Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory
Апстракт
The process of establishing a common Yugoslav identity saw the development of cultural cooperation between Serbia and Slovenia. The foundations of Serbo-Slovenian cultural and political cooperation were based on the historic association between Vuk Stefanoviæ Karadžiæ and Jernej Kopitar. This led to the organization of a joint funeral spectacle, which saw the transfer of their bodies from Vienna to Belgrade and Ljubljana in 1897. The significance of the repatriation of Kopitar and Vuk Karadžiæ's remains from Vienna to Ljubljana and Belgrade is multifold. This event represents the first joint Serbian-Slovenian public political action, which also constructed a common South Slavic-Yugoslav identity. On the other hand, the repatriation of Kopitar and Vuk Karadžiæ's remains shows and confirms the connection between funerary culture and public monuments.
Кључне речи:
Yugoslavism / Vuk Karadžiæ / Slovenska matica / Serbian royal academy / Navje / Jernej Kopitar / Funeral spectacle / Culture of memory / Cathedral Church in BelgradeИзвор:
Acta Historiae Artis Slovenica, 2013, 18, 1, 89-105Издавач:
- ZRC SAZU, Zalozba ZRC
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Makuljević, Nenad PY - 2013 UR - http://reff.f.bg.ac.rs/handle/123456789/1739 AB - The process of establishing a common Yugoslav identity saw the development of cultural cooperation between Serbia and Slovenia. The foundations of Serbo-Slovenian cultural and political cooperation were based on the historic association between Vuk Stefanoviæ Karadžiæ and Jernej Kopitar. This led to the organization of a joint funeral spectacle, which saw the transfer of their bodies from Vienna to Belgrade and Ljubljana in 1897. The significance of the repatriation of Kopitar and Vuk Karadžiæ's remains from Vienna to Ljubljana and Belgrade is multifold. This event represents the first joint Serbian-Slovenian public political action, which also constructed a common South Slavic-Yugoslav identity. On the other hand, the repatriation of Kopitar and Vuk Karadžiæ's remains shows and confirms the connection between funerary culture and public monuments. PB - ZRC SAZU, Zalozba ZRC T2 - Acta Historiae Artis Slovenica T1 - Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory EP - 105 IS - 1 SP - 89 VL - 18 UR - https://hdl.handle.net/21.15107/rcub_reff_1739 ER -
@article{ author = "Makuljević, Nenad", year = "2013", abstract = "The process of establishing a common Yugoslav identity saw the development of cultural cooperation between Serbia and Slovenia. The foundations of Serbo-Slovenian cultural and political cooperation were based on the historic association between Vuk Stefanoviæ Karadžiæ and Jernej Kopitar. This led to the organization of a joint funeral spectacle, which saw the transfer of their bodies from Vienna to Belgrade and Ljubljana in 1897. The significance of the repatriation of Kopitar and Vuk Karadžiæ's remains from Vienna to Ljubljana and Belgrade is multifold. This event represents the first joint Serbian-Slovenian public political action, which also constructed a common South Slavic-Yugoslav identity. On the other hand, the repatriation of Kopitar and Vuk Karadžiæ's remains shows and confirms the connection between funerary culture and public monuments.", publisher = "ZRC SAZU, Zalozba ZRC", journal = "Acta Historiae Artis Slovenica", title = "Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory", pages = "105-89", number = "1", volume = "18", url = "https://hdl.handle.net/21.15107/rcub_reff_1739" }
Makuljević, N.. (2013). Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory. in Acta Historiae Artis Slovenica ZRC SAZU, Zalozba ZRC., 18(1), 89-105. https://hdl.handle.net/21.15107/rcub_reff_1739
Makuljević N. Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory. in Acta Historiae Artis Slovenica. 2013;18(1):89-105. https://hdl.handle.net/21.15107/rcub_reff_1739 .
Makuljević, Nenad, "Funeral culture and public monuments: Jernej Kopitar, Vuk Karadžiá and creating a common Serbo-Slovenian culture of memory" in Acta Historiae Artis Slovenica, 18, no. 1 (2013):89-105, https://hdl.handle.net/21.15107/rcub_reff_1739 .