Vuković, Jasna

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Authority KeyName Variants
orcid::0000-0002-7261-6467
  • Vuković, Jasna (46)
  • Vuković, Jasna B. (3)
Projects
Society, spiritual and material culture and communications in the prehistory and early history of the Balkans Serbian archaeology: cultural identity, integration factors, technological processes and the role of the central Balkans in the development of European prehistory
Romanization, urbanization and transformation of urban centres of civil, military and residential character in Roman provinces on territory of Serbia Transition processes in the neolithic of Southeast Europe
Археологија Србије: културни идентитет, интеграциони фактори, технолошки процеси и улога централног Балкана у развоју европске праисторије (177020) English Heritage
European Research Council German Research Foundation (DFG) [DFG-IV101/5-1]
Procesi dezurbanizacije i urbanizacije na području srpskih zemalja srednjeg veka. Lepenski Vir culture: Cultural processes and transformations during 9. to 6. millennium BC
info:eu-repo/grantAgreement/MESTD/MPN2006-2010/147011A/RS// Leverhulme Trust
Ministere de la Culture et de la Communication Ministere de l'Enseignement Superieur et de la Recherche (ACI Jeunes Chercheurs)
Natural Environment Research Council and UK Research & Innovation (UKRI) Natural Environment Research Council and UK Research & Innovation (UKRI) [NE/F021054/1, 1257864]
Natural Environment Research Council and UK Research & Innovation (UKRI) [R8/H10/63] PACA Region Provence-Alpes-Cote d'Azur
Royal Society and Welcome Trust Serbian archaeology: cultural identity, integration factors, technological processes and the role of the central Balkans in the development of European prehistory
Society, spiritual and material culture and communications in the prehistory and early history of the Balkans STEM in Heritage Sciences (HERISTEM)
This collection of papers was created as part of the scientific research project humans and society in times of crisis, funded by the Faculty of Philosophy, University of Belgrade Wellcome Trust European Commission
Романизација, урбанизација и трансформација урбаних центара цивилног војног и резиденцијалног карактера у римским провинцијама на тлу Србије Сто година истраживања археолошког локалитета Винча – Бело брдо

Author's Bibliography

Datovanje i kulturni procesi: interpretativni potencijal i naučnost

Vuković, Jasna

(Универзитет у Београду – Филозофски факултет, Odeljenje za etnologiju i antropologiju, 2023)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/5939
AB  - Od početaka arheologije kao discipline,
kontrolisanje vremena
, odno-sno smeštanje pojedinih pojava u neki vremenski okvir predstavljalo je osnovu svakogistraživanja. Uprkos kritikama koncepta vremena u arheologiji kao ograničenog i line-arnog, on je i dalje dominantan. Apsolutne metode datovanja, postajući sve preciznijei dostupnije, široko se primenjuju, pa gotovo da nema rada u kome se, bez obzira natemu, naširoko ne predstavljaju rezultati datovanja mnogobrojnih setova uzoraka. Isto-vremeno, metode relativnog datovanja ne gube na značaju, pa razmatranja tipologije idalje predstavljaju osnovni metodološki postupak kojim se arheološki nalazi kulturno ivremenski opredeljuju. S druge strane, međutim, usložnjavaju se naučna pitanja o proš-losti. Mnogobrojni procesi (koji mogu biti dugotrajni ili, pak, relativno kratke epizode)neraskidivo su povezani s datovanjem, ali nije uvek jasno kako ono doprinosi njihovom potpunom razumevanju. Tu se posebno ističu procesi tehnološke inovacije i procesikulturne transmisije, koji, osim vremenski, mogu biti i prostorno ograničeni. Zato je po-trebno preispitati gotovo opšteprihvaćeno stanovište po kome metode datovanja imajuinterpretativni potencijal, i s tim u vezi – da li su uvek ključne za razumevanje meha-nizama kulturnih procesa. Drugim rečima, da li rezultati datovanja predstavljaju prividnaučnosti kao zamene za slabosti u interpretaciji.
AB  - Since the beginning of archaeology as a discipline, the control of time, or in
other words the placement of specific phenomena in a certain time frame has
represented the basis of all research. Despite criticism of the concept of time in
archaeology as limited and linear, it is still prevalent. Absolute dating methods, as
they are becoming more precise and available, are being widely used to the point
that, no matter the subject matter, there are practically no scholarly articles that do
not present in detail the results of dating multiple sets of samples. Simultaneously,
methods of relative dating are not losing significance, so typology still represent
the main methodological procedure with which archaeological finds are culturally
and chronologically identified. On the other hand, however, scientific questions of
the past are becoming more complicated. Numerous processes (which can either
be long-lasting or relatively short episodes) are inextricably linked with dating,
but it is not always clear how it contributes to the complete understanding of said
processes. This is where processes of technological innovation and of cultural transmission, which, in addition to temporally, can be spatially limited, come to
light. This is why it is important to question the nearly universally received stance,
according to which dating methods have interpretative potential and, relating to
that, whether they are always crucial for understanding the mechanisms of cultural processes. In other words, do the results of dating represent an illusion of
scientificity as a substitute for weakness in interpretation.
AB  - Depuis l’émergence de l’archéologie comme discipline, le contrôle du temps,
c’est-à-dire le positionnement de certains phénomènes dans un cadre temporel, a
toujours constitué le fondement de toute recherche. Malgré les critiques adressées
au concept du temps en archéologie considéré comme limité et linéaire, il demeure
dominant. En devenant de plus en plus précises et disponibles, les méthodes absolues de datation sont largement appliquées, et par conséquent, pratiquement chaque
article, quel que soit son sujet, présente largement les résultats de datation de nombreux échantillons. En même temps, les méthodes de datation relative ne perdent
pas de leur importance, de sorte que les considérations de typologie continuent de
représenter la procédure méthodologique de base qui détermine culturellement et
temporellement les trouvailles archéologiques. Pourtant, les questions scientifiques
sur le passé, de l’autre côté, deviennent de plus en plus complexes. De nombreux
processus (pouvant être de longue durée ou des épisodes relativement courts) sont
inextricablement liés à la datation, mais il n’est pas toujours clair comment elle
contribue à leur compréhension complète. Se distinguent surtout les processus
d’innovation technologique et les processus de transmission culturelle qui peuvent
être limités non seulement par le temps, mais aussi par l’espace. C’est pourquoi il
faut reconsidérer le point de vue presque universellement accepté selon lequel les
méthodes de datation possèdent un potentiel interprétatif, et, à cet égard, si elles
sont toujours cruciales pour comprendre les mécanismes des processus culturels.
En d’autres termes, si les résultats de datation donnent l’illusion de scientificité en
tant que substitut à la faiblesse dans l’interprétation.
PB  - Универзитет у Београду – Филозофски факултет, Odeljenje za etnologiju i antropologiju
T2  - Etnoantropološki problemi
T1  - Datovanje i kulturni procesi: interpretativni potencijal i naučnost
T1  - Dating and Cultural Processes: Interpretative Potential and Scientificity
T1  - Datation et processus culturels: le potentiel interprétatif et la scientificité
EP  - 674
IS  - 3
SP  - 663
VL  - 18
DO  - 10.21301/eap.v18i3.1
ER  - 
@article{
author = "Vuković, Jasna",
year = "2023",
abstract = "Od početaka arheologije kao discipline,
kontrolisanje vremena
, odno-sno smeštanje pojedinih pojava u neki vremenski okvir predstavljalo je osnovu svakogistraživanja. Uprkos kritikama koncepta vremena u arheologiji kao ograničenog i line-arnog, on je i dalje dominantan. Apsolutne metode datovanja, postajući sve preciznijei dostupnije, široko se primenjuju, pa gotovo da nema rada u kome se, bez obzira natemu, naširoko ne predstavljaju rezultati datovanja mnogobrojnih setova uzoraka. Isto-vremeno, metode relativnog datovanja ne gube na značaju, pa razmatranja tipologije idalje predstavljaju osnovni metodološki postupak kojim se arheološki nalazi kulturno ivremenski opredeljuju. S druge strane, međutim, usložnjavaju se naučna pitanja o proš-losti. Mnogobrojni procesi (koji mogu biti dugotrajni ili, pak, relativno kratke epizode)neraskidivo su povezani s datovanjem, ali nije uvek jasno kako ono doprinosi njihovom potpunom razumevanju. Tu se posebno ističu procesi tehnološke inovacije i procesikulturne transmisije, koji, osim vremenski, mogu biti i prostorno ograničeni. Zato je po-trebno preispitati gotovo opšteprihvaćeno stanovište po kome metode datovanja imajuinterpretativni potencijal, i s tim u vezi – da li su uvek ključne za razumevanje meha-nizama kulturnih procesa. Drugim rečima, da li rezultati datovanja predstavljaju prividnaučnosti kao zamene za slabosti u interpretaciji., Since the beginning of archaeology as a discipline, the control of time, or in
other words the placement of specific phenomena in a certain time frame has
represented the basis of all research. Despite criticism of the concept of time in
archaeology as limited and linear, it is still prevalent. Absolute dating methods, as
they are becoming more precise and available, are being widely used to the point
that, no matter the subject matter, there are practically no scholarly articles that do
not present in detail the results of dating multiple sets of samples. Simultaneously,
methods of relative dating are not losing significance, so typology still represent
the main methodological procedure with which archaeological finds are culturally
and chronologically identified. On the other hand, however, scientific questions of
the past are becoming more complicated. Numerous processes (which can either
be long-lasting or relatively short episodes) are inextricably linked with dating,
but it is not always clear how it contributes to the complete understanding of said
processes. This is where processes of technological innovation and of cultural transmission, which, in addition to temporally, can be spatially limited, come to
light. This is why it is important to question the nearly universally received stance,
according to which dating methods have interpretative potential and, relating to
that, whether they are always crucial for understanding the mechanisms of cultural processes. In other words, do the results of dating represent an illusion of
scientificity as a substitute for weakness in interpretation., Depuis l’émergence de l’archéologie comme discipline, le contrôle du temps,
c’est-à-dire le positionnement de certains phénomènes dans un cadre temporel, a
toujours constitué le fondement de toute recherche. Malgré les critiques adressées
au concept du temps en archéologie considéré comme limité et linéaire, il demeure
dominant. En devenant de plus en plus précises et disponibles, les méthodes absolues de datation sont largement appliquées, et par conséquent, pratiquement chaque
article, quel que soit son sujet, présente largement les résultats de datation de nombreux échantillons. En même temps, les méthodes de datation relative ne perdent
pas de leur importance, de sorte que les considérations de typologie continuent de
représenter la procédure méthodologique de base qui détermine culturellement et
temporellement les trouvailles archéologiques. Pourtant, les questions scientifiques
sur le passé, de l’autre côté, deviennent de plus en plus complexes. De nombreux
processus (pouvant être de longue durée ou des épisodes relativement courts) sont
inextricablement liés à la datation, mais il n’est pas toujours clair comment elle
contribue à leur compréhension complète. Se distinguent surtout les processus
d’innovation technologique et les processus de transmission culturelle qui peuvent
être limités non seulement par le temps, mais aussi par l’espace. C’est pourquoi il
faut reconsidérer le point de vue presque universellement accepté selon lequel les
méthodes de datation possèdent un potentiel interprétatif, et, à cet égard, si elles
sont toujours cruciales pour comprendre les mécanismes des processus culturels.
En d’autres termes, si les résultats de datation donnent l’illusion de scientificité en
tant que substitut à la faiblesse dans l’interprétation.",
publisher = "Универзитет у Београду – Филозофски факултет, Odeljenje za etnologiju i antropologiju",
journal = "Etnoantropološki problemi",
title = "Datovanje i kulturni procesi: interpretativni potencijal i naučnost, Dating and Cultural Processes: Interpretative Potential and Scientificity, Datation et processus culturels: le potentiel interprétatif et la scientificité",
pages = "674-663",
number = "3",
volume = "18",
doi = "10.21301/eap.v18i3.1"
}
Vuković, J.. (2023). Datovanje i kulturni procesi: interpretativni potencijal i naučnost. in Etnoantropološki problemi
Универзитет у Београду – Филозофски факултет, Odeljenje za etnologiju i antropologiju., 18(3), 663-674.
https://doi.org/10.21301/eap.v18i3.1
Vuković J. Datovanje i kulturni procesi: interpretativni potencijal i naučnost. in Etnoantropološki problemi. 2023;18(3):663-674.
doi:10.21301/eap.v18i3.1 .
Vuković, Jasna, "Datovanje i kulturni procesi: interpretativni potencijal i naučnost" in Etnoantropološki problemi, 18, no. 3 (2023):663-674,
https://doi.org/10.21301/eap.v18i3.1 . .

STEM in Heritage: Procedures, Methods, and Teaching

Vuković, Jasna

(Univerzitet u Beogradu, Filozofski fakultet, 2022)


                                            

                                            
Vuković, J.. (2022). STEM in Heritage: Procedures, Methods, and Teaching. 
Univerzitet u Beogradu, Filozofski fakultet..
https://hdl.handle.net/21.15107/rcub_reff_6176
Vuković J. STEM in Heritage: Procedures, Methods, and Teaching. 2022;.
https://hdl.handle.net/21.15107/rcub_reff_6176 .
Vuković, Jasna, "STEM in Heritage: Procedures, Methods, and Teaching" (2022),
https://hdl.handle.net/21.15107/rcub_reff_6176 .

Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia

Vuković, Jasna; Tripković, Boban

(Faculty of Philosophy, University of Belgrade, 2022)

TY  - JOUR
AU  - Vuković, Jasna
AU  - Tripković, Boban
PY  - 2022
UR  - http://reff.f.bg.ac.rs/handle/123456789/3764
AB  - The end of the Late Neolithic and the beginning of the Early Copper
Age in the area of modern-day western Serbia is characterized by so-called
mixed ceramic assemblages. Pottery traditions originating from different
geographic areas (Vinča and Bubanj of the Central Balkans, and
Tiszapolgár, Lengyel, and Lasinja of the Pannonian Plain) are observable on
pottery from several sites. These traditions differ in technological
procedures, but also the execution techniques and the appearance of
decorative patterns. Their presence in the same archaeological contexts
opens up questions concerning the origin and distribution of pottery, as
well as the issues related to the identities of both the potters and pottery
users.
PB  - Faculty of Philosophy, University of Belgrade
PB  - Institute of Archaeology, Belgrade
T2  - Pots as media: Decoration, technology, and message transmission, Book of abstracts
T1  - Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia
EP  - 56
SP  - 56
UR  - https://hdl.handle.net/21.15107/rcub_reff_3764
ER  - 
@article{
author = "Vuković, Jasna and Tripković, Boban",
year = "2022",
abstract = "The end of the Late Neolithic and the beginning of the Early Copper
Age in the area of modern-day western Serbia is characterized by so-called
mixed ceramic assemblages. Pottery traditions originating from different
geographic areas (Vinča and Bubanj of the Central Balkans, and
Tiszapolgár, Lengyel, and Lasinja of the Pannonian Plain) are observable on
pottery from several sites. These traditions differ in technological
procedures, but also the execution techniques and the appearance of
decorative patterns. Their presence in the same archaeological contexts
opens up questions concerning the origin and distribution of pottery, as
well as the issues related to the identities of both the potters and pottery
users.",
publisher = "Faculty of Philosophy, University of Belgrade, Institute of Archaeology, Belgrade",
journal = "Pots as media: Decoration, technology, and message transmission, Book of abstracts",
title = "Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia",
pages = "56-56",
url = "https://hdl.handle.net/21.15107/rcub_reff_3764"
}
Vuković, J.,& Tripković, B.. (2022). Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia. in Pots as media: Decoration, technology, and message transmission, Book of abstracts
Faculty of Philosophy, University of Belgrade., 56-56.
https://hdl.handle.net/21.15107/rcub_reff_3764
Vuković J, Tripković B. Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia. in Pots as media: Decoration, technology, and message transmission, Book of abstracts. 2022;:56-56.
https://hdl.handle.net/21.15107/rcub_reff_3764 .
Vuković, Jasna, Tripković, Boban, "Culture melting pot?: Mixed pottery traditions in the 5th millennium western Serbia" in Pots as media: Decoration, technology, and message transmission, Book of abstracts (2022):56-56,
https://hdl.handle.net/21.15107/rcub_reff_3764 .

Pottery Function in the Archaeology of the Continental Balkans: An Overview

Vuković, Jasna; Bikić, Vesna

(University of Belgrade – Faculty of Philosophy, 2022)

TY  - CHAP
AU  - Vuković, Jasna
AU  - Bikić, Vesna
PY  - 2022
UR  - http://reff.f.bg.ac.rs/handle/123456789/3763
AB  - Pottery function and use are one of the most complex issues in pottery studies because they comprise the study of different interactions,
behaviors, and activities related to ceramic vessels. In the early days of
archaeology as a discipline, pottery studies were focused on the classification of pots and the establishment of sequences to understand chronological and spatial relations between pottery groups, as the most prominent
markers of archaeological cultures. Therefore, pottery usage did not attract attention as an important segment of research, except in the early
days of American archaeology: in the pioneering attempts of pottery classification, evidence of use, such as layers of soot suggesting cooking, were
taken into account (Nelson 1916). Apart from sporadic considerations
about function, it was not until the ‘80s that studies of pottery function
achieved full recognition. It seems that stressing an obvious fact – that
the pots are tools (Braun 1983), designed to be used (Skibo 2013, 27), was
necessary to bring about a shift in considerations about pottery. With the
seminal works of D. Hally (1983a,b, 1986), and especially of J. Skibo and
M. Schiffer (Schiffer and Skibo 1987, 1989, 2008; Skibo 1992, 2013; Skibo
and Blinman 1995), examination of pottery function was theoretically
grounded, and its methods were fully established, including experimental
and ethnoarchaeological research. 
In the study of pottery function and use, making a division between
two aspects of function – intended and actual use, is of great importance,
especially because focused studies aimed exclusively on pottery function
are still rare. Intended function refers to the technical choices potters make related to function (Skibo and Schiffer 2008, 18; Skibo 1992, 35-37; 2013,
27) or, in other words, the determination of the suitability of ceramic vessels for specific functions depending on their performance characteristics.
These are defined as the “behavioral capabilities that an artifact possess to
fulfill its functions in a specific activity” (Schiffer and Skibo 1987, 599), or
as the ability of a vessel “to do certain things” (Hally 1986, 268), and they
are mostly related to resistivity to mechanical and thermal stresses during
use. These mechanical and physical properties depend on vessels’ formal
attributes, usually recorded during pottery data processing: fabric, surface
treatments and decoration, wall thickness, and shape.
The significance of shapes was early recognized as important for the
considerations about function (Linton 1944; cf. Hally 1983b). Some of the
performance characteristics are exclusively connected with vessel forms:
capacity (Smith 1985, 273, table 11.2), stability, ease of access, and transportability (Shepard 1956, 237; Rice 1987, 225), among others. Contours
of the vessels’ walls also affect performance, especially its thermal properties: for example, the presence of a low neck – constriction – reduces
evaporation and prevents boiling over, and is, therefore, suitable for simmering for longer periods (Smith 1985; Rice 1987, 240; cf. Vuković 2019a)
in contrast to open pots, suitable for boiling. Metric parameters (height,
volume, and rim, shoulder and base radii) and different indexes – calculated ratios between some of the metric parameters – were also examined
as important indicators of suitability for specific functions (Smith 1985;
Hally 1986). Besides the fact that indexes enable strong empirical data,
their numerical values are especially useful for comparative analyses of
different assemblages or vessel classes.The potential function or suitability of a vessel for a specific function
does not reveal how the vessels were actually used. The actual function
refers not only to traces of use – use alterations (use-wear and surface
accretions), but also to use-related activities, and it is based on the identification of traces and the examination of their distribution and frequency
(Skibo 1992; 2013; for an overview, see Forte, this volume). Considerations of some kinds of surface attrition, i.e. mechanical damage, are also
useful for the identification of re-use and extended use of pots.
The analyses of function, including ethnoarchaeological research,
were first developed to primarily understand prehistoric pottery. In contrast to assemblages from prehistoric sites, considerations about pottery
function within the ceramic assemblages from the historical periods are
quite rare. Due to many primary sources, which contain data on vessel
types and their use, the course of ceramic studies was mainly based on
issues of typology, production centers, especially in the case of fine wares,and chronology, both of individual types and whole assemblages. Therefore, the issues of function were approached primarily from the aspect of
formal attributes and morphology. Along with the shape and wall curvature, much attention was paid to the fabric, i.e. the types of inclusions, and
thickness of the vessel walls, as clear indicators of their function.
Among the pottery assemblages from historical periods, namely, the
Classical era, use-wear analyses were sporadically done. In this regard,
Margaret Ward’s (1993) functional analysis of terra sigillata (Samian ware)
from the Roman fort at Piercebridge (United Kingdom) is rather representative. The Samian ware collection revealed evidence of frequent and
extended use, most probably in a process of mixing ingredients (spices),
based on the presence of heavy abrasion on the bases and walls (Ward
1993, 19; Peña 2007, 60, Fig. 4.2). The function of Batavian hand-made
pottery in the Roman military context of the Augustan castrum in Nijmegen (Netherlands) was also examined (Stoffels 2009, 147-149). Based
on the presence of soot and secondary burning, it was established that
these pots had actually been used as cooking pots. The presence of two
other functional groups (tableware and storage), and the spatial distribution of vessels, suggest the usage of locally made pottery for cooking,
presumably to fulfill the eating habits of the native Batavian auxiliary soldiers in the Roman fort (Stoffels 2009, 153). On the other hand, P. Arthur
(2007b) examined cooking-pot types in relation to food resources, including archaeozoological and archaeobotanical remains, to determine the
distribution and application of different cooking techniques in the centuries between Late Antiquity and the Early Middle Ages. He put forward
an interesting thesis that a change in cooking pots, from predominantly
closed with flat bases to predominantly open forms with convex bases,
should be seen as a consequence not only of regionally available meat,
cereals, and vegetables but also migrations of people, that is, a culture of
food preparation and cooking habits. A similar assumption was made in
the case of tableware, primarily African Red Slip ware, which changed in
terms of size and typology during the same period. However, the use of
ceramic vessels in historic sources, i.e. old cooking texts, challenges Arthur’s model due to a different nomenclature, primarily when it comes to
the function of olla and caccabus (Donelly 2015, 143–144). On the other
hand, during the 5th and 6th centuries, a decrease in the variety of pottery
types, i.e. profiles and sizes (volumes), was recorded. This was largely due
to the economic regression and the disappearance of large-scale pottery
production (Arthur 2007a, 164-165). This phenomenon, clearly visible in
the archaeological record, coincides with the data in the texts. Nevertheless, Arthur’s model showed that cooking pots can be evidence of cultural
(gastronomic) boundaries in antiquity, although due to the unreliability of his conclusions, it was suggested that other methods should be included,
primarily analyses of use-alterations and residue analyses (Arthur 2007b,
146). Concerning the modes of cooking in late antique pottery, according to the distribution of sooting clouds, it was assumed that pots with
rounded bottoms were probably placed on some kind of metal base, trivet,
or grid that allowed equal heat distribution, while closed, flat-based cooking-pots were placed by the fire and in front of the hearth or stove; their
thin walls allowed heat to be distributed more evenly on one side without constant mixing (Vroom 2008, 299–301, Figs. 13,15). In contrast, late
medieval cooking-pots, glazed as well as unglazed, exhibit visible sooting
clouds on the outside. Although it was suggested that they were placed
directly in the fire (Vroom 2004, 286), these use-accretions rather indicate
the position of the pot at a distance from the heat source.
In early medieval archaeology, the need to examine pottery from the
aspect of use was first recognized in the research of the old Slavic settlements. Excavations in Central Europe in the 1970s and ‘80s yielded,
among other things, large ceramic assemblages containing whole vessels.
They provided a deeper insight into the technological style, but also the
use of pottery in the early Middle Ages. One of the best examples is the
site of Březno near Louny (Czech Republic), a Slavic settlement dated to
the 9th century. Relying on ethnographic studies, an extensive experiment
focused on building old Slavic huts and living in them, including food
preparation, was conducted (Pleinerová 1986; Pleinerová and Neustupny
1987). The research revealed that the pots were placed in front of the oven
opening because of the need for frequent stirring; therefore, half of the
cooking pot was exposed to open fire. Additionally, the correlation between mode of use of certain oven types, cooking technique, and the form
and size of the vessels was established (Curta 2001, 286, 289–290), revealing some aspects of the household organization of old Slavic communities.
Finally, secondary use, reuse, and recycling are important parts of
the artifacts’ life cycles (Schiffer 1987, 13-15, 271) or use-lives. Reuse – a
change in the user or use or form of an artifact following its initial use
(Schiffer 1987, 28), or use of an object in a secondary context when it can
no longer serve its original function (Deal and Hagstrum 1995, 111), are
an important part of dynamic interactions between people and pottery, as
well as an important aspect of formation processes. Recycling – the return
of the artifact to the manufacturing process (Schiffer 1987, 28-32), in the
case of pottery needed to be redefined, and it was proposed that recycling
should refer to the usage of fragments of pots, as tools, building material,
or raw material (Vuković 2015). Important ethnoarchaeological research
(Deal 1998) revealed the complexity of ceramic vessels’ use-lives, but these
issues were more rarely examined on pottery revealed from archaeological contexts (for example Sullivan 1989). The usage of ceramic sherds as
tools attracted some more attention in the research of archeological assemblages (López Varela et al. 2002; Van Gijn and Hofman 2008). An extremely important contribution regarding these stages of vessels’ use-lives
was made by T. Peña (2007), who examined numerous secondary uses of
Roman amphorae, including their reuse in burial customs, and the recycling of their fragments (props for cooking vessels, tools, gaming pieces,
weights, etc.).
The issue of extended use is usually connected with repairs of the
pots. The most frequent ways of mending ceramic vessels were making
perforations along the breakage, and tying together the vessels’ fragments
with some kind of string, rope, and even with metal wire (Dooijes and
Nieuwenhuyse 2007, 2009). Roman terra sigillata, for example, was often
repaired with rivets and staples (Ward 1993, 19–20), while amphorae were
mended using the hole and clamp technique with the use of lead (Peña
2007, 237–249) or by filling the cracks with wax, resin, gypsum, crushed
ceramics or glass, using animal glue, beeswax, or pine resin as adhesives
(e.g. 213-215). The repairing of pots was usually connected to their high
value, and a statistical method, the so-called frequency-of-mending (FreqMend), describing the frequency of repair per pottery type, was developed
(Senior 1995). This is why analyses of secondary use, reuse, and extended
use reveal a deeper insight into lifestyles and common practices of communities of the past.
PB  - University of Belgrade – Faculty of Philosophy
PB  - Institute of Archaeology, Belgrade
T2  - Pottery Function and Use: A Diachronic Perspective
T1  - Pottery Function in the Archaeology of the Continental Balkans: An Overview
EP  - 67
SP  - 37
UR  - https://hdl.handle.net/21.15107/rcub_reff_3763
ER  - 
@inbook{
author = "Vuković, Jasna and Bikić, Vesna",
year = "2022",
abstract = "Pottery function and use are one of the most complex issues in pottery studies because they comprise the study of different interactions,
behaviors, and activities related to ceramic vessels. In the early days of
archaeology as a discipline, pottery studies were focused on the classification of pots and the establishment of sequences to understand chronological and spatial relations between pottery groups, as the most prominent
markers of archaeological cultures. Therefore, pottery usage did not attract attention as an important segment of research, except in the early
days of American archaeology: in the pioneering attempts of pottery classification, evidence of use, such as layers of soot suggesting cooking, were
taken into account (Nelson 1916). Apart from sporadic considerations
about function, it was not until the ‘80s that studies of pottery function
achieved full recognition. It seems that stressing an obvious fact – that
the pots are tools (Braun 1983), designed to be used (Skibo 2013, 27), was
necessary to bring about a shift in considerations about pottery. With the
seminal works of D. Hally (1983a,b, 1986), and especially of J. Skibo and
M. Schiffer (Schiffer and Skibo 1987, 1989, 2008; Skibo 1992, 2013; Skibo
and Blinman 1995), examination of pottery function was theoretically
grounded, and its methods were fully established, including experimental
and ethnoarchaeological research. 
In the study of pottery function and use, making a division between
two aspects of function – intended and actual use, is of great importance,
especially because focused studies aimed exclusively on pottery function
are still rare. Intended function refers to the technical choices potters make related to function (Skibo and Schiffer 2008, 18; Skibo 1992, 35-37; 2013,
27) or, in other words, the determination of the suitability of ceramic vessels for specific functions depending on their performance characteristics.
These are defined as the “behavioral capabilities that an artifact possess to
fulfill its functions in a specific activity” (Schiffer and Skibo 1987, 599), or
as the ability of a vessel “to do certain things” (Hally 1986, 268), and they
are mostly related to resistivity to mechanical and thermal stresses during
use. These mechanical and physical properties depend on vessels’ formal
attributes, usually recorded during pottery data processing: fabric, surface
treatments and decoration, wall thickness, and shape.
The significance of shapes was early recognized as important for the
considerations about function (Linton 1944; cf. Hally 1983b). Some of the
performance characteristics are exclusively connected with vessel forms:
capacity (Smith 1985, 273, table 11.2), stability, ease of access, and transportability (Shepard 1956, 237; Rice 1987, 225), among others. Contours
of the vessels’ walls also affect performance, especially its thermal properties: for example, the presence of a low neck – constriction – reduces
evaporation and prevents boiling over, and is, therefore, suitable for simmering for longer periods (Smith 1985; Rice 1987, 240; cf. Vuković 2019a)
in contrast to open pots, suitable for boiling. Metric parameters (height,
volume, and rim, shoulder and base radii) and different indexes – calculated ratios between some of the metric parameters – were also examined
as important indicators of suitability for specific functions (Smith 1985;
Hally 1986). Besides the fact that indexes enable strong empirical data,
their numerical values are especially useful for comparative analyses of
different assemblages or vessel classes.The potential function or suitability of a vessel for a specific function
does not reveal how the vessels were actually used. The actual function
refers not only to traces of use – use alterations (use-wear and surface
accretions), but also to use-related activities, and it is based on the identification of traces and the examination of their distribution and frequency
(Skibo 1992; 2013; for an overview, see Forte, this volume). Considerations of some kinds of surface attrition, i.e. mechanical damage, are also
useful for the identification of re-use and extended use of pots.
The analyses of function, including ethnoarchaeological research,
were first developed to primarily understand prehistoric pottery. In contrast to assemblages from prehistoric sites, considerations about pottery
function within the ceramic assemblages from the historical periods are
quite rare. Due to many primary sources, which contain data on vessel
types and their use, the course of ceramic studies was mainly based on
issues of typology, production centers, especially in the case of fine wares,and chronology, both of individual types and whole assemblages. Therefore, the issues of function were approached primarily from the aspect of
formal attributes and morphology. Along with the shape and wall curvature, much attention was paid to the fabric, i.e. the types of inclusions, and
thickness of the vessel walls, as clear indicators of their function.
Among the pottery assemblages from historical periods, namely, the
Classical era, use-wear analyses were sporadically done. In this regard,
Margaret Ward’s (1993) functional analysis of terra sigillata (Samian ware)
from the Roman fort at Piercebridge (United Kingdom) is rather representative. The Samian ware collection revealed evidence of frequent and
extended use, most probably in a process of mixing ingredients (spices),
based on the presence of heavy abrasion on the bases and walls (Ward
1993, 19; Peña 2007, 60, Fig. 4.2). The function of Batavian hand-made
pottery in the Roman military context of the Augustan castrum in Nijmegen (Netherlands) was also examined (Stoffels 2009, 147-149). Based
on the presence of soot and secondary burning, it was established that
these pots had actually been used as cooking pots. The presence of two
other functional groups (tableware and storage), and the spatial distribution of vessels, suggest the usage of locally made pottery for cooking,
presumably to fulfill the eating habits of the native Batavian auxiliary soldiers in the Roman fort (Stoffels 2009, 153). On the other hand, P. Arthur
(2007b) examined cooking-pot types in relation to food resources, including archaeozoological and archaeobotanical remains, to determine the
distribution and application of different cooking techniques in the centuries between Late Antiquity and the Early Middle Ages. He put forward
an interesting thesis that a change in cooking pots, from predominantly
closed with flat bases to predominantly open forms with convex bases,
should be seen as a consequence not only of regionally available meat,
cereals, and vegetables but also migrations of people, that is, a culture of
food preparation and cooking habits. A similar assumption was made in
the case of tableware, primarily African Red Slip ware, which changed in
terms of size and typology during the same period. However, the use of
ceramic vessels in historic sources, i.e. old cooking texts, challenges Arthur’s model due to a different nomenclature, primarily when it comes to
the function of olla and caccabus (Donelly 2015, 143–144). On the other
hand, during the 5th and 6th centuries, a decrease in the variety of pottery
types, i.e. profiles and sizes (volumes), was recorded. This was largely due
to the economic regression and the disappearance of large-scale pottery
production (Arthur 2007a, 164-165). This phenomenon, clearly visible in
the archaeological record, coincides with the data in the texts. Nevertheless, Arthur’s model showed that cooking pots can be evidence of cultural
(gastronomic) boundaries in antiquity, although due to the unreliability of his conclusions, it was suggested that other methods should be included,
primarily analyses of use-alterations and residue analyses (Arthur 2007b,
146). Concerning the modes of cooking in late antique pottery, according to the distribution of sooting clouds, it was assumed that pots with
rounded bottoms were probably placed on some kind of metal base, trivet,
or grid that allowed equal heat distribution, while closed, flat-based cooking-pots were placed by the fire and in front of the hearth or stove; their
thin walls allowed heat to be distributed more evenly on one side without constant mixing (Vroom 2008, 299–301, Figs. 13,15). In contrast, late
medieval cooking-pots, glazed as well as unglazed, exhibit visible sooting
clouds on the outside. Although it was suggested that they were placed
directly in the fire (Vroom 2004, 286), these use-accretions rather indicate
the position of the pot at a distance from the heat source.
In early medieval archaeology, the need to examine pottery from the
aspect of use was first recognized in the research of the old Slavic settlements. Excavations in Central Europe in the 1970s and ‘80s yielded,
among other things, large ceramic assemblages containing whole vessels.
They provided a deeper insight into the technological style, but also the
use of pottery in the early Middle Ages. One of the best examples is the
site of Březno near Louny (Czech Republic), a Slavic settlement dated to
the 9th century. Relying on ethnographic studies, an extensive experiment
focused on building old Slavic huts and living in them, including food
preparation, was conducted (Pleinerová 1986; Pleinerová and Neustupny
1987). The research revealed that the pots were placed in front of the oven
opening because of the need for frequent stirring; therefore, half of the
cooking pot was exposed to open fire. Additionally, the correlation between mode of use of certain oven types, cooking technique, and the form
and size of the vessels was established (Curta 2001, 286, 289–290), revealing some aspects of the household organization of old Slavic communities.
Finally, secondary use, reuse, and recycling are important parts of
the artifacts’ life cycles (Schiffer 1987, 13-15, 271) or use-lives. Reuse – a
change in the user or use or form of an artifact following its initial use
(Schiffer 1987, 28), or use of an object in a secondary context when it can
no longer serve its original function (Deal and Hagstrum 1995, 111), are
an important part of dynamic interactions between people and pottery, as
well as an important aspect of formation processes. Recycling – the return
of the artifact to the manufacturing process (Schiffer 1987, 28-32), in the
case of pottery needed to be redefined, and it was proposed that recycling
should refer to the usage of fragments of pots, as tools, building material,
or raw material (Vuković 2015). Important ethnoarchaeological research
(Deal 1998) revealed the complexity of ceramic vessels’ use-lives, but these
issues were more rarely examined on pottery revealed from archaeological contexts (for example Sullivan 1989). The usage of ceramic sherds as
tools attracted some more attention in the research of archeological assemblages (López Varela et al. 2002; Van Gijn and Hofman 2008). An extremely important contribution regarding these stages of vessels’ use-lives
was made by T. Peña (2007), who examined numerous secondary uses of
Roman amphorae, including their reuse in burial customs, and the recycling of their fragments (props for cooking vessels, tools, gaming pieces,
weights, etc.).
The issue of extended use is usually connected with repairs of the
pots. The most frequent ways of mending ceramic vessels were making
perforations along the breakage, and tying together the vessels’ fragments
with some kind of string, rope, and even with metal wire (Dooijes and
Nieuwenhuyse 2007, 2009). Roman terra sigillata, for example, was often
repaired with rivets and staples (Ward 1993, 19–20), while amphorae were
mended using the hole and clamp technique with the use of lead (Peña
2007, 237–249) or by filling the cracks with wax, resin, gypsum, crushed
ceramics or glass, using animal glue, beeswax, or pine resin as adhesives
(e.g. 213-215). The repairing of pots was usually connected to their high
value, and a statistical method, the so-called frequency-of-mending (FreqMend), describing the frequency of repair per pottery type, was developed
(Senior 1995). This is why analyses of secondary use, reuse, and extended
use reveal a deeper insight into lifestyles and common practices of communities of the past.",
publisher = "University of Belgrade – Faculty of Philosophy, Institute of Archaeology, Belgrade",
journal = "Pottery Function and Use: A Diachronic Perspective",
booktitle = "Pottery Function in the Archaeology of the Continental Balkans: An Overview",
pages = "67-37",
url = "https://hdl.handle.net/21.15107/rcub_reff_3763"
}
Vuković, J.,& Bikić, V.. (2022). Pottery Function in the Archaeology of the Continental Balkans: An Overview. in Pottery Function and Use: A Diachronic Perspective
University of Belgrade – Faculty of Philosophy., 37-67.
https://hdl.handle.net/21.15107/rcub_reff_3763
Vuković J, Bikić V. Pottery Function in the Archaeology of the Continental Balkans: An Overview. in Pottery Function and Use: A Diachronic Perspective. 2022;:37-67.
https://hdl.handle.net/21.15107/rcub_reff_3763 .
Vuković, Jasna, Bikić, Vesna, "Pottery Function in the Archaeology of the Continental Balkans: An Overview" in Pottery Function and Use: A Diachronic Perspective (2022):37-67,
https://hdl.handle.net/21.15107/rcub_reff_3763 .

Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina

Vuković, Jasna

(Filozofski fakultet Univerziteta u Beogradu, 2021)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/3765
AB  - Na osnovu predubeđenja o tome da u neolitskim zbirkama antropomorfnih figurina dominiraju predstave žena formirani su narativi o postojanju kultova
plodnosti i Velike majke, koji su danas iz akademske sredine prešli u sferu pseudonauke i aktivizma. Rezultati analize zastupljenosti polova na antropomorfnim predstavama sa pet vinčanskih lokaliteta otvaraju nova pitanja koja se tiču uloge i značenja
prisutnih/odsutnih sekundarnih polnih karakteristika, kao i funkcije i značenja figurina uopšte.
AB  - Since the inception of the discipline of archaeology, figurines have been considered as the basis for research into the praehistoric social order and religious
ideas. In spite of the numerous critiques, the idea that they are the reflection of
adoration of Mother Goddess and fertility cults, has persevered even to the present day, mainly thanks to the work of Maria Gimbutas. Her simplified approach
to praehistory, apart from giving rise to pseudo-archaeological narratives, has
induced severe criticism and polemics inside archaeology. The concept of the
Goddess has migrated during the recent period from the academic writing to the
realm of pseudo-science, daily politics and activism. In our country, the ideas
of the Golden Past, considered to be the origin of the European civilization, are
particularly present in the „grey zone“: the public sphere, facilitated through
media. All these narratives are based upon the preconception that in the Neolithic collections the representations of women dominate. The results of the
preliminary analyses of gender representation in Neolithic assemblages have
proven that the claims of women’s dominance are ill-founded, and emphasized
once more the significant presence, or even dominance of asexual figurines.
On the other hand, the criteria for identification have shown to be unreliable,
raising the question of usefulness of such attempts, as well as a number of new
questions. Primarily, the role and meaning of the presence/absence of secondary
sex attributes, their correlation to age, as well as possible regional differences in
meaning and function of figurines are discussed.
AB  - Dès les origines de la discipline, les figurines présentaient la base d’étude du
système social préhistorique et des notions religieuses. Malgré de nombreuses
critiques, l’idée qu’elles sont le reflet d’adoration de la Grande Déesse et du
culte de la fertilité est, plus ou moins, entretenue jusqu’à aujourd’hui, surtout
grâce aux travaux de Maria Gimbutas. Sa manière simplifiée de voir la préhistoire a non seulement donné les ailes à la pseudoscience, mais a aussi suscité
de sévères critiques et débats dans l’archéologie mondiale. Dans l’époque moderne, le concept de la Déesse est passé du milieu académique à la sphère de la
pseudoscience, de la politique quotidienne et de l’activisme, et par conséquent
dans notre pays, les idées sur Le passé doré, considéré comme base de la civilisation européenne, existent principalement dans « la zone grise » – dans l’espace
public où elles sont transférées par le biais des médias. Tous ces récits reposent
sur les préjugés de la représentation de la femme dominant les collections néolithiques. Les résultats préliminaires de l’analyse de la représentation des sexes
dans les assemblages de figurines ont confirmé que les affirmations sur la domination quantitative des représentations féminines sont sans fondement et ont
encore une fois souligné une présence importante et parfois la domination des
représentations asexuelles bien que les critères de l’identification se soient révélés non fiables et que par conséquent se pose la question sur la justification de
ces tentatives. De l’autre côté elles ont ouvert de nombreuses questions. Elles
se rapportent avant tout au rôle et à la signification de caractéristiques sexuelles
secondaires présentes/absentes, surtout à la corrélation des caractéristiques
sexuelles secondaires et de l’âge, mais aussi aux différences possibles locales
et/ou régionales dans la présence de représentations d’un certain sexe/genre, et
à la signification et à la fonction des figurines en général.
PB  - Filozofski fakultet Univerziteta u Beogradu
T2  - Етноантрополошки проблеми
T1  - Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina
T1  - Domination of Women? Gender Representation in the Corpus of Late Neolithic Anthropomorphic Figurines
T1  - Domination des femmes: représentation des sexes dans le corpus de figurines anthropomorphes du Néolithique tardif
EP  - 759
IS  - 3
SP  - 739
VL  - 16
DO  - 10.21301/eap.v16i3.6
ER  - 
@article{
author = "Vuković, Jasna",
year = "2021",
abstract = "Na osnovu predubeđenja o tome da u neolitskim zbirkama antropomorfnih figurina dominiraju predstave žena formirani su narativi o postojanju kultova
plodnosti i Velike majke, koji su danas iz akademske sredine prešli u sferu pseudonauke i aktivizma. Rezultati analize zastupljenosti polova na antropomorfnim predstavama sa pet vinčanskih lokaliteta otvaraju nova pitanja koja se tiču uloge i značenja
prisutnih/odsutnih sekundarnih polnih karakteristika, kao i funkcije i značenja figurina uopšte., Since the inception of the discipline of archaeology, figurines have been considered as the basis for research into the praehistoric social order and religious
ideas. In spite of the numerous critiques, the idea that they are the reflection of
adoration of Mother Goddess and fertility cults, has persevered even to the present day, mainly thanks to the work of Maria Gimbutas. Her simplified approach
to praehistory, apart from giving rise to pseudo-archaeological narratives, has
induced severe criticism and polemics inside archaeology. The concept of the
Goddess has migrated during the recent period from the academic writing to the
realm of pseudo-science, daily politics and activism. In our country, the ideas
of the Golden Past, considered to be the origin of the European civilization, are
particularly present in the „grey zone“: the public sphere, facilitated through
media. All these narratives are based upon the preconception that in the Neolithic collections the representations of women dominate. The results of the
preliminary analyses of gender representation in Neolithic assemblages have
proven that the claims of women’s dominance are ill-founded, and emphasized
once more the significant presence, or even dominance of asexual figurines.
On the other hand, the criteria for identification have shown to be unreliable,
raising the question of usefulness of such attempts, as well as a number of new
questions. Primarily, the role and meaning of the presence/absence of secondary
sex attributes, their correlation to age, as well as possible regional differences in
meaning and function of figurines are discussed., Dès les origines de la discipline, les figurines présentaient la base d’étude du
système social préhistorique et des notions religieuses. Malgré de nombreuses
critiques, l’idée qu’elles sont le reflet d’adoration de la Grande Déesse et du
culte de la fertilité est, plus ou moins, entretenue jusqu’à aujourd’hui, surtout
grâce aux travaux de Maria Gimbutas. Sa manière simplifiée de voir la préhistoire a non seulement donné les ailes à la pseudoscience, mais a aussi suscité
de sévères critiques et débats dans l’archéologie mondiale. Dans l’époque moderne, le concept de la Déesse est passé du milieu académique à la sphère de la
pseudoscience, de la politique quotidienne et de l’activisme, et par conséquent
dans notre pays, les idées sur Le passé doré, considéré comme base de la civilisation européenne, existent principalement dans « la zone grise » – dans l’espace
public où elles sont transférées par le biais des médias. Tous ces récits reposent
sur les préjugés de la représentation de la femme dominant les collections néolithiques. Les résultats préliminaires de l’analyse de la représentation des sexes
dans les assemblages de figurines ont confirmé que les affirmations sur la domination quantitative des représentations féminines sont sans fondement et ont
encore une fois souligné une présence importante et parfois la domination des
représentations asexuelles bien que les critères de l’identification se soient révélés non fiables et que par conséquent se pose la question sur la justification de
ces tentatives. De l’autre côté elles ont ouvert de nombreuses questions. Elles
se rapportent avant tout au rôle et à la signification de caractéristiques sexuelles
secondaires présentes/absentes, surtout à la corrélation des caractéristiques
sexuelles secondaires et de l’âge, mais aussi aux différences possibles locales
et/ou régionales dans la présence de représentations d’un certain sexe/genre, et
à la signification et à la fonction des figurines en général.",
publisher = "Filozofski fakultet Univerziteta u Beogradu",
journal = "Етноантрополошки проблеми",
title = "Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina, Domination of Women? Gender Representation in the Corpus of Late Neolithic Anthropomorphic Figurines, Domination des femmes: représentation des sexes dans le corpus de figurines anthropomorphes du Néolithique tardif",
pages = "759-739",
number = "3",
volume = "16",
doi = "10.21301/eap.v16i3.6"
}
Vuković, J.. (2021). Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina. in Етноантрополошки проблеми
Filozofski fakultet Univerziteta u Beogradu., 16(3), 739-759.
https://doi.org/10.21301/eap.v16i3.6
Vuković J. Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina. in Етноантрополошки проблеми. 2021;16(3):739-759.
doi:10.21301/eap.v16i3.6 .
Vuković, Jasna, "Dominacija žena? Zastupljenost polova u korpusu kasnoneolitskih antropomorfnih figurina" in Етноантрополошки проблеми, 16, no. 3 (2021):739-759,
https://doi.org/10.21301/eap.v16i3.6 . .

Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар

Vuković, Jasna B.

(Narodni muzej u Beogradu, 2021)

TY  - JOUR
AU  - Vuković, Jasna B.
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/3766
AB  - Праксе промењене употребе и рециклирања познате су у археолошкој литератури, а када су у питању предмети од керамике, у том контексту
разматране су искључиво керамичке посуде или њихови фрагменти. С локалитета Павловац–Чукар, међутим, потиче неколико фрагмената винчанских
антропоморфних фигурина, који су, на основу интензивних трагова употребе – механичких оштећења (абразије) и деформације првобитног облика, интерпретирани као алатке. Таква употреба делова фигурина засад није идентификована на другим неолитским локалитетима, па примерци с Павловца
отварају низ нових питања, пре свега намене фигурина и њиховог значења у
неолитском друштву.
AB  - Secondary use and recycling are well-known in archaeology, but in the case of ceramic objects, only vessels have been analyzed. Several figurines excavated at the site of Pavlovac-Čukar, however, exhibit traces of use – damage in the form of different kinds of abrasion. The traces on the leg of a realistically modeled figurine (fig. 1) are present in the form
of deep grooves of a triangular cross-section. The sides of the grooves are smooth and flattened. According to the barely visible channels parallel to the vertical axis of the tool, the
movement in which the tool was used was in the up-down direction. Also, on the left lateral
side, the original surface is worn out and removed. Such damage does not exist on the right
side, suggesting that the tool was held slightly obliquely, so that the pressure of the abrasive
movement was higher on the left side of the tool. Another figurine leg (fig. 2) exhibits similar grooves on its back side. The traces on both tools suggest that they were used in the process of smoothing, finishing, and/or sharpening of wooden/bone tools, possibly awls. Small
grooves and channels (with pedestalled temper) on the upper part of a columnar figurine
(fig. 3) are harder to interpret. Fragment of a figurine representing a female with incised
clothes/ornaments (fig. 4) exhibits an abraded patch on its belly: at the beginning of the
damaged zone, the traces are especially intensive and are manifested by parallel deep diagonal notches. The figurine tool could have been used in the processes such as scraping or flattening some hard material. Finally, the small figurine shown in fig. 5 exhibits abraded base
and head, with flattened sand temper, indicating use over some hard material.
Five figurines from Pavlovac with traces of use open new questions related to the meaning and function of the figurines during the Late Neolithic. They were recycled after the
breaking and were probably used in everyday activities. This further leads to the conclusion
that the primary function of the figurines (symbolic or ritual) was not long-lasting. This
further underlines the possibility that they were the objects with a single-use, or disposable
after they fulfilled their designated role. The considerations about the traces of use on the
figurines are still lacking, so the specimens from Čukar reveal an urgent need for further research in this field.
PB  - Narodni muzej u Beogradu
T2  - Zbornik Narodnog  muzeja u Beogradu
T1  - Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар
T1  - Rеcycling of ceramic objects – Neolithic figurines  as tools, evidence from the sitte of Pavlovac-Čukar
EP  - 49
IS  - 1
SP  - 39
VL  - 25
UR  - https://hdl.handle.net/21.15107/rcub_reff_3766
ER  - 
@article{
author = "Vuković, Jasna B.",
year = "2021",
abstract = "Праксе промењене употребе и рециклирања познате су у археолошкој литератури, а када су у питању предмети од керамике, у том контексту
разматране су искључиво керамичке посуде или њихови фрагменти. С локалитета Павловац–Чукар, међутим, потиче неколико фрагмената винчанских
антропоморфних фигурина, који су, на основу интензивних трагова употребе – механичких оштећења (абразије) и деформације првобитног облика, интерпретирани као алатке. Таква употреба делова фигурина засад није идентификована на другим неолитским локалитетима, па примерци с Павловца
отварају низ нових питања, пре свега намене фигурина и њиховог значења у
неолитском друштву., Secondary use and recycling are well-known in archaeology, but in the case of ceramic objects, only vessels have been analyzed. Several figurines excavated at the site of Pavlovac-Čukar, however, exhibit traces of use – damage in the form of different kinds of abrasion. The traces on the leg of a realistically modeled figurine (fig. 1) are present in the form
of deep grooves of a triangular cross-section. The sides of the grooves are smooth and flattened. According to the barely visible channels parallel to the vertical axis of the tool, the
movement in which the tool was used was in the up-down direction. Also, on the left lateral
side, the original surface is worn out and removed. Such damage does not exist on the right
side, suggesting that the tool was held slightly obliquely, so that the pressure of the abrasive
movement was higher on the left side of the tool. Another figurine leg (fig. 2) exhibits similar grooves on its back side. The traces on both tools suggest that they were used in the process of smoothing, finishing, and/or sharpening of wooden/bone tools, possibly awls. Small
grooves and channels (with pedestalled temper) on the upper part of a columnar figurine
(fig. 3) are harder to interpret. Fragment of a figurine representing a female with incised
clothes/ornaments (fig. 4) exhibits an abraded patch on its belly: at the beginning of the
damaged zone, the traces are especially intensive and are manifested by parallel deep diagonal notches. The figurine tool could have been used in the processes such as scraping or flattening some hard material. Finally, the small figurine shown in fig. 5 exhibits abraded base
and head, with flattened sand temper, indicating use over some hard material.
Five figurines from Pavlovac with traces of use open new questions related to the meaning and function of the figurines during the Late Neolithic. They were recycled after the
breaking and were probably used in everyday activities. This further leads to the conclusion
that the primary function of the figurines (symbolic or ritual) was not long-lasting. This
further underlines the possibility that they were the objects with a single-use, or disposable
after they fulfilled their designated role. The considerations about the traces of use on the
figurines are still lacking, so the specimens from Čukar reveal an urgent need for further research in this field.",
publisher = "Narodni muzej u Beogradu",
journal = "Zbornik Narodnog  muzeja u Beogradu",
title = "Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар, Rеcycling of ceramic objects – Neolithic figurines  as tools, evidence from the sitte of Pavlovac-Čukar",
pages = "49-39",
number = "1",
volume = "25",
url = "https://hdl.handle.net/21.15107/rcub_reff_3766"
}
Vuković, J. B.. (2021). Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар. in Zbornik Narodnog  muzeja u Beogradu
Narodni muzej u Beogradu., 25(1), 39-49.
https://hdl.handle.net/21.15107/rcub_reff_3766
Vuković JB. Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар. in Zbornik Narodnog  muzeja u Beogradu. 2021;25(1):39-49.
https://hdl.handle.net/21.15107/rcub_reff_3766 .
Vuković, Jasna B., "Рециклирање предмета од керамике: неолитске фигурине као алатке, пример с локалитета Павловац- Чукар" in Zbornik Narodnog  muzeja u Beogradu, 25, no. 1 (2021):39-49,
https://hdl.handle.net/21.15107/rcub_reff_3766 .

The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress

Vuković, Jasna

(Faculty of Philosophy, University of Belgrade, 2021)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/3752
AB  - Any transitional period can be regarded as a period of crisis. The stressful conditions during the Early to Late Neolithic transition in the Central Balkans
were probably caused by a population decrease. The technological hybridization
in the production of ceramic objects, mainly pottery, can be regarded as evidence
of the mixing of technological traditions, or in other words, of different social
groups, probably through intermarriage. Therefore, the peaceful coexistence of
different groups, resulting in the collapse of social boundaries, could have been a
possible response to stressful conditions caused by a population decrease.
AB  - Сваки транзициони период може се сматрати периодом кризе.
За време прелаза раног у касни неолит на централном Балкану, стресне
околности вероватно су изазване демографским падом. Технолошка хибридизација у изради предмета од керамике, првенствено посуђа, може се посматрати као последица мешања технолошких традиција, или различитих
социјалних група, вероватно путем склапања брачних веза. Миран суживот
две групе, који је резултирао рушењем друштвених баријера, могао је бити
потенцијалан одговор неолитских заједница на стресне услове изазване падом популације.
PB  - Faculty of Philosophy, University of Belgrade
T2  - Archaeology of Crisis
T1  - The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress
T1  - Кriza neolitske tranzicije: tehnološka hibrizacija kao posledica stresa
EP  - 74
SP  - 63
UR  - https://hdl.handle.net/21.15107/rcub_reff_3752
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2021",
abstract = "Any transitional period can be regarded as a period of crisis. The stressful conditions during the Early to Late Neolithic transition in the Central Balkans
were probably caused by a population decrease. The technological hybridization
in the production of ceramic objects, mainly pottery, can be regarded as evidence
of the mixing of technological traditions, or in other words, of different social
groups, probably through intermarriage. Therefore, the peaceful coexistence of
different groups, resulting in the collapse of social boundaries, could have been a
possible response to stressful conditions caused by a population decrease., Сваки транзициони период може се сматрати периодом кризе.
За време прелаза раног у касни неолит на централном Балкану, стресне
околности вероватно су изазване демографским падом. Технолошка хибридизација у изради предмета од керамике, првенствено посуђа, може се посматрати као последица мешања технолошких традиција, или различитих
социјалних група, вероватно путем склапања брачних веза. Миран суживот
две групе, који је резултирао рушењем друштвених баријера, могао је бити
потенцијалан одговор неолитских заједница на стресне услове изазване падом популације.",
publisher = "Faculty of Philosophy, University of Belgrade",
journal = "Archaeology of Crisis",
booktitle = "The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress, Кriza neolitske tranzicije: tehnološka hibrizacija kao posledica stresa",
pages = "74-63",
url = "https://hdl.handle.net/21.15107/rcub_reff_3752"
}
Vuković, J.. (2021). The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress. in Archaeology of Crisis
Faculty of Philosophy, University of Belgrade., 63-74.
https://hdl.handle.net/21.15107/rcub_reff_3752
Vuković J. The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress. in Archaeology of Crisis. 2021;:63-74.
https://hdl.handle.net/21.15107/rcub_reff_3752 .
Vuković, Jasna, "The Neolithic Transition Crisis: Technological Hybridization as a Consequence of Stress" in Archaeology of Crisis (2021):63-74,
https://hdl.handle.net/21.15107/rcub_reff_3752 .

Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans

Vuković, Jasna

(Archaeopress, 2020)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3115
AB  - Technology is usually defined as the processes and practices associated with production and consumption, from design to discard; hence, pottery use is a part of complex social interactions that constitute technological systems. The functional analysis comprises several different lines of investigation. This chapter is focused on the intended function of the Early (Starcevo) and Late Neolithic (Vinca) pottery. By examining formal properties (fabric, surface finishing, and decoration), performance characteristics of Neolithic pots (resistivity to mechanical and thermal stresses during use) were analysed. Morphological analyses were also conducted, namely analyses of vessel shapes and their suitability for specific use, and quantitative analyses focused on the examination of metric parameters (diameters of rim, shoulder and bottom, volume, and height), and indexes based on their ratios.
PB  - Archaeopress
T2  - Animal Husbandry and Hunting in the Central and Western Balkans Through Time
T1  - Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans
EP  - 181
SP  - 172
DO  - 10.2307/j.ctvndv954.18
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2020",
abstract = "Technology is usually defined as the processes and practices associated with production and consumption, from design to discard; hence, pottery use is a part of complex social interactions that constitute technological systems. The functional analysis comprises several different lines of investigation. This chapter is focused on the intended function of the Early (Starcevo) and Late Neolithic (Vinca) pottery. By examining formal properties (fabric, surface finishing, and decoration), performance characteristics of Neolithic pots (resistivity to mechanical and thermal stresses during use) were analysed. Morphological analyses were also conducted, namely analyses of vessel shapes and their suitability for specific use, and quantitative analyses focused on the examination of metric parameters (diameters of rim, shoulder and bottom, volume, and height), and indexes based on their ratios.",
publisher = "Archaeopress",
journal = "Animal Husbandry and Hunting in the Central and Western Balkans Through Time",
booktitle = "Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans",
pages = "181-172",
doi = "10.2307/j.ctvndv954.18"
}
Vuković, J.. (2020). Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans. in Animal Husbandry and Hunting in the Central and Western Balkans Through Time
Archaeopress., 172-181.
https://doi.org/10.2307/j.ctvndv954.18
Vuković J. Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans. in Animal Husbandry and Hunting in the Central and Western Balkans Through Time. 2020;:172-181.
doi:10.2307/j.ctvndv954.18 .
Vuković, Jasna, "Technology and function: Performance characteristics and usage aspects of the neolithic pottery of the central balkans" in Animal Husbandry and Hunting in the Central and Western Balkans Through Time (2020):172-181,
https://doi.org/10.2307/j.ctvndv954.18 . .

Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans

Vuković, Jasna

(Sidestone Press, Leiden, 2020)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3803
AB  - The earliest pottery of the Central Balkans (Starčevo culture), characterized by
organic inclusions, round, spherical shapes, and oxidized firing conditions, usually
lacking traces of use, is usually seen as pottery typical for partly mobile communities. On the other hand, late Neolithic (Vinča) pottery features (mineral inclusions,
and reduced firing atmosphere, among others) indicate major changes in manufacturing sequence, conditioned by more elaborate technical knowledge, suggesting the different needs of the consumers, which also affected changes in pottery
demand. In this paper, innovation in Neolithic pottery production is considered
through several distinct aspects of technology: the standardisation analyses which
may reveal social innovation (almost random in the early vs. partly specialized production in the late Neolithic), the shift from organic to mineral inclusions in ceramic
paste, as a consequence of changed needs for particular performance of pottery, and
the change in the chaîne opératoire in the manufacture of vessels with roughened
surfaces, an innovation that led to the adoption of less time-consuming manufacturing procedure. The processes that led to transformation of pottery technology
and craft organisation from the early to the late Neolithic are still unknown. They
may be traced during the early to late Neolithic transitional period, and may be
explained by contact between two different technological traditions, changes in
knowledge transmission mechanisms, and lack of social pressure in the practicing
of the craft, leading to the emergence of specialized artisans.
PB  - Sidestone Press, Leiden
T2  - Detecting and explaining technological innovation in Prehistory
T1  - Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans
EP  - 150
SP  - 135
UR  - https://hdl.handle.net/21.15107/rcub_reff_3803
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2020",
abstract = "The earliest pottery of the Central Balkans (Starčevo culture), characterized by
organic inclusions, round, spherical shapes, and oxidized firing conditions, usually
lacking traces of use, is usually seen as pottery typical for partly mobile communities. On the other hand, late Neolithic (Vinča) pottery features (mineral inclusions,
and reduced firing atmosphere, among others) indicate major changes in manufacturing sequence, conditioned by more elaborate technical knowledge, suggesting the different needs of the consumers, which also affected changes in pottery
demand. In this paper, innovation in Neolithic pottery production is considered
through several distinct aspects of technology: the standardisation analyses which
may reveal social innovation (almost random in the early vs. partly specialized production in the late Neolithic), the shift from organic to mineral inclusions in ceramic
paste, as a consequence of changed needs for particular performance of pottery, and
the change in the chaîne opératoire in the manufacture of vessels with roughened
surfaces, an innovation that led to the adoption of less time-consuming manufacturing procedure. The processes that led to transformation of pottery technology
and craft organisation from the early to the late Neolithic are still unknown. They
may be traced during the early to late Neolithic transitional period, and may be
explained by contact between two different technological traditions, changes in
knowledge transmission mechanisms, and lack of social pressure in the practicing
of the craft, leading to the emergence of specialized artisans.",
publisher = "Sidestone Press, Leiden",
journal = "Detecting and explaining technological innovation in Prehistory",
booktitle = "Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans",
pages = "150-135",
url = "https://hdl.handle.net/21.15107/rcub_reff_3803"
}
Vuković, J.. (2020). Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans. in Detecting and explaining technological innovation in Prehistory
Sidestone Press, Leiden., 135-150.
https://hdl.handle.net/21.15107/rcub_reff_3803
Vuković J. Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans. in Detecting and explaining technological innovation in Prehistory. 2020;:135-150.
https://hdl.handle.net/21.15107/rcub_reff_3803 .
Vuković, Jasna, "Technological innovation and social change. Early vs. late Neolithic pottery production of the Central Balkans" in Detecting and explaining technological innovation in Prehistory (2020):135-150,
https://hdl.handle.net/21.15107/rcub_reff_3803 .

Use of Space in a Late Neolithic/Early Eneolithic Building at the Site of Vinča-Belo Brdo in the Central Balkans

Borojević, Ksenija; Antonović, Dragana; Vuković, Jasna; Dimitrijević, Vesna; Filipović, Dragana; Marić, Miroslav; Penezić, Kristina; Tripković, Boban; Bogosavljević-Petrović, Vera; Tasić, Nenad

(BAR International Series, 2020)

TY  - CHAP
AU  - Borojević, Ksenija
AU  - Antonović, Dragana
AU  - Vuković, Jasna
AU  - Dimitrijević, Vesna
AU  - Filipović, Dragana
AU  - Marić, Miroslav
AU  - Penezić, Kristina
AU  - Tripković, Boban
AU  - Bogosavljević-Petrović, Vera
AU  - Tasić, Nenad
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3797
AB  - The Late Neolithic/Early Eneolithic Building 01/06 at the site of Vinča-Belo Brdo on the
Danube burned suddenly. The daub sealed the interior of the three-room structure and preserved
its contents as they stood in the 46th century BC. The building was preserved so well that the
details of its interior can be reconstructed. On the floor, under thick layers of destruction, ovens,
querns, and deposits of artefacts and ecofacts were discovered, capturing a moment in time. The
systematic retrieval of remarkably well-preserved plant macro-remains and other materials, and
subsequent analyses, offer new information about practices such as food processing and storage
and the use of space towards the end of the occupation of the site. In this article, we present a
detailed examination of the interior architecture, and of finds of ceramics, stone, plant and animal
remains within each of the three rooms of Building 01/06. Our detailed contextual analysis of the
building’s internal configuration and of its contents, coupled with the precise dating of organic
material, provides new data for the interpretation of a Vinča-style building and its use.
PB  - BAR International Series
T2  - Making Spaces into Places. The North Aegean, the Balkans and Western Anatolia in the Neolithic
T1  - Use	of	Space	in	a	Late	Neolithic/Early	Eneolithic	Building	at	the	Site	of	Vinča-Belo	Brdo	in	the Central Balkans
EP  - 180
SP  - 157
UR  - https://hdl.handle.net/21.15107/rcub_reff_3797
ER  - 
@inbook{
author = "Borojević, Ksenija and Antonović, Dragana and Vuković, Jasna and Dimitrijević, Vesna and Filipović, Dragana and Marić, Miroslav and Penezić, Kristina and Tripković, Boban and Bogosavljević-Petrović, Vera and Tasić, Nenad",
year = "2020",
abstract = "The Late Neolithic/Early Eneolithic Building 01/06 at the site of Vinča-Belo Brdo on the
Danube burned suddenly. The daub sealed the interior of the three-room structure and preserved
its contents as they stood in the 46th century BC. The building was preserved so well that the
details of its interior can be reconstructed. On the floor, under thick layers of destruction, ovens,
querns, and deposits of artefacts and ecofacts were discovered, capturing a moment in time. The
systematic retrieval of remarkably well-preserved plant macro-remains and other materials, and
subsequent analyses, offer new information about practices such as food processing and storage
and the use of space towards the end of the occupation of the site. In this article, we present a
detailed examination of the interior architecture, and of finds of ceramics, stone, plant and animal
remains within each of the three rooms of Building 01/06. Our detailed contextual analysis of the
building’s internal configuration and of its contents, coupled with the precise dating of organic
material, provides new data for the interpretation of a Vinča-style building and its use.",
publisher = "BAR International Series",
journal = "Making Spaces into Places. The North Aegean, the Balkans and Western Anatolia in the Neolithic",
booktitle = "Use	of	Space	in	a	Late	Neolithic/Early	Eneolithic	Building	at	the	Site	of	Vinča-Belo	Brdo	in	the Central Balkans",
pages = "180-157",
url = "https://hdl.handle.net/21.15107/rcub_reff_3797"
}
Borojević, K., Antonović, D., Vuković, J., Dimitrijević, V., Filipović, D., Marić, M., Penezić, K., Tripković, B., Bogosavljević-Petrović, V.,& Tasić, N.. (2020). Use	of	Space	in	a	Late	Neolithic/Early	Eneolithic	Building	at	the	Site	of	Vinča-Belo	Brdo	in	the Central Balkans. in Making Spaces into Places. The North Aegean, the Balkans and Western Anatolia in the Neolithic
BAR International Series., 157-180.
https://hdl.handle.net/21.15107/rcub_reff_3797
Borojević K, Antonović D, Vuković J, Dimitrijević V, Filipović D, Marić M, Penezić K, Tripković B, Bogosavljević-Petrović V, Tasić N. Use	of	Space	in	a	Late	Neolithic/Early	Eneolithic	Building	at	the	Site	of	Vinča-Belo	Brdo	in	the Central Balkans. in Making Spaces into Places. The North Aegean, the Balkans and Western Anatolia in the Neolithic. 2020;:157-180.
https://hdl.handle.net/21.15107/rcub_reff_3797 .
Borojević, Ksenija, Antonović, Dragana, Vuković, Jasna, Dimitrijević, Vesna, Filipović, Dragana, Marić, Miroslav, Penezić, Kristina, Tripković, Boban, Bogosavljević-Petrović, Vera, Tasić, Nenad, "Use	of	Space	in	a	Late	Neolithic/Early	Eneolithic	Building	at	the	Site	of	Vinča-Belo	Brdo	in	the Central Balkans" in Making Spaces into Places. The North Aegean, the Balkans and Western Anatolia in the Neolithic (2020):157-180,
https://hdl.handle.net/21.15107/rcub_reff_3797 .

Pottery and non-sedentary communities: origins, technology and usage

Vuković, Jasna

(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2020)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3103
AB  - The introduction of the skill of pottery-making has been recognized as the turning point in the human past from the very inception of the disciplines of archaeology/anthropology. Until recently, pottery has been explained as a part of the Neolithic package and linked to the beginnings of agriculture and sedentarism. However, the pottery registered among the hunters-gatherers of the late Pleistocene in the Far East has demonstrated beyond doubt that it represents an innovation completely independent from plant cultivation and domestication of animals. This has induced a reconsideration of our knowledge. Although various hypotheses explained the appearance of the earliest pottery, it seems today that the invention of pottery technology was most probably induced by utilitarian, practical reasons. On the grounds of the analyses of the organic contents of the vessels, their qualities and the distribution of use alterations, it is certain that pottery is closely linked to preparation and partially with storage of food of animal, often aquatic origin, and sometimes of nuts. On the other hand, the causes and mechanisms of adoption of pottery as a new technology may have been diverse and dependent on various factors. For example, pottery production may be seen as prestige technology among hunters-gatherers, where individuals compete for power, prestige and status by organizing feasts, but in the non-stratified societies as well, where it was used as a medium during the festivities aimed at strengthening the group cohesion, or on the occasion of marriages of members of different groups, where they are reminded of communal obligations and alliances. One of the characteristics of pottery in mobile communities is its close link to twined/woven objects: many pottery assemblages from these groups bear traces on their surfaces that are the consequence of pressing such material (cords, baskets, sacks, mats, fabric, etc.), so sometimes "ceramization" of these older technologies is mentioned. However, the importance of spun material should be stressed in the technology of pottery production. These may have been used in the process of modelling of vessels, as supports or moulds. Finally, the text considers the Starcevo pottery. In spite of the fact that it "reaches" into the Balkans along with other characteristics of the Neolithic package, it performs important similarities to the pottery of mobile communities, from its transportability as a desired feature, to indications that at least some forms were executed in baskets as moulds. The examples of the Starcevo pottery exist bearing the impressions of textile on their interior surfaces, probably due to easier separation of the dried vessel from the mould. All these data raise the issue of interdependence of soft technologies and pottery, as well as wider questions, such as mechanisms of cultural transmission.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Pottery and non-sedentary communities: origins, technology and usage
EP  - 771
IS  - 3
SP  - 745
VL  - 15
DO  - 10.21301/eap.v15i3.5
ER  - 
@article{
author = "Vuković, Jasna",
year = "2020",
abstract = "The introduction of the skill of pottery-making has been recognized as the turning point in the human past from the very inception of the disciplines of archaeology/anthropology. Until recently, pottery has been explained as a part of the Neolithic package and linked to the beginnings of agriculture and sedentarism. However, the pottery registered among the hunters-gatherers of the late Pleistocene in the Far East has demonstrated beyond doubt that it represents an innovation completely independent from plant cultivation and domestication of animals. This has induced a reconsideration of our knowledge. Although various hypotheses explained the appearance of the earliest pottery, it seems today that the invention of pottery technology was most probably induced by utilitarian, practical reasons. On the grounds of the analyses of the organic contents of the vessels, their qualities and the distribution of use alterations, it is certain that pottery is closely linked to preparation and partially with storage of food of animal, often aquatic origin, and sometimes of nuts. On the other hand, the causes and mechanisms of adoption of pottery as a new technology may have been diverse and dependent on various factors. For example, pottery production may be seen as prestige technology among hunters-gatherers, where individuals compete for power, prestige and status by organizing feasts, but in the non-stratified societies as well, where it was used as a medium during the festivities aimed at strengthening the group cohesion, or on the occasion of marriages of members of different groups, where they are reminded of communal obligations and alliances. One of the characteristics of pottery in mobile communities is its close link to twined/woven objects: many pottery assemblages from these groups bear traces on their surfaces that are the consequence of pressing such material (cords, baskets, sacks, mats, fabric, etc.), so sometimes "ceramization" of these older technologies is mentioned. However, the importance of spun material should be stressed in the technology of pottery production. These may have been used in the process of modelling of vessels, as supports or moulds. Finally, the text considers the Starcevo pottery. In spite of the fact that it "reaches" into the Balkans along with other characteristics of the Neolithic package, it performs important similarities to the pottery of mobile communities, from its transportability as a desired feature, to indications that at least some forms were executed in baskets as moulds. The examples of the Starcevo pottery exist bearing the impressions of textile on their interior surfaces, probably due to easier separation of the dried vessel from the mould. All these data raise the issue of interdependence of soft technologies and pottery, as well as wider questions, such as mechanisms of cultural transmission.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Pottery and non-sedentary communities: origins, technology and usage",
pages = "771-745",
number = "3",
volume = "15",
doi = "10.21301/eap.v15i3.5"
}
Vuković, J.. (2020). Pottery and non-sedentary communities: origins, technology and usage. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 15(3), 745-771.
https://doi.org/10.21301/eap.v15i3.5
Vuković J. Pottery and non-sedentary communities: origins, technology and usage. in Etnoantropološki problemi. 2020;15(3):745-771.
doi:10.21301/eap.v15i3.5 .
Vuković, Jasna, "Pottery and non-sedentary communities: origins, technology and usage" in Etnoantropološki problemi, 15, no. 3 (2020):745-771,
https://doi.org/10.21301/eap.v15i3.5 . .

Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција

Vuković, Jasna B.

(Narodni muzej u Beogradu, 2019)

TY  - JOUR
AU  - Vuković, Jasna B.
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/3767
AB  - Тробојне посуде (black-topped) познате су са низа рановинчанских
локалитета, али и из других области југоисточне Европе. На локалитету Павловац–Чукар пронађено је неколико оваквих посуда, којe представљају добар пример за преиспитивање начина њихове израде и значаја у неолитском
друштву. У раду су размотрене њихове технолошке карактеристике, односно
технике израде, пре свега начин печења. С друге стране, трагови поправки и
преправки указују на могућност да се ради о престижним предметима, који
су, могуће је, осим утилитарне функције имали и посебан симболички значај.
AB  - Tricolored Vinča vessels mostly pedestal goblets are well-known since the earliest excavations at Vinča. However, the black-topped technique of pottery decoration is not associated exclusively to the Late Neolithic pottery in the Central Balkans but it is rather cross-cultural phenomenon spreading from the pre-dynastic Egypt to as far as prehistoric India. In
this paper eight fragments of tricolored vessels discovered in the course of rescue archaeological excavations conducted in the process of motorway E-75 (Corridor 10) construction
at the site Pavlovac near Vranje in 2011 are examined.
Traces of use were not encountered on the tricolored vessels but various deliberately
made interventions were noticed. They could be divided in two groups: remodeling and repairs. Alterations were noticed on two specimens where base of the vessel, i.e., pedestal of
the goblet was flattened probably using some abrasive stone tool. Repairs are represented by
perforations on two fragments of vessel feet in order to join two broken fragments by pulling through some thread or the like. One fragment of the goblet foot stands out among other specimens. It could be identified as technological hybrid joining two Neolithic traditions
– Starčevo and Vinča traits. Additional intervention by piercing the hole in the vessel base
was probably an attempt to change the purpose of the vessel.
In an attempt to explain the reasons why Vinča tricolored vessels had been remodeled
and repaired it is necessary to examine the concept of ‘value’ of the material culture in the
past. The firing procedure of pottery with polychrome surface is very complex. Bearing in
mind that completely reduced vessels were widely produced and available, the firing sequence of intentional blackening of the vessels fired in oxidizing atmosphere or combined
firing of pottery in order to reduce only the interiors of the pots was completely unnecessary, so functional or utilitarian value of black-topped pots should be rejected. Tricolored
vessels were discovered in very small quantities at the Vinča sites and also at Čukar, and that
additionally suggests not only their limited production but also the possibility that they had
been produced only in special circumstances and by skillful and experienced potters. Their
small number also indicates the possibility that they were not available to all members of
the community, that is, to every household. Therefore, it should be assumed that they were
the special purpose vessels manufactured in small quantity and not widely available, but it is
still unclear whether they were prestigious or status objects or objects related to some ritual practices.
PB  - Narodni muzej u Beogradu
T2  - Zbornik Narodnog  muzeja u Beogradu
T1  - Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција
T1  - Tricolored Vinča vessels from the site of Pavlovac–Čukar: technology of manufacture and function
EP  - 47
IS  - 1
SP  - 31
VL  - 24
UR  - https://hdl.handle.net/21.15107/rcub_reff_3767
ER  - 
@article{
author = "Vuković, Jasna B.",
year = "2019",
abstract = "Тробојне посуде (black-topped) познате су са низа рановинчанских
локалитета, али и из других области југоисточне Европе. На локалитету Павловац–Чукар пронађено је неколико оваквих посуда, којe представљају добар пример за преиспитивање начина њихове израде и значаја у неолитском
друштву. У раду су размотрене њихове технолошке карактеристике, односно
технике израде, пре свега начин печења. С друге стране, трагови поправки и
преправки указују на могућност да се ради о престижним предметима, који
су, могуће је, осим утилитарне функције имали и посебан симболички значај., Tricolored Vinča vessels mostly pedestal goblets are well-known since the earliest excavations at Vinča. However, the black-topped technique of pottery decoration is not associated exclusively to the Late Neolithic pottery in the Central Balkans but it is rather cross-cultural phenomenon spreading from the pre-dynastic Egypt to as far as prehistoric India. In
this paper eight fragments of tricolored vessels discovered in the course of rescue archaeological excavations conducted in the process of motorway E-75 (Corridor 10) construction
at the site Pavlovac near Vranje in 2011 are examined.
Traces of use were not encountered on the tricolored vessels but various deliberately
made interventions were noticed. They could be divided in two groups: remodeling and repairs. Alterations were noticed on two specimens where base of the vessel, i.e., pedestal of
the goblet was flattened probably using some abrasive stone tool. Repairs are represented by
perforations on two fragments of vessel feet in order to join two broken fragments by pulling through some thread or the like. One fragment of the goblet foot stands out among other specimens. It could be identified as technological hybrid joining two Neolithic traditions
– Starčevo and Vinča traits. Additional intervention by piercing the hole in the vessel base
was probably an attempt to change the purpose of the vessel.
In an attempt to explain the reasons why Vinča tricolored vessels had been remodeled
and repaired it is necessary to examine the concept of ‘value’ of the material culture in the
past. The firing procedure of pottery with polychrome surface is very complex. Bearing in
mind that completely reduced vessels were widely produced and available, the firing sequence of intentional blackening of the vessels fired in oxidizing atmosphere or combined
firing of pottery in order to reduce only the interiors of the pots was completely unnecessary, so functional or utilitarian value of black-topped pots should be rejected. Tricolored
vessels were discovered in very small quantities at the Vinča sites and also at Čukar, and that
additionally suggests not only their limited production but also the possibility that they had
been produced only in special circumstances and by skillful and experienced potters. Their
small number also indicates the possibility that they were not available to all members of
the community, that is, to every household. Therefore, it should be assumed that they were
the special purpose vessels manufactured in small quantity and not widely available, but it is
still unclear whether they were prestigious or status objects or objects related to some ritual practices.",
publisher = "Narodni muzej u Beogradu",
journal = "Zbornik Narodnog  muzeja u Beogradu",
title = "Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција, Tricolored Vinča vessels from the site of Pavlovac–Čukar: technology of manufacture and function",
pages = "47-31",
number = "1",
volume = "24",
url = "https://hdl.handle.net/21.15107/rcub_reff_3767"
}
Vuković, J. B.. (2019). Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција. in Zbornik Narodnog  muzeja u Beogradu
Narodni muzej u Beogradu., 24(1), 31-47.
https://hdl.handle.net/21.15107/rcub_reff_3767
Vuković JB. Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција. in Zbornik Narodnog  muzeja u Beogradu. 2019;24(1):31-47.
https://hdl.handle.net/21.15107/rcub_reff_3767 .
Vuković, Jasna B., "Винчанске тробојне посуде са локалитета Павловац-Чукар: технологија израде и функција" in Zbornik Narodnog  muzeja u Beogradu, 24, no. 1 (2019):31-47,
https://hdl.handle.net/21.15107/rcub_reff_3767 .

Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined

Vuković, Jasna

(JUNTA DE ANDALUCÍA. Consejería de Cultura, 2018)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/3822
AB  - Analyses of Neolithic pottery from Central Balkans
revealed weaknesses in traditional classification
and typologies in pottery studies, i.e. their
inability to: a) infer vessel function, in contrast
to use-alteration and morphological analyses; b)
define dimensional classes and recognize their
importance in identification of vessel function, in
contrast to quantitative analyses; c) adequately
explain statistical data about type frequencies as
indicators of past human behavior and dynamics
of assemblage formation; and d) recognize variety
of pottery reuse related activities and their role
in reconstruction of everyday life and formation
processes
AB  - Los análisis de cerámica neolítica hallada en los
Balcanes Centrales siempre han estado centrados
en su clasificación y estudio tipológico, olvidando:
a) La función de los vasos y su relación con una
forma predeterminada; b) prestar atención a su
volumen y dimensiones; c) la realización de tablas
estadísticas y frecuencias para observar dinámicas
de comportamiento humano; y d) el reconocimiento
de la existencia de diferentes usos y el importante
role que juega diariamente en la vida cotidiana de la
comunidad que las utiliza.
PB  - JUNTA DE ANDALUCÍA. Consejería de Cultura
T2  - Something more than galbos and pots. Ethnoarchaeology and ceramic experimentation
T1  - Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined
T1  - Función, uso y reciclaje vs. tipologίa: reexaminando la ceramic Neolítica
EP  - 153
SP  - 145
UR  - https://hdl.handle.net/21.15107/rcub_reff_3822
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2018",
abstract = "Analyses of Neolithic pottery from Central Balkans
revealed weaknesses in traditional classification
and typologies in pottery studies, i.e. their
inability to: a) infer vessel function, in contrast
to use-alteration and morphological analyses; b)
define dimensional classes and recognize their
importance in identification of vessel function, in
contrast to quantitative analyses; c) adequately
explain statistical data about type frequencies as
indicators of past human behavior and dynamics
of assemblage formation; and d) recognize variety
of pottery reuse related activities and their role
in reconstruction of everyday life and formation
processes, Los análisis de cerámica neolítica hallada en los
Balcanes Centrales siempre han estado centrados
en su clasificación y estudio tipológico, olvidando:
a) La función de los vasos y su relación con una
forma predeterminada; b) prestar atención a su
volumen y dimensiones; c) la realización de tablas
estadísticas y frecuencias para observar dinámicas
de comportamiento humano; y d) el reconocimiento
de la existencia de diferentes usos y el importante
role que juega diariamente en la vida cotidiana de la
comunidad que las utiliza.",
publisher = "JUNTA DE ANDALUCÍA. Consejería de Cultura",
journal = "Something more than galbos and pots. Ethnoarchaeology and ceramic experimentation",
booktitle = "Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined, Función, uso y reciclaje vs. tipologίa: reexaminando la ceramic Neolítica",
pages = "153-145",
url = "https://hdl.handle.net/21.15107/rcub_reff_3822"
}
Vuković, J.. (2018). Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined. in Something more than galbos and pots. Ethnoarchaeology and ceramic experimentation
JUNTA DE ANDALUCÍA. Consejería de Cultura., 145-153.
https://hdl.handle.net/21.15107/rcub_reff_3822
Vuković J. Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined. in Something more than galbos and pots. Ethnoarchaeology and ceramic experimentation. 2018;:145-153.
https://hdl.handle.net/21.15107/rcub_reff_3822 .
Vuković, Jasna, "Function, Use, and Discard vs. Typology: Neolithic Pottery Reexamined" in Something more than galbos and pots. Ethnoarchaeology and ceramic experimentation (2018):145-153,
https://hdl.handle.net/21.15107/rcub_reff_3822 .

Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies

Vuković, Jasna; Miloglav, Ina

(Cambridge Scholars Publishing, 2018)

TY  - CHAP
AU  - Vuković, Jasna
AU  - Miloglav, Ina
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/3794
AB  - Social aspects of pottery production are the most intriguing issues in
pottery studies. Potters themselves are, however, invisible in the
archaeological record, and considerations about their position in the
society and organization of their production, especially for prehistoric
periods, is very challenging and meets many constraints and difficulties.
Organization of pottery production in prehistoric communities, especially
in the Balkans, was very rarely considered in the past. Recently, researchers
increased their attention and interest in these aspects of prehistoric everyday
life. It seems that during Late Neolithic and Eneolithic many changes
occurred, leading to the emergence of more complex communities.
Craftsmen and potters among them played a very important role in this
shift in social relations. This paper aims to explore pottery production in
the societies in which initial stages of craft specialization may be assumed.
Although Late Neolithic Vinča and Late Eneolithic Vučedol communities
had a different social organization, the results of the analyses revealed the
same organization of pottery production.
PB  - Cambridge Scholars Publishing
T2  - Artisans Rule: Product Standardization and Craft Specialization in Prehistoric Society
T1  - Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies
EP  - 136
SP  - 120
UR  - https://hdl.handle.net/21.15107/rcub_reff_3794
ER  - 
@inbook{
author = "Vuković, Jasna and Miloglav, Ina",
year = "2018",
abstract = "Social aspects of pottery production are the most intriguing issues in
pottery studies. Potters themselves are, however, invisible in the
archaeological record, and considerations about their position in the
society and organization of their production, especially for prehistoric
periods, is very challenging and meets many constraints and difficulties.
Organization of pottery production in prehistoric communities, especially
in the Balkans, was very rarely considered in the past. Recently, researchers
increased their attention and interest in these aspects of prehistoric everyday
life. It seems that during Late Neolithic and Eneolithic many changes
occurred, leading to the emergence of more complex communities.
Craftsmen and potters among them played a very important role in this
shift in social relations. This paper aims to explore pottery production in
the societies in which initial stages of craft specialization may be assumed.
Although Late Neolithic Vinča and Late Eneolithic Vučedol communities
had a different social organization, the results of the analyses revealed the
same organization of pottery production.",
publisher = "Cambridge Scholars Publishing",
journal = "Artisans Rule: Product Standardization and Craft Specialization in Prehistoric Society",
booktitle = "Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies",
pages = "136-120",
url = "https://hdl.handle.net/21.15107/rcub_reff_3794"
}
Vuković, J.,& Miloglav, I.. (2018). Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies. in Artisans Rule: Product Standardization and Craft Specialization in Prehistoric Society
Cambridge Scholars Publishing., 120-136.
https://hdl.handle.net/21.15107/rcub_reff_3794
Vuković J, Miloglav I. Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies. in Artisans Rule: Product Standardization and Craft Specialization in Prehistoric Society. 2018;:120-136.
https://hdl.handle.net/21.15107/rcub_reff_3794 .
Vuković, Jasna, Miloglav, Ina, "Part-time Labor and Household Production: Emergence of Specialized Potters in the Late Neolithic Vinča (Serbia) and Late Eneolithic Vučedol (Croatia) Societies" in Artisans Rule: Product Standardization and Craft Specialization in Prehistoric Society (2018):120-136,
https://hdl.handle.net/21.15107/rcub_reff_3794 .

Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед

Vuković, Jasna

(Museum of the City of Skopje, 2018)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/3816
AB  - Ceramics is the earliest synthetic material in history. Its origins can be traced back to the early hunter-gatherer societies when people realized that clay mixed with water when exposed to heat hardens and becomes suitable for different kinds of containers. The earliest pottery was identified in the Far East, namely China (17.500—16.000 BP), in the Amur River valley and in Japan. As it was argued, adoption of pottery was related to greater reliance on plant and shellfish foods, and from its beginnings, it was used for food preparation and storage. Through the millennia, this new technology spread to the west and north-west. Pottery was introduced to the Balkans as a part of the Neolithic package — along with plant cultivation, animal domestication, and food production. During the Neolithization process, pottery spread through different routes — by the land route from Anatolia to Greece and then further to the north, through the valleys of Vardar and Struma, or by the sea, as in the case of the Early Neolithic of the Eastern Adriatic. According to the radiocarbon dates, the earliest pottery production can be dated between 6.500 and 6.200 BC in the southern Balkans (Achilleion, Franchthi, Nea Nikomedeia, Sesklo, Sidari), and around 6.400 and
6.000 BC in northern and eastern Balkans (Amzabegovo, Blagotin, Donja Branjevina, Grivac, Gura Baciului, Lepenski Vir, Miercurea Sibului, Ocna Sibului, Poljanica-Platoto). In the Eastern Adriatic, adoption of pottery occurred a bit later
—around 6.000—5.900 BC.

During the first half of the XX century, and even to the 80’s, the majority of considerations related to pottery were focused on the determination of ’archaeological cultures, their relative-chronological positions, phases, and their mutual relations, based on vessel morphology, but predominantly on ornamentation and appearance of the motifs and designs.The main Early/Middle Neolithic cultures were established: (Proto-, Pre-) Sesklo in Thessaly, KaranovoI—III in Bulgarian Thrace; Kremikovci — western Bulgarian painted pottery in western Bulgaria; Amzabegovo-Vršnik (la—c for the Early and II—IV for the Middle Neolithic) in northern half of Republic of Macedonia, northeastern Albania and western Bulgaria; Pelagonian, i.e. Velušina- Porodin in Pelagonia; Starčevo in the Central Balkans, northeastern Montenegro, Banat and parts of Transylvania, eastern Croatia and northeastern Bosnia; Impresso-culture followed by Danilo-culture on the Eastern Adriatic. In the vast corpus of traditional archaeological literature, pottery was mainly seen as an important chronological marker, and considerations related to this most numerous class of archaeological finds were focused on ‘evolution’ of shapes and ornamental techniques. However, in this culture- historical approach, some of the crucial aspects of ceramics were completely neglected, namely its dynamic role in everyday life and in social relations. The important aspects such as pottery technology, organization of production, consumption, use/function and the position of potters and pottery consumers in the Neolithic society were very rarely if at all, considered. Therefore, this brief overview will not focus on the endless vessels’ descriptions and the main ceramic features of the numerous cultures in the large territory of the Balkans, but rather to explore the interaction between pottery and people in the Early/Middle Neolithic.
PB  - Museum of the City of Skopje
T2  - Skopje before 8 millenia_2: The first potters from Cerje-Govrlevo
T1  - Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед
T1  - Early/Middle Neolithic pottery in the Balkans: A brief overview
EP  - 114
SP  - 87
UR  - https://hdl.handle.net/21.15107/rcub_reff_3816
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2018",
abstract = "Ceramics is the earliest synthetic material in history. Its origins can be traced back to the early hunter-gatherer societies when people realized that clay mixed with water when exposed to heat hardens and becomes suitable for different kinds of containers. The earliest pottery was identified in the Far East, namely China (17.500—16.000 BP), in the Amur River valley and in Japan. As it was argued, adoption of pottery was related to greater reliance on plant and shellfish foods, and from its beginnings, it was used for food preparation and storage. Through the millennia, this new technology spread to the west and north-west. Pottery was introduced to the Balkans as a part of the Neolithic package — along with plant cultivation, animal domestication, and food production. During the Neolithization process, pottery spread through different routes — by the land route from Anatolia to Greece and then further to the north, through the valleys of Vardar and Struma, or by the sea, as in the case of the Early Neolithic of the Eastern Adriatic. According to the radiocarbon dates, the earliest pottery production can be dated between 6.500 and 6.200 BC in the southern Balkans (Achilleion, Franchthi, Nea Nikomedeia, Sesklo, Sidari), and around 6.400 and
6.000 BC in northern and eastern Balkans (Amzabegovo, Blagotin, Donja Branjevina, Grivac, Gura Baciului, Lepenski Vir, Miercurea Sibului, Ocna Sibului, Poljanica-Platoto). In the Eastern Adriatic, adoption of pottery occurred a bit later
—around 6.000—5.900 BC.

During the first half of the XX century, and even to the 80’s, the majority of considerations related to pottery were focused on the determination of ’archaeological cultures, their relative-chronological positions, phases, and their mutual relations, based on vessel morphology, but predominantly on ornamentation and appearance of the motifs and designs.The main Early/Middle Neolithic cultures were established: (Proto-, Pre-) Sesklo in Thessaly, KaranovoI—III in Bulgarian Thrace; Kremikovci — western Bulgarian painted pottery in western Bulgaria; Amzabegovo-Vršnik (la—c for the Early and II—IV for the Middle Neolithic) in northern half of Republic of Macedonia, northeastern Albania and western Bulgaria; Pelagonian, i.e. Velušina- Porodin in Pelagonia; Starčevo in the Central Balkans, northeastern Montenegro, Banat and parts of Transylvania, eastern Croatia and northeastern Bosnia; Impresso-culture followed by Danilo-culture on the Eastern Adriatic. In the vast corpus of traditional archaeological literature, pottery was mainly seen as an important chronological marker, and considerations related to this most numerous class of archaeological finds were focused on ‘evolution’ of shapes and ornamental techniques. However, in this culture- historical approach, some of the crucial aspects of ceramics were completely neglected, namely its dynamic role in everyday life and in social relations. The important aspects such as pottery technology, organization of production, consumption, use/function and the position of potters and pottery consumers in the Neolithic society were very rarely if at all, considered. Therefore, this brief overview will not focus on the endless vessels’ descriptions and the main ceramic features of the numerous cultures in the large territory of the Balkans, but rather to explore the interaction between pottery and people in the Early/Middle Neolithic.",
publisher = "Museum of the City of Skopje",
journal = "Skopje before 8 millenia_2: The first potters from Cerje-Govrlevo",
booktitle = "Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед, Early/Middle Neolithic pottery in the Balkans: A brief overview",
pages = "114-87",
url = "https://hdl.handle.net/21.15107/rcub_reff_3816"
}
Vuković, J.. (2018). Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед. in Skopje before 8 millenia_2: The first potters from Cerje-Govrlevo
Museum of the City of Skopje., 87-114.
https://hdl.handle.net/21.15107/rcub_reff_3816
Vuković J. Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед. in Skopje before 8 millenia_2: The first potters from Cerje-Govrlevo. 2018;:87-114.
https://hdl.handle.net/21.15107/rcub_reff_3816 .
Vuković, Jasna, "Ранонеолитски и среднонеолитски керамички садови од Балканот:краток преглед" in Skopje before 8 millenia_2: The first potters from Cerje-Govrlevo (2018):87-114,
https://hdl.handle.net/21.15107/rcub_reff_3816 .

"Life is Love": The Vinca Script and the Invention of Heritage

Vuković, Jasna

(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2018)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2562
AB  - The paper discusses the ways in which cultural heritage is invented and accepted by the public on the grounds of the spurious pseudo-scientific idea of the Vinca script, illustrated by one Bronze Age artefact. The miniature clay spindle whorl from Vatin bearing incised signs is abundantly mentioned in the pseudo-scientific literature as one example of the Vinca script whose message is deciphered: "life is love", the "translation" attributed to Radivoje Pesic, although in his writings the method of translation is not mentioned at all. However, thanks to the media and especially via the Internet, the Bronze Age object becomes the Neolithic one, and his various (pseudo-scientific) interpretations reach the public space, creating the image of deeply spiritual and philosophically inclined Vinca civilization. The greatest danger lies in the fact that the maxim "life is love" and the idea of the Vinca script in general are emphasized as a part of the cultural heritage and advertised, among other, in the sector of cultural tourism. Since heritage is seen as usage of the past as a cultural, economic and political resource, the issue of heritage is additionally complex in our environment, where it is literally invented. It is therefore extremely important for the professional archaeologists to devote more energy to the domain of public archaeology, sharing information, taking part in education, and influencing the awareness about cultural heritage in the public sphere.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - "Life is Love": The Vinca Script and the Invention of Heritage
EP  - 706
IS  - 3
SP  - 695
VL  - 13
DO  - 10.21301/eap.v13i3.7
ER  - 
@article{
author = "Vuković, Jasna",
year = "2018",
abstract = "The paper discusses the ways in which cultural heritage is invented and accepted by the public on the grounds of the spurious pseudo-scientific idea of the Vinca script, illustrated by one Bronze Age artefact. The miniature clay spindle whorl from Vatin bearing incised signs is abundantly mentioned in the pseudo-scientific literature as one example of the Vinca script whose message is deciphered: "life is love", the "translation" attributed to Radivoje Pesic, although in his writings the method of translation is not mentioned at all. However, thanks to the media and especially via the Internet, the Bronze Age object becomes the Neolithic one, and his various (pseudo-scientific) interpretations reach the public space, creating the image of deeply spiritual and philosophically inclined Vinca civilization. The greatest danger lies in the fact that the maxim "life is love" and the idea of the Vinca script in general are emphasized as a part of the cultural heritage and advertised, among other, in the sector of cultural tourism. Since heritage is seen as usage of the past as a cultural, economic and political resource, the issue of heritage is additionally complex in our environment, where it is literally invented. It is therefore extremely important for the professional archaeologists to devote more energy to the domain of public archaeology, sharing information, taking part in education, and influencing the awareness about cultural heritage in the public sphere.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = ""Life is Love": The Vinca Script and the Invention of Heritage",
pages = "706-695",
number = "3",
volume = "13",
doi = "10.21301/eap.v13i3.7"
}
Vuković, J.. (2018). "Life is Love": The Vinca Script and the Invention of Heritage. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(3), 695-706.
https://doi.org/10.21301/eap.v13i3.7
Vuković J. "Life is Love": The Vinca Script and the Invention of Heritage. in Etnoantropološki problemi. 2018;13(3):695-706.
doi:10.21301/eap.v13i3.7 .
Vuković, Jasna, ""Life is Love": The Vinca Script and the Invention of Heritage" in Etnoantropološki problemi, 13, no. 3 (2018):695-706,
https://doi.org/10.21301/eap.v13i3.7 . .
1

Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment

Vuković, Jasna

(Arheološki zavod Filozofskog fakulteta Sveučilišta u Zagrebu, 2018)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/3817
AB  - The considerations about Late Neolithic Vinča pottery are numerous in archaeological literature, but
the Neolithic technology, and especially firing procedures are still unknown. The main goal of conducted
experiment was reconstruction of reduced firing in
pits, but also open-air firing and intentional blackening of the vessels fired in oxidizing atmosphere.
The results revealed advantages of pit-firing. From
the point of view of technological choices, it was established that maintaining low temperatures of the
firing was intentional decision of the potter in order
to avoid cracking originated from calcium-carbonate
decomposition
PB  - Arheološki zavod Filozofskog fakulteta Sveučilišta u Zagrebu
T2  - Opuscula Archaeologica
T1  - Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment
EP  - 35
SP  - 25
VL  - 39/40
UR  - https://hdl.handle.net/21.15107/rcub_reff_3817
ER  - 
@article{
author = "Vuković, Jasna",
year = "2018",
abstract = "The considerations about Late Neolithic Vinča pottery are numerous in archaeological literature, but
the Neolithic technology, and especially firing procedures are still unknown. The main goal of conducted
experiment was reconstruction of reduced firing in
pits, but also open-air firing and intentional blackening of the vessels fired in oxidizing atmosphere.
The results revealed advantages of pit-firing. From
the point of view of technological choices, it was established that maintaining low temperatures of the
firing was intentional decision of the potter in order
to avoid cracking originated from calcium-carbonate
decomposition",
publisher = "Arheološki zavod Filozofskog fakulteta Sveučilišta u Zagrebu",
journal = "Opuscula Archaeologica",
title = "Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment",
pages = "35-25",
volume = "39/40",
url = "https://hdl.handle.net/21.15107/rcub_reff_3817"
}
Vuković, J.. (2018). Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment. in Opuscula Archaeologica
Arheološki zavod Filozofskog fakulteta Sveučilišta u Zagrebu., 39/40, 25-35.
https://hdl.handle.net/21.15107/rcub_reff_3817
Vuković J. Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment. in Opuscula Archaeologica. 2018;39/40:25-35.
https://hdl.handle.net/21.15107/rcub_reff_3817 .
Vuković, Jasna, "Late Neolithic Vinča pottery firing procedure: Reconstruction of Neolithic technology through experiment" in Opuscula Archaeologica, 39/40 (2018):25-35,
https://hdl.handle.net/21.15107/rcub_reff_3817 .

Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji

Vuković, Jasna

(Zavod za udžbenike, Beograd, 2017)

TY  - BOOK
AU  - Vuković, Jasna
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/3774
AB  - Od trenutka kada je čovek uočio da, ukoliko glinu pomeša s vodom i izloži
je vatri da bi dobio čvrst i otporan materijal, tako počevši da preoblikuje svet oko
sebe prema svojim potrebama, keramika je postala, a to je ostala i do danas, nezaobilazan saputnik skoro svakog društva Od posuda za pripremu i konzumiranje
hrane i pića, do ritualnih, ceremonijalnih i prestižnih predmeta, ona odražava
inovaciju, ovladavanje tehničkim znanjima, ali i različite društvene odnose Od
početaka arheologije kao discipline, istraživači su uočili da se pojedini elementi
na grnčariji vremenom menjaju i zato je ona postala onaj element arheološkog
saznanja koji je omogućio razgraničavanje prostornih i vremenskih obrazaca u
istraživanju prošlosti Danas keramičke studije pokrivaju čitav niz tema, a keramika kao izvor podataka o različitim aspektima života u prošlosti iznova inspiriše
istraživače da postavljaju nova pitanja, razvijaju nove metode i tako doprinesu
ukupnom arheološkom znanju
Svetska literatura iz oblasti keramologije, uključujući mnoštvo preglednih i
teorijskih radova, i pojedinačnih studija slučaja, veoma je bogata U tom korpusu
posebno se ističe nekoliko nezaobilazinih, sveobuhvatnih opštih knjiga posvećenih
isključivo ovoj oblasti U domaćoj sredini, međutim, takvi radovi potpuno nedostaju
Cilj ove knjige je da premosti tu prazninu, obezbedi opšti uvod u studije keramike
i pokaže osnovne ciljeve keramologije i potencijal keramike u arheološkom istra­
živanju U uvodnom poglavlju knjige objašnjena su istraživačka pitanja na koja
analize grnčarije mogu da obezbede odgovor; dat je pregled istorije keramičkih
studija, uključujući različite fokuse istraživanja u zavisnosti od teorijskih pozicija,
i objašnjen je značaj etnoarheologije, arheometrije i eksperimenta u istraživanju
grnčarije Drugo poglavlje posvećeno je sirovini – glini i primesama, i fizičkim
svojstvima keramike kao materijala Ostatak knjige podeljen je na tri veće celine
Odeljak Metodologija obuhvata uputstva kako se s keramikom postupa na samom
terenu, tokom iskopavanja; objašnjeno je kako se obavlja primarna obrada keramike, a posebna pažnja posvećena je jednom od ključnih koraka u istraživačkom
procesu – klasifikaciji i tipologiji; razmotreni su metrički parametri i kvantifikacija,
kao i značaj baza podataka Drugi odeljak – Tehnologija – posvećen je procesu
izrade keramike, sa akcentom na tehnikama pečenja bez upotrebe keramičkih peći,
metodologiji kojom se tehnike izrade i pečenja mogu identifikovati na arheolo­
škom materijalu, funkcionalnoj analizi, primeni arheometrije i sekundarnoj upotrebi keramike U trećem odeljku prikazano je kako se prethodno opisane metode
i znanja primenjuju u rekonstrukciji socijalnih odnosa: ekonomije, organizacije
proizvodnje, distribucije i potrošnje, političke organizacije i grupnih identiteta. U Glosaru su data objašnjenja najvažnijih termina u keramologiji; određeni termini
dati su i na engleskom, kako bi se čitaocu omogućilo da lakše prati mnogobrojnu
literaturu na tom jeziku
Naučno istraživanje zahteva objektivnost, međutim, svaki istraživač poseduje izvesne afinitete prema određenoj temi, problemu ili teorijskom konceptu
Iako je učinjen pokušaj da se nepristrasno prikažu različiti pristupi u analizama
grnčarije, ne treba da čudi to što su u ovoj knjizi često istaknuti oni problemi i
nedoumice sa kojima sam se i sama suočavala tokom dugogodišnjeg bavljenja keramikom Takođe, čitalac će primetiti i to da su često prikazani primeri koji potiču
iz vremenski i geografski veoma udaljenih područja To je urađeno zato što oni
najbolje ilustruju određenu metodologiju, pristup razrešavanju nekog problema
ili specifičnu interpretaciju Gde god je to bilo moguće, prikazani su primeri iz
naše zemlje ili neposrednog okruženja.
PB  - Zavod za udžbenike, Beograd
T1  - Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji
UR  - https://hdl.handle.net/21.15107/rcub_reff_3774
ER  - 
@book{
author = "Vuković, Jasna",
year = "2017",
abstract = "Od trenutka kada je čovek uočio da, ukoliko glinu pomeša s vodom i izloži
je vatri da bi dobio čvrst i otporan materijal, tako počevši da preoblikuje svet oko
sebe prema svojim potrebama, keramika je postala, a to je ostala i do danas, nezaobilazan saputnik skoro svakog društva Od posuda za pripremu i konzumiranje
hrane i pića, do ritualnih, ceremonijalnih i prestižnih predmeta, ona odražava
inovaciju, ovladavanje tehničkim znanjima, ali i različite društvene odnose Od
početaka arheologije kao discipline, istraživači su uočili da se pojedini elementi
na grnčariji vremenom menjaju i zato je ona postala onaj element arheološkog
saznanja koji je omogućio razgraničavanje prostornih i vremenskih obrazaca u
istraživanju prošlosti Danas keramičke studije pokrivaju čitav niz tema, a keramika kao izvor podataka o različitim aspektima života u prošlosti iznova inspiriše
istraživače da postavljaju nova pitanja, razvijaju nove metode i tako doprinesu
ukupnom arheološkom znanju
Svetska literatura iz oblasti keramologije, uključujući mnoštvo preglednih i
teorijskih radova, i pojedinačnih studija slučaja, veoma je bogata U tom korpusu
posebno se ističe nekoliko nezaobilazinih, sveobuhvatnih opštih knjiga posvećenih
isključivo ovoj oblasti U domaćoj sredini, međutim, takvi radovi potpuno nedostaju
Cilj ove knjige je da premosti tu prazninu, obezbedi opšti uvod u studije keramike
i pokaže osnovne ciljeve keramologije i potencijal keramike u arheološkom istra­
živanju U uvodnom poglavlju knjige objašnjena su istraživačka pitanja na koja
analize grnčarije mogu da obezbede odgovor; dat je pregled istorije keramičkih
studija, uključujući različite fokuse istraživanja u zavisnosti od teorijskih pozicija,
i objašnjen je značaj etnoarheologije, arheometrije i eksperimenta u istraživanju
grnčarije Drugo poglavlje posvećeno je sirovini – glini i primesama, i fizičkim
svojstvima keramike kao materijala Ostatak knjige podeljen je na tri veće celine
Odeljak Metodologija obuhvata uputstva kako se s keramikom postupa na samom
terenu, tokom iskopavanja; objašnjeno je kako se obavlja primarna obrada keramike, a posebna pažnja posvećena je jednom od ključnih koraka u istraživačkom
procesu – klasifikaciji i tipologiji; razmotreni su metrički parametri i kvantifikacija,
kao i značaj baza podataka Drugi odeljak – Tehnologija – posvećen je procesu
izrade keramike, sa akcentom na tehnikama pečenja bez upotrebe keramičkih peći,
metodologiji kojom se tehnike izrade i pečenja mogu identifikovati na arheolo­
škom materijalu, funkcionalnoj analizi, primeni arheometrije i sekundarnoj upotrebi keramike U trećem odeljku prikazano je kako se prethodno opisane metode
i znanja primenjuju u rekonstrukciji socijalnih odnosa: ekonomije, organizacije
proizvodnje, distribucije i potrošnje, političke organizacije i grupnih identiteta. U Glosaru su data objašnjenja najvažnijih termina u keramologiji; određeni termini
dati su i na engleskom, kako bi se čitaocu omogućilo da lakše prati mnogobrojnu
literaturu na tom jeziku
Naučno istraživanje zahteva objektivnost, međutim, svaki istraživač poseduje izvesne afinitete prema određenoj temi, problemu ili teorijskom konceptu
Iako je učinjen pokušaj da se nepristrasno prikažu različiti pristupi u analizama
grnčarije, ne treba da čudi to što su u ovoj knjizi često istaknuti oni problemi i
nedoumice sa kojima sam se i sama suočavala tokom dugogodišnjeg bavljenja keramikom Takođe, čitalac će primetiti i to da su često prikazani primeri koji potiču
iz vremenski i geografski veoma udaljenih područja To je urađeno zato što oni
najbolje ilustruju određenu metodologiju, pristup razrešavanju nekog problema
ili specifičnu interpretaciju Gde god je to bilo moguće, prikazani su primeri iz
naše zemlje ili neposrednog okruženja.",
publisher = "Zavod za udžbenike, Beograd",
title = "Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji",
url = "https://hdl.handle.net/21.15107/rcub_reff_3774"
}
Vuković, J.. (2017). Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji. 
Zavod za udžbenike, Beograd..
https://hdl.handle.net/21.15107/rcub_reff_3774
Vuković J. Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji. 2017;.
https://hdl.handle.net/21.15107/rcub_reff_3774 .
Vuković, Jasna, "Studije keramike:Teorija i metodologija u analizama grnčarije u arheologiji" (2017),
https://hdl.handle.net/21.15107/rcub_reff_3774 .

Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike

Vuković, Jasna

(Arheološki muzej u Zagrebu, 2017)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/3796
AB  - Keramika, kao najbrojnija vrsta nalaza na arheološkim nalazištima gotovo svih perioda, od najranijih perioda praistorije pa sve do danas vrsta je materijala sa veoma širokom upotrebom: od
posuđa, preko predmeta za svakodnevnu upotrebu i različitih kultnih, pa i ukrasnih predmeta,
sve do građevinskog materijala (opeka, crep, cevi). Većina arheoloških razmatranja, međutim,
zasniva se na stilsko-tipološkom ili funkcionalnom opredeljenju keramičkih predmeta, pritom
često zapostavljajući veoma važne aspekte u njihovom životnom ciklusu, odnosno «životu»
predmeta - od nabavke sirovine, preko izrade, upotrebe do odbacivanja (Schiffer 1983: 681;
1987: 13–15, 271). Svaki predmet se može oštetiti, polomiti, istrošiti, ali to ne znači da on zbog
toga izlazi iz upotrebe i da biva odbačen: artefakt tada ulazi u različite, nove vidove svog upotrebnog ciklusa. Kroz ponovnu, sekundarnu upotrebu i recikliranje, njegov upotrebni vek se
produžava. Tako keramički predmeti “cirkulišu” kroz različite kontekste upotrebe i učestvuju u
nizu aktivnosti da bi konačno stigli do nas tokom iskopavanja kao deo keramičkog asemblaža.
Pojmovi ponovne, sekundarne upotrebe i recikliranja teorijski su detaljno razmotrena i definisana u okviru bihevioralne arheologije, ispitivanjem različitih procesa u kojima artefakti
ulaze u arheološki zapis, a koji su posledica različitih aktivnosti. Ponovna upotreba predstavlja
promenu korisnika, namene ili forme predmeta (Schiffer 1987: 26), ili “upotrebu nekog predmeta u sekundarnom kontekstu, kada više ne može da služi svojoj originalnoj funkciji” (Deal &
Hagstrum 1995: 111). Drugim rečima, to je svaki vid korišćenja nekog predmeta ili nekog njegovog dela koje sledi posle njegove inicijalne upotrebe, u neku sasvim drugu svrhu, drugačiju
od one za koju je predmet isprva osmišljen. Sekundarna upotreba i recikliranje predstavljaju
različite varijante ponovne upotrebe: promenu namene predmeta bez modifikacije njegovog
oblika, odnosno vraćanje predmeta u proces izrade (Schiffer 1987: 28–32). Situacije u kojima
se predmeti od keramike i njihovi fragmenti kreću kroz različite kontekste upotrebe su, me-
đutim, često veoma složene. Zato je ovaj model životnih ciklusa u nekoliko navrata bio redefinisan, da bi se bolje objasnile i razumele specifičnosti keramike iz različitih perioda. Poseban
problem uočen je u vezi s pitanjem vraćanja predmeta u proces izrade, a naročito u vezi s korišćenjem fragmenata polomljenih posuda, koji mogu, ali i ne moraju biti dodatno oblikovani.
Na primeru neolitske vinčanske keramike, razlika između ponovne i sekundarne upotrebe i
recikliranja utvrđena je na osnovu stepena fragmentacije, dok su intervencije u smislu preoblikovanja od sekundarne važnosti. Tako je sekundarna upotreba definisana kao korišćenje celih,
polomljenih ili delimično oštećenih posuda bez dodatnih modifikacija, ponovna upotreba kao
korišćenje celih ili delimično oštećenih posuda uz veoma male intervencije oblika i potpuno
drugačiju funkciju, a recikliranje kao upotreba fragmenata keramike, sa dodatnim intervencijama ili bez njih, kao alatki ili sirovina (Vuković 2015). U slučaju rimske keramike, pitanje mo62 RECIKLIRAJ,
difikacije oblika takođe je potisnuto u drugi plan, sekundarna upotreba je kao poseban pojam
izostavljena, a ponovnom upotrebom se smatra upotreba koja može biti slična onoj za čiju je
svrhu posuda izrađena bez modifikacije oblika, ili drugačija od nje, sa intervencijama ili bez
njih, dok recikliranje znači upotreba keramike kao sirovine (Peña 2007: 7–10). Nemogućnost
da se svi vidovi sekundarne upotrebe objedine u jedinstveni teorijski model pokazuje koliko su
kulturne prakse bile kompleksne, tim pre što mnogi predmeti tokom svog upotrebnog ciklusa
i po nekoliko puta mogu da prelaze iz jednog u drugi vid sekundarne upotrebe pre nego što
budu konačno odbačeni (Vuković 2015, graph 1). Zbog neusaglašenosti u vezi s definisanjem
pojmova sekundarne upotrebe, ponovne upotrebe i recikliranja, na ovom mestu će biti razmotreni različiti načini korišćenja predmeta od keramike pošto su oni izgubili svoju prvobitnu,
originalnu funkciju. Imajući u vidu i to da mnogi stupnjevi u upotrebnom ciklusu, kao što su
na primer, promena korisnika ili sadržaja neke posude, ne ostavljaju materijalne tragove, od
neprocenjivog značaja su i podaci dobijeni etnoarheološkim istraživanjima.
PB  - Arheološki muzej u Zagrebu
PB  - Filozofski fakultet Sveučilišta u Zagrebu
PB  - Institut za arheologiju Republike Hrvatske
T2  - Recikliraj, ideje iz prošlosti
T1  - Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike
EP  - 73
SP  - 61
UR  - https://hdl.handle.net/21.15107/rcub_reff_3796
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2017",
abstract = "Keramika, kao najbrojnija vrsta nalaza na arheološkim nalazištima gotovo svih perioda, od najranijih perioda praistorije pa sve do danas vrsta je materijala sa veoma širokom upotrebom: od
posuđa, preko predmeta za svakodnevnu upotrebu i različitih kultnih, pa i ukrasnih predmeta,
sve do građevinskog materijala (opeka, crep, cevi). Većina arheoloških razmatranja, međutim,
zasniva se na stilsko-tipološkom ili funkcionalnom opredeljenju keramičkih predmeta, pritom
često zapostavljajući veoma važne aspekte u njihovom životnom ciklusu, odnosno «životu»
predmeta - od nabavke sirovine, preko izrade, upotrebe do odbacivanja (Schiffer 1983: 681;
1987: 13–15, 271). Svaki predmet se može oštetiti, polomiti, istrošiti, ali to ne znači da on zbog
toga izlazi iz upotrebe i da biva odbačen: artefakt tada ulazi u različite, nove vidove svog upotrebnog ciklusa. Kroz ponovnu, sekundarnu upotrebu i recikliranje, njegov upotrebni vek se
produžava. Tako keramički predmeti “cirkulišu” kroz različite kontekste upotrebe i učestvuju u
nizu aktivnosti da bi konačno stigli do nas tokom iskopavanja kao deo keramičkog asemblaža.
Pojmovi ponovne, sekundarne upotrebe i recikliranja teorijski su detaljno razmotrena i definisana u okviru bihevioralne arheologije, ispitivanjem različitih procesa u kojima artefakti
ulaze u arheološki zapis, a koji su posledica različitih aktivnosti. Ponovna upotreba predstavlja
promenu korisnika, namene ili forme predmeta (Schiffer 1987: 26), ili “upotrebu nekog predmeta u sekundarnom kontekstu, kada više ne može da služi svojoj originalnoj funkciji” (Deal &
Hagstrum 1995: 111). Drugim rečima, to je svaki vid korišćenja nekog predmeta ili nekog njegovog dela koje sledi posle njegove inicijalne upotrebe, u neku sasvim drugu svrhu, drugačiju
od one za koju je predmet isprva osmišljen. Sekundarna upotreba i recikliranje predstavljaju
različite varijante ponovne upotrebe: promenu namene predmeta bez modifikacije njegovog
oblika, odnosno vraćanje predmeta u proces izrade (Schiffer 1987: 28–32). Situacije u kojima
se predmeti od keramike i njihovi fragmenti kreću kroz različite kontekste upotrebe su, me-
đutim, često veoma složene. Zato je ovaj model životnih ciklusa u nekoliko navrata bio redefinisan, da bi se bolje objasnile i razumele specifičnosti keramike iz različitih perioda. Poseban
problem uočen je u vezi s pitanjem vraćanja predmeta u proces izrade, a naročito u vezi s korišćenjem fragmenata polomljenih posuda, koji mogu, ali i ne moraju biti dodatno oblikovani.
Na primeru neolitske vinčanske keramike, razlika između ponovne i sekundarne upotrebe i
recikliranja utvrđena je na osnovu stepena fragmentacije, dok su intervencije u smislu preoblikovanja od sekundarne važnosti. Tako je sekundarna upotreba definisana kao korišćenje celih,
polomljenih ili delimično oštećenih posuda bez dodatnih modifikacija, ponovna upotreba kao
korišćenje celih ili delimično oštećenih posuda uz veoma male intervencije oblika i potpuno
drugačiju funkciju, a recikliranje kao upotreba fragmenata keramike, sa dodatnim intervencijama ili bez njih, kao alatki ili sirovina (Vuković 2015). U slučaju rimske keramike, pitanje mo62 RECIKLIRAJ,
difikacije oblika takođe je potisnuto u drugi plan, sekundarna upotreba je kao poseban pojam
izostavljena, a ponovnom upotrebom se smatra upotreba koja može biti slična onoj za čiju je
svrhu posuda izrađena bez modifikacije oblika, ili drugačija od nje, sa intervencijama ili bez
njih, dok recikliranje znači upotreba keramike kao sirovine (Peña 2007: 7–10). Nemogućnost
da se svi vidovi sekundarne upotrebe objedine u jedinstveni teorijski model pokazuje koliko su
kulturne prakse bile kompleksne, tim pre što mnogi predmeti tokom svog upotrebnog ciklusa
i po nekoliko puta mogu da prelaze iz jednog u drugi vid sekundarne upotrebe pre nego što
budu konačno odbačeni (Vuković 2015, graph 1). Zbog neusaglašenosti u vezi s definisanjem
pojmova sekundarne upotrebe, ponovne upotrebe i recikliranja, na ovom mestu će biti razmotreni različiti načini korišćenja predmeta od keramike pošto su oni izgubili svoju prvobitnu,
originalnu funkciju. Imajući u vidu i to da mnogi stupnjevi u upotrebnom ciklusu, kao što su
na primer, promena korisnika ili sadržaja neke posude, ne ostavljaju materijalne tragove, od
neprocenjivog značaja su i podaci dobijeni etnoarheološkim istraživanjima.",
publisher = "Arheološki muzej u Zagrebu, Filozofski fakultet Sveučilišta u Zagrebu, Institut za arheologiju Republike Hrvatske",
journal = "Recikliraj, ideje iz prošlosti",
booktitle = "Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike",
pages = "73-61",
url = "https://hdl.handle.net/21.15107/rcub_reff_3796"
}
Vuković, J.. (2017). Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike. in Recikliraj, ideje iz prošlosti
Arheološki muzej u Zagrebu., 61-73.
https://hdl.handle.net/21.15107/rcub_reff_3796
Vuković J. Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike. in Recikliraj, ideje iz prošlosti. 2017;:61-73.
https://hdl.handle.net/21.15107/rcub_reff_3796 .
Vuković, Jasna, "Oštećenja, lomljenje i preoblikovanje: recikliranje i sekundarna upotreba predmeta od keramike" in Recikliraj, ideje iz prošlosti (2017):61-73,
https://hdl.handle.net/21.15107/rcub_reff_3796 .

Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива

Vuković, Jasna

(Народни музеј у Београду, 2017)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/3777
AB  - У раду је приказана здела чије је дно, пошто је поломљено током
употребе, заравњено, чиме је продужен њен употребни век. Размотрен је изглед очуваних абразивних трагова и реконструисана је активност током које
су настали. Претпостављено је да је здела поправљена услед недостатка нових посуда, што је последица сезонске израде керамике, типичне за неспецијализовану производњу.
AB  - There is still not enough information in archaeological literature about examples of repairs and modifications of ceramic vessels, especially from the Early Neolithic period. The
bottom of an Early Neolithic bowl from Kovačke Njive shows intensive traces of abrasion
(Fig. 2). The initial surface with a coating was removed completely and represents a patch
originated from abrasive action. The entire bottom was flattened, with a multitude of depressions and dents; they were created by the burning of organic inclusions and are cavities
that occurred during the firing of the vessel or, possibly, were the result of larger mineral inclusions that fell out during the process of abrasion. At the same time, mineral temper (sand
grains) is visible in a part of this zone, it remained in the vessel’s wall and are protruted, in
relation to the clay body. Individual, different traces are visible on the edge of the zone of
damage, which is usual for the periphery of the abraded zone. These are deeper, sharp, vertical, parallel notches on the transition from the bottom to the side of the vessel, but also
quite shallow, parallel horizontal notches on the bottom’s edge. Considering that the abrasive process implies movement, during which either the ceramics or the abrasive or both are
in motion, the different orientation and intensity of marks can also be an indication of the
changing position of the vessel during the activity in which the traces were created. Abrasion
on the bottom was created by the rubbing of an abrasive tool against the vessel, wherein the
vessel had to be firmly held upside down. That means it was not the result of inflicted damage, but of a repair operation (curation).
The bowl belongs to a group of vessels intended for serving and eating, which can be
expected to have been broken relatively frequently. Early Neolithic ceramic production was
non-specialised, which means that manufacturing took place in suitable weather conditions.
Moreover, the ethno-archaeological research shows that the replacement rates also depended, among other things, on seasonal variations in the availability of vessels. Therefore, the
repairs can be explained with the lack of availability of new vessels, because of which it was
necessary to extend the damaged vessel’s use life.
PB  - Народни музеј у Београду
T2  - Зборник Народног музеја у Београду, Археологија
T1  - Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива
T1  - Repairs and extended use of ceramic vessels:an example of an early Neolitic bowl from Kovacke Njive
EP  - 133
IS  - 1
SP  - 123
VL  - 23
UR  - https://hdl.handle.net/21.15107/rcub_reff_3777
ER  - 
@article{
author = "Vuković, Jasna",
year = "2017",
abstract = "У раду је приказана здела чије је дно, пошто је поломљено током
употребе, заравњено, чиме је продужен њен употребни век. Размотрен је изглед очуваних абразивних трагова и реконструисана је активност током које
су настали. Претпостављено је да је здела поправљена услед недостатка нових посуда, што је последица сезонске израде керамике, типичне за неспецијализовану производњу., There is still not enough information in archaeological literature about examples of repairs and modifications of ceramic vessels, especially from the Early Neolithic period. The
bottom of an Early Neolithic bowl from Kovačke Njive shows intensive traces of abrasion
(Fig. 2). The initial surface with a coating was removed completely and represents a patch
originated from abrasive action. The entire bottom was flattened, with a multitude of depressions and dents; they were created by the burning of organic inclusions and are cavities
that occurred during the firing of the vessel or, possibly, were the result of larger mineral inclusions that fell out during the process of abrasion. At the same time, mineral temper (sand
grains) is visible in a part of this zone, it remained in the vessel’s wall and are protruted, in
relation to the clay body. Individual, different traces are visible on the edge of the zone of
damage, which is usual for the periphery of the abraded zone. These are deeper, sharp, vertical, parallel notches on the transition from the bottom to the side of the vessel, but also
quite shallow, parallel horizontal notches on the bottom’s edge. Considering that the abrasive process implies movement, during which either the ceramics or the abrasive or both are
in motion, the different orientation and intensity of marks can also be an indication of the
changing position of the vessel during the activity in which the traces were created. Abrasion
on the bottom was created by the rubbing of an abrasive tool against the vessel, wherein the
vessel had to be firmly held upside down. That means it was not the result of inflicted damage, but of a repair operation (curation).
The bowl belongs to a group of vessels intended for serving and eating, which can be
expected to have been broken relatively frequently. Early Neolithic ceramic production was
non-specialised, which means that manufacturing took place in suitable weather conditions.
Moreover, the ethno-archaeological research shows that the replacement rates also depended, among other things, on seasonal variations in the availability of vessels. Therefore, the
repairs can be explained with the lack of availability of new vessels, because of which it was
necessary to extend the damaged vessel’s use life.",
publisher = "Народни музеј у Београду",
journal = "Зборник Народног музеја у Београду, Археологија",
title = "Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива, Repairs and extended use of ceramic vessels:an example of an early Neolitic bowl from Kovacke Njive",
pages = "133-123",
number = "1",
volume = "23",
url = "https://hdl.handle.net/21.15107/rcub_reff_3777"
}
Vuković, J.. (2017). Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива. in Зборник Народног музеја у Београду, Археологија
Народни музеј у Београду., 23(1), 123-133.
https://hdl.handle.net/21.15107/rcub_reff_3777
Vuković J. Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива. in Зборник Народног музеја у Београду, Археологија. 2017;23(1):123-133.
https://hdl.handle.net/21.15107/rcub_reff_3777 .
Vuković, Jasna, "Поправке и продужена употреба керамичких посуда: пример ранонеолитске зделе с Ковачких Њива" in Зборник Народног музеја у Београду, Археологија, 23, no. 1 (2017):123-133,
https://hdl.handle.net/21.15107/rcub_reff_3777 .

Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia

Vuković, Jasna

(Taylor and Francis, 2017)

TY  - CHAP
AU  - Vuković, Jasna
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2438
PB  - Taylor and Francis
T2  - Balkan Dialogues: Negotiating Identity between Prehistory and the Present
T1  - Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia
EP  - 253
SP  - 240
DO  - 10.4324/9781315673875
ER  - 
@inbook{
author = "Vuković, Jasna",
year = "2017",
publisher = "Taylor and Francis",
journal = "Balkan Dialogues: Negotiating Identity between Prehistory and the Present",
booktitle = "Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia",
pages = "253-240",
doi = "10.4324/9781315673875"
}
Vuković, J.. (2017). Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia. in Balkan Dialogues: Negotiating Identity between Prehistory and the Present
Taylor and Francis., 240-253.
https://doi.org/10.4324/9781315673875
Vuković J. Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia. in Balkan Dialogues: Negotiating Identity between Prehistory and the Present. 2017;:240-253.
doi:10.4324/9781315673875 .
Vuković, Jasna, "Erasing boundaries or changing identities?: The transition from early/middle to late neolithic, new evidence from southern Serbia" in Balkan Dialogues: Negotiating Identity between Prehistory and the Present (2017):240-253,
https://doi.org/10.4324/9781315673875 . .
53
2

Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC

Ethier, Jonathan; Banffy, Eszter; Vuković, Jasna; Leshtakov, Krassimir; Bacvarov, Krum; Roffet-Salque, Mélanie; Evershed, Richard P.; Ivanova, Maria

(Nature Publishing Group, London, 2017)

TY  - JOUR
AU  - Ethier, Jonathan
AU  - Banffy, Eszter
AU  - Vuković, Jasna
AU  - Leshtakov, Krassimir
AU  - Bacvarov, Krum
AU  - Roffet-Salque, Mélanie
AU  - Evershed, Richard P.
AU  - Ivanova, Maria
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2339
AB  - Since their domestication in the Mediterranean zone of Southwest Asia in the eighth millennium BC, sheep, goats, pigs and cattle have been remarkably successful in colonizing a broad variety of environments. The initial steps in this process can be traced back to the dispersal of farming groups into the interior of the Balkans in the early sixth millennium BC, who were the first to introduce Mediterranean livestock beyond its natural climatic range. Here, we combine analysis of biomolecular and isotopic compositions of lipids preserved in prehistoric pottery with faunal analyses of taxonomic composition from the earliest farming sites in southeast Europe to reconstruct this pivotal event in the early history of animal husbandry. We observe a marked divergence between the (sub) Mediterranean and temperate regions of Southeast Europe, and in particular a significant increase of dairying in the biochemical record coupled with a shift to cattle and wild fauna at most sites north of the Balkan mountain range. The findings strongly suggest that dairying was crucial for the expansion of the earliest farming system beyond its native bioclimatic zone.
PB  - Nature Publishing Group, London
T2  - Scientific Reports
T1  - Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC
EP  - 10
IS  - 1
SP  - 1
VL  - 7
DO  - 10.1038/s41598-017-07427-x
ER  - 
@article{
author = "Ethier, Jonathan and Banffy, Eszter and Vuković, Jasna and Leshtakov, Krassimir and Bacvarov, Krum and Roffet-Salque, Mélanie and Evershed, Richard P. and Ivanova, Maria",
year = "2017",
abstract = "Since their domestication in the Mediterranean zone of Southwest Asia in the eighth millennium BC, sheep, goats, pigs and cattle have been remarkably successful in colonizing a broad variety of environments. The initial steps in this process can be traced back to the dispersal of farming groups into the interior of the Balkans in the early sixth millennium BC, who were the first to introduce Mediterranean livestock beyond its natural climatic range. Here, we combine analysis of biomolecular and isotopic compositions of lipids preserved in prehistoric pottery with faunal analyses of taxonomic composition from the earliest farming sites in southeast Europe to reconstruct this pivotal event in the early history of animal husbandry. We observe a marked divergence between the (sub) Mediterranean and temperate regions of Southeast Europe, and in particular a significant increase of dairying in the biochemical record coupled with a shift to cattle and wild fauna at most sites north of the Balkan mountain range. The findings strongly suggest that dairying was crucial for the expansion of the earliest farming system beyond its native bioclimatic zone.",
publisher = "Nature Publishing Group, London",
journal = "Scientific Reports",
title = "Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC",
pages = "10-1",
number = "1",
volume = "7",
doi = "10.1038/s41598-017-07427-x"
}
Ethier, J., Banffy, E., Vuković, J., Leshtakov, K., Bacvarov, K., Roffet-Salque, M., Evershed, R. P.,& Ivanova, M.. (2017). Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC. in Scientific Reports
Nature Publishing Group, London., 7(1), 1-10.
https://doi.org/10.1038/s41598-017-07427-x
Ethier J, Banffy E, Vuković J, Leshtakov K, Bacvarov K, Roffet-Salque M, Evershed RP, Ivanova M. Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC. in Scientific Reports. 2017;7(1):1-10.
doi:10.1038/s41598-017-07427-x .
Ethier, Jonathan, Banffy, Eszter, Vuković, Jasna, Leshtakov, Krassimir, Bacvarov, Krum, Roffet-Salque, Mélanie, Evershed, Richard P., Ivanova, Maria, "Earliest expansion of animal husbandry beyond the Mediterranean zone in the sixth millennium BC" in Scientific Reports, 7, no. 1 (2017):1-10,
https://doi.org/10.1038/s41598-017-07427-x . .
18
55
28
46

Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation

Vuković, Jasna

(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)

TY  - JOUR
AU  - Vuković, Jasna
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2333
AB  - The consideration of the relationship between pottery studies and the application of hard sciences in archaeology includes the scrutiny of the importance of pottery studies in the history of archaeology as a discipline, and especially the differences in the approach to material culture between European and North American researchers. After modest beginnings during the 19th century, petrographic analyses were introduced into ceramology during the first decades of the 20th century, mainly thanks to the works of Anna Shepard. She was one of the initiators of the first conference on the ceramic technology, held as early as 1938. For archaeology in general, it is significant to note that the beginning of pottery studies, stressing the importance of social anthropology as well as the application of hard science methods, markedly predates the expansion of processual archaeology. It is also vital to explore certain tensions and differences in approaches to ceramics, exiting today as the consequence of polarization inside archaeology, among researchers primarily leaning upon natural sciences, and the ones regarding material culture as the product of cultural processes. Archaeometry is widely applicable in ceramology, above all in identifying the pottery recipes, raw material provenance, firing regimes, and many other aspects that are the consequences of various cultural practices. Maybe paradoxically, the researchers leaning towards natural sciences have most frequently embraced the concept of technological choices, presupposing that every human activity is the consequence of social relations, leading artisans to choose one of several technical possibilities, depending upon social norms. On the other hand, ethno-archaeological research relativizes to a certain extent the "solid" and unambiguous results of natural sciences, more readily accepting the concept of technological style, i.e. considering the socially influenced technological traditions. The concept of archaeological biomarkers, i.e. research into the remains of organic matters on ceramic vessels, indicates the differences between the scientistically oriented European archaeology, as opposed to the North American, dominated by the anthropological dimension of research, and pottery is not treated as a mere source of data, but as an object of research in its own right. An additional difficulty in pottery studies is presented by the essential misunderstanding between archaeologists and natural scientists, also present in Serbia. We are still faced with the insufficient knowledge of possibilities of analytical techniques. On the other hand, the majority of research is conducted by the natural scientists, resulting in one-sided or multidisciplinary outcomes, and interdisciplinary studies are extremely rare. At the same time, although with exceptional possibilities, natural sciences applied to the research into the past are not infallible, and have been criticized on several levels, concerning the issues of raw material provenance, as well as identifying the remains of organic material on pottery vessels. Interdisciplinarity should undoubtedly be considered as an advantage in archaeological research, but we should bear in mind that the aim of pottery studies is the understanding of people and processes in the past, so the ultimate responsibility of interpretation rests upon archaeologists. For this very reason, they are obliged to understand the advantages as well as limitations of analytic techniques, and above all to formulate the theoretical framework, research topics and hypotheses.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation
EP  - 701
IS  - 3
SP  - 683
VL  - 12
DO  - 10.21301/EAP.V12I3.1
ER  - 
@article{
author = "Vuković, Jasna",
year = "2017",
abstract = "The consideration of the relationship between pottery studies and the application of hard sciences in archaeology includes the scrutiny of the importance of pottery studies in the history of archaeology as a discipline, and especially the differences in the approach to material culture between European and North American researchers. After modest beginnings during the 19th century, petrographic analyses were introduced into ceramology during the first decades of the 20th century, mainly thanks to the works of Anna Shepard. She was one of the initiators of the first conference on the ceramic technology, held as early as 1938. For archaeology in general, it is significant to note that the beginning of pottery studies, stressing the importance of social anthropology as well as the application of hard science methods, markedly predates the expansion of processual archaeology. It is also vital to explore certain tensions and differences in approaches to ceramics, exiting today as the consequence of polarization inside archaeology, among researchers primarily leaning upon natural sciences, and the ones regarding material culture as the product of cultural processes. Archaeometry is widely applicable in ceramology, above all in identifying the pottery recipes, raw material provenance, firing regimes, and many other aspects that are the consequences of various cultural practices. Maybe paradoxically, the researchers leaning towards natural sciences have most frequently embraced the concept of technological choices, presupposing that every human activity is the consequence of social relations, leading artisans to choose one of several technical possibilities, depending upon social norms. On the other hand, ethno-archaeological research relativizes to a certain extent the "solid" and unambiguous results of natural sciences, more readily accepting the concept of technological style, i.e. considering the socially influenced technological traditions. The concept of archaeological biomarkers, i.e. research into the remains of organic matters on ceramic vessels, indicates the differences between the scientistically oriented European archaeology, as opposed to the North American, dominated by the anthropological dimension of research, and pottery is not treated as a mere source of data, but as an object of research in its own right. An additional difficulty in pottery studies is presented by the essential misunderstanding between archaeologists and natural scientists, also present in Serbia. We are still faced with the insufficient knowledge of possibilities of analytical techniques. On the other hand, the majority of research is conducted by the natural scientists, resulting in one-sided or multidisciplinary outcomes, and interdisciplinary studies are extremely rare. At the same time, although with exceptional possibilities, natural sciences applied to the research into the past are not infallible, and have been criticized on several levels, concerning the issues of raw material provenance, as well as identifying the remains of organic material on pottery vessels. Interdisciplinarity should undoubtedly be considered as an advantage in archaeological research, but we should bear in mind that the aim of pottery studies is the understanding of people and processes in the past, so the ultimate responsibility of interpretation rests upon archaeologists. For this very reason, they are obliged to understand the advantages as well as limitations of analytic techniques, and above all to formulate the theoretical framework, research topics and hypotheses.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation",
pages = "701-683",
number = "3",
volume = "12",
doi = "10.21301/EAP.V12I3.1"
}
Vuković, J.. (2017). Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 12(3), 683-701.
https://doi.org/10.21301/EAP.V12I3.1
Vuković J. Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation. in Etnoantropološki problemi. 2017;12(3):683-701.
doi:10.21301/EAP.V12I3.1 .
Vuković, Jasna, "Pottery Studies and Archaeometry: Between Scientific Analyses and Archaeological Interpretation" in Etnoantropološki problemi, 12, no. 3 (2017):683-701,
https://doi.org/10.21301/EAP.V12I3.1 . .

Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia

Vuković, Jasna; Svilar, Marija

(National History and Archeology Museum from Constantza (MINAC), 2016)

TY  - JOUR
AU  - Vuković, Jasna
AU  - Svilar, Marija
PY  - 2016
UR  - http://reff.f.bg.ac.rs/handle/123456789/3828
AB  - In this article we analyse the impressed-pottery from the Early Neolithic
site of Kovačke Njive. It is argued that the impressions on the pottery have not been made
by impressing fingertips and fingernails into the plastic clay, but by using different kinds
of tools. The classification of the so-called impresso-ornaments is made based on the
diagnostic traces on the sherds: movement direction of the potter's hand and position of
the tool during execution. Based on the functional properties of the textured surfaces,
impresso-treatment is regarded as a surface finishing method. According to the variety of
impressions and implements used, we assume the household production involving parttime artisans.
AB  - În articol este analizată ceramica impresso descoperită în aşezarea
neolitică timpurie de la Kovačke Njive. Se demonstrează că imprimarea ceramicii nu s-a
făcut prin impresiunea vârfurilor degetelor sau a unghiilor în pasta moale, ci prin
utilizarea unor tipuri diferite de instrumente. Clasificarea așa-numitelor motive impresso
este realizată pe baza analizei urmelor de pe fragmentele ceramice: direcția de mișcare a mâinii olarului și poziția ustensilei în timpul executării decorului. Pornindu-se de la
aspectul funcţional al texturii suprafeței, tehnica de decorare impresso este considerată o
metodă de finisare a suprafeței. Având în vedere varietatea impresiunilor și a ustensilelor
folosite, se poate presupune existența unei producții pentru uz casnic în care erau
implicați în egală măsură şi olarii specializaţi din comunitate.
PB  - National History and Archeology Museum from Constantza (MINAC)
T2  - Pontica
T1  - Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia
EP  - 98
SP  - 73
UR  - https://hdl.handle.net/21.15107/rcub_reff_3828
ER  - 
@article{
author = "Vuković, Jasna and Svilar, Marija",
year = "2016",
abstract = "In this article we analyse the impressed-pottery from the Early Neolithic
site of Kovačke Njive. It is argued that the impressions on the pottery have not been made
by impressing fingertips and fingernails into the plastic clay, but by using different kinds
of tools. The classification of the so-called impresso-ornaments is made based on the
diagnostic traces on the sherds: movement direction of the potter's hand and position of
the tool during execution. Based on the functional properties of the textured surfaces,
impresso-treatment is regarded as a surface finishing method. According to the variety of
impressions and implements used, we assume the household production involving parttime artisans., În articol este analizată ceramica impresso descoperită în aşezarea
neolitică timpurie de la Kovačke Njive. Se demonstrează că imprimarea ceramicii nu s-a
făcut prin impresiunea vârfurilor degetelor sau a unghiilor în pasta moale, ci prin
utilizarea unor tipuri diferite de instrumente. Clasificarea așa-numitelor motive impresso
este realizată pe baza analizei urmelor de pe fragmentele ceramice: direcția de mișcare a mâinii olarului și poziția ustensilei în timpul executării decorului. Pornindu-se de la
aspectul funcţional al texturii suprafeței, tehnica de decorare impresso este considerată o
metodă de finisare a suprafeței. Având în vedere varietatea impresiunilor și a ustensilelor
folosite, se poate presupune existența unei producții pentru uz casnic în care erau
implicați în egală măsură şi olarii specializaţi din comunitate.",
publisher = "National History and Archeology Museum from Constantza (MINAC)",
journal = "Pontica",
title = "Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia",
pages = "98-73",
url = "https://hdl.handle.net/21.15107/rcub_reff_3828"
}
Vuković, J.,& Svilar, M.. (2016). Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia. in Pontica
National History and Archeology Museum from Constantza (MINAC)., 73-98.
https://hdl.handle.net/21.15107/rcub_reff_3828
Vuković J, Svilar M. Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia. in Pontica. 2016;:73-98.
https://hdl.handle.net/21.15107/rcub_reff_3828 .
Vuković, Jasna, Svilar, Marija, "Early Neolithic Impresso-decoration Reconsidered: A Case Study from Pavlovac – Kovačke Njive, Southern Serbia" in Pontica (2016):73-98,
https://hdl.handle.net/21.15107/rcub_reff_3828 .

Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске

Vujović, Miroslav B.; Vuković, Jasna B.

(Војни музеј,Београд, 2016)

TY  - JOUR
AU  - Vujović, Miroslav B.
AU  - Vuković, Jasna B.
PY  - 2016
UR  - http://reff.f.bg.ac.rs/handle/123456789/3823
AB  - У раду се први пут објављује документ из
архива Министарства просвете и црквених послова из
августа 1915. године, у којем се налази предмет о аматерским ископавањима у Манастиру Бањској током
којих је нађен и златни прстен приписан краљици Теодори. Овај документ је значајан утолико пре што је писан руком једног од директних учесника ових „откопавања”, и то непосредно по њиховом завршетку, што га
чини знатно поузданијим од до сада углавном цитираног извештаја насталог осам година касније и из друге
руке. Други, такође интересантан део овог предмета,
представља стручно мишљење Милоја М. Васића о
неопходности санкционисања и сузбијања нестручног
истраживања „старина”, али и категоричном одбијању
предлога налазача да се прстен из Бањске поклони
престолонаследнику Александру Карађорђевићу.
AB  - A document related to the amateur excavations in the medieval monastery of Banjska during 1915,
found in the Archives of the Ministry of Education and Religious Affairs is published in this paper for the first time.
During these diggings a golden ring, later attributed to
Queen Teodora was found. This document is of great importance, since it was written by one of the participants in
the excavations, immediately after their completion. This
makes it more reliable than the other, indirect report, usually cited in the literature, written eight years later. Equally
significant part of this case is expert opinion of Miloje M.
Vasić, where he expressed the need for sanctioning improper excavations, and categorically refused finder’s proposal that the ring should be given to the Crown Prince
Aleksandar Karađorđević.
PB  - Војни музеј,Београд
T2  - Весник Војног музеја
T1  - Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске
T1  - One unknown wartime document of the year 1915: the first diggings at the Banjska monastery
EP  - 52
SP  - 39
VL  - 43
UR  - https://hdl.handle.net/21.15107/rcub_reff_3823
ER  - 
@article{
author = "Vujović, Miroslav B. and Vuković, Jasna B.",
year = "2016",
abstract = "У раду се први пут објављује документ из
архива Министарства просвете и црквених послова из
августа 1915. године, у којем се налази предмет о аматерским ископавањима у Манастиру Бањској током
којих је нађен и златни прстен приписан краљици Теодори. Овај документ је значајан утолико пре што је писан руком једног од директних учесника ових „откопавања”, и то непосредно по њиховом завршетку, што га
чини знатно поузданијим од до сада углавном цитираног извештаја насталог осам година касније и из друге
руке. Други, такође интересантан део овог предмета,
представља стручно мишљење Милоја М. Васића о
неопходности санкционисања и сузбијања нестручног
истраживања „старина”, али и категоричном одбијању
предлога налазача да се прстен из Бањске поклони
престолонаследнику Александру Карађорђевићу., A document related to the amateur excavations in the medieval monastery of Banjska during 1915,
found in the Archives of the Ministry of Education and Religious Affairs is published in this paper for the first time.
During these diggings a golden ring, later attributed to
Queen Teodora was found. This document is of great importance, since it was written by one of the participants in
the excavations, immediately after their completion. This
makes it more reliable than the other, indirect report, usually cited in the literature, written eight years later. Equally
significant part of this case is expert opinion of Miloje M.
Vasić, where he expressed the need for sanctioning improper excavations, and categorically refused finder’s proposal that the ring should be given to the Crown Prince
Aleksandar Karađorđević.",
publisher = "Војни музеј,Београд",
journal = "Весник Војног музеја",
title = "Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске, One unknown wartime document of the year 1915: the first diggings at the Banjska monastery",
pages = "52-39",
volume = "43",
url = "https://hdl.handle.net/21.15107/rcub_reff_3823"
}
Vujović, M. B.,& Vuković, J. B.. (2016). Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске. in Весник Војног музеја
Војни музеј,Београд., 43, 39-52.
https://hdl.handle.net/21.15107/rcub_reff_3823
Vujović MB, Vuković JB. Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске. in Весник Војног музеја. 2016;43:39-52.
https://hdl.handle.net/21.15107/rcub_reff_3823 .
Vujović, Miroslav B., Vuković, Jasna B., "Једно непознато сведочанство из ратне 1915. године: прво ископавање манастира Бањске" in Весник Војног музеја, 43 (2016):39-52,
https://hdl.handle.net/21.15107/rcub_reff_3823 .