = "23-9",
number = "12",
url = "https://hdl.handle.net/21.15107/rcub_reff_1960"
}

Molnar, A.. (2015). Tokvilova kritika upravne centralizacije u Francuskoj. in Politikon
Vojvođanska politikološka asocijacija, Novi Sad.(12), 9-23.
https://hdl.handle.net/21.15107/rcub_reff_1960

Molnar A. Tokvilova kritika upravne centralizacije u Francuskoj. in Politikon. 2015;(12):9-23.
https://hdl.handle.net/21.15107/rcub_reff_1960 .

Molnar, Aleksandar, "Tokvilova kritika upravne centralizacije u Francuskoj" in Politikon, no. 12 (2015):9-23,
https://hdl.handle.net/21.15107/rcub_reff_1960 .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2014
UR  - http://reff.f.bg.ac.rs/handle/123456789/1811
AB  - In Aesthetic Theory Adorno refers to Schubert as "the mimic par excellence." The connection between Adomo's conception of mimesis and his notion of Schubert has remained unexplored. In his essays "Schubert" and "Franz Schubert: Grand Rondo in A Major for Piano Four-Hands, op. 107" Adomo developed concepts and drew conclusions about Schubert's formal procedures that had a formative influence on his later understanding of mimesis. Adorno's mimesis is supposed to be a creative synthesis of two dichotomies: the life and death instincts (Freud) and the instincts of self-preservation and letting go (Caillois). In Dialectic of Enlightenment. Adorn equates mimesis to the death instinct and development to the life instinct, but only to disguise his departure from both dichotomies. He links every notion of progress to "domination" and reduces it to the mimesis of the "nonorganic," that which is dead. But Adomo did not purge his mimetic theory of every residue of Freud's and Caillois's dualism. Instead, he constructed a new opposition within mimesis itself: mimicking that which is dead and that which is living. The roots of this change can be found in his essays on Schubert. Mimicking that which is dead may be understood as an elaboration of the idea of "the landscape of death" in Schubert's music, embodied in a "crystalline form" through which the wanderer moves aimlessly. Mimicking that which is living would resemble Schubert's landscapes in which nature is "reconciled and blissful," landscapes that open up the prospect of regeneration. Schubert's music embodied the irrational hope of all those whom Adorn perceived as mimics from Schubert to all freedom-loving "wanderers" through the world at the end of history that one day the hour of regeneration would come and life once more defeat death. Keywords: Aesthetic Theory, Adomo, Schubert, mimesis, wanderer
PB  - Univ California Press, Oakland
T2  - Nineteenth Century Music
T1  - Adorno, Schubert, and Mimesis
EP  - 78
IS  - 1
SP  - 53
VL  - 38
DO  - 10.1525/ncm.2014.38.1.053
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2014",
abstract = "In Aesthetic Theory Adorno refers to Schubert as "the mimic par excellence." The connection between Adomo's conception of mimesis and his notion of Schubert has remained unexplored. In his essays "Schubert" and "Franz Schubert: Grand Rondo in A Major for Piano Four-Hands, op. 107" Adomo developed concepts and drew conclusions about Schubert's formal procedures that had a formative influence on his later understanding of mimesis. Adorno's mimesis is supposed to be a creative synthesis of two dichotomies: the life and death instincts (Freud) and the instincts of self-preservation and letting go (Caillois). In Dialectic of Enlightenment. Adorn equates mimesis to the death instinct and development to the life instinct, but only to disguise his departure from both dichotomies. He links every notion of progress to "domination" and reduces it to the mimesis of the "nonorganic," that which is dead. But Adomo did not purge his mimetic theory of every residue of Freud's and Caillois's dualism. Instead, he constructed a new opposition within mimesis itself: mimicking that which is dead and that which is living. The roots of this change can be found in his essays on Schubert. Mimicking that which is dead may be understood as an elaboration of the idea of "the landscape of death" in Schubert's music, embodied in a "crystalline form" through which the wanderer moves aimlessly. Mimicking that which is living would resemble Schubert's landscapes in which nature is "reconciled and blissful," landscapes that open up the prospect of regeneration. Schubert's music embodied the irrational hope of all those whom Adorn perceived as mimics from Schubert to all freedom-loving "wanderers" through the world at the end of history that one day the hour of regeneration would come and life once more defeat death. Keywords: Aesthetic Theory, Adomo, Schubert, mimesis, wanderer",
publisher = "Univ California Press, Oakland",
journal = "Nineteenth Century Music",
title = "Adorno, Schubert, and Mimesis",
pages = "78-53",
number = "1",
volume = "38",
doi = "10.1525/ncm.2014.38.1.053"
}

Jeremić-Molnar, D.,& Molnar, A.. (2014). Adorno, Schubert, and Mimesis. in Nineteenth Century Music
Univ California Press, Oakland., 38(1), 53-78.
https://doi.org/10.1525/ncm.2014.38.1.053

Jeremić-Molnar D, Molnar A. Adorno, Schubert, and Mimesis. in Nineteenth Century Music. 2014;38(1):53-78.
doi:10.1525/ncm.2014.38.1.053 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Adorno, Schubert, and Mimesis" in Nineteenth Century Music, 38, no. 1 (2014):53-78,
https://doi.org/10.1525/ncm.2014.38.1.053 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2014
UR  - http://reff.f.bg.ac.rs/handle/123456789/1817
AB  - U radu autori zastupaju stanovište da je u Estetičkoj teoriji Teodor Adorno otišao najdalje u oživljavanju romantičarske tradicije. Njegov koncept 'imanentnog uma stvari' (immanente Sachvernunft), koji se približava - pogotovo, ali ne i isključivo kroz umetnost - 'objektivnoj istini', pokazivao je jasnu sličnost sa estetikom Novalisa. Taj novi koncept uma (racionalnosti) dao je novo značenje Adornovom starom konceptu mimezisa: mimezis više nije bio osuđen da bude iracionalan i mogao je da bude pomiren sa umom. Afinitet ka ranoromantičarskoj estetici objašnjava i zašto je Adorno 'mimetičarom par excellence' nazvao jednog drugog ranog romantičara - Franca Šuberta.
AB  - This paper argues that in his Aesthetic Theory Theodor Adomo went furthest in reviving the romantic tradition. His concept of 'imminent mind of things (immanente Sachvernunft)', approaching - especially, but not exclusively, through art - the 'objective truth', bore clear resemblance to the aesthetics of Novalis. This new concept of mind (rationality) gave a new meaning to Adorno's old concept of mimesis: mimesis was no longer doomed to be irrational and could be reconciled with the mind. Such an affinity towards early romantic aesthetics explains why Adorno described another early romantic, Franz Schubert, as a 'mimic par excellence'.
PB  - Univerzitet u Nišu, Niš
T2  - Teme
T1  - Romantičarski koreni Adornove teorije mimezisa
T1  - Adorno and romantic tradition: The roots of the dialectics of mimesis and the avant-garde
EP  - 356
IS  - 1
SP  - 333
VL  - 38
UR  - https://hdl.handle.net/21.15107/rcub_reff_1817
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2014",
abstract = "U radu autori zastupaju stanovište da je u Estetičkoj teoriji Teodor Adorno otišao najdalje u oživljavanju romantičarske tradicije. Njegov koncept 'imanentnog uma stvari' (immanente Sachvernunft), koji se približava - pogotovo, ali ne i isključivo kroz umetnost - 'objektivnoj istini', pokazivao je jasnu sličnost sa estetikom Novalisa. Taj novi koncept uma (racionalnosti) dao je novo značenje Adornovom starom konceptu mimezisa: mimezis više nije bio osuđen da bude iracionalan i mogao je da bude pomiren sa umom. Afinitet ka ranoromantičarskoj estetici objašnjava i zašto je Adorno 'mimetičarom par excellence' nazvao jednog drugog ranog romantičara - Franca Šuberta., This paper argues that in his Aesthetic Theory Theodor Adomo went furthest in reviving the romantic tradition. His concept of 'imminent mind of things (immanente Sachvernunft)', approaching - especially, but not exclusively, through art - the 'objective truth', bore clear resemblance to the aesthetics of Novalis. This new concept of mind (rationality) gave a new meaning to Adorno's old concept of mimesis: mimesis was no longer doomed to be irrational and could be reconciled with the mind. Such an affinity towards early romantic aesthetics explains why Adorno described another early romantic, Franz Schubert, as a 'mimic par excellence'.",
publisher = "Univerzitet u Nišu, Niš",
journal = "Teme",
title = "Romantičarski koreni Adornove teorije mimezisa, Adorno and romantic tradition: The roots of the dialectics of mimesis and the avant-garde",
pages = "356-333",
number = "1",
volume = "38",
url = "https://hdl.handle.net/21.15107/rcub_reff_1817"
}

Jeremić-Molnar, D.,& Molnar, A.. (2014). Romantičarski koreni Adornove teorije mimezisa. in Teme
Univerzitet u Nišu, Niš., 38(1), 333-356.
https://hdl.handle.net/21.15107/rcub_reff_1817

Jeremić-Molnar D, Molnar A. Romantičarski koreni Adornove teorije mimezisa. in Teme. 2014;38(1):333-356.
https://hdl.handle.net/21.15107/rcub_reff_1817 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Romantičarski koreni Adornove teorije mimezisa" in Teme, 38, no. 1 (2014):333-356,
https://hdl.handle.net/21.15107/rcub_reff_1817 .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/1761
AB  - Prvi deo članka posvećen je glavnim kategorijama istorističke sociologije Maksa Vebera: etosu i duhu. Autori razmatraju koncepte kapitalističkog duha i protestantskog duha i, oslanjajući se na Veberov nezavršeni spis o muzici, tragaju za nedostajućim konceptom romantičarskog duha, koji bi se mogao povezati s lutalačkim etosom. U drugom delu članka oni odvajaju fenomen lutanja (kretanja bez smisla i cilja) od putovanja (kretanja ka određenom cilju) i analiziraju mogućnosti rekonstruisanja lutalačkog etosa u kontekstu romantike u usponu. Naposletku, oni se bave glavnom promenom kroz koju je lutanje prošlo u 18. i početkom 19. veka: od prezrene aktivnosti koju su upražnjavali samo društveni otpadnici (sa izuzetkom kalfi i trgovaca) do sredstva regeneracije.
AB  - First part of the article is devoted to the main categories of Max Weber's historicist sociology: ethos and spirit. The authors are examining his concepts of capitalist spirit and protestant spirit and, relaying especially on Weber's unfinished treatise on music, contemplating the missing concept of romantic spirit, which could be tied with wandering ethos. In the second part of article, they are separating the phenomena of wandering (moving without purpose or goal) from travelling (moving towards the determined end) and analysing the possibilities of re-constructing the wandering ethos in context of emerging early Romanticism. In the end they are dealing with the main change the wandering underwent in 18th Century and early 19th Century: from despised activity practiced by social outcasts only (with few exceptions such as journeymen and merchants) to the tool of regeneration.
PB  - Sociološko društvo Srbije, Beograd
T2  - Sociološki pregled
T1  - Lutalački etos i duh romantike - razmatranja na tragu sociologije Maksa Vebera
T1  - Wandering ethos and romantic spirit: Reflections following the trail of Max Weber's sociology
EP  - 372
IS  - 3
SP  - 355
VL  - 47
DO  - 10.5937/socpreg1303355J
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2013",
abstract = "Prvi deo članka posvećen je glavnim kategorijama istorističke sociologije Maksa Vebera: etosu i duhu. Autori razmatraju koncepte kapitalističkog duha i protestantskog duha i, oslanjajući se na Veberov nezavršeni spis o muzici, tragaju za nedostajućim konceptom romantičarskog duha, koji bi se mogao povezati s lutalačkim etosom. U drugom delu članka oni odvajaju fenomen lutanja (kretanja bez smisla i cilja) od putovanja (kretanja ka određenom cilju) i analiziraju mogućnosti rekonstruisanja lutalačkog etosa u kontekstu romantike u usponu. Naposletku, oni se bave glavnom promenom kroz koju je lutanje prošlo u 18. i početkom 19. veka: od prezrene aktivnosti koju su upražnjavali samo društveni otpadnici (sa izuzetkom kalfi i trgovaca) do sredstva regeneracije., First part of the article is devoted to the main categories of Max Weber's historicist sociology: ethos and spirit. The authors are examining his concepts of capitalist spirit and protestant spirit and, relaying especially on Weber's unfinished treatise on music, contemplating the missing concept of romantic spirit, which could be tied with wandering ethos. In the second part of article, they are separating the phenomena of wandering (moving without purpose or goal) from travelling (moving towards the determined end) and analysing the possibilities of re-constructing the wandering ethos in context of emerging early Romanticism. In the end they are dealing with the main change the wandering underwent in 18th Century and early 19th Century: from despised activity practiced by social outcasts only (with few exceptions such as journeymen and merchants) to the tool of regeneration.",
publisher = "Sociološko društvo Srbije, Beograd",
journal = "Sociološki pregled",
title = "Lutalački etos i duh romantike - razmatranja na tragu sociologije Maksa Vebera, Wandering ethos and romantic spirit: Reflections following the trail of Max Weber's sociology",
pages = "372-355",
number = "3",
volume = "47",
doi = "10.5937/socpreg1303355J"
}

Jeremić-Molnar, D.,& Molnar, A.. (2013). Lutalački etos i duh romantike - razmatranja na tragu sociologije Maksa Vebera. in Sociološki pregled
Sociološko društvo Srbije, Beograd., 47(3), 355-372.
https://doi.org/10.5937/socpreg1303355J

Jeremić-Molnar D, Molnar A. Lutalački etos i duh romantike - razmatranja na tragu sociologije Maksa Vebera. in Sociološki pregled. 2013;47(3):355-372.
doi:10.5937/socpreg1303355J .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Lutalački etos i duh romantike - razmatranja na tragu sociologije Maksa Vebera" in Sociološki pregled, 47, no. 3 (2013):355-372,
https://doi.org/10.5937/socpreg1303355J . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/1573
AB  - Adorn developed his theory of mimesis as one of the main pillars of his critical theory of society and its (lack of) progress. In order to show the origins and importance of Adorno's theory of mimesis, the authors proceeded in four steps. In the first part of the article they are establishing connections between Adorn's and Callois' theory of mimesis, as the starting point of Adorn's dealing with this topic; in second part they pay attention to Adorn's first application of theory of mimesis on the class relations in mass society of modern capitalism; third part brings insights in Adorno's critique of mimetic tendencies of modern science; and in fourth part the ambiguities of mimetic art in Adorn's sociology of music and aesthetic theory are revealed. Some of these mimetic manifestations Adorno interpreted as the signs of the "bourgeois epoch" approaching to its very end, while some of them he perceived as the bearers of hope in regeneration.
PB  - Croatian Philosophical Soc, Zagreb
T2  - Filozofska istraživanja
T1  - Adorno's Theory of Mimesis at the "End of Bourgeois Epoch"
EP  - 738
IS  - 4
SP  - 723
VL  - 33
UR  - https://hdl.handle.net/21.15107/rcub_reff_1573
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2013",
abstract = "Adorn developed his theory of mimesis as one of the main pillars of his critical theory of society and its (lack of) progress. In order to show the origins and importance of Adorno's theory of mimesis, the authors proceeded in four steps. In the first part of the article they are establishing connections between Adorn's and Callois' theory of mimesis, as the starting point of Adorn's dealing with this topic; in second part they pay attention to Adorn's first application of theory of mimesis on the class relations in mass society of modern capitalism; third part brings insights in Adorno's critique of mimetic tendencies of modern science; and in fourth part the ambiguities of mimetic art in Adorn's sociology of music and aesthetic theory are revealed. Some of these mimetic manifestations Adorno interpreted as the signs of the "bourgeois epoch" approaching to its very end, while some of them he perceived as the bearers of hope in regeneration.",
publisher = "Croatian Philosophical Soc, Zagreb",
journal = "Filozofska istraživanja",
title = "Adorno's Theory of Mimesis at the "End of Bourgeois Epoch"",
pages = "738-723",
number = "4",
volume = "33",
url = "https://hdl.handle.net/21.15107/rcub_reff_1573"
}

Jeremić-Molnar, D.,& Molnar, A.. (2013). Adorno's Theory of Mimesis at the "End of Bourgeois Epoch". in Filozofska istraživanja
Croatian Philosophical Soc, Zagreb., 33(4), 723-738.
https://hdl.handle.net/21.15107/rcub_reff_1573

Jeremić-Molnar D, Molnar A. Adorno's Theory of Mimesis at the "End of Bourgeois Epoch". in Filozofska istraživanja. 2013;33(4):723-738.
https://hdl.handle.net/21.15107/rcub_reff_1573 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Adorno's Theory of Mimesis at the "End of Bourgeois Epoch"" in Filozofska istraživanja, 33, no. 4 (2013):723-738,
https://hdl.handle.net/21.15107/rcub_reff_1573 .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/1619
AB  - U članku autor pokušava da uspostavi vezu između Makijavelijeve teorije državnog rezona (ragione di stato), koja je po opštem mišljenju razvijena u Vladaru, i njegove republikanske teorije, izložene u Raspravama o prvoj dekadi Tita Livija. Makijavelijeve razbacane analize različitih slučajeva dozvoljavaju zaključak da republikanske vođe ne inkliniraju ništa manje ka arcana imperii od kraljeva i tirana. Zapravo, Makijaveli se bavio uputstvima državnog rezona kao svojevrsnim naučnim uvidima u dinamiku univerzalne prirodne sile i njenih pravilnosti. Stoga je Makijavelijevo učenje o državnom rezonu primenljivo kako na monarhije, tako i na republike; štaviše, njen najvažniji uticaj on je očekivao u temeljno degenerisanim republikama (poput onih italijanskih) u kojima sposoban vođa primenjuje program regeneracije.
AB  - In the article the author is trying to establish the connection between Machiavelli's theory of the Reason of state (ragione di stato, commonly associated with his Prince) and his republican theory (basically developed in his Discourses on the First Decade of Titus Livius). Machiavelli's scattered analyses of various cases permit the conclusion that republican leaders are not less attracted to the arcana imperii than the kings and tyrants. As a matter of fact, Machiavelli dealt with the instructions of the Reason of state as some kind of scientific in­sights in the dynamic of universal natural force and its regularities. Therefore Machiavelli's teaching of the Reason of state applied both on monarchies and republics; furthermore, he expected its most important impact on thoroughly degenerated republics (such as those in contemporary Italy) in which capable leader pursues the program of its regeneration.
PB  - Univerzitet u Beogradu - Fakultet političkih nauka, Beograd
T2  - Političke perspektive
T1  - Makijavelijev državnorezonski republikanizam
T1  - Machiavelli's reason of state-republicanism
EP  - 27
IS  - 3
SP  - 7
UR  - https://hdl.handle.net/21.15107/rcub_reff_1619
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2013",
abstract = "U članku autor pokušava da uspostavi vezu između Makijavelijeve teorije državnog rezona (ragione di stato), koja je po opštem mišljenju razvijena u Vladaru, i njegove republikanske teorije, izložene u Raspravama o prvoj dekadi Tita Livija. Makijavelijeve razbacane analize različitih slučajeva dozvoljavaju zaključak da republikanske vođe ne inkliniraju ništa manje ka arcana imperii od kraljeva i tirana. Zapravo, Makijaveli se bavio uputstvima državnog rezona kao svojevrsnim naučnim uvidima u dinamiku univerzalne prirodne sile i njenih pravilnosti. Stoga je Makijavelijevo učenje o državnom rezonu primenljivo kako na monarhije, tako i na republike; štaviše, njen najvažniji uticaj on je očekivao u temeljno degenerisanim republikama (poput onih italijanskih) u kojima sposoban vođa primenjuje program regeneracije., In the article the author is trying to establish the connection between Machiavelli's theory of the Reason of state (ragione di stato, commonly associated with his Prince) and his republican theory (basically developed in his Discourses on the First Decade of Titus Livius). Machiavelli's scattered analyses of various cases permit the conclusion that republican leaders are not less attracted to the arcana imperii than the kings and tyrants. As a matter of fact, Machiavelli dealt with the instructions of the Reason of state as some kind of scientific in­sights in the dynamic of universal natural force and its regularities. Therefore Machiavelli's teaching of the Reason of state applied both on monarchies and republics; furthermore, he expected its most important impact on thoroughly degenerated republics (such as those in contemporary Italy) in which capable leader pursues the program of its regeneration.",
publisher = "Univerzitet u Beogradu - Fakultet političkih nauka, Beograd",
journal = "Političke perspektive",
title = "Makijavelijev državnorezonski republikanizam, Machiavelli's reason of state-republicanism",
pages = "27-7",
number = "3",
url = "https://hdl.handle.net/21.15107/rcub_reff_1619"
}

Molnar, A.. (2013). Makijavelijev državnorezonski republikanizam. in Političke perspektive
Univerzitet u Beogradu - Fakultet političkih nauka, Beograd.(3), 7-27.
https://hdl.handle.net/21.15107/rcub_reff_1619

Molnar A. Makijavelijev državnorezonski republikanizam. in Političke perspektive. 2013;(3):7-27.
https://hdl.handle.net/21.15107/rcub_reff_1619 .

Molnar, Aleksandar, "Makijavelijev državnorezonski republikanizam" in Političke perspektive, no. 3 (2013):7-27,
https://hdl.handle.net/21.15107/rcub_reff_1619 .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/1634
AB  - U članku, autor raspravlja o značaju iskustva lutanja za uspon romantike sredinom 18. veka. Po njegovom mišljenju, bez ovih iskustava romani sami po sebi ne bi uspeli da iz sebe iznedre romantičarsku umetnost i filozofiju. Tu tezu autor ispituje na primerima Žan-Žak Rusoa u Francuskoj i Johana Gotfrida Herdera u Nemačkoj, koje (uz Johana Georga Hamana) ujedno smatra i prvim romantičarima.
AB  - In the article, the author is discussing the importance of the wandering experiences for the emergence of Romanticism in the mid- 18th century. His point of view is that without such experiences the rising culture of novels would not be able to trigger the correspondent take off in romantic arts and philosophy. Only during wanderings in the unknown nature it was possible not only to contemplate the alternative universes reveled by novels, but also to feel the possibility of their existence. And the most precious experiences wanderings could offer were the experiences of the possibility that the golden age was not only part of a mythic past but could be re-established again. Romantic wanderings were always part of the search for such golden age and source of the urge to re-invent the alternative to the oppressive bourgeois society. Such a view on the importance of romantic wanderings the author tries to demonstrate on examples of Jean-Jacques Rousseau in France and Johann Gottfried Herder in Germany. He considers them as first Romantics (along with Johann Georg Hamann in Germany) whose early wandering experiences shaped to a great extent their intellectual development and enabled them to engage passionately in battle with the ideals of Enlightenment.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Počeci i značaj romantičarskog lutanja polovinom 18. veka
T1  - Les débuts et l'importance de l'errance romantique au milieu du XVIIIe siècle
T1  - Beginnings and importance of romantic wandering in mid-18th century
EP  - 276
IS  - 1
SP  - 261
VL  - 8
DO  - 10.21301/eap.v8i1.12
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2013",
abstract = "U članku, autor raspravlja o značaju iskustva lutanja za uspon romantike sredinom 18. veka. Po njegovom mišljenju, bez ovih iskustava romani sami po sebi ne bi uspeli da iz sebe iznedre romantičarsku umetnost i filozofiju. Tu tezu autor ispituje na primerima Žan-Žak Rusoa u Francuskoj i Johana Gotfrida Herdera u Nemačkoj, koje (uz Johana Georga Hamana) ujedno smatra i prvim romantičarima., In the article, the author is discussing the importance of the wandering experiences for the emergence of Romanticism in the mid- 18th century. His point of view is that without such experiences the rising culture of novels would not be able to trigger the correspondent take off in romantic arts and philosophy. Only during wanderings in the unknown nature it was possible not only to contemplate the alternative universes reveled by novels, but also to feel the possibility of their existence. And the most precious experiences wanderings could offer were the experiences of the possibility that the golden age was not only part of a mythic past but could be re-established again. Romantic wanderings were always part of the search for such golden age and source of the urge to re-invent the alternative to the oppressive bourgeois society. Such a view on the importance of romantic wanderings the author tries to demonstrate on examples of Jean-Jacques Rousseau in France and Johann Gottfried Herder in Germany. He considers them as first Romantics (along with Johann Georg Hamann in Germany) whose early wandering experiences shaped to a great extent their intellectual development and enabled them to engage passionately in battle with the ideals of Enlightenment.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Počeci i značaj romantičarskog lutanja polovinom 18. veka, Les débuts et l'importance de l'errance romantique au milieu du XVIIIe siècle, Beginnings and importance of romantic wandering in mid-18th century",
pages = "276-261",
number = "1",
volume = "8",
doi = "10.21301/eap.v8i1.12"
}

Molnar, A.. (2013). Počeci i značaj romantičarskog lutanja polovinom 18. veka. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 8(1), 261-276.
https://doi.org/10.21301/eap.v8i1.12

Molnar A. Počeci i značaj romantičarskog lutanja polovinom 18. veka. in Etnoantropološki problemi. 2013;8(1):261-276.
doi:10.21301/eap.v8i1.12 .

Molnar, Aleksandar, "Počeci i značaj romantičarskog lutanja polovinom 18. veka" in Etnoantropološki problemi, 8, no. 1 (2013):261-276,
https://doi.org/10.21301/eap.v8i1.12 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2012
UR  - http://reff.f.bg.ac.rs/handle/123456789/1493
AB  - U članku autori rekonstruišu dihotomije koje je mladi Teodor Adorno nastojao da otkrije u muzici građanske epohe i personifikuje ih u dvojici antipoda - Francu Šubertu i Ludvigu van Betovenu. Iako je već tada bio obožavalac Šenberga i muzičkog avangardizma 20. veka, Adorno se u svojim radovima pre egzila iz Nemačke 1934. intenzivno bavio Šubertom i njegovom opozicijom Betovenu. Dok je Betoven bio nepokolebljivi i progresivni revolucionar, fasciniran 'praktičkim umom' i misijom uzdizanja i domašivanja zvezda, Šubert nije hteo ništa od toga (skoro predviđajući neuspeh celokupnog revolucionarnog projekta). Umesto toga, on je gledao unazad, u primordijalnu prirodu i u mogućnost čoveka da participira u njenim mističnim ciklusima smrti i regeneracije. Izostanak sinteze između ove dve tendencije u muzici na početku građanske epohe vodio je 'negativnoj dijalektici' Šenberga i avangardizma 20. veka i konačnom razdvajanju betovenovskog muzičkog napretka i šubertovskog muzičkog mimezisa.
AB  - In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee of Arnold Schönberg and the 20th century music avantgardism, Adorno was, in his works prior to his exile from Germany (1934), intensively dealing with Schubert and his opposition towards Beethoven. While Beethoven was a bold and progressive revolutionary, fascinated by the 'practical reason' and the mission to rise up and reach the stars, Schubert wanted none of it (almost anticipating the failure of the whole revolutionary project). Instead, he was looking backwards, to primordial nature and the possibility of man to participate in its mythic cycles of death and regeneration. The lack of synthesis between this two opposing tendencies in the music of early bourgeois epoch lead to the 'negative dialectics' of Schönberg and 20th century music avantgardism and to the final separation of Beethovenian musical progress and Schubertian musical mimesis.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Šubert i Betoven - Adornovi prvobitni antipodi muzike građanske epohe
T1  - Schubert and Beethoven: Adorno's early antipodes of the music in bourgeois epoch
EP  - 236
IS  - 3
SP  - 221
VL  - 23
UR  - https://hdl.handle.net/21.15107/rcub_reff_1493
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2012",
abstract = "U članku autori rekonstruišu dihotomije koje je mladi Teodor Adorno nastojao da otkrije u muzici građanske epohe i personifikuje ih u dvojici antipoda - Francu Šubertu i Ludvigu van Betovenu. Iako je već tada bio obožavalac Šenberga i muzičkog avangardizma 20. veka, Adorno se u svojim radovima pre egzila iz Nemačke 1934. intenzivno bavio Šubertom i njegovom opozicijom Betovenu. Dok je Betoven bio nepokolebljivi i progresivni revolucionar, fasciniran 'praktičkim umom' i misijom uzdizanja i domašivanja zvezda, Šubert nije hteo ništa od toga (skoro predviđajući neuspeh celokupnog revolucionarnog projekta). Umesto toga, on je gledao unazad, u primordijalnu prirodu i u mogućnost čoveka da participira u njenim mističnim ciklusima smrti i regeneracije. Izostanak sinteze između ove dve tendencije u muzici na početku građanske epohe vodio je 'negativnoj dijalektici' Šenberga i avangardizma 20. veka i konačnom razdvajanju betovenovskog muzičkog napretka i šubertovskog muzičkog mimezisa., In this article the authors are reconstructing the dichotomies which the young Theodor Adorno was trying to detect in the music of the bourgeois epoch and personify in two antipodes - Franz Schubert and Ludwig van Beethoven. Although already a devotee of Arnold Schönberg and the 20th century music avantgardism, Adorno was, in his works prior to his exile from Germany (1934), intensively dealing with Schubert and his opposition towards Beethoven. While Beethoven was a bold and progressive revolutionary, fascinated by the 'practical reason' and the mission to rise up and reach the stars, Schubert wanted none of it (almost anticipating the failure of the whole revolutionary project). Instead, he was looking backwards, to primordial nature and the possibility of man to participate in its mythic cycles of death and regeneration. The lack of synthesis between this two opposing tendencies in the music of early bourgeois epoch lead to the 'negative dialectics' of Schönberg and 20th century music avantgardism and to the final separation of Beethovenian musical progress and Schubertian musical mimesis.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Šubert i Betoven - Adornovi prvobitni antipodi muzike građanske epohe, Schubert and Beethoven: Adorno's early antipodes of the music in bourgeois epoch",
pages = "236-221",
number = "3",
volume = "23",
url = "https://hdl.handle.net/21.15107/rcub_reff_1493"
}

Jeremić-Molnar, D.,& Molnar, A.. (2012). Šubert i Betoven - Adornovi prvobitni antipodi muzike građanske epohe. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 23(3), 221-236.
https://hdl.handle.net/21.15107/rcub_reff_1493

Jeremić-Molnar D, Molnar A. Šubert i Betoven - Adornovi prvobitni antipodi muzike građanske epohe. in Filozofija i društvo. 2012;23(3):221-236.
https://hdl.handle.net/21.15107/rcub_reff_1493 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Šubert i Betoven - Adornovi prvobitni antipodi muzike građanske epohe" in Filozofija i društvo, 23, no. 3 (2012):221-236,
https://hdl.handle.net/21.15107/rcub_reff_1493 .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1322
AB  - Cilj autora članka je da kontekstualizuju Adornovu ranu teoriju društva i muzike u njegovom iskustvu Vajmarske republike i Trećeg rajha. Posebno je naglašen značaj revolucije u njegovom prvom nacrtu sociologije muzike. Na početku ovog perioda, Adorno je pokušavao da pomiri revoluciju radničke klase sa dodekafonskom revolucijom u muzici (za koju je verovao da je iskusio prilikom studija u Beču kod Albana Berga). Ali, njegov stav se promenio krajem Vajmarske republike i početkom Trećeg rajha (Adorno je napustio Nemačku u aprilu 1934) i on je odvojio puteve dve revolucije, tvrdeći da se revolucija proletarijata može promicati sredstvima 'vulgarno građanske' horske muzike (sa novim stihovima). Isto je smatrao primerenim i za nacionalsocijalističku revoluciju u jednom od poslednjih napisa koje je objavio pre emigacije u Englesku.
AB  - The purpose of the authors in the article is to contextualize Adorno's early theory of society and music in his experience of Weimar Republic and Third Reich. The importance of the revolution in his first outline of sociology of music is especially stressed. At he beginning this period, it was the revolution of the workers class that he was trying to reconcile with the dodecaphonic revolution in music (which he believed he had already witnessed in Wienna while studying with Alban Berg). But, his attitude changed towards the end of Weimar Republic and at the beginning of Third Reich (Adorno left Germany in April 1934) and he separated the paths of two revolutions, arguing that the revolution of the workers class could be pursued by the means of 'vulgar bourgeois' choral music (with new lyrics). The same he thought appropriate for the Nazi revolution in one of the last papers published before his leave for England.
PB  - Sociološko društvo Srbije, Beograd
T2  - Sociološki pregled
T1  - Adornova rana teorija društva i muzike (1928-1934)
T1  - Adorno's early theory of society and music (1928-1934)
EP  - 372
IS  - 3
SP  - 351
VL  - 45
DO  - 10.5937/socpreg1103351J
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2011",
abstract = "Cilj autora članka je da kontekstualizuju Adornovu ranu teoriju društva i muzike u njegovom iskustvu Vajmarske republike i Trećeg rajha. Posebno je naglašen značaj revolucije u njegovom prvom nacrtu sociologije muzike. Na početku ovog perioda, Adorno je pokušavao da pomiri revoluciju radničke klase sa dodekafonskom revolucijom u muzici (za koju je verovao da je iskusio prilikom studija u Beču kod Albana Berga). Ali, njegov stav se promenio krajem Vajmarske republike i početkom Trećeg rajha (Adorno je napustio Nemačku u aprilu 1934) i on je odvojio puteve dve revolucije, tvrdeći da se revolucija proletarijata može promicati sredstvima 'vulgarno građanske' horske muzike (sa novim stihovima). Isto je smatrao primerenim i za nacionalsocijalističku revoluciju u jednom od poslednjih napisa koje je objavio pre emigacije u Englesku., The purpose of the authors in the article is to contextualize Adorno's early theory of society and music in his experience of Weimar Republic and Third Reich. The importance of the revolution in his first outline of sociology of music is especially stressed. At he beginning this period, it was the revolution of the workers class that he was trying to reconcile with the dodecaphonic revolution in music (which he believed he had already witnessed in Wienna while studying with Alban Berg). But, his attitude changed towards the end of Weimar Republic and at the beginning of Third Reich (Adorno left Germany in April 1934) and he separated the paths of two revolutions, arguing that the revolution of the workers class could be pursued by the means of 'vulgar bourgeois' choral music (with new lyrics). The same he thought appropriate for the Nazi revolution in one of the last papers published before his leave for England.",
publisher = "Sociološko društvo Srbije, Beograd",
journal = "Sociološki pregled",
title = "Adornova rana teorija društva i muzike (1928-1934), Adorno's early theory of society and music (1928-1934)",
pages = "372-351",
number = "3",
volume = "45",
doi = "10.5937/socpreg1103351J"
}

Jeremić-Molnar, D.,& Molnar, A.. (2011). Adornova rana teorija društva i muzike (1928-1934). in Sociološki pregled
Sociološko društvo Srbije, Beograd., 45(3), 351-372.
https://doi.org/10.5937/socpreg1103351J

Jeremić-Molnar D, Molnar A. Adornova rana teorija društva i muzike (1928-1934). in Sociološki pregled. 2011;45(3):351-372.
doi:10.5937/socpreg1103351J .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Adornova rana teorija društva i muzike (1928-1934)" in Sociološki pregled, 45, no. 3 (2011):351-372,
https://doi.org/10.5937/socpreg1103351J . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1258
AB  - U članku se autor bavi dvema temama koje shvata kao glavne specifičnosti nemačkog prosvetiteljstva 18. veka: uticaj pijetizma i ulogu pruskog kralja Fridriha Velikog. S jedne strane, kao vrlo uticajna intelektualna snaga u Nemačkoj, a pogotovo u Prusiji, pijetizam je bio nevoljan da dopusti da sloboda savesti ode predaleko. Umesto toga, on se nagodio sa prosvetiteljskim pokretom i spasao ono što je shvaćeno kao izvorna 'suština' hrišćanstva. S druge strane, Fridrih je igrao krucijalnu ulogu u razvoju nemačkog prosvetiteljstva kao slobodni mislilac, ali i kao prosvećeni despot, koji je ohrabrivao podanike da slobodno misle o religioznim pitanjima, ali nikada nije došao na pomisao da im pomogne da prevaziđu političku nezrelost. Umesto toga, on je preferirao poredak i disciplinu u ubeđivanju svog 'naroda' da prihvati državnu mašinu koja se služi ćutke i poslušno. Dugoročna konsekvenca tog razvoja bio je uspon teorije državnog rezona, kao i nacionalizma.
AB  - In the article the author is dealing with two issues he perceives as main specific features of the German 18th century Enlightenment: the impact of pietism and the role of Prussian king Frederic the Great. On the one hand, as a very influential intellectual power in Germany, especially in Prussia, pietism was reluctant to let freedom of consciousness go too far. Instead, it tried to come to terms with the Enlightenment movement and save what was believed to be the original 'core' of Christianity. On the other hand, Frederic played a crucial role in the development of German Enlightenment as a free-thinker, as well as an enlightened despot, who encouraged his subjects to think freely in religious matters, but never contemplated the possibility to help them overcome their political immaturity. Instead, he preferred order and discipline in persuading his 'people' to accept state machinery which should be served quietly and obediently. The long-term consequences of such development were the rise of nationalism and the theory of the reason of state.
PB  - Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd
T2  - Sociologija
T1  - Uticaj pijetizma i Fridriha Velikog na Nemačko prosvetiteljstvo
T1  - The impact of pietism and Frederic the Great on German 18th century enlightenment
EP  - 488
IS  - 4
SP  - 475
VL  - 53
DO  - 10.2298/SOC1104475M
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2011",
abstract = "U članku se autor bavi dvema temama koje shvata kao glavne specifičnosti nemačkog prosvetiteljstva 18. veka: uticaj pijetizma i ulogu pruskog kralja Fridriha Velikog. S jedne strane, kao vrlo uticajna intelektualna snaga u Nemačkoj, a pogotovo u Prusiji, pijetizam je bio nevoljan da dopusti da sloboda savesti ode predaleko. Umesto toga, on se nagodio sa prosvetiteljskim pokretom i spasao ono što je shvaćeno kao izvorna 'suština' hrišćanstva. S druge strane, Fridrih je igrao krucijalnu ulogu u razvoju nemačkog prosvetiteljstva kao slobodni mislilac, ali i kao prosvećeni despot, koji je ohrabrivao podanike da slobodno misle o religioznim pitanjima, ali nikada nije došao na pomisao da im pomogne da prevaziđu političku nezrelost. Umesto toga, on je preferirao poredak i disciplinu u ubeđivanju svog 'naroda' da prihvati državnu mašinu koja se služi ćutke i poslušno. Dugoročna konsekvenca tog razvoja bio je uspon teorije državnog rezona, kao i nacionalizma., In the article the author is dealing with two issues he perceives as main specific features of the German 18th century Enlightenment: the impact of pietism and the role of Prussian king Frederic the Great. On the one hand, as a very influential intellectual power in Germany, especially in Prussia, pietism was reluctant to let freedom of consciousness go too far. Instead, it tried to come to terms with the Enlightenment movement and save what was believed to be the original 'core' of Christianity. On the other hand, Frederic played a crucial role in the development of German Enlightenment as a free-thinker, as well as an enlightened despot, who encouraged his subjects to think freely in religious matters, but never contemplated the possibility to help them overcome their political immaturity. Instead, he preferred order and discipline in persuading his 'people' to accept state machinery which should be served quietly and obediently. The long-term consequences of such development were the rise of nationalism and the theory of the reason of state.",
publisher = "Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd",
journal = "Sociologija",
title = "Uticaj pijetizma i Fridriha Velikog na Nemačko prosvetiteljstvo, The impact of pietism and Frederic the Great on German 18th century enlightenment",
pages = "488-475",
number = "4",
volume = "53",
doi = "10.2298/SOC1104475M"
}

Molnar, A.. (2011). Uticaj pijetizma i Fridriha Velikog na Nemačko prosvetiteljstvo. in Sociologija
Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd., 53(4), 475-488.
https://doi.org/10.2298/SOC1104475M

Molnar A. Uticaj pijetizma i Fridriha Velikog na Nemačko prosvetiteljstvo. in Sociologija. 2011;53(4):475-488.
doi:10.2298/SOC1104475M .

Molnar, Aleksandar, "Uticaj pijetizma i Fridriha Velikog na Nemačko prosvetiteljstvo" in Sociologija, 53, no. 4 (2011):475-488,
https://doi.org/10.2298/SOC1104475M . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1137
AB  - Iako je filozofija (baš kao i ceo pokret) prosvetiteljstva rođena u Nizozemskoj i Engleskoj u kasnom 17. i ranom 18. veku, postojali su značajni problemi u definisanju slobode. Do sredine 18. veka, pod uticajem 'nacionalnog merkantilizma' (Maks Veber), sloboda se poimala u sve više kolektivističkim crtama, doprinoseći stvaranju političke opcije nacionalnog liberalizma. Zbog toga su u drugoj polovini 18. veka ove dve zemlje progresivno gubile značaj za pokret prosvetiteljstva, da bi na njegovo vodeće mesto došle dve nove zemlje, koje su otvarale novu političku opciju demokratskog liberalizma: Sjedinjene Američke Države i Francuska. Ipak, individualna sloboda se tokom svog filozofskog i insitucionalnog uspona u doba prosvetiteljstva suočavala ne samo sa jednom, nego sa dve opasnosti: s jedne strane, od opasnosti nestajanja u nacionalnoj slobodi, i, s druge strane, od opasnosti postajanja neobuzdanom i (samo)destruktivnom. (Nacionalni) liberalizam koji je stasavao u Engleskoj u 18. veku postao je svedokom prve opasnosti, dok je druga opasnost nastala pod okriljem Francuske revolucije. Francuzi su prvi u modernoj epohi shvatili da je svetlost slobode prejaka da bi se bez znatnih mera opreza koristila u izgradnji liberalnog civilnog društva. Zato je određeno umeravanje moralo da bude preduzeto. Ideja čovečnosti, tj. prava čoveka, na kraju je pronađena kao najbolja za rešavanje zadatka očuvanja individualne slobode, bez žrtvovanja socijalnih veza među slobodnim individuama.
AB  - Although the philosophy (as well as the whole movement) of Enlightenment was born in the Netherlands and England in the late 17th and early 18th century, there were considerable problems in defying the freedom. By the mid 18th century, under the influence of 'national mercantilism' (Max Weber), the freedom was perceived in more and more collective terms, giving bith to the political option of national liberalism. That is why in the second half of 18th century this two countries have been progressively loosing importance for the movement of Enlightenment and two new countries emerged at its leading position, striving for democratic liberalism: United States of America and France. However, individual freedom faced not one, but two dangers during its philosophical and institutional development in the Age of Enlightenment: on the one hand, the danger of vanishing in the national freedom, and, on the other hand, the danger of becoming unbound and (self)destructive. The emerging (national) liberalism in England in the 18th century witnessed the first danger, while the second danger appeared in the wake of the French revolution. The French were the first in the Modern epoch to realise that the light of freedom is to powerful to be used without considerable percussions in the establishment of liberal civil society. Therefore, some moderation hat to be taken into consideration. The idea of humanity, i.e. human rights, was at the end found as most helpful in solving the task of preserving individual freedom, without sacrifying social bonds between free individuals.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Svetlost slobode u veku prosvetiteljstva (2) - Engleska i Francuska
T1  - The light of freedom in the age of enlightenment (2): England and France
EP  - 155
IS  - 2
SP  - 129
VL  - 22
UR  - https://hdl.handle.net/21.15107/rcub_reff_1137
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2011",
abstract = "Iako je filozofija (baš kao i ceo pokret) prosvetiteljstva rođena u Nizozemskoj i Engleskoj u kasnom 17. i ranom 18. veku, postojali su značajni problemi u definisanju slobode. Do sredine 18. veka, pod uticajem 'nacionalnog merkantilizma' (Maks Veber), sloboda se poimala u sve više kolektivističkim crtama, doprinoseći stvaranju političke opcije nacionalnog liberalizma. Zbog toga su u drugoj polovini 18. veka ove dve zemlje progresivno gubile značaj za pokret prosvetiteljstva, da bi na njegovo vodeće mesto došle dve nove zemlje, koje su otvarale novu političku opciju demokratskog liberalizma: Sjedinjene Američke Države i Francuska. Ipak, individualna sloboda se tokom svog filozofskog i insitucionalnog uspona u doba prosvetiteljstva suočavala ne samo sa jednom, nego sa dve opasnosti: s jedne strane, od opasnosti nestajanja u nacionalnoj slobodi, i, s druge strane, od opasnosti postajanja neobuzdanom i (samo)destruktivnom. (Nacionalni) liberalizam koji je stasavao u Engleskoj u 18. veku postao je svedokom prve opasnosti, dok je druga opasnost nastala pod okriljem Francuske revolucije. Francuzi su prvi u modernoj epohi shvatili da je svetlost slobode prejaka da bi se bez znatnih mera opreza koristila u izgradnji liberalnog civilnog društva. Zato je određeno umeravanje moralo da bude preduzeto. Ideja čovečnosti, tj. prava čoveka, na kraju je pronađena kao najbolja za rešavanje zadatka očuvanja individualne slobode, bez žrtvovanja socijalnih veza među slobodnim individuama., Although the philosophy (as well as the whole movement) of Enlightenment was born in the Netherlands and England in the late 17th and early 18th century, there were considerable problems in defying the freedom. By the mid 18th century, under the influence of 'national mercantilism' (Max Weber), the freedom was perceived in more and more collective terms, giving bith to the political option of national liberalism. That is why in the second half of 18th century this two countries have been progressively loosing importance for the movement of Enlightenment and two new countries emerged at its leading position, striving for democratic liberalism: United States of America and France. However, individual freedom faced not one, but two dangers during its philosophical and institutional development in the Age of Enlightenment: on the one hand, the danger of vanishing in the national freedom, and, on the other hand, the danger of becoming unbound and (self)destructive. The emerging (national) liberalism in England in the 18th century witnessed the first danger, while the second danger appeared in the wake of the French revolution. The French were the first in the Modern epoch to realise that the light of freedom is to powerful to be used without considerable percussions in the establishment of liberal civil society. Therefore, some moderation hat to be taken into consideration. The idea of humanity, i.e. human rights, was at the end found as most helpful in solving the task of preserving individual freedom, without sacrifying social bonds between free individuals.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Svetlost slobode u veku prosvetiteljstva (2) - Engleska i Francuska, The light of freedom in the age of enlightenment (2): England and France",
pages = "155-129",
number = "2",
volume = "22",
url = "https://hdl.handle.net/21.15107/rcub_reff_1137"
}

Molnar, A.. (2011). Svetlost slobode u veku prosvetiteljstva (2) - Engleska i Francuska. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 22(2), 129-155.
https://hdl.handle.net/21.15107/rcub_reff_1137

Molnar A. Svetlost slobode u veku prosvetiteljstva (2) - Engleska i Francuska. in Filozofija i društvo. 2011;22(2):129-155.
https://hdl.handle.net/21.15107/rcub_reff_1137 .

Molnar, Aleksandar, "Svetlost slobode u veku prosvetiteljstva (2) - Engleska i Francuska" in Filozofija i društvo, 22, no. 2 (2011):129-155,
https://hdl.handle.net/21.15107/rcub_reff_1137 .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1143
AB  - U članku se razmatra značaj slobode za doba prosvetiteljstva, kao i veze između filozofije prosvetiteljstva i liberalne teorije. Štaviše, autorova centralna teza je da svetlost koja je počela da osvetljava razum u dobu prosvetiteljstva više nije imala ništa ni sa Bogom, ni sa prirodom, već samo sa ljudskom slobodom. Kao što je Entoni Ešli Kuper, treći erl od Šeftsberija, zapazio u jednom od svojih pisama, sloboda je svoje svetlo prvo prosula po Nizozemskoj i Engleskoj. Autor takođe osporava tezu koju je nedavno izneo Džonatan Irving Izrael u svojim knjigama Radikalno prosvetiteljstvo i Osporeno prosvetiteljstvo da je pokret radikalnog prosvetiteljstva u 18. veku bio skoro isključivo inspirisan političkom i religijskom filozofijom Nizozemca Baruha de Spinoze. Iako je Spinozin doprinos radikalnom prosvetiteljstvu jasan i evidentan, on se takođe može tretirati i kao mislilac koji je inspirisao neke struje umerenog prosvetiteljstva, pa čak i protiv-prosvetiteljstva.
AB  - The central topic of the article is the importance of the freedom for the Age of Enlightenment, as well as ties connecting philosophy of Enlightenment and political liberalism. Furthermore, the author's central thesis is that the light that began to enlightened the reason in the Age of Enlightenment had nothing to do with God or nature, but solely with human freedom. As Anthony Ashley Cooper, third Earl of Shaftsbury, noted in one of his letters, freedom shed the light on two countries at first: the Netherlands and England. The author is also disputing the thesis developed by Jonathan Irving Israel in his recent books Radical Enlightenment and Enlightenment Contested that the movement of radical Enlightenment in 18. century was almost exclusevly inspired by the political and religious philosophy of the Dutch Baruch de Spinoza. Although Spinoza's contribution to the radical Enlightenment is clear and evident, he could be also perceived as a thinker who inspired some currents of moderate Enlightenment and counter-Enlightenment as well.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Svetlost slobode u dobu prosvetiteljstva, deo 1 - Nizozemska
T1  - The light of freedom in the age of enlightenment, Part 1: The Netherlands
EP  - 166
IS  - 1
SP  - 143
VL  - 22
UR  - https://hdl.handle.net/21.15107/rcub_reff_1143
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2011",
abstract = "U članku se razmatra značaj slobode za doba prosvetiteljstva, kao i veze između filozofije prosvetiteljstva i liberalne teorije. Štaviše, autorova centralna teza je da svetlost koja je počela da osvetljava razum u dobu prosvetiteljstva više nije imala ništa ni sa Bogom, ni sa prirodom, već samo sa ljudskom slobodom. Kao što je Entoni Ešli Kuper, treći erl od Šeftsberija, zapazio u jednom od svojih pisama, sloboda je svoje svetlo prvo prosula po Nizozemskoj i Engleskoj. Autor takođe osporava tezu koju je nedavno izneo Džonatan Irving Izrael u svojim knjigama Radikalno prosvetiteljstvo i Osporeno prosvetiteljstvo da je pokret radikalnog prosvetiteljstva u 18. veku bio skoro isključivo inspirisan političkom i religijskom filozofijom Nizozemca Baruha de Spinoze. Iako je Spinozin doprinos radikalnom prosvetiteljstvu jasan i evidentan, on se takođe može tretirati i kao mislilac koji je inspirisao neke struje umerenog prosvetiteljstva, pa čak i protiv-prosvetiteljstva., The central topic of the article is the importance of the freedom for the Age of Enlightenment, as well as ties connecting philosophy of Enlightenment and political liberalism. Furthermore, the author's central thesis is that the light that began to enlightened the reason in the Age of Enlightenment had nothing to do with God or nature, but solely with human freedom. As Anthony Ashley Cooper, third Earl of Shaftsbury, noted in one of his letters, freedom shed the light on two countries at first: the Netherlands and England. The author is also disputing the thesis developed by Jonathan Irving Israel in his recent books Radical Enlightenment and Enlightenment Contested that the movement of radical Enlightenment in 18. century was almost exclusevly inspired by the political and religious philosophy of the Dutch Baruch de Spinoza. Although Spinoza's contribution to the radical Enlightenment is clear and evident, he could be also perceived as a thinker who inspired some currents of moderate Enlightenment and counter-Enlightenment as well.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Svetlost slobode u dobu prosvetiteljstva, deo 1 - Nizozemska, The light of freedom in the age of enlightenment, Part 1: The Netherlands",
pages = "166-143",
number = "1",
volume = "22",
url = "https://hdl.handle.net/21.15107/rcub_reff_1143"
}

Molnar, A.. (2011). Svetlost slobode u dobu prosvetiteljstva, deo 1 - Nizozemska. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 22(1), 143-166.
https://hdl.handle.net/21.15107/rcub_reff_1143

Molnar A. Svetlost slobode u dobu prosvetiteljstva, deo 1 - Nizozemska. in Filozofija i društvo. 2011;22(1):143-166.
https://hdl.handle.net/21.15107/rcub_reff_1143 .

Molnar, Aleksandar, "Svetlost slobode u dobu prosvetiteljstva, deo 1 - Nizozemska" in Filozofija i društvo, 22, no. 1 (2011):143-166,
https://hdl.handle.net/21.15107/rcub_reff_1143 .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2010
UR  - http://reff.f.bg.ac.rs/handle/123456789/1041
AB  - U radu se autor bavi konceptom političkog i ustavnim učenjem Karla Šmita. On nastoji da pokaže da je logika Šmitovog argumenta protiv liberalne demokratije i u korist plebiscitarne demokratije sledi sve najvažnije zaključke do kojih je Žan-Žak Ruso došao u svom Društvenom ugovoru, sa samo jednim izuzetkom. Šmit, naime, nije bio voljan da prihvati da je do društvenog ugovora ikada došlo u bilo kom istorijskom društvu i verovao je da se on ne može koristiti čak ni kao metodološko sredstvo pošto nema nikakvog smisla u samim temeljima političke zajednice. Rusoovi stavovi o 'opštoj volji', 'narodu' i neposrednoj demokratiji bili su Šmitu mnogo zanimljiviji za njegove namere uobličenja modela totalne države.
AB  - In this paper the author discusses Carl Schmitt's concept of 'the political' (das Politische), and his constitutional teaching (Verfassungslehre). He is trying to explain that the logic of Schmitt's argument against liberal democracy and in favor of populist democracy follows all the important conclusions made by Jean-Jacques Rousseau in his Social Contract, with only one exception. Schmitt was, namely, reluctant to accept that the social contract ever occurred in any historical society and he believed that it could not be used even as a methodological tool, because it has no meaning in the very foundations of political community. Rousseau's statements on 'general will', 'people', and immediate democracy Schmitt found more attractive for his purposes of designing the model of total state.
PB  - Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd
T2  - Sociologija
T1  - Rusoistički temelji Šmitovog shvatanja (totalne) države
T1  - Rousseauist foundations of Schmitt's concept of (total) state
EP  - 236
IS  - 3
SP  - 225
VL  - 52
DO  - 10.2298/SOC1003225M
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2010",
abstract = "U radu se autor bavi konceptom političkog i ustavnim učenjem Karla Šmita. On nastoji da pokaže da je logika Šmitovog argumenta protiv liberalne demokratije i u korist plebiscitarne demokratije sledi sve najvažnije zaključke do kojih je Žan-Žak Ruso došao u svom Društvenom ugovoru, sa samo jednim izuzetkom. Šmit, naime, nije bio voljan da prihvati da je do društvenog ugovora ikada došlo u bilo kom istorijskom društvu i verovao je da se on ne može koristiti čak ni kao metodološko sredstvo pošto nema nikakvog smisla u samim temeljima političke zajednice. Rusoovi stavovi o 'opštoj volji', 'narodu' i neposrednoj demokratiji bili su Šmitu mnogo zanimljiviji za njegove namere uobličenja modela totalne države., In this paper the author discusses Carl Schmitt's concept of 'the political' (das Politische), and his constitutional teaching (Verfassungslehre). He is trying to explain that the logic of Schmitt's argument against liberal democracy and in favor of populist democracy follows all the important conclusions made by Jean-Jacques Rousseau in his Social Contract, with only one exception. Schmitt was, namely, reluctant to accept that the social contract ever occurred in any historical society and he believed that it could not be used even as a methodological tool, because it has no meaning in the very foundations of political community. Rousseau's statements on 'general will', 'people', and immediate democracy Schmitt found more attractive for his purposes of designing the model of total state.",
publisher = "Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd",
journal = "Sociologija",
title = "Rusoistički temelji Šmitovog shvatanja (totalne) države, Rousseauist foundations of Schmitt's concept of (total) state",
pages = "236-225",
number = "3",
volume = "52",
doi = "10.2298/SOC1003225M"
}

Molnar, A.. (2010). Rusoistički temelji Šmitovog shvatanja (totalne) države. in Sociologija
Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd., 52(3), 225-236.
https://doi.org/10.2298/SOC1003225M

Molnar A. Rusoistički temelji Šmitovog shvatanja (totalne) države. in Sociologija. 2010;52(3):225-236.
doi:10.2298/SOC1003225M .

Molnar, Aleksandar, "Rusoistički temelji Šmitovog shvatanja (totalne) države" in Sociologija, 52, no. 3 (2010):225-236,
https://doi.org/10.2298/SOC1003225M . .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2010
UR  - http://reff.f.bg.ac.rs/handle/123456789/1026
AB  - Karl Šmit se obično smatra teoretičarem totalne države, totalnog rata i totalnog neprijateljstva. U članku, međutim, autor pokušava da pokaže da je od 1937. do 1944, Šmit upozoravao na to da su totalni rat i totalno neprijateljstvo opasni po Nemačku (kao i ostatak Evrope) i da se mora zaustaviti perpeturanje svih napora za totalizacijom neprijatelja, koji su započeli 1914. U svojim teorijskim radovima iz ovog perioda on je nalazio mesta samo za totalnu državu - a pogotovo za onu koja je dovoljno jaka da se odupre iskušenju da objavi totalni rat totalnom neprijatelju. Totalna država koju je preporučivao Hitleru i njegovim nacionalsocijalističkim sledbenicima bio je nemački Rajh, kao deo Evrope uređenje i podeljene između velikih prostora (Grossraumordnung). Pozicionirana u sredini Evrope, između ostalih sila (Francuske, Italije, Sovjetskog saveza, kao i skandinavskih država) Nemačka je trebalo da bude dovoljno pažljiva da ratuje samo protiv istočnih neprijatelja (Poljske i možda Sovjetskog saveza) i samo za 'pravedne' granice. Zaokružujući na taj način svoj veliki prostor, Nemačka je trebalo da se okrene zadatku eksploatacije različitih naroda, kao što su Poljaci, Česi i Slovaci, koji su bili proglašeni kao nesposobni da imaju vlastitu državu i osuđeni na to da služe gospodarsku rasu - Nemce.
AB  - Carl Schmitt is usually perceived as the theorist of total state, total war and total hostility. In the article, the author however tries to show that from 1937 to 1944, Schmitt was arguing that total war and total hostility were dangerous for Germany (as well as for the rest of Europe) and warned against perpetuation of all efforts to totalize enemy that started in 1914. In his theoretical endeavors in this period there was place for the total state only - and especially for the total state strong enough to resist temptation of declaring total war on total enemy. The total state he recommended Hitler and his Nazi comrades was German Reich, as a part of Europe ordered and divided in the huge spaces (Grossraumordnung). Positioned in the centre of Europe, between the rest of the powers (France, Italy, USSR as well as the Scandinavian states), Germany should be careful enough to wage war only against its Eastern enemies (Poland and maybe USSR) and only in order to achieve 'just' borders. Occupying in this way its huge space Germany should devote itself to the task of exploitation of various peoples such as Poles, Chechs and Slovaks, which were perceived as incapable of having their states and doomed to serve the master race - the Germans.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Stav Karla Šmita o totalnom ratu i totalnom neprijatelju uoči izbijanja Drugog svetskog rata
T1  - Carl Schmitt's attitude towards total war and total enemy on the eve of the outbreak of WWII
EP  - 49
IS  - 1
SP  - 31
VL  - 21
UR  - https://hdl.handle.net/21.15107/rcub_reff_1026
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2010",
abstract = "Karl Šmit se obično smatra teoretičarem totalne države, totalnog rata i totalnog neprijateljstva. U članku, međutim, autor pokušava da pokaže da je od 1937. do 1944, Šmit upozoravao na to da su totalni rat i totalno neprijateljstvo opasni po Nemačku (kao i ostatak Evrope) i da se mora zaustaviti perpeturanje svih napora za totalizacijom neprijatelja, koji su započeli 1914. U svojim teorijskim radovima iz ovog perioda on je nalazio mesta samo za totalnu državu - a pogotovo za onu koja je dovoljno jaka da se odupre iskušenju da objavi totalni rat totalnom neprijatelju. Totalna država koju je preporučivao Hitleru i njegovim nacionalsocijalističkim sledbenicima bio je nemački Rajh, kao deo Evrope uređenje i podeljene između velikih prostora (Grossraumordnung). Pozicionirana u sredini Evrope, između ostalih sila (Francuske, Italije, Sovjetskog saveza, kao i skandinavskih država) Nemačka je trebalo da bude dovoljno pažljiva da ratuje samo protiv istočnih neprijatelja (Poljske i možda Sovjetskog saveza) i samo za 'pravedne' granice. Zaokružujući na taj način svoj veliki prostor, Nemačka je trebalo da se okrene zadatku eksploatacije različitih naroda, kao što su Poljaci, Česi i Slovaci, koji su bili proglašeni kao nesposobni da imaju vlastitu državu i osuđeni na to da služe gospodarsku rasu - Nemce., Carl Schmitt is usually perceived as the theorist of total state, total war and total hostility. In the article, the author however tries to show that from 1937 to 1944, Schmitt was arguing that total war and total hostility were dangerous for Germany (as well as for the rest of Europe) and warned against perpetuation of all efforts to totalize enemy that started in 1914. In his theoretical endeavors in this period there was place for the total state only - and especially for the total state strong enough to resist temptation of declaring total war on total enemy. The total state he recommended Hitler and his Nazi comrades was German Reich, as a part of Europe ordered and divided in the huge spaces (Grossraumordnung). Positioned in the centre of Europe, between the rest of the powers (France, Italy, USSR as well as the Scandinavian states), Germany should be careful enough to wage war only against its Eastern enemies (Poland and maybe USSR) and only in order to achieve 'just' borders. Occupying in this way its huge space Germany should devote itself to the task of exploitation of various peoples such as Poles, Chechs and Slovaks, which were perceived as incapable of having their states and doomed to serve the master race - the Germans.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Stav Karla Šmita o totalnom ratu i totalnom neprijatelju uoči izbijanja Drugog svetskog rata, Carl Schmitt's attitude towards total war and total enemy on the eve of the outbreak of WWII",
pages = "49-31",
number = "1",
volume = "21",
url = "https://hdl.handle.net/21.15107/rcub_reff_1026"
}

Molnar, A.. (2010). Stav Karla Šmita o totalnom ratu i totalnom neprijatelju uoči izbijanja Drugog svetskog rata. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 21(1), 31-49.
https://hdl.handle.net/21.15107/rcub_reff_1026

Molnar A. Stav Karla Šmita o totalnom ratu i totalnom neprijatelju uoči izbijanja Drugog svetskog rata. in Filozofija i društvo. 2010;21(1):31-49.
https://hdl.handle.net/21.15107/rcub_reff_1026 .

Molnar, Aleksandar, "Stav Karla Šmita o totalnom ratu i totalnom neprijatelju uoči izbijanja Drugog svetskog rata" in Filozofija i društvo, 21, no. 1 (2010):31-49,
https://hdl.handle.net/21.15107/rcub_reff_1026 .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2009
UR  - http://reff.f.bg.ac.rs/handle/123456789/901
AB  - U članku se autori bave ideološkom dimenzijom stava Teodora Adorna prema atonalnosti i, posebno, prema dodekafonskoj muzici. Oni tvrde da Adorno nikada nije hteo da realno razume tesnu međuzavisnost između dodekafonskog projekta Arnolda Šenberga i njegovih napora da se 'vrati korenima' judaizma. Umesto toga, Adorno je razvio jedan marksistički obrazac objašnjenja koji je bio neprijateljski raspoložen prema svemu što je pripadalo represivnom i besmislenom 'starom režimu', kao i prema navodno njemu odgovarajućim ideologijama i religijama (poput judaizma). Da bi ispunila primarni zadatak reflektovanja zala vladavine savremenog totalitarnog kapitalizma, moderna atonalna (a posebno dodekafonska) muzika je, prema Adornu, morala biti 'progresivno' očišćena od svih veza sa 'reakcionarnim' judaizmom.
AB  - In this article the authors devote their attention to the ideological dimension of Theodor Adorno's attitude towards atonality, and especially towards dodecaphonic music. They are arguing that Adorno never really wanted to understand close interrelatedness between Arnold Schoenberg's dodecaphonic project and his endeavors to go 'back to the roots' of Judaism. Instead, Adorno developed a Marxist pattern of explanation which was hostile towards anything belonging to the repressive and meaningless 'ancient regime', as well as towards its 'appropriate' ideologies and religions (like Judaism). In order to fulfill the primary task of reflecting the evils of the rule of contemporary totalitarian capitalism, modern atonal (and especially dodecaphonic) music had to be, according to Adorno, 'progressively' purified of all ties with 'reactionary' Judaism.
PB  - Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd
T2  - Sociologija
T1  - Adornov marksizam versus Šenbergov judaizam - ideološke osnove Adornovog sociološkog pristupa Šenbergovoj dodekafonskoj muzici
T1  - Adorno's Marxism versus Schoenberg's Judaism: Ideological foundations of Adorno's sociological approach to Schoenberg's dodecaphonic music
EP  - 54
IS  - 1
SP  - 45
VL  - 51
DO  - 10.2298/SOC0901045J
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2009",
abstract = "U članku se autori bave ideološkom dimenzijom stava Teodora Adorna prema atonalnosti i, posebno, prema dodekafonskoj muzici. Oni tvrde da Adorno nikada nije hteo da realno razume tesnu međuzavisnost između dodekafonskog projekta Arnolda Šenberga i njegovih napora da se 'vrati korenima' judaizma. Umesto toga, Adorno je razvio jedan marksistički obrazac objašnjenja koji je bio neprijateljski raspoložen prema svemu što je pripadalo represivnom i besmislenom 'starom režimu', kao i prema navodno njemu odgovarajućim ideologijama i religijama (poput judaizma). Da bi ispunila primarni zadatak reflektovanja zala vladavine savremenog totalitarnog kapitalizma, moderna atonalna (a posebno dodekafonska) muzika je, prema Adornu, morala biti 'progresivno' očišćena od svih veza sa 'reakcionarnim' judaizmom., In this article the authors devote their attention to the ideological dimension of Theodor Adorno's attitude towards atonality, and especially towards dodecaphonic music. They are arguing that Adorno never really wanted to understand close interrelatedness between Arnold Schoenberg's dodecaphonic project and his endeavors to go 'back to the roots' of Judaism. Instead, Adorno developed a Marxist pattern of explanation which was hostile towards anything belonging to the repressive and meaningless 'ancient regime', as well as towards its 'appropriate' ideologies and religions (like Judaism). In order to fulfill the primary task of reflecting the evils of the rule of contemporary totalitarian capitalism, modern atonal (and especially dodecaphonic) music had to be, according to Adorno, 'progressively' purified of all ties with 'reactionary' Judaism.",
publisher = "Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd",
journal = "Sociologija",
title = "Adornov marksizam versus Šenbergov judaizam - ideološke osnove Adornovog sociološkog pristupa Šenbergovoj dodekafonskoj muzici, Adorno's Marxism versus Schoenberg's Judaism: Ideological foundations of Adorno's sociological approach to Schoenberg's dodecaphonic music",
pages = "54-45",
number = "1",
volume = "51",
doi = "10.2298/SOC0901045J"
}

Jeremić-Molnar, D.,& Molnar, A.. (2009). Adornov marksizam versus Šenbergov judaizam - ideološke osnove Adornovog sociološkog pristupa Šenbergovoj dodekafonskoj muzici. in Sociologija
Sociološko udruženje Srbije i Crne Gore, Beograd i Univerzitet u Beogradu - Filozofski fakultet - Institut za sociološka istraživanja, Beograd., 51(1), 45-54.
https://doi.org/10.2298/SOC0901045J

Jeremić-Molnar D, Molnar A. Adornov marksizam versus Šenbergov judaizam - ideološke osnove Adornovog sociološkog pristupa Šenbergovoj dodekafonskoj muzici. in Sociologija. 2009;51(1):45-54.
doi:10.2298/SOC0901045J .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Adornov marksizam versus Šenbergov judaizam - ideološke osnove Adornovog sociološkog pristupa Šenbergovoj dodekafonskoj muzici" in Sociologija, 51, no. 1 (2009):45-54,
https://doi.org/10.2298/SOC0901045J . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2009
UR  - http://reff.f.bg.ac.rs/handle/123456789/870
AB  - U članku autori ispituju tri pozicije u estetičkoj raspravi o uzvišenom koja se vodila u 18. veku - Edmunda Berka, Imanuela Kanta i Fridriha Šilera. Oni takođe pokušavaju da rekonstruišu političku pozadinu svake od ovih teorijskih pozicija: starorežimski konzervativizam (Berk), republikanski liberalizam (Šiler) i romantičarsku žudnju za 'trećim putem' (Kant). Najsofisticiraniju i najzreliju teoriju uzvišenog pronalaze u Šilerovim estetičkim delima, pogotovo u onima koja su usledila nakon njegovog razočarenja u Francusku revoluciju i u kojima su najtemeljnije razmatrani odnosi između uzvišenog i paradoksa istorijskog nasilja.
AB  - In the article the authors are examining three positions within the 18th Century aesthetic discussion on the sublime - Edmund Burke's, Immanuel Kant's and Friedrich Schiller's. They are also trying to reconstruct the political backgrounds of each of this theoretical positions: old regime conservatism (Burke), republican liberalism (Schiller) and romantic longing for the 'third way' (Kant). The most sophisticated and mature theory of sublime is found in Schiller's aesthetic works, especially in those following his disappointment in French Revolution, in which the relationship between sublime and paradoxes of historical violence is most thoroughly reflected.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Rasprava o uzvišenom krajem 18. veka - Berk, Kant i Šiler
T1  - Debate on sublime in the end of 18th century: Burke, Kant, Schiller
EP  - 158
IS  - 1
SP  - 143
VL  - 20
UR  - https://hdl.handle.net/21.15107/rcub_reff_870
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2009",
abstract = "U članku autori ispituju tri pozicije u estetičkoj raspravi o uzvišenom koja se vodila u 18. veku - Edmunda Berka, Imanuela Kanta i Fridriha Šilera. Oni takođe pokušavaju da rekonstruišu političku pozadinu svake od ovih teorijskih pozicija: starorežimski konzervativizam (Berk), republikanski liberalizam (Šiler) i romantičarsku žudnju za 'trećim putem' (Kant). Najsofisticiraniju i najzreliju teoriju uzvišenog pronalaze u Šilerovim estetičkim delima, pogotovo u onima koja su usledila nakon njegovog razočarenja u Francusku revoluciju i u kojima su najtemeljnije razmatrani odnosi između uzvišenog i paradoksa istorijskog nasilja., In the article the authors are examining three positions within the 18th Century aesthetic discussion on the sublime - Edmund Burke's, Immanuel Kant's and Friedrich Schiller's. They are also trying to reconstruct the political backgrounds of each of this theoretical positions: old regime conservatism (Burke), republican liberalism (Schiller) and romantic longing for the 'third way' (Kant). The most sophisticated and mature theory of sublime is found in Schiller's aesthetic works, especially in those following his disappointment in French Revolution, in which the relationship between sublime and paradoxes of historical violence is most thoroughly reflected.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Rasprava o uzvišenom krajem 18. veka - Berk, Kant i Šiler, Debate on sublime in the end of 18th century: Burke, Kant, Schiller",
pages = "158-143",
number = "1",
volume = "20",
url = "https://hdl.handle.net/21.15107/rcub_reff_870"
}

Jeremić-Molnar, D.,& Molnar, A.. (2009). Rasprava o uzvišenom krajem 18. veka - Berk, Kant i Šiler. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 20(1), 143-158.
https://hdl.handle.net/21.15107/rcub_reff_870

Jeremić-Molnar D, Molnar A. Rasprava o uzvišenom krajem 18. veka - Berk, Kant i Šiler. in Filozofija i društvo. 2009;20(1):143-158.
https://hdl.handle.net/21.15107/rcub_reff_870 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Rasprava o uzvišenom krajem 18. veka - Berk, Kant i Šiler" in Filozofija i društvo, 20, no. 1 (2009):143-158,
https://hdl.handle.net/21.15107/rcub_reff_870 .

TY  - JOUR
AU  - Molnar, Aleksandar
PY  - 2009
UR  - http://reff.f.bg.ac.rs/handle/123456789/863
AB  - U prvom delu članka rekonstruiše se Karl Šmitov koncept totalne pluralističke partijske države iz njegovih različitih spisa objavljenih tokom tridesetih godi-na. Pomenuta su tri glavna stuba totalne pluralističke partijske države: ustavna etika (utemeljena na političkom mitu), partijski pluralizam i totalitarne aspiracije političkih partija prema članstvu i klijentima u domenu građanskog društva. U drugom delu članka sva ova tri stuba su pronađena i u Ustavu Srbije od 8. novembra 2006.
AB  - In the first section of the paper Carl Schmitt's concept of a total pluralistic state (totale pluralistische Parteistaat) is reconstructed from various writings of his published in the 1930s. The three principal pillars of a total pluralistic party state are considered: constitutional ethics (based on political myth), party pluralism and the totalitarian aspirations of political parties towards their members and clients in the sphere of civil society. In the second section of the paper all three pillars are identified in the Serbian Constitution of 8 November 2006.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Ustav Srbije kao ustav totalne pluralističke partijske države
T1  - The Serbian Constitution as a constitution of a total pluralistic party state
EP  - 224
IS  - 3
SP  - 213
VL  - 4
DO  - 10.21301/eap.v4i3.11
ER  - 

@article{
author = "Molnar, Aleksandar",
year = "2009",
abstract = "U prvom delu članka rekonstruiše se Karl Šmitov koncept totalne pluralističke partijske države iz njegovih različitih spisa objavljenih tokom tridesetih godi-na. Pomenuta su tri glavna stuba totalne pluralističke partijske države: ustavna etika (utemeljena na političkom mitu), partijski pluralizam i totalitarne aspiracije političkih partija prema članstvu i klijentima u domenu građanskog društva. U drugom delu članka sva ova tri stuba su pronađena i u Ustavu Srbije od 8. novembra 2006., In the first section of the paper Carl Schmitt's concept of a total pluralistic state (totale pluralistische Parteistaat) is reconstructed from various writings of his published in the 1930s. The three principal pillars of a total pluralistic party state are considered: constitutional ethics (based on political myth), party pluralism and the totalitarian aspirations of political parties towards their members and clients in the sphere of civil society. In the second section of the paper all three pillars are identified in the Serbian Constitution of 8 November 2006.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Ustav Srbije kao ustav totalne pluralističke partijske države, The Serbian Constitution as a constitution of a total pluralistic party state",
pages = "224-213",
number = "3",
volume = "4",
doi = "10.21301/eap.v4i3.11"
}

Molnar, A.. (2009). Ustav Srbije kao ustav totalne pluralističke partijske države. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 4(3), 213-224.
https://doi.org/10.21301/eap.v4i3.11

Molnar A. Ustav Srbije kao ustav totalne pluralističke partijske države. in Etnoantropološki problemi. 2009;4(3):213-224.
doi:10.21301/eap.v4i3.11 .

Molnar, Aleksandar, "Ustav Srbije kao ustav totalne pluralističke partijske države" in Etnoantropološki problemi, 4, no. 3 (2009):213-224,
https://doi.org/10.21301/eap.v4i3.11 . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2008
UR  - http://reff.f.bg.ac.rs/handle/123456789/817
AB  - U članku autori se bave muzičkim 'materijalom' kao ključnim konceptom Adornove sociologije muzike. Kao sinteza dve, ideološki suprotstavljene - Šenbergove i Marksove - tradicije, Adornov 'materijal' kombinuje takođe suprotstavljena značenja. S jedne strane, u njemu odjekuje Šenbergova teorija odnosa između tona (kao prirodnog fenomena) i nesvesnog 'nagona' (koji kompozitora transformiše u oruđe prirode, ali i celokupnog čovečanstva). S druge strane, Adorno je sledio Marksovu opštu teoriju kapitalizma (svi kulturni fenomeni su determinisani materijalnom proizvodnjom), sa jednom krucijalnom inovacijom. Adornov 'materijal' je odražavao izostajanje istinske komunističke revolucije, umesto njene pripreme (u nedrima totalitarnog kapitalizma). Kao rezultat Adornove 'negativne dijalektike' u oblasti muzike, on je nosio poruku osujećene apokalipse. .
AB  - In the article the authors are dealing with the musical 'material' as the key concept of Theodor Adorno's sociology of music. Being a synthesis of two, ideologically opposite - Schonberg's and Marx's - legacies, Adorno's 'material' combines also quite opposite meanings. On the one side, it echoes Schonberg's theory of relationship between tone (as natural phenomena) and unconscious 'instinct' (that transforms composer into some kind of the tool of nature, and whole mankind as well). On the other side, Adorno was following Karl Marx general theory of capitalism (all cultural phenomena are determined by the material production), with one crucial innovation. Adorno's 'material' was reflecting the lack of virtual communist revolution, instead of its preparation (in the bosom of totalitarian capitalism). As the result of Adorno's 'negative dialectics' in the field of music, it was carrying the message of the suppressed apocalypse. .
PB  - Sociološko društvo Srbije, Beograd
T2  - Sociološki pregled
T1  - 'Materijal' u Adornovoj sociologiji muzike
T1  - 'Material' in Adorno's sociology of music
EP  - 384
IS  - 3
SP  - 365
VL  - 42
DO  - 10.5937/socpreg0803365J
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2008",
abstract = "U članku autori se bave muzičkim 'materijalom' kao ključnim konceptom Adornove sociologije muzike. Kao sinteza dve, ideološki suprotstavljene - Šenbergove i Marksove - tradicije, Adornov 'materijal' kombinuje takođe suprotstavljena značenja. S jedne strane, u njemu odjekuje Šenbergova teorija odnosa između tona (kao prirodnog fenomena) i nesvesnog 'nagona' (koji kompozitora transformiše u oruđe prirode, ali i celokupnog čovečanstva). S druge strane, Adorno je sledio Marksovu opštu teoriju kapitalizma (svi kulturni fenomeni su determinisani materijalnom proizvodnjom), sa jednom krucijalnom inovacijom. Adornov 'materijal' je odražavao izostajanje istinske komunističke revolucije, umesto njene pripreme (u nedrima totalitarnog kapitalizma). Kao rezultat Adornove 'negativne dijalektike' u oblasti muzike, on je nosio poruku osujećene apokalipse. ., In the article the authors are dealing with the musical 'material' as the key concept of Theodor Adorno's sociology of music. Being a synthesis of two, ideologically opposite - Schonberg's and Marx's - legacies, Adorno's 'material' combines also quite opposite meanings. On the one side, it echoes Schonberg's theory of relationship between tone (as natural phenomena) and unconscious 'instinct' (that transforms composer into some kind of the tool of nature, and whole mankind as well). On the other side, Adorno was following Karl Marx general theory of capitalism (all cultural phenomena are determined by the material production), with one crucial innovation. Adorno's 'material' was reflecting the lack of virtual communist revolution, instead of its preparation (in the bosom of totalitarian capitalism). As the result of Adorno's 'negative dialectics' in the field of music, it was carrying the message of the suppressed apocalypse. .",
publisher = "Sociološko društvo Srbije, Beograd",
journal = "Sociološki pregled",
title = "'Materijal' u Adornovoj sociologiji muzike, 'Material' in Adorno's sociology of music",
pages = "384-365",
number = "3",
volume = "42",
doi = "10.5937/socpreg0803365J"
}

Jeremić-Molnar, D.,& Molnar, A.. (2008). 'Materijal' u Adornovoj sociologiji muzike. in Sociološki pregled
Sociološko društvo Srbije, Beograd., 42(3), 365-384.
https://doi.org/10.5937/socpreg0803365J

Jeremić-Molnar D, Molnar A. 'Materijal' u Adornovoj sociologiji muzike. in Sociološki pregled. 2008;42(3):365-384.
doi:10.5937/socpreg0803365J .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "'Materijal' u Adornovoj sociologiji muzike" in Sociološki pregled, 42, no. 3 (2008):365-384,
https://doi.org/10.5937/socpreg0803365J . .

TY  - JOUR
AU  - Jeremić-Molnar, Dragana
AU  - Molnar, Aleksandar
PY  - 2008
UR  - http://reff.f.bg.ac.rs/handle/123456789/780
AB  - U članku autori se bave militantnim potencijalom koncepta avangarde. Pojavljujući se u politici i umetnosti u prvoj polovini 19. veka i nastojeći da uništi gotovo celokupnu tradiciju 'buržoaskog' prosvetiteljstva, politička i umetnička avangarda nikada nije bila sposobna da se oslobodi svojih korena u vojničkom načinu razmišljanja. Njena prava suština je ležala u stvaranju bojnih polja u svakoj oblasti javnog života gde je postojala šansa da se uništi građansko društvo - njegova politika, njegova umetnost, njegov način razmišljanja, njegova civilizacija. U ime još nečuvene slobode, ona je širila nasilje i sejala totalitarino seme po sprženoj zemlji. A na kraju je nisu pobedili njeni mnogobrojni neprijatelji zato jer je postala žrtva vlastite destruktivnosti.
AB  - In the article the authors are dealing with the militant potential of the concept of avant-garde. Emerging in the politics and art in the first half of the 19th century and designed to ruin almost the whole tradition of 'bourgeois' enlightenment, political and artistic avant-garde was never capable of emancipating itself from its roots in strategic military thinking. Its true essence was to create battlefields in every domain of public life where the chance was given to ruin civil society - its politics, its art, its way of thinking, its civilization. In the name of freedom never heard of before, it spread violence and spread totalitarian seeds on the scorched soil. And in the end it was not defeated by its numerous enemies because it became victim of its own destructiveness.
PB  - Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd
T2  - Filozofija i društvo
T1  - Avangarda - od ratovanja, preko revolucionarne politike, do umetnosti
T1  - Avant-garde: Making war, revolutionary politics and art
EP  - 220
IS  - 2
SP  - 191
VL  - 19
UR  - https://hdl.handle.net/21.15107/rcub_reff_780
ER  - 

@article{
author = "Jeremić-Molnar, Dragana and Molnar, Aleksandar",
year = "2008",
abstract = "U članku autori se bave militantnim potencijalom koncepta avangarde. Pojavljujući se u politici i umetnosti u prvoj polovini 19. veka i nastojeći da uništi gotovo celokupnu tradiciju 'buržoaskog' prosvetiteljstva, politička i umetnička avangarda nikada nije bila sposobna da se oslobodi svojih korena u vojničkom načinu razmišljanja. Njena prava suština je ležala u stvaranju bojnih polja u svakoj oblasti javnog života gde je postojala šansa da se uništi građansko društvo - njegova politika, njegova umetnost, njegov način razmišljanja, njegova civilizacija. U ime još nečuvene slobode, ona je širila nasilje i sejala totalitarino seme po sprženoj zemlji. A na kraju je nisu pobedili njeni mnogobrojni neprijatelji zato jer je postala žrtva vlastite destruktivnosti., In the article the authors are dealing with the militant potential of the concept of avant-garde. Emerging in the politics and art in the first half of the 19th century and designed to ruin almost the whole tradition of 'bourgeois' enlightenment, political and artistic avant-garde was never capable of emancipating itself from its roots in strategic military thinking. Its true essence was to create battlefields in every domain of public life where the chance was given to ruin civil society - its politics, its art, its way of thinking, its civilization. In the name of freedom never heard of before, it spread violence and spread totalitarian seeds on the scorched soil. And in the end it was not defeated by its numerous enemies because it became victim of its own destructiveness.",
publisher = "Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd",
journal = "Filozofija i društvo",
title = "Avangarda - od ratovanja, preko revolucionarne politike, do umetnosti, Avant-garde: Making war, revolutionary politics and art",
pages = "220-191",
number = "2",
volume = "19",
url = "https://hdl.handle.net/21.15107/rcub_reff_780"
}

Jeremić-Molnar, D.,& Molnar, A.. (2008). Avangarda - od ratovanja, preko revolucionarne politike, do umetnosti. in Filozofija i društvo
Univerzitet u Beogradu - Institut za filozofiju i društvenu teoriju, Beograd., 19(2), 191-220.
https://hdl.handle.net/21.15107/rcub_reff_780

Jeremić-Molnar D, Molnar A. Avangarda - od ratovanja, preko revolucionarne politike, do umetnosti. in Filozofija i društvo. 2008;19(2):191-220.
https://hdl.handle.net/21.15107/rcub_reff_780 .

Jeremić-Molnar, Dragana, Molnar, Aleksandar, "Avangarda - od ratovanja, preko revolucionarne politike, do umetnosti" in Filozofija i društvo, 19, no. 2 (2008):191-220,
https://hdl.handle.net/21.15107/rcub_reff_780 .