The painted program in the dome of the Church of St. George in Dobrilovina
Апстракт
The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified Liturgy and the figures of some Old Testament characters represented in the drum of the dome have no known parallels in the dome programs of Post-Byzantine monuments in the area of the Patriarchate of Pee. A troparion dedicated to the patron saint of the church was inscribed in the ring of the dome, which also bears evidence to the learnedness of the creator of this fresco ensemble, an important source for the research of Serbian wall paintings from the period after the restoration of the Patriarchate of Pec.
Кључне речи:
troparion for St. George / seventeenth century Serbian wall paintings / prophets / Presanctified Liturgy / dome / Dobilovina MonasteryИзвор:
Zograf, 2018, 42, 209-229Издавач:
- Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Финансирање / пројекти:
- Српска средњовековна уметност и њен европски контекст (RS-MESTD-Basic Research (BR or ON)-177036)
DOI: 10.2298/ZOG1842209M
ISSN: 0350-1361
WoS: 000511092200013
Scopus: 2-s2.0-85095821802
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Marković, Marijana AU - Stevanović, Bojana PY - 2018 UR - http://reff.f.bg.ac.rs/handle/123456789/2600 AB - The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified Liturgy and the figures of some Old Testament characters represented in the drum of the dome have no known parallels in the dome programs of Post-Byzantine monuments in the area of the Patriarchate of Pee. A troparion dedicated to the patron saint of the church was inscribed in the ring of the dome, which also bears evidence to the learnedness of the creator of this fresco ensemble, an important source for the research of Serbian wall paintings from the period after the restoration of the Patriarchate of Pec. PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd T2 - Zograf T1 - The painted program in the dome of the Church of St. George in Dobrilovina EP - 229 SP - 209 VL - 42 DO - 10.2298/ZOG1842209M ER -
@article{ author = "Marković, Marijana and Stevanović, Bojana", year = "2018", abstract = "The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified Liturgy and the figures of some Old Testament characters represented in the drum of the dome have no known parallels in the dome programs of Post-Byzantine monuments in the area of the Patriarchate of Pee. A troparion dedicated to the patron saint of the church was inscribed in the ring of the dome, which also bears evidence to the learnedness of the creator of this fresco ensemble, an important source for the research of Serbian wall paintings from the period after the restoration of the Patriarchate of Pec.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd", journal = "Zograf", title = "The painted program in the dome of the Church of St. George in Dobrilovina", pages = "229-209", volume = "42", doi = "10.2298/ZOG1842209M" }
Marković, M.,& Stevanović, B.. (2018). The painted program in the dome of the Church of St. George in Dobrilovina. in Zograf Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 42, 209-229. https://doi.org/10.2298/ZOG1842209M
Marković M, Stevanović B. The painted program in the dome of the Church of St. George in Dobrilovina. in Zograf. 2018;42:209-229. doi:10.2298/ZOG1842209M .
Marković, Marijana, Stevanović, Bojana, "The painted program in the dome of the Church of St. George in Dobrilovina" in Zograf, 42 (2018):209-229, https://doi.org/10.2298/ZOG1842209M . .