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dc.creatorRepajić, Milena
dc.date.accessioned2021-10-12T12:03:42Z
dc.date.available2021-10-12T12:03:42Z
dc.date.issued2015
dc.identifier.issn0584-9888
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/1912
dc.description.abstractThe paper deals with the problem of genres and methodological digressions in the sixth book of Michael Psellos' Chronographia, in the context of contemporary genre theories. Conventional opinions about author's motives for composing digressions about genre and about the complex argument he leaves for interpretation of his own text will be questioned. The main thesis is that the genre-play within history - primarily the use of drama and encomium - has a role in depicting the ironic portrait of the emperor Constantine IX Monomachos.en
dc.publisherSrpska akademija nauka i umetnosti SANU - Vizantološki institut, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177015/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/
dc.sourceZbornik radova Vizantološkog instituta
dc.subjectrhetoricen
dc.subjectMichael Psellosen
dc.subjectironyen
dc.subjecthorizon of expectationsen
dc.subjecthistoryen
dc.subjectgenreen
dc.subjectdramaen
dc.subjectConstantine IX Monomachosen
dc.titleGenre in the function of irony: literary revnge of michael psellosen
dc.typearticle
dc.rights.licenseBY-NC
dc.citation.epage89
dc.citation.issue52
dc.citation.other(52): 57-89
dc.citation.rankM23
dc.citation.spage57
dc.identifier.doi10.2298/ZRVI1552057R
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/749/1909.pdf
dc.identifier.wos000376388700004
dc.type.versionpublishedVersion


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