TY  - BOOK
AU  - Ajduk, Marija
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/6312
AB  - Novi talas predstavlja muzički i kulturni fenomen koji i danas, četrdeset godina kasnije, privlači pažnju svojom zaostavštinom na prostorima bivše Jugoslavije, ponajviše u urbanim centrima nekadašnje zajedničke države, a sada prestonicama dve nezavisne republike - Beogradu i Zagrebu. Vremenom je pojam novi talas prerastao svoju muzičku potku i postao kulturni, stoga i relevantni antropološki fenomen, koji sa određenom grupom ljudi komunicira na širem planu i koji je danas protkan nizom asocijacija poput urbanog duha, društvene, ekonomske i kulturne pozicije naše tadašnje zemlje u svetu, karakteristične vizuelne samoreprezentacije, kulture oličene u interesovanju za strip, književnost, likovnu umetnost, film.Termin novi talas u ovoj monografiji istražujem i upotrebljavam u kontekstu onoga što bi moglo da se označi kao „lokalni“, „domaći“ ili „jugoslovenski“ novotalasni i pank  zvuk, odnosno posmatram svu muziku koja se etiketira kao novi talas i koja je nastala (i nestala) na prostorima bivše Jugoslavije. Istraživački fokus stavljam na narative i predstave koje je o novom talasu moguće pronaći u jugoslovenskoj štampi koja je izlazila tokom osamdesetih godina. Osnovni materijal za analizu čine dostupni novinski tekstovi koji se tiču određenih izvođača i događaja, kao i oni koji su na bilo koji način „obratili pažnju“ na pank i novotalasnu scenu.
PB  - Univerzitet u Beogradu – Filozofski fakultet Odeljenje za etnologiju i antropologiju
PB  - Dosije studio, Beograd
T1  - Reprezentacija jugoslovenskog novog talasa u štampi od 1979. do 1985. godine
UR  - https://hdl.handle.net/21.15107/rcub_reff_6312
ER  - 

@book{
author = "Ajduk, Marija",
year = "2021",
abstract = "Novi talas predstavlja muzički i kulturni fenomen koji i danas, četrdeset godina kasnije, privlači pažnju svojom zaostavštinom na prostorima bivše Jugoslavije, ponajviše u urbanim centrima nekadašnje zajedničke države, a sada prestonicama dve nezavisne republike - Beogradu i Zagrebu. Vremenom je pojam novi talas prerastao svoju muzičku potku i postao kulturni, stoga i relevantni antropološki fenomen, koji sa određenom grupom ljudi komunicira na širem planu i koji je danas protkan nizom asocijacija poput urbanog duha, društvene, ekonomske i kulturne pozicije naše tadašnje zemlje u svetu, karakteristične vizuelne samoreprezentacije, kulture oličene u interesovanju za strip, književnost, likovnu umetnost, film.Termin novi talas u ovoj monografiji istražujem i upotrebljavam u kontekstu onoga što bi moglo da se označi kao „lokalni“, „domaći“ ili „jugoslovenski“ novotalasni i pank  zvuk, odnosno posmatram svu muziku koja se etiketira kao novi talas i koja je nastala (i nestala) na prostorima bivše Jugoslavije. Istraživački fokus stavljam na narative i predstave koje je o novom talasu moguće pronaći u jugoslovenskoj štampi koja je izlazila tokom osamdesetih godina. Osnovni materijal za analizu čine dostupni novinski tekstovi koji se tiču određenih izvođača i događaja, kao i oni koji su na bilo koji način „obratili pažnju“ na pank i novotalasnu scenu.",
publisher = "Univerzitet u Beogradu – Filozofski fakultet Odeljenje za etnologiju i antropologiju, Dosije studio, Beograd",
title = "Reprezentacija jugoslovenskog novog talasa u štampi od 1979. do 1985. godine",
url = "https://hdl.handle.net/21.15107/rcub_reff_6312"
}

Ajduk, M.. (2021). Reprezentacija jugoslovenskog novog talasa u štampi od 1979. do 1985. godine. 
Univerzitet u Beogradu – Filozofski fakultet Odeljenje za etnologiju i antropologiju..
https://hdl.handle.net/21.15107/rcub_reff_6312

Ajduk M. Reprezentacija jugoslovenskog novog talasa u štampi od 1979. do 1985. godine. 2021;.
https://hdl.handle.net/21.15107/rcub_reff_6312 .

Ajduk, Marija, "Reprezentacija jugoslovenskog novog talasa u štampi od 1979. do 1985. godine" (2021),
https://hdl.handle.net/21.15107/rcub_reff_6312 .

TY  - JOUR
AU  - Žikić, Bojan
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3222
AB  - What makes a place haunted is the narrative of its ghosts: the curse of the place is expressed through the hauntings of that place by the ghosts of the people who died there. Ghosts are an expression of negative transgression, that is, a violation of social norms and cultural values that leads to the moral destabilization of the community: haunted places arc places of tragedy, of deaths caused by violence and negligence. The basic features of haunted places in the US are liminality, the historical experience of what happened there, and the fact that they represent the boundary between the everyday and the impossible. The crossing of the existential boundaries by ghosts is analogous to negative transgression in social behavior. The liminality of ghosts thus corresponds to the liminality of haunted places in spatial, existential, ontological and moral terms. They appear as a kind of propaedeutic device in cultural communication, for the atrocities of their stories address what is good and bad according to the norms of cultural thought, and what is proper and improper in social behavior. Several different types of places are featured in this discussion: private ones, like dwelling places, as well as numerous public places, including a public library, a quarry, a public park, a village lane, a teahouse, the site of one of the best-known battles in United States history, a former correction facility, a beech etc, across the entire country: Atchison, Kansas; New Orleans, Fort Leavenworth and plantations in Louisiana; Peoria, Illinois; Reelsville, Indiana; Little Bighorn, Montana; Washington DC; New York City; the San Francisco Bay area; Philadelphia, Pennsylvania; Portage County, Wisconsin; Baton Rouge, Louisiana; Forester, Michigan; Cape May, New Jersey; Tucson, Arizona; Mason, Ohio.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Haunted Places in US Culture
EP  - 468
IS  - 2
SP  - 449
VL  - 15
DO  - 10.21301/eap.v15i2.4
ER  - 

@article{
author = "Žikić, Bojan",
year = "2020",
abstract = "What makes a place haunted is the narrative of its ghosts: the curse of the place is expressed through the hauntings of that place by the ghosts of the people who died there. Ghosts are an expression of negative transgression, that is, a violation of social norms and cultural values that leads to the moral destabilization of the community: haunted places arc places of tragedy, of deaths caused by violence and negligence. The basic features of haunted places in the US are liminality, the historical experience of what happened there, and the fact that they represent the boundary between the everyday and the impossible. The crossing of the existential boundaries by ghosts is analogous to negative transgression in social behavior. The liminality of ghosts thus corresponds to the liminality of haunted places in spatial, existential, ontological and moral terms. They appear as a kind of propaedeutic device in cultural communication, for the atrocities of their stories address what is good and bad according to the norms of cultural thought, and what is proper and improper in social behavior. Several different types of places are featured in this discussion: private ones, like dwelling places, as well as numerous public places, including a public library, a quarry, a public park, a village lane, a teahouse, the site of one of the best-known battles in United States history, a former correction facility, a beech etc, across the entire country: Atchison, Kansas; New Orleans, Fort Leavenworth and plantations in Louisiana; Peoria, Illinois; Reelsville, Indiana; Little Bighorn, Montana; Washington DC; New York City; the San Francisco Bay area; Philadelphia, Pennsylvania; Portage County, Wisconsin; Baton Rouge, Louisiana; Forester, Michigan; Cape May, New Jersey; Tucson, Arizona; Mason, Ohio.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Haunted Places in US Culture",
pages = "468-449",
number = "2",
volume = "15",
doi = "10.21301/eap.v15i2.4"
}

Žikić, B.. (2020). Haunted Places in US Culture. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 15(2), 449-468.
https://doi.org/10.21301/eap.v15i2.4

Žikić B. Haunted Places in US Culture. in Etnoantropološki problemi. 2020;15(2):449-468.
doi:10.21301/eap.v15i2.4 .

Žikić, Bojan, "Haunted Places in US Culture" in Etnoantropološki problemi, 15, no. 2 (2020):449-468,
https://doi.org/10.21301/eap.v15i2.4 . .

TY  - JOUR
AU  - Vučinić-Nešković, Vesna
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3066
AB  - Ovaj rad obuhvata i u jednu celinu povezuje urbanu antropologiju, metodologiju terenskog istraživanja i antropologiju obrazovanja. Rad ima za cilj da predstavi strukturu, dinamiku i glavne rezultate sprovođenja nastave urbane antropologije na način na koji je ona realizovana u jesenjem semestru 2012-2013. školske godine, kada je predmet bio posvećen prisilnom raseljavanju romske populacije usled velikih infrastrukturnih radova koji su se odvijali na beogradskim mostovima. Obrada ove teme na predmetu Nacionalna etnologija/antropologija - grad i kultura, na Odeljenju za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu, predstavlja prvu u nizu obrada akutnih socio-kulturnih problema u gradovima Srbije posredstvom istraživačkih projekata u kojima su učestvovali studenti. Nastava je podrazumevala grupno istraživanje u koje je bilo uključeno dvadeset troje studenata četvrte godine osnovnih akademskih studija. Studenti su formirali projekat pod rukovodstvom predmetnog nastavnika sa zadatkom da prouče situaciju u kojoj su se našli raseljeni Romi. Proučavanje je fokusirano na raseljavanje dva neformalna romska naselja na Novom Beogradu, i to ispod mosta Gazela i pored naselja Belvil. Zaključci i diskusija se bave analizom pedagoško-saznajnih ishoda integralno koncipirane i istraživački orijentisane nastave.
AB  - This text brings together few areas of anthropological interest, namely urban anthropology, fieldwork methodology, and anthropology of education. Its aim is to present the structure, dynamics and main results of an urban anthropology course as it was realized in the fall semester of the 2012-2013 school year. The course was devoted to the forced resettlement of the Roma population due to large infrastructure projects that were taking place in the vicinity of the two Belgrade bridges. Realization of this topic during the course entitled National Ethnology/Anthropology - City and Culture at the Department of Ethnology and Anthropology of the Faculty of Philosophy, University of Belgrade, represents the first in a sequence of students' research projects related to acute socio-cultural problems in the cities of Serbia. The course was realized through group research, which included twenty-three senior year students. The purpose of the project was to study the situation in which the Roma found themselves after resettlement. Investigation was focused on the period after dismantling of two informal Roma settlements in New Belgrade - one situated below the bridge "Gazelle", and the other beside "Belville", the modern residential block near which the access roads to the new "Ada Bridge" were to be constructed. Conclusions and discussion deal with analysis of pedagogical and research outcomes of this integrally conceived and empirically oriented course.
PB  - Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd
T2  - Glasnik Etnografskog instituta SANU
T1  - Nastava urbane antropologije na terenu - proučavanje raseljavanja Roma u Beogradu
T1  - Urban anthropology course in the field: Studying resettlement of Roma in Belgrade
EP  - 51
IS  - 1
SP  - 13
VL  - 68
DO  - 10.2298/GEI2001013V
ER  - 

@article{
author = "Vučinić-Nešković, Vesna",
year = "2020",
abstract = "Ovaj rad obuhvata i u jednu celinu povezuje urbanu antropologiju, metodologiju terenskog istraživanja i antropologiju obrazovanja. Rad ima za cilj da predstavi strukturu, dinamiku i glavne rezultate sprovođenja nastave urbane antropologije na način na koji je ona realizovana u jesenjem semestru 2012-2013. školske godine, kada je predmet bio posvećen prisilnom raseljavanju romske populacije usled velikih infrastrukturnih radova koji su se odvijali na beogradskim mostovima. Obrada ove teme na predmetu Nacionalna etnologija/antropologija - grad i kultura, na Odeljenju za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu, predstavlja prvu u nizu obrada akutnih socio-kulturnih problema u gradovima Srbije posredstvom istraživačkih projekata u kojima su učestvovali studenti. Nastava je podrazumevala grupno istraživanje u koje je bilo uključeno dvadeset troje studenata četvrte godine osnovnih akademskih studija. Studenti su formirali projekat pod rukovodstvom predmetnog nastavnika sa zadatkom da prouče situaciju u kojoj su se našli raseljeni Romi. Proučavanje je fokusirano na raseljavanje dva neformalna romska naselja na Novom Beogradu, i to ispod mosta Gazela i pored naselja Belvil. Zaključci i diskusija se bave analizom pedagoško-saznajnih ishoda integralno koncipirane i istraživački orijentisane nastave., This text brings together few areas of anthropological interest, namely urban anthropology, fieldwork methodology, and anthropology of education. Its aim is to present the structure, dynamics and main results of an urban anthropology course as it was realized in the fall semester of the 2012-2013 school year. The course was devoted to the forced resettlement of the Roma population due to large infrastructure projects that were taking place in the vicinity of the two Belgrade bridges. Realization of this topic during the course entitled National Ethnology/Anthropology - City and Culture at the Department of Ethnology and Anthropology of the Faculty of Philosophy, University of Belgrade, represents the first in a sequence of students' research projects related to acute socio-cultural problems in the cities of Serbia. The course was realized through group research, which included twenty-three senior year students. The purpose of the project was to study the situation in which the Roma found themselves after resettlement. Investigation was focused on the period after dismantling of two informal Roma settlements in New Belgrade - one situated below the bridge "Gazelle", and the other beside "Belville", the modern residential block near which the access roads to the new "Ada Bridge" were to be constructed. Conclusions and discussion deal with analysis of pedagogical and research outcomes of this integrally conceived and empirically oriented course.",
publisher = "Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd",
journal = "Glasnik Etnografskog instituta SANU",
title = "Nastava urbane antropologije na terenu - proučavanje raseljavanja Roma u Beogradu, Urban anthropology course in the field: Studying resettlement of Roma in Belgrade",
pages = "51-13",
number = "1",
volume = "68",
doi = "10.2298/GEI2001013V"
}

Vučinić-Nešković, V.. (2020). Nastava urbane antropologije na terenu - proučavanje raseljavanja Roma u Beogradu. in Glasnik Etnografskog instituta SANU
Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd., 68(1), 13-51.
https://doi.org/10.2298/GEI2001013V

Vučinić-Nešković V. Nastava urbane antropologije na terenu - proučavanje raseljavanja Roma u Beogradu. in Glasnik Etnografskog instituta SANU. 2020;68(1):13-51.
doi:10.2298/GEI2001013V .

Vučinić-Nešković, Vesna, "Nastava urbane antropologije na terenu - proučavanje raseljavanja Roma u Beogradu" in Glasnik Etnografskog instituta SANU, 68, no. 1 (2020):13-51,
https://doi.org/10.2298/GEI2001013V . .

TY  - JOUR
AU  - Ribić, Vladimir
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2817
AB  - Political mobilization consists of actions and their legitimization, which have both an activist and a legitimizing basis. The activist basis stems from the basic structure of the political system, which entails the principles of political organizing and action. The legitimizing basis has its roots in the basic political values and ideas which serve to legitimize the political system. In this paper I will analyze the legitimizing basis of the political mobilization of the Serbian opposition during the March protests in 1991.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Political Mobilization of the Serbian Opposition during the March Protests in 1991
EP  - 296
IS  - 1
SP  - 261
VL  - 14
DO  - 10.21301/eap.v14i1.11
ER  - 

@article{
author = "Ribić, Vladimir",
year = "2019",
abstract = "Political mobilization consists of actions and their legitimization, which have both an activist and a legitimizing basis. The activist basis stems from the basic structure of the political system, which entails the principles of political organizing and action. The legitimizing basis has its roots in the basic political values and ideas which serve to legitimize the political system. In this paper I will analyze the legitimizing basis of the political mobilization of the Serbian opposition during the March protests in 1991.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Political Mobilization of the Serbian Opposition during the March Protests in 1991",
pages = "296-261",
number = "1",
volume = "14",
doi = "10.21301/eap.v14i1.11"
}

Ribić, V.. (2019). Political Mobilization of the Serbian Opposition during the March Protests in 1991. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(1), 261-296.
https://doi.org/10.21301/eap.v14i1.11

Ribić V. Political Mobilization of the Serbian Opposition during the March Protests in 1991. in Etnoantropološki problemi. 2019;14(1):261-296.
doi:10.21301/eap.v14i1.11 .

Ribić, Vladimir, "Political Mobilization of the Serbian Opposition during the March Protests in 1991" in Etnoantropološki problemi, 14, no. 1 (2019):261-296,
https://doi.org/10.21301/eap.v14i1.11 . .

TY  - JOUR
AU  - Žikić, Bojan
AU  - Sinani, Danijel
AU  - Milenković, Miloš
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2934
AB  - One of the most famous enterprises within the British search for the so-called Northwest Passage in the nineteenth century, the Franklin expedition, was described in the novel "Terror" (2007) by American writer Dan Simmons, as well as in the TV series based on the book (2018) of the same name. What the expedition became known for was its disappearance in the Arctic wastelands despite - for its time - the most modern technological equipment, as well as the fact that its command staff consisted of experienced researchers. Simmons' presentation of the circumstances that led to the collapse of the expedition was based, to a certain extent, on the scientific knowledge about it, collected from the first searches for the expedition to this day, but also on the cultural idea that was formed first in Great Britain, and then in Canada and the United States, during that time period. As the essence of cultural communication produced by the novel and the series, we see the inability of civilization as a source of fear - or horror - before the socially ontologically uncertain position that people are brought into, when they are displaced outside their original sociocultural context and find themselves in conditions in which norms of that context can be contrary to the measures that are taken for the sake of physical survival. This given fear is of cultural origin: its root is in a situationally generated idea that it is possible that the reality is different from the one which is being defined by the social order and cultural norms, namely the rules, that make our world known and subject to human control, are not fully applicable. The boundaries of this fear are permeable for those things which a person is not able to face successfully on the basis of his/her innate abilities and cultural development.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Where the Civilization Ends Horror Begins: Cultural Shaping of Fear in Simmons' "Terror"`
EP  - 433
IS  - 2
SP  - 401
VL  - 14
DO  - 10.21301/eap.v14i2.1
ER  - 

@article{
author = "Žikić, Bojan and Sinani, Danijel and Milenković, Miloš",
year = "2019",
abstract = "One of the most famous enterprises within the British search for the so-called Northwest Passage in the nineteenth century, the Franklin expedition, was described in the novel "Terror" (2007) by American writer Dan Simmons, as well as in the TV series based on the book (2018) of the same name. What the expedition became known for was its disappearance in the Arctic wastelands despite - for its time - the most modern technological equipment, as well as the fact that its command staff consisted of experienced researchers. Simmons' presentation of the circumstances that led to the collapse of the expedition was based, to a certain extent, on the scientific knowledge about it, collected from the first searches for the expedition to this day, but also on the cultural idea that was formed first in Great Britain, and then in Canada and the United States, during that time period. As the essence of cultural communication produced by the novel and the series, we see the inability of civilization as a source of fear - or horror - before the socially ontologically uncertain position that people are brought into, when they are displaced outside their original sociocultural context and find themselves in conditions in which norms of that context can be contrary to the measures that are taken for the sake of physical survival. This given fear is of cultural origin: its root is in a situationally generated idea that it is possible that the reality is different from the one which is being defined by the social order and cultural norms, namely the rules, that make our world known and subject to human control, are not fully applicable. The boundaries of this fear are permeable for those things which a person is not able to face successfully on the basis of his/her innate abilities and cultural development.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Where the Civilization Ends Horror Begins: Cultural Shaping of Fear in Simmons' "Terror"`",
pages = "433-401",
number = "2",
volume = "14",
doi = "10.21301/eap.v14i2.1"
}

Žikić, B., Sinani, D.,& Milenković, M.. (2019). Where the Civilization Ends Horror Begins: Cultural Shaping of Fear in Simmons' "Terror"`. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(2), 401-433.
https://doi.org/10.21301/eap.v14i2.1

Žikić B, Sinani D, Milenković M. Where the Civilization Ends Horror Begins: Cultural Shaping of Fear in Simmons' "Terror"`. in Etnoantropološki problemi. 2019;14(2):401-433.
doi:10.21301/eap.v14i2.1 .

Žikić, Bojan, Sinani, Danijel, Milenković, Miloš, "Where the Civilization Ends Horror Begins: Cultural Shaping of Fear in Simmons' "Terror"`" in Etnoantropološki problemi, 14, no. 2 (2019):401-433,
https://doi.org/10.21301/eap.v14i2.1 . .

TY  - JOUR
AU  - Ajduk, Marija
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2825
AB  - This work explores the representation of the Yugoslav New Wave through the analysis of the documentary film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement". Although the New Wave covers many spheres of art, in this analysis we will investigate it as the musical and cultural phenomena. The theoretical frame within the analysis is based on the idea that a documentary film can help us understand a particular period as well as reinvestigate it, and (re)construct it from a new. The results from this analysis should be able to show how the narrative about the New Wave continues to live thirty, forty years later, as well as how it inspires to (re)create and appoint with every new film made.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Representing the Yugoslav New Wave in the Documentary Film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement"
EP  - 96
IS  - 1
SP  - 79
VL  - 14
DO  - 10.21301/eap.v14i1.3
ER  - 

@article{
author = "Ajduk, Marija",
year = "2019",
abstract = "This work explores the representation of the Yugoslav New Wave through the analysis of the documentary film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement". Although the New Wave covers many spheres of art, in this analysis we will investigate it as the musical and cultural phenomena. The theoretical frame within the analysis is based on the idea that a documentary film can help us understand a particular period as well as reinvestigate it, and (re)construct it from a new. The results from this analysis should be able to show how the narrative about the New Wave continues to live thirty, forty years later, as well as how it inspires to (re)create and appoint with every new film made.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Representing the Yugoslav New Wave in the Documentary Film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement"",
pages = "96-79",
number = "1",
volume = "14",
doi = "10.21301/eap.v14i1.3"
}

Ajduk, M.. (2019). Representing the Yugoslav New Wave in the Documentary Film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement". in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(1), 79-96.
https://doi.org/10.21301/eap.v14i1.3

Ajduk M. Representing the Yugoslav New Wave in the Documentary Film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement". in Etnoantropološki problemi. 2019;14(1):79-96.
doi:10.21301/eap.v14i1.3 .

Ajduk, Marija, "Representing the Yugoslav New Wave in the Documentary Film "The New Wave in Socialist Federal Republic of Yugoslavia as a Social Movement"" in Etnoantropološki problemi, 14, no. 1 (2019):79-96,
https://doi.org/10.21301/eap.v14i1.3 . .

TY  - JOUR
AU  - Radulović, Lidija B.
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2711
AB  - Američki sociolog austrijskog porekla, Piter L. Berger, jedan je od najznačajnijih sociologa religije u 20. i 21. veku. U ovom radu izlažem, po mom mišljenju i izboru, najznačajnija istraživačka pitanja kojima se Berger bavio u okviru socijalne konstrukcije realnosti, religije, sekularizacije, desekularizacije i religijskog pluralizma. Nastojala sam da naglasim, između ostalog, ono što je zajedničko Bergerovom sociološkom pristupu religiji i antropološkim istraživanjima. Osnovna ideja, istaknuta u naslovu rada, potraga za smislom i značenjem religije, razmatra se na primeru sličnosti i razlika između Kliforda Gerca i Bergera. Kategorija "značenja" poslužila je kao ključ za razumevanje kulture, pa i religije kao kulturnog sistema koji prenosi značenje.
AB  - American sociologist of Austrian origin, Peter L. Berger, is one of the most significant sociologists of religion in the 20ᵗʰ and 21ˢᵗ century. In this work I present, pursuant to my opinion and choice, the most important research issues Berger dealt with within the social construction of reality, religion, secularization, desecularization and religious pluralism. It was my aim to highlight, among other things, that which is common to Berger's sociological approach to religion and the anthropological researches. The basic idea, pointed out in the title of the work, the search for the sense and meaning of religion, is reviewed through examples of similarities and differences between Clifford Geertz and Berger. The category of "meaning" served as a key to understanding of culture, and even religion as a cultural system which transfers meaning.
PB  - Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd
T2  - Glasnik Etnografskog instituta SANU
T1  - Piter L. Berger - u potrazi za smislom i značenjem religije
T1  - Peter L. Berger: Searching for the sense and meaning of religion
EP  - 150
IS  - 1
SP  - 135
VL  - 67
DO  - 10.2298/GEI1901135R
ER  - 

@article{
author = "Radulović, Lidija B.",
year = "2019",
abstract = "Američki sociolog austrijskog porekla, Piter L. Berger, jedan je od najznačajnijih sociologa religije u 20. i 21. veku. U ovom radu izlažem, po mom mišljenju i izboru, najznačajnija istraživačka pitanja kojima se Berger bavio u okviru socijalne konstrukcije realnosti, religije, sekularizacije, desekularizacije i religijskog pluralizma. Nastojala sam da naglasim, između ostalog, ono što je zajedničko Bergerovom sociološkom pristupu religiji i antropološkim istraživanjima. Osnovna ideja, istaknuta u naslovu rada, potraga za smislom i značenjem religije, razmatra se na primeru sličnosti i razlika između Kliforda Gerca i Bergera. Kategorija "značenja" poslužila je kao ključ za razumevanje kulture, pa i religije kao kulturnog sistema koji prenosi značenje., American sociologist of Austrian origin, Peter L. Berger, is one of the most significant sociologists of religion in the 20ᵗʰ and 21ˢᵗ century. In this work I present, pursuant to my opinion and choice, the most important research issues Berger dealt with within the social construction of reality, religion, secularization, desecularization and religious pluralism. It was my aim to highlight, among other things, that which is common to Berger's sociological approach to religion and the anthropological researches. The basic idea, pointed out in the title of the work, the search for the sense and meaning of religion, is reviewed through examples of similarities and differences between Clifford Geertz and Berger. The category of "meaning" served as a key to understanding of culture, and even religion as a cultural system which transfers meaning.",
publisher = "Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd",
journal = "Glasnik Etnografskog instituta SANU",
title = "Piter L. Berger - u potrazi za smislom i značenjem religije, Peter L. Berger: Searching for the sense and meaning of religion",
pages = "150-135",
number = "1",
volume = "67",
doi = "10.2298/GEI1901135R"
}

Radulović, L. B.. (2019). Piter L. Berger - u potrazi za smislom i značenjem religije. in Glasnik Etnografskog instituta SANU
Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd., 67(1), 135-150.
https://doi.org/10.2298/GEI1901135R

Radulović LB. Piter L. Berger - u potrazi za smislom i značenjem religije. in Glasnik Etnografskog instituta SANU. 2019;67(1):135-150.
doi:10.2298/GEI1901135R .

Radulović, Lidija B., "Piter L. Berger - u potrazi za smislom i značenjem religije" in Glasnik Etnografskog instituta SANU, 67, no. 1 (2019):135-150,
https://doi.org/10.2298/GEI1901135R . .

TY  - JOUR
AU  - Radulović, Lidija B.
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2710
AB  - U radu se iznose razultati šireg empirijskog istraživanja pitanja rodno zasnovanog nasilja i nasilja nad ženama kao problema ukorenjenog u strukturalnim sistemima patrijarhata i ideologiji rodne nejednakosti. Cilj istraživanja, sprovedenog u Kazneno-popravnom zavodu za žene u Požarevcu, jeste da se na osnovu životnih priča žena koje su ubile partnere nasilnike preispitaju teorijski koncepti "strukturnog nasilja", "kulturnog nasilja" i "patrijarhalnog terorizma". Presipituje se rodna i patrijarhalna ideologija, koja daje legitimitet direktnom i strukturalnom nasilju tako da ono postaje prihvatljivo i neprepoznatljivo kao nasilje. Sistematsko nasilje od strane partnera ukorenjeno je u patrijarhalnoj tradiciji koja muškarcima daje za pravo da kontrolišu svoje žene tako što koriste ne samo fizičko nasilje, već, možda čak i prisutnije oblike nasilja kao što su: ekonomsko nasilje, emocionalno nasilje, izolacija, pretnje i mnogi drugi oblici kontrole. Narativi žena koje su trpele nasilje i ubile partnere nasilnike otkrivaju njihove percepcije problema i konstruišu određenu stvarnost u kojoj su živele pre dolaska u zatvor. Boravak u zatvoru je nesumnjivo posebna vrsta iskustva, a sam inicijalni događaj ispitanice iznova preživljavaju i "prerađuju" u nastojanju da nađu smisao u novim životnim okolnostima boravka u zatvoru. U njihovim narativima, između ostalog, prepoznatljivi su određeni društveni konstrukti i diskursi.
AB  - This work presents results of a wider empirical research of the issue of gender based violence and violence against women as a problem rooted in structural systems of the patriarchate and the ideology of gender inequality. The goal of the research that was carried out in the Correctional Facility for Women in Požarevac, is to reassess theoretical concepts of "structural violence", "cultural violence" and "patriarchal terrorism". Revised are gender and patriarchal ideology, which gives legitimacy to direct and structural violence in a manner that makes it acceptable and unrecognizable as violence. Systematic violence from a partner is rooted in the patriarchal tradition which gives men the right to control their women by using not only physical violence, but maybe even more present forms of violence, like: economic violence, emotional violence, isolation, threats and many other forms of control. Narratives of women who suffered violence and killed their bullying partners, reveal their perceptions of the problem and construct a certain reality in which they were living prior to their arrival in the prison. To stay in a prison is undoubtedly a special kind of experience, and the initial event is anew survived by the probationers and "processed" while they are trying to find sense in their new living circumstances of staying in the prison. Certain social constructs and discourses can be recognized, among other things, in their narratives.
PB  - Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd
T2  - Glasnik Etnografskog instituta SANU
T1  - Rodno zasnovano partnersko nasilje - konstrukcije narativa žena osuđenih na kaznu zatvora
T1  - Gender Based Partner Violence: Constructions of Narratives of Women Sentenced to Prison
EP  - 287
IS  - 2
SP  - 265
VL  - 67
DO  - 10.2298/GEI1902265R
ER  - 

@article{
author = "Radulović, Lidija B.",
year = "2019",
abstract = "U radu se iznose razultati šireg empirijskog istraživanja pitanja rodno zasnovanog nasilja i nasilja nad ženama kao problema ukorenjenog u strukturalnim sistemima patrijarhata i ideologiji rodne nejednakosti. Cilj istraživanja, sprovedenog u Kazneno-popravnom zavodu za žene u Požarevcu, jeste da se na osnovu životnih priča žena koje su ubile partnere nasilnike preispitaju teorijski koncepti "strukturnog nasilja", "kulturnog nasilja" i "patrijarhalnog terorizma". Presipituje se rodna i patrijarhalna ideologija, koja daje legitimitet direktnom i strukturalnom nasilju tako da ono postaje prihvatljivo i neprepoznatljivo kao nasilje. Sistematsko nasilje od strane partnera ukorenjeno je u patrijarhalnoj tradiciji koja muškarcima daje za pravo da kontrolišu svoje žene tako što koriste ne samo fizičko nasilje, već, možda čak i prisutnije oblike nasilja kao što su: ekonomsko nasilje, emocionalno nasilje, izolacija, pretnje i mnogi drugi oblici kontrole. Narativi žena koje su trpele nasilje i ubile partnere nasilnike otkrivaju njihove percepcije problema i konstruišu određenu stvarnost u kojoj su živele pre dolaska u zatvor. Boravak u zatvoru je nesumnjivo posebna vrsta iskustva, a sam inicijalni događaj ispitanice iznova preživljavaju i "prerađuju" u nastojanju da nađu smisao u novim životnim okolnostima boravka u zatvoru. U njihovim narativima, između ostalog, prepoznatljivi su određeni društveni konstrukti i diskursi., This work presents results of a wider empirical research of the issue of gender based violence and violence against women as a problem rooted in structural systems of the patriarchate and the ideology of gender inequality. The goal of the research that was carried out in the Correctional Facility for Women in Požarevac, is to reassess theoretical concepts of "structural violence", "cultural violence" and "patriarchal terrorism". Revised are gender and patriarchal ideology, which gives legitimacy to direct and structural violence in a manner that makes it acceptable and unrecognizable as violence. Systematic violence from a partner is rooted in the patriarchal tradition which gives men the right to control their women by using not only physical violence, but maybe even more present forms of violence, like: economic violence, emotional violence, isolation, threats and many other forms of control. Narratives of women who suffered violence and killed their bullying partners, reveal their perceptions of the problem and construct a certain reality in which they were living prior to their arrival in the prison. To stay in a prison is undoubtedly a special kind of experience, and the initial event is anew survived by the probationers and "processed" while they are trying to find sense in their new living circumstances of staying in the prison. Certain social constructs and discourses can be recognized, among other things, in their narratives.",
publisher = "Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd",
journal = "Glasnik Etnografskog instituta SANU",
title = "Rodno zasnovano partnersko nasilje - konstrukcije narativa žena osuđenih na kaznu zatvora, Gender Based Partner Violence: Constructions of Narratives of Women Sentenced to Prison",
pages = "287-265",
number = "2",
volume = "67",
doi = "10.2298/GEI1902265R"
}

Radulović, L. B.. (2019). Rodno zasnovano partnersko nasilje - konstrukcije narativa žena osuđenih na kaznu zatvora. in Glasnik Etnografskog instituta SANU
Srpska akademija nauka i umetnosti SANU - Etnografski institut, Beograd., 67(2), 265-287.
https://doi.org/10.2298/GEI1902265R

Radulović LB. Rodno zasnovano partnersko nasilje - konstrukcije narativa žena osuđenih na kaznu zatvora. in Glasnik Etnografskog instituta SANU. 2019;67(2):265-287.
doi:10.2298/GEI1902265R .

Radulović, Lidija B., "Rodno zasnovano partnersko nasilje - konstrukcije narativa žena osuđenih na kaznu zatvora" in Glasnik Etnografskog instituta SANU, 67, no. 2 (2019):265-287,
https://doi.org/10.2298/GEI1902265R . .

TY  - JOUR
AU  - Birta, Ivan
AU  - Nedeljković, Saša
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2937
AB  - Papal Encyclicals to local bishops regarding matrimonial dispensation have not been used so far as historiographic and anthropological sources. In this paper, an attempt was made to verify their usability in that sense. Two Encyclicals from the Catholic Fond of the Birta Archives were separated and it was examined, through comparative analysis, to what extent these Encyclicals were useful for checking historical data about on which there are doubts, and to what extent they can offer new, not yet known and important information. Thereby of course, all limitations of such data and its adequate contextualization are taken into account. These are the Encyclicals in which the Pope urges local bishops to check the allegations in the request of the Naples nobles who want to marry, even though they are close relatives. Since other original documents on the studied topic are currently unavailable, and the material has not been sorted, integrated and published in the print form, the scope of the Papal Encyclicals as sources was checked by comparing it with publicly available digitized databases and internet presentations and encyclopedias.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Papal Orders for Investigation on Matrimonial Dispensation as Historical and Anthropological Sources
EP  - 670
IS  - 2
SP  - 647
VL  - 14
DO  - 10.21301/eap.v14i2.11
ER  - 

@article{
author = "Birta, Ivan and Nedeljković, Saša",
year = "2019",
abstract = "Papal Encyclicals to local bishops regarding matrimonial dispensation have not been used so far as historiographic and anthropological sources. In this paper, an attempt was made to verify their usability in that sense. Two Encyclicals from the Catholic Fond of the Birta Archives were separated and it was examined, through comparative analysis, to what extent these Encyclicals were useful for checking historical data about on which there are doubts, and to what extent they can offer new, not yet known and important information. Thereby of course, all limitations of such data and its adequate contextualization are taken into account. These are the Encyclicals in which the Pope urges local bishops to check the allegations in the request of the Naples nobles who want to marry, even though they are close relatives. Since other original documents on the studied topic are currently unavailable, and the material has not been sorted, integrated and published in the print form, the scope of the Papal Encyclicals as sources was checked by comparing it with publicly available digitized databases and internet presentations and encyclopedias.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Papal Orders for Investigation on Matrimonial Dispensation as Historical and Anthropological Sources",
pages = "670-647",
number = "2",
volume = "14",
doi = "10.21301/eap.v14i2.11"
}

Birta, I.,& Nedeljković, S.. (2019). Papal Orders for Investigation on Matrimonial Dispensation as Historical and Anthropological Sources. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(2), 647-670.
https://doi.org/10.21301/eap.v14i2.11

Birta I, Nedeljković S. Papal Orders for Investigation on Matrimonial Dispensation as Historical and Anthropological Sources. in Etnoantropološki problemi. 2019;14(2):647-670.
doi:10.21301/eap.v14i2.11 .

Birta, Ivan, Nedeljković, Saša, "Papal Orders for Investigation on Matrimonial Dispensation as Historical and Anthropological Sources" in Etnoantropološki problemi, 14, no. 2 (2019):647-670,
https://doi.org/10.21301/eap.v14i2.11 . .

TY  - JOUR
AU  - Žikić, Bojan
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2897
AB  - Three aspects of cultural communication of Stephen King's "The Dark Tower" book series are discussed in this paper: a literary tradition, a literary genre, and a cultural message. Narrative motives are established as a mean of connection of this book series with some of the classic works of English and European literature, and the whole series is fashioned according to the literary form of the (folk or fairy) tale. The purpose of this is to refer to the idea that a given book series should be viewed as part of English literature and of the English literary tradition. The tale form is used as a mean of categorizing the literary form within a given literary tradition. The third aspect in which the series communicates is the social context in which it was created, and it establishes parallels between states of social stability and instability, order and chaos, wholeness and breakup in the two basic worlds in which the series' action takes place: in our world and in that of the principle protagonist. It aims to emphasize the responsibility of the individual for the functioning of society, since society represents a consensual community of individuals.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - No Balm (in) Gilead: Aspects of Cultural Communication in Stephen King's "The Dark Tower" Book Series
EP  - 1103
IS  - 4
SP  - 1067
VL  - 14
DO  - 10.21301/eap.v14i4.1
ER  - 

@article{
author = "Žikić, Bojan",
year = "2019",
abstract = "Three aspects of cultural communication of Stephen King's "The Dark Tower" book series are discussed in this paper: a literary tradition, a literary genre, and a cultural message. Narrative motives are established as a mean of connection of this book series with some of the classic works of English and European literature, and the whole series is fashioned according to the literary form of the (folk or fairy) tale. The purpose of this is to refer to the idea that a given book series should be viewed as part of English literature and of the English literary tradition. The tale form is used as a mean of categorizing the literary form within a given literary tradition. The third aspect in which the series communicates is the social context in which it was created, and it establishes parallels between states of social stability and instability, order and chaos, wholeness and breakup in the two basic worlds in which the series' action takes place: in our world and in that of the principle protagonist. It aims to emphasize the responsibility of the individual for the functioning of society, since society represents a consensual community of individuals.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "No Balm (in) Gilead: Aspects of Cultural Communication in Stephen King's "The Dark Tower" Book Series",
pages = "1103-1067",
number = "4",
volume = "14",
doi = "10.21301/eap.v14i4.1"
}

Žikić, B.. (2019). No Balm (in) Gilead: Aspects of Cultural Communication in Stephen King's "The Dark Tower" Book Series. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(4), 1067-1103.
https://doi.org/10.21301/eap.v14i4.1

Žikić B. No Balm (in) Gilead: Aspects of Cultural Communication in Stephen King's "The Dark Tower" Book Series. in Etnoantropološki problemi. 2019;14(4):1067-1103.
doi:10.21301/eap.v14i4.1 .

Žikić, Bojan, "No Balm (in) Gilead: Aspects of Cultural Communication in Stephen King's "The Dark Tower" Book Series" in Etnoantropološki problemi, 14, no. 4 (2019):1067-1103,
https://doi.org/10.21301/eap.v14i4.1 . .

TY  - CONF
AU  - Ajduk, Marija
AU  - Pišev, Marko
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/6375
AB  - New Belgrade is the city municipality divided from the “old town” of Belgrade by the Sava river, and one of the economically fastest developing parts of the city. Despite its recent commercial growth, New Belgrade is commonly perceived - especially by non-inhabitants - as a geographically and even (sub)culturally distinct part of the city, because of its prevailing social realist architecture, confusing subdivision into city blocks, and os- tensive ghetto-like neighbourhoods. This exclusivist perception is internally reinforced by certain hip-hop artists who sing about New Belgrade in a local patriot, identity-boosted manner. In this presentation, we will explore how the music appears to construct the identity of a place by analyzing the representations of New Belgrade’s city “blocks” (as spaces inducing certain strong sentiments, such as brotherhood, devotion, loyalty, attachment...) in contemporary hip- hop musical production. Music in this paper is perceived as an element of culture which communicates, shapes and expresses identities, which is why
we will not take into account its musicological aspects or aesthetical qualities. Our primary research method will be qualitative: we will conduct the interviews with the musicians, as well as residents and non-residents of New Belgrade in order to identify different perspectives of this area of the city. Also, we will analyze a selection of songs and video clips which tend to create ossified, exclusivist and emotionally charged auto-representations of this part of Belgrade.
PB  - University of Zadar, Department of Ethnology and Anthropology
PB  - International Association for Southeast European Anthropology
C3  - Emotions, senses and affects in the context of Southeast Europe (the book of abstracts)
T1  - "Block bro, Brooklyn bro": music and emotions as identity markers of the place
EP  - 101
SP  - 101
UR  - https://hdl.handle.net/21.15107/rcub_reff_6375
ER  - 

@conference{
author = "Ajduk, Marija and Pišev, Marko",
year = "2018",
abstract = "New Belgrade is the city municipality divided from the “old town” of Belgrade by the Sava river, and one of the economically fastest developing parts of the city. Despite its recent commercial growth, New Belgrade is commonly perceived - especially by non-inhabitants - as a geographically and even (sub)culturally distinct part of the city, because of its prevailing social realist architecture, confusing subdivision into city blocks, and os- tensive ghetto-like neighbourhoods. This exclusivist perception is internally reinforced by certain hip-hop artists who sing about New Belgrade in a local patriot, identity-boosted manner. In this presentation, we will explore how the music appears to construct the identity of a place by analyzing the representations of New Belgrade’s city “blocks” (as spaces inducing certain strong sentiments, such as brotherhood, devotion, loyalty, attachment...) in contemporary hip- hop musical production. Music in this paper is perceived as an element of culture which communicates, shapes and expresses identities, which is why
we will not take into account its musicological aspects or aesthetical qualities. Our primary research method will be qualitative: we will conduct the interviews with the musicians, as well as residents and non-residents of New Belgrade in order to identify different perspectives of this area of the city. Also, we will analyze a selection of songs and video clips which tend to create ossified, exclusivist and emotionally charged auto-representations of this part of Belgrade.",
publisher = "University of Zadar, Department of Ethnology and Anthropology, International Association for Southeast European Anthropology",
journal = "Emotions, senses and affects in the context of Southeast Europe (the book of abstracts)",
title = ""Block bro, Brooklyn bro": music and emotions as identity markers of the place",
pages = "101-101",
url = "https://hdl.handle.net/21.15107/rcub_reff_6375"
}

Ajduk, M.,& Pišev, M.. (2018). "Block bro, Brooklyn bro": music and emotions as identity markers of the place. in Emotions, senses and affects in the context of Southeast Europe (the book of abstracts)
University of Zadar, Department of Ethnology and Anthropology., 101-101.
https://hdl.handle.net/21.15107/rcub_reff_6375

Ajduk M, Pišev M. "Block bro, Brooklyn bro": music and emotions as identity markers of the place. in Emotions, senses and affects in the context of Southeast Europe (the book of abstracts). 2018;:101-101.
https://hdl.handle.net/21.15107/rcub_reff_6375 .

Ajduk, Marija, Pišev, Marko, ""Block bro, Brooklyn bro": music and emotions as identity markers of the place" in Emotions, senses and affects in the context of Southeast Europe (the book of abstracts) (2018):101-101,
https://hdl.handle.net/21.15107/rcub_reff_6375 .

TY  - JOUR
AU  - Ajduk, Marija
AU  - Pišev, Marko
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/6311
AB  - Novi Beograd je beogradska opština koja je od „starog dela grada” odvojena rekom Savom i za koju je poslednjih desetak godina karakterističan izrazit rast, kako ekonomski (veliki broj kompanija, tržnih centara), tako i demografski (kontinuirana izgradnja novih stambenih blokova i popunjavanje istih). Ipak, prve asocijacije na Novi Beograd su njegova karakteristična soc-realistička arhitektura (betonski soliteri), visoka gustina naseljenosti, zbunjujuća podeljenost na blokove što asocira na koncept američkog „geta”. Istraživanje koje u radu izlažemo fokusira se na ispitivanje predstava o Novom Beogradu koje je moguće pronaći u pesmama novobeogradskih hip-hop muzičara. Osnovna teza od koje polazimo jeste da muzika konstruiše identitet određenog prostora ili mesta, te joj stoga pristupamo kroz njeno osnovno svojstvo – komunikativnost i ne posmatramo je u muzikološkom ili estetskom pogledu. Istraživački metod na koji se oslanjamo jeste kvalitativni i zasniva se na analizi odabranih tekstova hip-hop pesama u kojima se pominje i prezentuje Novi Beograd, na osnovu čega nastojimo da apstrahujemo korpus značenja koja se pripisuju ovom delu Beograda.
AB  - New Belgrade is the Belgrade City municipality separated from the “Old
City” of Belgrade by the Sava River, and is one of the parts of the city characterized by a
pronounced growth both economically (a large number of companies, shopping malls)
and demographically (the continuous growth of new residential blocks and inhabiting
of the same) in the last ten years or so. Yet, the first associations with New Belgrade
are its characteristic social-realistic architecture (concrete buildings), a high population
density, and a confusing subdivision into city blocks similar to the concept of American
ghetto-like neighborhoods. The focus of our research presented herein is the analysis
of the images of New Belgrade which are possible to find in the songs of hip-hop musicians from New Belgrade. Our basic starting thesis implies that music constructs the
identity of a specific space or place, for which reason, in our approach, we are emphasizing its fundamental feature – communicativeness, and therefore it is not perceived
from a musicological or aesthetical perspective. The primary research method we are
relying on is the qualitative one, based on the analysis of the selected texts of the hiphop songs in which a mention is made of New Belgrade and which New Belgrade in
presented in, based on which we endeavor to abstract a corpus of the meanings that are
attributed to this part of Belgrade.
PB  - Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju
T2  - Antropologija
T1  - "Blok brate, Bruklin brate". Prilog proučavanju odnosa muzike i mesta na primeru antropološkog istraživanja novobeogradske hip-hop kulture
T1  - “Blok Bro, Brooklyn Bro” A Contribution to the Study of the Correlation between Music and the Place on the Example of an Anthropological Research Study of the Hip-hop Culture of New Belgrade
EP  - 71
IS  - 3
SP  - 59
VL  - 18
UR  - https://hdl.handle.net/21.15107/rcub_reff_6311
ER  - 

@article{
author = "Ajduk, Marija and Pišev, Marko",
year = "2018",
abstract = "Novi Beograd je beogradska opština koja je od „starog dela grada” odvojena rekom Savom i za koju je poslednjih desetak godina karakterističan izrazit rast, kako ekonomski (veliki broj kompanija, tržnih centara), tako i demografski (kontinuirana izgradnja novih stambenih blokova i popunjavanje istih). Ipak, prve asocijacije na Novi Beograd su njegova karakteristična soc-realistička arhitektura (betonski soliteri), visoka gustina naseljenosti, zbunjujuća podeljenost na blokove što asocira na koncept američkog „geta”. Istraživanje koje u radu izlažemo fokusira se na ispitivanje predstava o Novom Beogradu koje je moguće pronaći u pesmama novobeogradskih hip-hop muzičara. Osnovna teza od koje polazimo jeste da muzika konstruiše identitet određenog prostora ili mesta, te joj stoga pristupamo kroz njeno osnovno svojstvo – komunikativnost i ne posmatramo je u muzikološkom ili estetskom pogledu. Istraživački metod na koji se oslanjamo jeste kvalitativni i zasniva se na analizi odabranih tekstova hip-hop pesama u kojima se pominje i prezentuje Novi Beograd, na osnovu čega nastojimo da apstrahujemo korpus značenja koja se pripisuju ovom delu Beograda., New Belgrade is the Belgrade City municipality separated from the “Old
City” of Belgrade by the Sava River, and is one of the parts of the city characterized by a
pronounced growth both economically (a large number of companies, shopping malls)
and demographically (the continuous growth of new residential blocks and inhabiting
of the same) in the last ten years or so. Yet, the first associations with New Belgrade
are its characteristic social-realistic architecture (concrete buildings), a high population
density, and a confusing subdivision into city blocks similar to the concept of American
ghetto-like neighborhoods. The focus of our research presented herein is the analysis
of the images of New Belgrade which are possible to find in the songs of hip-hop musicians from New Belgrade. Our basic starting thesis implies that music constructs the
identity of a specific space or place, for which reason, in our approach, we are emphasizing its fundamental feature – communicativeness, and therefore it is not perceived
from a musicological or aesthetical perspective. The primary research method we are
relying on is the qualitative one, based on the analysis of the selected texts of the hiphop songs in which a mention is made of New Belgrade and which New Belgrade in
presented in, based on which we endeavor to abstract a corpus of the meanings that are
attributed to this part of Belgrade.",
publisher = "Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju",
journal = "Antropologija",
title = ""Blok brate, Bruklin brate". Prilog proučavanju odnosa muzike i mesta na primeru antropološkog istraživanja novobeogradske hip-hop kulture, “Blok Bro, Brooklyn Bro” A Contribution to the Study of the Correlation between Music and the Place on the Example of an Anthropological Research Study of the Hip-hop Culture of New Belgrade",
pages = "71-59",
number = "3",
volume = "18",
url = "https://hdl.handle.net/21.15107/rcub_reff_6311"
}

Ajduk, M.,& Pišev, M.. (2018). "Blok brate, Bruklin brate". Prilog proučavanju odnosa muzike i mesta na primeru antropološkog istraživanja novobeogradske hip-hop kulture. in Antropologija
Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju., 18(3), 59-71.
https://hdl.handle.net/21.15107/rcub_reff_6311

Ajduk M, Pišev M. "Blok brate, Bruklin brate". Prilog proučavanju odnosa muzike i mesta na primeru antropološkog istraživanja novobeogradske hip-hop kulture. in Antropologija. 2018;18(3):59-71.
https://hdl.handle.net/21.15107/rcub_reff_6311 .

Ajduk, Marija, Pišev, Marko, ""Blok brate, Bruklin brate". Prilog proučavanju odnosa muzike i mesta na primeru antropološkog istraživanja novobeogradske hip-hop kulture" in Antropologija, 18, no. 3 (2018):59-71,
https://hdl.handle.net/21.15107/rcub_reff_6311 .

TY  - JOUR
AU  - Žikić, Bojan
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/6308
AB  - „Владимирове хронике“ састављене су од шест песама чланова енглеског музичког састава „Стренглерс“. Већина њих снимљена је током 1980-их и бави се животом у тоталитарном систему совјетског комунизма. Разматрамо их као пример конструисања хетеропрагматске другости чији је манифестни циљ указивање на мизантропичност тоталитаризма, а латентни супротстављање индивидуализма као социјално онтолошке позиције постојећим начинима људског друштвеног и културног организовања уопште.
AB  - “The Chronicles of Vladimir” are six songs by the English rock band The
Stranglers. Most of them were recorded during the 1980s and they mock the life in the
totalitarian system of Soviet Communism. We consider them as an example of constructing heteropragmatic otherness with an aim of pointing out the misanthropy of
totalitarianism, where individualism as a social ontological stance is opposed to the
existing ways of human social and cultural organization in general.
PB  - Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju
T2  - Antropologija
T1  - Mizantropološka drugost "Strenglersa": "Vladimirove hronike"
T1  - The Misantropological Otherness of The Stranglers: “The Chronicles of Vladimir”
EP  - 82
IS  - 2
SP  - 67
VL  - 18
UR  - https://hdl.handle.net/21.15107/rcub_reff_6308
ER  - 

@article{
author = "Žikić, Bojan and Ajduk, Marija",
year = "2018",
abstract = "„Владимирове хронике“ састављене су од шест песама чланова енглеског музичког састава „Стренглерс“. Већина њих снимљена је током 1980-их и бави се животом у тоталитарном систему совјетског комунизма. Разматрамо их као пример конструисања хетеропрагматске другости чији је манифестни циљ указивање на мизантропичност тоталитаризма, а латентни супротстављање индивидуализма као социјално онтолошке позиције постојећим начинима људског друштвеног и културног организовања уопште., “The Chronicles of Vladimir” are six songs by the English rock band The
Stranglers. Most of them were recorded during the 1980s and they mock the life in the
totalitarian system of Soviet Communism. We consider them as an example of constructing heteropragmatic otherness with an aim of pointing out the misanthropy of
totalitarianism, where individualism as a social ontological stance is opposed to the
existing ways of human social and cultural organization in general.",
publisher = "Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju",
journal = "Antropologija",
title = "Mizantropološka drugost "Strenglersa": "Vladimirove hronike", The Misantropological Otherness of The Stranglers: “The Chronicles of Vladimir”",
pages = "82-67",
number = "2",
volume = "18",
url = "https://hdl.handle.net/21.15107/rcub_reff_6308"
}

Žikić, B.,& Ajduk, M.. (2018). Mizantropološka drugost "Strenglersa": "Vladimirove hronike". in Antropologija
Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju., 18(2), 67-82.
https://hdl.handle.net/21.15107/rcub_reff_6308

Žikić B, Ajduk M. Mizantropološka drugost "Strenglersa": "Vladimirove hronike". in Antropologija. 2018;18(2):67-82.
https://hdl.handle.net/21.15107/rcub_reff_6308 .

Žikić, Bojan, Ajduk, Marija, "Mizantropološka drugost "Strenglersa": "Vladimirove hronike"" in Antropologija, 18, no. 2 (2018):67-82,
https://hdl.handle.net/21.15107/rcub_reff_6308 .

TY  - CONF
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/6297
AB  - Slušanje muzike danas nezamislivo je bez Youtube kanala putem kojih ne samo što možemo doći do željenog zvuka, već i proširiti naša muzička saznanja virtuelnim putovanjima kroz prostor i vreme. Zahvaljujući novim tehnologijama, moguće je uploviti u muzičke svetove šezdesetih, osamdesetih, devedesetih i kroz muziku iz tog perioda oživeti minulu epohu makar na kratko. Takođe je moguće slušati rokenrol, klasičnu muziku, hip hop, tehno ili bilo koju drugu vrstu zvuka za koju se opredelimo. Iako je Youtube internet sajt koji omogućava ljudima da pokažu i vide bilo koji video klip, veliki deo materijala zapravo jeste muzičkog karaktera, te će taj sajt kao takav i biti analiziran u ovom radu. Ideja koja leži iza ovog istraživanja zasniva se na hipotezi da je Youtube kroz svoje decenijsko postojanje uticao na razumevanje, stvaranje i slušanje muzike, što i nastojim da pokažem kroz analizu slučaja beogradskog hora Viva Vox. Naime, posle jedne pesme okačene na Youtube, životni put ovog hora se promenio, te je od lokalnog hora postao svetski poznati fenomen. Analizu Youtube sajta zasnivam pre svega na njegovoj socijalnoj dimenziji što znači da ga posmatram kao važno „mesto“ okupljanja gde se ljudi pod svojim pseudonimima osećaju slobodno da iskažu stav o onome što su čuli, a što zapravo često reflektuje njihov odnos prema svakodnevnom životu.
PB  - Institut za etnologiju i antropologiju, Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd
C3  - Nacionalni naučni skup Antropologija muzike - knjiga apstrakata (ur. Mladen Stajić)
T1  - Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox
EP  - 17
SP  - 17
UR  - https://hdl.handle.net/21.15107/rcub_reff_6297
ER  - 

@conference{
author = "Ajduk, Marija",
year = "2018",
abstract = "Slušanje muzike danas nezamislivo je bez Youtube kanala putem kojih ne samo što možemo doći do željenog zvuka, već i proširiti naša muzička saznanja virtuelnim putovanjima kroz prostor i vreme. Zahvaljujući novim tehnologijama, moguće je uploviti u muzičke svetove šezdesetih, osamdesetih, devedesetih i kroz muziku iz tog perioda oživeti minulu epohu makar na kratko. Takođe je moguće slušati rokenrol, klasičnu muziku, hip hop, tehno ili bilo koju drugu vrstu zvuka za koju se opredelimo. Iako je Youtube internet sajt koji omogućava ljudima da pokažu i vide bilo koji video klip, veliki deo materijala zapravo jeste muzičkog karaktera, te će taj sajt kao takav i biti analiziran u ovom radu. Ideja koja leži iza ovog istraživanja zasniva se na hipotezi da je Youtube kroz svoje decenijsko postojanje uticao na razumevanje, stvaranje i slušanje muzike, što i nastojim da pokažem kroz analizu slučaja beogradskog hora Viva Vox. Naime, posle jedne pesme okačene na Youtube, životni put ovog hora se promenio, te je od lokalnog hora postao svetski poznati fenomen. Analizu Youtube sajta zasnivam pre svega na njegovoj socijalnoj dimenziji što znači da ga posmatram kao važno „mesto“ okupljanja gde se ljudi pod svojim pseudonimima osećaju slobodno da iskažu stav o onome što su čuli, a što zapravo često reflektuje njihov odnos prema svakodnevnom životu.",
publisher = "Institut za etnologiju i antropologiju, Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd",
journal = "Nacionalni naučni skup Antropologija muzike - knjiga apstrakata (ur. Mladen Stajić)",
title = "Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox",
pages = "17-17",
url = "https://hdl.handle.net/21.15107/rcub_reff_6297"
}

Ajduk, M.. (2018). Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox. in Nacionalni naučni skup Antropologija muzike - knjiga apstrakata (ur. Mladen Stajić)
Institut za etnologiju i antropologiju, Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd., 17-17.
https://hdl.handle.net/21.15107/rcub_reff_6297

Ajduk M. Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox. in Nacionalni naučni skup Antropologija muzike - knjiga apstrakata (ur. Mladen Stajić). 2018;:17-17.
https://hdl.handle.net/21.15107/rcub_reff_6297 .

Ajduk, Marija, "Razumevanje, stvaranje i slušanje muzike na internet sajtu YouTube: slučaj hora Viva Vox" in Nacionalni naučni skup Antropologija muzike - knjiga apstrakata (ur. Mladen Stajić) (2018):17-17,
https://hdl.handle.net/21.15107/rcub_reff_6297 .

TY  - CONF
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/5397
AB  - U radu se razmatraju odrednice tradicionalno i moderno kroz sagledavanje njihovog međusobnog odnosa. Primer na kojem nastojim da ukažem na komplementarni, a ne antagonistički odnos ovih koncepata, jeste muzički žanr etno pank. Sam žanr neće biti razmatran u muzičkom niti vrednovan u estetskom smislu, već će biti analiziran kao kulturni fenomen ponikao u vreme kada je sve više moderno biti tradicionalan.
AB  - *is paper is about the notions of traditional and modern perceived through their correlation.
I am using ethno-punk music genre as an example, to point out the complementary and nonantagonistic relationship between those concepts. *e genre itself is not considered in music or
aesthetic sense, but it is analized as a cultural phenomenon that emerged in the times when it is
modern to be traditional.
PB  - Fakultet umetnosti, Univerzitet u Nišu
C3  - Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: zbornik sa naučnog skupa (V nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum, BARTF 2017, Niš, 6-7.oktobar 2017), ur. Danijela Zdravić Mihailović. Niš: Fakultet umetnosti
T1  - Tradicionalno i moderno na primeru muzičkog žanra etno-pank
T1  - Traditional and modern in the example of ethno-punk music genre
EP  - 211
SP  - 201
UR  - https://hdl.handle.net/21.15107/rcub_reff_5397
ER  - 

@conference{
author = "Ajduk, Marija",
year = "2018",
abstract = "U radu se razmatraju odrednice tradicionalno i moderno kroz sagledavanje njihovog međusobnog odnosa. Primer na kojem nastojim da ukažem na komplementarni, a ne antagonistički odnos ovih koncepata, jeste muzički žanr etno pank. Sam žanr neće biti razmatran u muzičkom niti vrednovan u estetskom smislu, već će biti analiziran kao kulturni fenomen ponikao u vreme kada je sve više moderno biti tradicionalan., *is paper is about the notions of traditional and modern perceived through their correlation.
I am using ethno-punk music genre as an example, to point out the complementary and nonantagonistic relationship between those concepts. *e genre itself is not considered in music or
aesthetic sense, but it is analized as a cultural phenomenon that emerged in the times when it is
modern to be traditional.",
publisher = "Fakultet umetnosti, Univerzitet u Nišu",
journal = "Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: zbornik sa naučnog skupa (V nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum, BARTF 2017, Niš, 6-7.oktobar 2017), ur. Danijela Zdravić Mihailović. Niš: Fakultet umetnosti",
title = "Tradicionalno i moderno na primeru muzičkog žanra etno-pank, Traditional and modern in the example of ethno-punk music genre",
pages = "211-201",
url = "https://hdl.handle.net/21.15107/rcub_reff_5397"
}

Ajduk, M.. (2018). Tradicionalno i moderno na primeru muzičkog žanra etno-pank. in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: zbornik sa naučnog skupa (V nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum, BARTF 2017, Niš, 6-7.oktobar 2017), ur. Danijela Zdravić Mihailović. Niš: Fakultet umetnosti
Fakultet umetnosti, Univerzitet u Nišu., 201-211.
https://hdl.handle.net/21.15107/rcub_reff_5397

Ajduk M. Tradicionalno i moderno na primeru muzičkog žanra etno-pank. in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: zbornik sa naučnog skupa (V nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum, BARTF 2017, Niš, 6-7.oktobar 2017), ur. Danijela Zdravić Mihailović. Niš: Fakultet umetnosti. 2018;:201-211.
https://hdl.handle.net/21.15107/rcub_reff_5397 .

Ajduk, Marija, "Tradicionalno i moderno na primeru muzičkog žanra etno-pank" in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: zbornik sa naučnog skupa (V nacionalni naučni skup sa međunarodnim učešćem Balkan Art Forum, BARTF 2017, Niš, 6-7.oktobar 2017), ur. Danijela Zdravić Mihailović. Niš: Fakultet umetnosti (2018):201-211,
https://hdl.handle.net/21.15107/rcub_reff_5397 .

TY  - JOUR
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2661
AB  - Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly. It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip (which does not have to be musical), much of the material is actually of a musical character, so this site as such will be analyzed in this paper. The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade choir Viva Vox. Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to evervday life.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir
EP  - 413
IS  - 2
SP  - 395
VL  - 13
DO  - 10.21301/eap.v13i2.6
ER  - 

@article{
author = "Ajduk, Marija",
year = "2018",
abstract = "Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly. It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip (which does not have to be musical), much of the material is actually of a musical character, so this site as such will be analyzed in this paper. The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade choir Viva Vox. Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to evervday life.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir",
pages = "413-395",
number = "2",
volume = "13",
doi = "10.21301/eap.v13i2.6"
}

Ajduk, M.. (2018). Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(2), 395-413.
https://doi.org/10.21301/eap.v13i2.6

Ajduk M. Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir. in Etnoantropološki problemi. 2018;13(2):395-413.
doi:10.21301/eap.v13i2.6 .

Ajduk, Marija, "Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir" in Etnoantropološki problemi, 13, no. 2 (2018):395-413,
https://doi.org/10.21301/eap.v13i2.6 . .

TY  - JOUR
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2598
AB  - In this paper, the concept of locality is problematised through perceiving the relationship between the global and the local on the example of the new-wave music scene that developed in Yugoslavia at the beginning of the 1980s from the Slovenian perspective. Created initially in London and New York, punk and then new wave sparked the development of an authentic music scene in Yugoslavia. Singing in the local languages and dealing with local themes made these music genres a local musical and cultural phenomenon, which is the underlying thesis of this paper. The theoretical framework in which that thesis is considered is founded on understanding new wave as a cultural phenomenon and the observation of the correlation between the concepts of music and the place through the notion of the music scene. The analysis has shown that new wave can be considered to be a local music phenomenon because an authentic music scene existed during the 1980s, but also that, in that period, punk was present to a greater extent, so, according to the respondents' perception, it is a more significant local marker than new wave.
PB  - Slovene Anthropological Soc, Ljubljana
T2  - Anthropological Notebooks
T1  - An analysis of the concept of locality on the example of Slovenia's new-wave music scene
EP  - 24
IS  - 3
SP  - 5
VL  - 24
UR  - https://hdl.handle.net/21.15107/rcub_reff_2598
ER  - 

@article{
author = "Ajduk, Marija",
year = "2018",
abstract = "In this paper, the concept of locality is problematised through perceiving the relationship between the global and the local on the example of the new-wave music scene that developed in Yugoslavia at the beginning of the 1980s from the Slovenian perspective. Created initially in London and New York, punk and then new wave sparked the development of an authentic music scene in Yugoslavia. Singing in the local languages and dealing with local themes made these music genres a local musical and cultural phenomenon, which is the underlying thesis of this paper. The theoretical framework in which that thesis is considered is founded on understanding new wave as a cultural phenomenon and the observation of the correlation between the concepts of music and the place through the notion of the music scene. The analysis has shown that new wave can be considered to be a local music phenomenon because an authentic music scene existed during the 1980s, but also that, in that period, punk was present to a greater extent, so, according to the respondents' perception, it is a more significant local marker than new wave.",
publisher = "Slovene Anthropological Soc, Ljubljana",
journal = "Anthropological Notebooks",
title = "An analysis of the concept of locality on the example of Slovenia's new-wave music scene",
pages = "24-5",
number = "3",
volume = "24",
url = "https://hdl.handle.net/21.15107/rcub_reff_2598"
}

Ajduk, M.. (2018). An analysis of the concept of locality on the example of Slovenia's new-wave music scene. in Anthropological Notebooks
Slovene Anthropological Soc, Ljubljana., 24(3), 5-24.
https://hdl.handle.net/21.15107/rcub_reff_2598

Ajduk M. An analysis of the concept of locality on the example of Slovenia's new-wave music scene. in Anthropological Notebooks. 2018;24(3):5-24.
https://hdl.handle.net/21.15107/rcub_reff_2598 .

Ajduk, Marija, "An analysis of the concept of locality on the example of Slovenia's new-wave music scene" in Anthropological Notebooks, 24, no. 3 (2018):5-24,
https://hdl.handle.net/21.15107/rcub_reff_2598 .

TY  - JOUR
AU  - Žikić, Bojan
AU  - Milenković, Miloš
AU  - Sinani, Danijel
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2690
AB  - An important feature of the work of one of the most influential science fiction writers of the last century, Philip Kindred Dick, is the manifestation of different experiences of reality by one or more actors - creating an impression among readers that it is possible to speak of several different planes of existence within a single narratively given reference frame. Contrary to other authors who have dealt with this problem, we do not interpret them in terms of parallel or alternative ontologically equal realities, but as ontologically different existential sources, which will, through narrative resolution, in most of Dick's work, pour into one social plane. Without going into the literary and artistic aspects of the work, this analysis reveals its still unrecognized cultural message - socio-onto-logical solipsism, relevant to the understanding of not only the twentieth century but contemporary social utopias as well.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - The Socio-ontological Solipsism in the Work of Philip K. Dick
EP  - 133
IS  - 1
SP  - 111
VL  - 13
DO  - 10.21301/eap.v13i1.6
ER  - 

@article{
author = "Žikić, Bojan and Milenković, Miloš and Sinani, Danijel",
year = "2018",
abstract = "An important feature of the work of one of the most influential science fiction writers of the last century, Philip Kindred Dick, is the manifestation of different experiences of reality by one or more actors - creating an impression among readers that it is possible to speak of several different planes of existence within a single narratively given reference frame. Contrary to other authors who have dealt with this problem, we do not interpret them in terms of parallel or alternative ontologically equal realities, but as ontologically different existential sources, which will, through narrative resolution, in most of Dick's work, pour into one social plane. Without going into the literary and artistic aspects of the work, this analysis reveals its still unrecognized cultural message - socio-onto-logical solipsism, relevant to the understanding of not only the twentieth century but contemporary social utopias as well.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "The Socio-ontological Solipsism in the Work of Philip K. Dick",
pages = "133-111",
number = "1",
volume = "13",
doi = "10.21301/eap.v13i1.6"
}

Žikić, B., Milenković, M.,& Sinani, D.. (2018). The Socio-ontological Solipsism in the Work of Philip K. Dick. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(1), 111-133.
https://doi.org/10.21301/eap.v13i1.6

Žikić B, Milenković M, Sinani D. The Socio-ontological Solipsism in the Work of Philip K. Dick. in Etnoantropološki problemi. 2018;13(1):111-133.
doi:10.21301/eap.v13i1.6 .

Žikić, Bojan, Milenković, Miloš, Sinani, Danijel, "The Socio-ontological Solipsism in the Work of Philip K. Dick" in Etnoantropološki problemi, 13, no. 1 (2018):111-133,
https://doi.org/10.21301/eap.v13i1.6 . .

TY  - JOUR
AU  - Žikić, Bojan
AU  - Sinani, Danijel
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2617
AB  - The subject of work is a value relationship that is established towards the society in the books of the prophet of Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, and Malachi. Their attitude toward the current state of social organization of the Jewish people is negative. They see the social and cultural life as morally bad, where the roots of that evil are in deviation from God's laws given to Moses, and its manifestations are all of those actions that, from an eschatological perspective, lead to punishment, not salvation. We call this relationship a misanthropic one, since it is not a simple view of society as morally distorted, but such distortion is set in a kind of teleological perspective, in which it turns out that given sociability for the prophets is a systematically organized way of human existence contrary to the basic interests of man - life in in accordance with God's laws for salvation.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - A misanthropic view at the societies of the Old Testament in the books of smaller prophets
EP  - 1112
IS  - 4
SP  - 1091
VL  - 13
DO  - 10.21301/eap.v13i4.9
ER  - 

@article{
author = "Žikić, Bojan and Sinani, Danijel",
year = "2018",
abstract = "The subject of work is a value relationship that is established towards the society in the books of the prophet of Hosea, Joel, Amos, Obadiah, Jonah, Micah, Nahum, Habakkuk, Zephaniah, Haggai, and Malachi. Their attitude toward the current state of social organization of the Jewish people is negative. They see the social and cultural life as morally bad, where the roots of that evil are in deviation from God's laws given to Moses, and its manifestations are all of those actions that, from an eschatological perspective, lead to punishment, not salvation. We call this relationship a misanthropic one, since it is not a simple view of society as morally distorted, but such distortion is set in a kind of teleological perspective, in which it turns out that given sociability for the prophets is a systematically organized way of human existence contrary to the basic interests of man - life in in accordance with God's laws for salvation.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "A misanthropic view at the societies of the Old Testament in the books of smaller prophets",
pages = "1112-1091",
number = "4",
volume = "13",
doi = "10.21301/eap.v13i4.9"
}

Žikić, B.,& Sinani, D.. (2018). A misanthropic view at the societies of the Old Testament in the books of smaller prophets. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(4), 1091-1112.
https://doi.org/10.21301/eap.v13i4.9

Žikić B, Sinani D. A misanthropic view at the societies of the Old Testament in the books of smaller prophets. in Etnoantropološki problemi. 2018;13(4):1091-1112.
doi:10.21301/eap.v13i4.9 .

Žikić, Bojan, Sinani, Danijel, "A misanthropic view at the societies of the Old Testament in the books of smaller prophets" in Etnoantropološki problemi, 13, no. 4 (2018):1091-1112,
https://doi.org/10.21301/eap.v13i4.9 . .

TY  - JOUR
AU  - Žikić, Bojan
AU  - Milenković, Miloš
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2668
AB  - The notion of "music" should be viewed as a svnesthetic concept: impressions about it arc not transmitted exclusively through the sense of hearing, but also to the visual perception. The effect of music can be seen as intellectual and emotional, as a relation towards the played or pronounced at the lyrics, but also towards the very appearance or performance of the musicians, to the musical piece performing and so on. In other words, we do not only communicate by playing and listening to music, but also understanding it in terms of cultural and social phenomenon. Those who use the concept of music understood in such away even do not have to be musicians, because socially and culturally understandable and relevant messages can be transmitted through the simple broadcasting of a certain music audio or video recordings, or by taking a stand towards some musical piece. Music represents a medium to expression of a sociocultural otherness in Western civilization, at least from the Middle Agcs, but also represents a way of producing that otherness. By producing of otherness, we mean discovered, namely, conscious and intended individual acts to the use of music as a synesthetic concept for the purpose of transmitting a cultural message about a certain kind of otherness in a given sociocultural context, and which, for immediate reference, takes the sender of such a message. Our aim is to present a mechanism of that producing of otherness in such a way, by considering examples to different types of musical pieces (Rock and Roll, film music, classical music, etc.), different types of otherness (ontological, political, ethnical, etc.) and different sociocultural contexts from closer and further past, as well as from the present.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Music as an instrument of making a sociocultural otherness
EP  - 325
IS  - 2
SP  - 295
VL  - 13
DO  - 10.21301/eap.v13i2.1
ER  - 

@article{
author = "Žikić, Bojan and Milenković, Miloš",
year = "2018",
abstract = "The notion of "music" should be viewed as a svnesthetic concept: impressions about it arc not transmitted exclusively through the sense of hearing, but also to the visual perception. The effect of music can be seen as intellectual and emotional, as a relation towards the played or pronounced at the lyrics, but also towards the very appearance or performance of the musicians, to the musical piece performing and so on. In other words, we do not only communicate by playing and listening to music, but also understanding it in terms of cultural and social phenomenon. Those who use the concept of music understood in such away even do not have to be musicians, because socially and culturally understandable and relevant messages can be transmitted through the simple broadcasting of a certain music audio or video recordings, or by taking a stand towards some musical piece. Music represents a medium to expression of a sociocultural otherness in Western civilization, at least from the Middle Agcs, but also represents a way of producing that otherness. By producing of otherness, we mean discovered, namely, conscious and intended individual acts to the use of music as a synesthetic concept for the purpose of transmitting a cultural message about a certain kind of otherness in a given sociocultural context, and which, for immediate reference, takes the sender of such a message. Our aim is to present a mechanism of that producing of otherness in such a way, by considering examples to different types of musical pieces (Rock and Roll, film music, classical music, etc.), different types of otherness (ontological, political, ethnical, etc.) and different sociocultural contexts from closer and further past, as well as from the present.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Music as an instrument of making a sociocultural otherness",
pages = "325-295",
number = "2",
volume = "13",
doi = "10.21301/eap.v13i2.1"
}

Žikić, B.,& Milenković, M.. (2018). Music as an instrument of making a sociocultural otherness. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(2), 295-325.
https://doi.org/10.21301/eap.v13i2.1

Žikić B, Milenković M. Music as an instrument of making a sociocultural otherness. in Etnoantropološki problemi. 2018;13(2):295-325.
doi:10.21301/eap.v13i2.1 .

Žikić, Bojan, Milenković, Miloš, "Music as an instrument of making a sociocultural otherness" in Etnoantropološki problemi, 13, no. 2 (2018):295-325,
https://doi.org/10.21301/eap.v13i2.1 . .

TY  - JOUR
AU  - Nedeljković, Saša
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2682
AB  - Identities of Krashovani has not so far been the subject of serious and systematic research by sociocultural anthropologists. Therefore, an attempt has been made in this paper to highlight this problem from the position of the mentioned discipline. The change in the manner of Krashovani declaring through history was analyzed, but also the process of constructing their contemporary identity formula at the institutional level, as well as the application and development of identities at the interactive and individual level. In addition to field research, conducted in 2015 and 2016 in Carasova, the material was collected through review of media reports, as well as observing Facebook's accounts.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - From local and regional to national: Construction of Krashovanian identitty in the XXI century
EP  - 82
IS  - 1
SP  - 65
VL  - 13
DO  - 10.21301/eap.v13i1.3
ER  - 

@article{
author = "Nedeljković, Saša",
year = "2018",
abstract = "Identities of Krashovani has not so far been the subject of serious and systematic research by sociocultural anthropologists. Therefore, an attempt has been made in this paper to highlight this problem from the position of the mentioned discipline. The change in the manner of Krashovani declaring through history was analyzed, but also the process of constructing their contemporary identity formula at the institutional level, as well as the application and development of identities at the interactive and individual level. In addition to field research, conducted in 2015 and 2016 in Carasova, the material was collected through review of media reports, as well as observing Facebook's accounts.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "From local and regional to national: Construction of Krashovanian identitty in the XXI century",
pages = "82-65",
number = "1",
volume = "13",
doi = "10.21301/eap.v13i1.3"
}

Nedeljković, S.. (2018). From local and regional to national: Construction of Krashovanian identitty in the XXI century. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(1), 65-82.
https://doi.org/10.21301/eap.v13i1.3

Nedeljković S. From local and regional to national: Construction of Krashovanian identitty in the XXI century. in Etnoantropološki problemi. 2018;13(1):65-82.
doi:10.21301/eap.v13i1.3 .

Nedeljković, Saša, "From local and regional to national: Construction of Krashovanian identitty in the XXI century" in Etnoantropološki problemi, 13, no. 1 (2018):65-82,
https://doi.org/10.21301/eap.v13i1.3 . .

TY  - CONF
AU  - Ajduk, Marija
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/6305
AB  - U radu se razmatraju odrednice tradicionalno i moderno kroz sagledavanje njihovog međusobnog odnosa. Primer na kojem nastojim da ukažem na komplementarni, a ne antagonistički odnos ovih koncepata, jeste muzički žanr etno-pank. Sam žanr neće biti razmatran u muzičkom niti vrednovan u estetskom smislu već će biti analiziran kao kulturni fenomen ponikao u vreme kada je sve više moderno biti tradicionalan.
PB  - Fakultet umetnosti, Univerzitet u Nišu
C3  - Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: knjiga apstrakata
T1  - Tradicionalno i moderno na primeru muzičkog žanra etno-pank
T1  - Traditional and Modern in the Example of Ethno-Punk Music Genre
EP  - 39
SP  - 38
UR  - https://hdl.handle.net/21.15107/rcub_reff_6305
ER  - 

@conference{
author = "Ajduk, Marija",
year = "2017",
abstract = "U radu se razmatraju odrednice tradicionalno i moderno kroz sagledavanje njihovog međusobnog odnosa. Primer na kojem nastojim da ukažem na komplementarni, a ne antagonistički odnos ovih koncepata, jeste muzički žanr etno-pank. Sam žanr neće biti razmatran u muzičkom niti vrednovan u estetskom smislu već će biti analiziran kao kulturni fenomen ponikao u vreme kada je sve više moderno biti tradicionalan.",
publisher = "Fakultet umetnosti, Univerzitet u Nišu",
journal = "Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: knjiga apstrakata",
title = "Tradicionalno i moderno na primeru muzičkog žanra etno-pank, Traditional and Modern in the Example of Ethno-Punk Music Genre",
pages = "39-38",
url = "https://hdl.handle.net/21.15107/rcub_reff_6305"
}

Ajduk, M.. (2017). Tradicionalno i moderno na primeru muzičkog žanra etno-pank. in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: knjiga apstrakata
Fakultet umetnosti, Univerzitet u Nišu., 38-39.
https://hdl.handle.net/21.15107/rcub_reff_6305

Ajduk M. Tradicionalno i moderno na primeru muzičkog žanra etno-pank. in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: knjiga apstrakata. 2017;:38-39.
https://hdl.handle.net/21.15107/rcub_reff_6305 .

Ajduk, Marija, "Tradicionalno i moderno na primeru muzičkog žanra etno-pank" in Umetnost i kultura danas: umetničko nasleđe, savremeno stvaralaštvo i obrazovanje ukusa: knjiga apstrakata (2017):38-39,
https://hdl.handle.net/21.15107/rcub_reff_6305 .

TY  - JOUR
AU  - Naumović, Slobodan
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2345
AB  - The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert Rosenstone) in order to develop a suitable framework for an encompassing anthropology of one specific film - Enclave (2015, 92 mins) by Goran Radovanovic. The aim is to achieve a more complete understanding of the author's actions through which the logic of this "contemporary historical film", a film that deals with, history which is still ongoing" practically influences the viewers of the film. Specifically, the paper attempts a precise uncovering of the way in which Radovanovic's audio-visual story of the painstaking rise of a friendship between an Albanian and a Serbian boy in an enclave in Kosovo struggles with, resists, but simultaneously blends with the knowledge, expectations and memories carried by those who had the opportunity to view the film, including, foremost, the author of this essay. In a nutshell, the key question addressed by the essay is how, or rather, why certain films become meaningful in the lives of those who watched them, or, as Stanley Cavell would put it, what are the reasons of one's own (or anyone else's) understanding of a specific film, such as it is?
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work
EP  - 1062
IS  - 4
SP  - 1013
VL  - 12
DO  - 10.21301/eap.v12I4.3
ER  - 

@article{
author = "Naumović, Slobodan",
year = "2017",
abstract = "The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert Rosenstone) in order to develop a suitable framework for an encompassing anthropology of one specific film - Enclave (2015, 92 mins) by Goran Radovanovic. The aim is to achieve a more complete understanding of the author's actions through which the logic of this "contemporary historical film", a film that deals with, history which is still ongoing" practically influences the viewers of the film. Specifically, the paper attempts a precise uncovering of the way in which Radovanovic's audio-visual story of the painstaking rise of a friendship between an Albanian and a Serbian boy in an enclave in Kosovo struggles with, resists, but simultaneously blends with the knowledge, expectations and memories carried by those who had the opportunity to view the film, including, foremost, the author of this essay. In a nutshell, the key question addressed by the essay is how, or rather, why certain films become meaningful in the lives of those who watched them, or, as Stanley Cavell would put it, what are the reasons of one's own (or anyone else's) understanding of a specific film, such as it is?",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work",
pages = "1062-1013",
number = "4",
volume = "12",
doi = "10.21301/eap.v12I4.3"
}

Naumović, S.. (2017). An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 12(4), 1013-1062.
https://doi.org/10.21301/eap.v12I4.3

Naumović S. An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work. in Etnoantropološki problemi. 2017;12(4):1013-1062.
doi:10.21301/eap.v12I4.3 .

Naumović, Slobodan, "An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work" in Etnoantropološki problemi, 12, no. 4 (2017):1013-1062,
https://doi.org/10.21301/eap.v12I4.3 . .

TY  - JOUR
AU  - Radulović, Lidija B.
AU  - Erdei, Ildiko
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/4255
AB  - Rijaliti šou „Veliki brat“ predstavlja metaforu transformacije savremenih medija u pravcu njihove komercijalizacije i primata koji se daje zabavi u odnosu na klasične informativne i obrazovne sadržaje, što se u Srbiji dešava u kontekstu post-so-cijalističke transformacije. Hiperkomercijalni karakter VB je proizvod delovanja nove rukovodeće ideje u medijskoj sferi, a to je da se njihova uspešnost meri isključivo prema kriterijumu gledanosti. U svim verzijama Velikog brata („obični“ i VIP), okosnicu rija-liti programa čine dva elementa: fenomen nadzora i princip komercijalnosti programa. U ovom radu želele smo da te dve teme – nadzor i komercijalizaciju – povežemo kroz koncepte „panoptikona“/„sinoptikona“ i „gledanosti“, pokazujući u analizi da novo-ustoličeni kriterijum „gledanosti“ direktno zavisi od situacije u kojoj se nalaze gledaoci ovog rijaliti formata, situacije u kojoj „njih mnogo gleda i odlučuje o sudbini njih malo“. Analiziraćemo načine na koji se nastoji uticati na gledanost u samoj proizvodnji rijaliti-ja, kroz intervencije i usmeravanje radnje koje vrši produkcijski tim, ali i recepciju rija-litija na specijalizovanim forumima. U ovom drugom slučaju, sprovedena je netografijarecepcije VIP VB 2013, uzimajući u obzir diskusije na forumu i praćenje video snimaka na jutjubu. Na osnovu toga izdvojile smo najgledanije momente u rijalitiju, i sagledale razloge zbog kojih su pojedini događaji i/ili njihovi akteri zavredeli posebnu pažnju među gledaocima, povećavajući gledanost rijalitija, ali i multiplicirajući komercijalni efekat kroz učešće gledalaca na različitim medijskim platformama (sajtovi, forumi, in-ternet glasanje i sl.).
AB  - The reality show “Big Brother” represents a metaphor for the transformation
of contemporary media toward its commercialization and the primate which is
given to entertainment as opposed to classic informative and educational content, which, in Serbia, takes place in the context of post-socialist transformation.
The hyper commercialized character of “Big Brother” is the product of a new
guiding idea in the media sphere, which is to measure success only on the criteria of ratings. In all versions of “Big Brother” (the “ordinary” as well as VIP),
the framework of the reality show is made up of two elements: the phenomenon
of surveillance and the commercial principle of the programme. In this paper
we wanted to take these two themes – surveillance and commercialization – and
connect them through the concepts of the “panopticon”/”synopticon” and “ratings”. In the analysis and discussion we will show that the newfangled criteria
of “ratings” is directly dependent on the situation in which the viewers of the reality format find themselves, situations in which “many view and decide on the
fate of the few”. We will analyze the ways in which the very production of the
reality show is geared toward influencing the ratings, through interventions and
the direction done by the production team, but also the reception of the show in
specialized forums. In the second case, a netography of the reception of VIP BB
2013 was undertaken, taking into account the discussions in the forum and the
monitoring of YouTube videos. Based on this, we singled out the most viewed
moments in the reality show, and considered the reasons why certain events and/
or actors who participated in them garnered special attention among viewers,
thus increasing the ratings of the show, but also multiplicating the commercial
effect through the participation of viewers through different media platforms
(websites, forums, online votes etc.)
AB  - L’émission de téléréalité “Big Brother” est une métaphore de la transforma-tion des médias contemporains par leur commercialisation et par le primat don-né aux loisirs par rapport à des contenus informatifs et éducatifs classiques; en Serbie une telle transformation a effectivement lieu dans un contexte de trans-formation postsocialiste. Le caractère hyper-commercial de Big Brother est le produit de l’impact de la nouvelle idée dominante dans la sphère médiatique, qui est que leur réussite se mesure exclusivement selon le critère de l’audience. Dans toutes les versions de Big Brother (“ordinaires” et VIP), deux éléments sont à la base du programme de téléréalité: le phénomène de la supervision et le principe de la commercialité du programme. Dans cette étude nous avons voulu associer ces deux thèmes – la supervision et la commercialisation – à travers les concepts de “panoptique”/“synoptique“ et “audience”, montrant dans l’analyse et la discussion que le critère nouvellement instauré d’“audience” dépend di-rectement de la situation dans laquelle se trouvent les spectateurs de ce format de téléréalité, la situation dans laquelle “beaucoup regardent et peu décident du sort”. Nous analyserons les manières dont on s’efforce d’influencer l’audience dans la production même des réalités, à travers des interventions et le guidage de l’action qu’effectue l’équipe de production, mais aussi la réception des télé-réalités dans des forums spécialisés. Dans ce deuxième cas, une webographie de la réception VIP de Big Brother 2013 a été effectuée, prenant en compte les dis-cussions sur le forum et le suivi des enregistrements vidéo sur Youtube. C’est en nous appuyant là-dessus que nous avons distingué les moments les plus regardés de la téléréalité, et analysé les raisons pour lesquelles certains événements et/ou leurs acteurs ont mérité une attention particulière auprès des spectateurs, accroissant l’audience des téléréalités, mais multipliant aussi l’effet commercial à travers la participation des spectateurs sur différentes plateformes médiatiques (sites, forums, votes sur internet etc.).
PB  - Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd
T2  - Etnoantropološki problemi
T1  - “Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu
T1  - “Big Brother is watching you”/”You are watching Big Brother”. The phenomenon of (over)watching and the imperative of ratings on a reality show
T1  - “Big Brother vous regarde”/“Vous regardez Big Brother”. Phénomène de (super)vision et impératif d’audience dans un programme de téléréalité
EP  - 50
SP  - 19
DO  - 0.21301/EAP.V12I1.1
ER  - 

@article{
author = "Radulović, Lidija B. and Erdei, Ildiko",
year = "2017",
abstract = "Rijaliti šou „Veliki brat“ predstavlja metaforu transformacije savremenih medija u pravcu njihove komercijalizacije i primata koji se daje zabavi u odnosu na klasične informativne i obrazovne sadržaje, što se u Srbiji dešava u kontekstu post-so-cijalističke transformacije. Hiperkomercijalni karakter VB je proizvod delovanja nove rukovodeće ideje u medijskoj sferi, a to je da se njihova uspešnost meri isključivo prema kriterijumu gledanosti. U svim verzijama Velikog brata („obični“ i VIP), okosnicu rija-liti programa čine dva elementa: fenomen nadzora i princip komercijalnosti programa. U ovom radu želele smo da te dve teme – nadzor i komercijalizaciju – povežemo kroz koncepte „panoptikona“/„sinoptikona“ i „gledanosti“, pokazujući u analizi da novo-ustoličeni kriterijum „gledanosti“ direktno zavisi od situacije u kojoj se nalaze gledaoci ovog rijaliti formata, situacije u kojoj „njih mnogo gleda i odlučuje o sudbini njih malo“. Analiziraćemo načine na koji se nastoji uticati na gledanost u samoj proizvodnji rijaliti-ja, kroz intervencije i usmeravanje radnje koje vrši produkcijski tim, ali i recepciju rija-litija na specijalizovanim forumima. U ovom drugom slučaju, sprovedena je netografijarecepcije VIP VB 2013, uzimajući u obzir diskusije na forumu i praćenje video snimaka na jutjubu. Na osnovu toga izdvojile smo najgledanije momente u rijalitiju, i sagledale razloge zbog kojih su pojedini događaji i/ili njihovi akteri zavredeli posebnu pažnju među gledaocima, povećavajući gledanost rijalitija, ali i multiplicirajući komercijalni efekat kroz učešće gledalaca na različitim medijskim platformama (sajtovi, forumi, in-ternet glasanje i sl.)., The reality show “Big Brother” represents a metaphor for the transformation
of contemporary media toward its commercialization and the primate which is
given to entertainment as opposed to classic informative and educational content, which, in Serbia, takes place in the context of post-socialist transformation.
The hyper commercialized character of “Big Brother” is the product of a new
guiding idea in the media sphere, which is to measure success only on the criteria of ratings. In all versions of “Big Brother” (the “ordinary” as well as VIP),
the framework of the reality show is made up of two elements: the phenomenon
of surveillance and the commercial principle of the programme. In this paper
we wanted to take these two themes – surveillance and commercialization – and
connect them through the concepts of the “panopticon”/”synopticon” and “ratings”. In the analysis and discussion we will show that the newfangled criteria
of “ratings” is directly dependent on the situation in which the viewers of the reality format find themselves, situations in which “many view and decide on the
fate of the few”. We will analyze the ways in which the very production of the
reality show is geared toward influencing the ratings, through interventions and
the direction done by the production team, but also the reception of the show in
specialized forums. In the second case, a netography of the reception of VIP BB
2013 was undertaken, taking into account the discussions in the forum and the
monitoring of YouTube videos. Based on this, we singled out the most viewed
moments in the reality show, and considered the reasons why certain events and/
or actors who participated in them garnered special attention among viewers,
thus increasing the ratings of the show, but also multiplicating the commercial
effect through the participation of viewers through different media platforms
(websites, forums, online votes etc.), L’émission de téléréalité “Big Brother” est une métaphore de la transforma-tion des médias contemporains par leur commercialisation et par le primat don-né aux loisirs par rapport à des contenus informatifs et éducatifs classiques; en Serbie une telle transformation a effectivement lieu dans un contexte de trans-formation postsocialiste. Le caractère hyper-commercial de Big Brother est le produit de l’impact de la nouvelle idée dominante dans la sphère médiatique, qui est que leur réussite se mesure exclusivement selon le critère de l’audience. Dans toutes les versions de Big Brother (“ordinaires” et VIP), deux éléments sont à la base du programme de téléréalité: le phénomène de la supervision et le principe de la commercialité du programme. Dans cette étude nous avons voulu associer ces deux thèmes – la supervision et la commercialisation – à travers les concepts de “panoptique”/“synoptique“ et “audience”, montrant dans l’analyse et la discussion que le critère nouvellement instauré d’“audience” dépend di-rectement de la situation dans laquelle se trouvent les spectateurs de ce format de téléréalité, la situation dans laquelle “beaucoup regardent et peu décident du sort”. Nous analyserons les manières dont on s’efforce d’influencer l’audience dans la production même des réalités, à travers des interventions et le guidage de l’action qu’effectue l’équipe de production, mais aussi la réception des télé-réalités dans des forums spécialisés. Dans ce deuxième cas, une webographie de la réception VIP de Big Brother 2013 a été effectuée, prenant en compte les dis-cussions sur le forum et le suivi des enregistrements vidéo sur Youtube. C’est en nous appuyant là-dessus que nous avons distingué les moments les plus regardés de la téléréalité, et analysé les raisons pour lesquelles certains événements et/ou leurs acteurs ont mérité une attention particulière auprès des spectateurs, accroissant l’audience des téléréalités, mais multipliant aussi l’effet commercial à travers la participation des spectateurs sur différentes plateformes médiatiques (sites, forums, votes sur internet etc.).",
publisher = "Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd",
journal = "Etnoantropološki problemi",
title = "“Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu, “Big Brother is watching you”/”You are watching Big Brother”. The phenomenon of (over)watching and the imperative of ratings on a reality show, “Big Brother vous regarde”/“Vous regardez Big Brother”. Phénomène de (super)vision et impératif d’audience dans un programme de téléréalité",
pages = "50-19",
doi = "0.21301/EAP.V12I1.1"
}

Radulović, L. B.,& Erdei, I.. (2017). “Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu. in Etnoantropološki problemi
Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd., 19-50.
https://doi.org/0.21301/EAP.V12I1.1

Radulović LB, Erdei I. “Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu. in Etnoantropološki problemi. 2017;:19-50.
doi:0.21301/EAP.V12I1.1 .

Radulović, Lidija B., Erdei, Ildiko, "“Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu" in Etnoantropološki problemi (2017):19-50,
https://doi.org/0.21301/EAP.V12I1.1 . .

TY  - JOUR
AU  - Radulović, Lidija B.
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2329
AB  - Serbian ethnology and anthropology is missing papers on folk belief and magic practices on black and white magic. This paper problematizes research on Vlach magic as an authentic and archaic culture of the ethnic Vlachs in North-Eastern Serbia. The first part of the paper deals with theoretical concepts of magic, while the second presents the results of research on the relationship between young people in Bor towards Vlach magic, as part of traditional folk religion and archaic cultural heritage which is still relevant today.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor
EP  - 1176
IS  - 4
SP  - 1153
VL  - 12
DO  - 10.21301/eap.v12i4.8
ER  - 

@article{
author = "Radulović, Lidija B.",
year = "2017",
abstract = "Serbian ethnology and anthropology is missing papers on folk belief and magic practices on black and white magic. This paper problematizes research on Vlach magic as an authentic and archaic culture of the ethnic Vlachs in North-Eastern Serbia. The first part of the paper deals with theoretical concepts of magic, while the second presents the results of research on the relationship between young people in Bor towards Vlach magic, as part of traditional folk religion and archaic cultural heritage which is still relevant today.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor",
pages = "1176-1153",
number = "4",
volume = "12",
doi = "10.21301/eap.v12i4.8"
}

Radulović, L. B.. (2017). Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 12(4), 1153-1176.
https://doi.org/10.21301/eap.v12i4.8

Radulović LB. Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor. in Etnoantropološki problemi. 2017;12(4):1153-1176.
doi:10.21301/eap.v12i4.8 .

Radulović, Lidija B., "Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor" in Etnoantropološki problemi, 12, no. 4 (2017):1153-1176,
https://doi.org/10.21301/eap.v12i4.8 . .