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The Spatial and Programmatic Context of the Noble Portraits: Byzantium-Serbia-Bulgaria
(The Serbian National Committee of Byzantine Studies, 08-2016)
The portraits of mediaeval nobility were located in various parts of the interior of Byzantine,
Bulgarian and Serbian churches, most frequently the naos or narthex. Very oten such portraits
were also placed on church ...
Зидно сликарство градачког католикона. Попис фресака и запажања о појединим програмским особеностима / Les peintures murales du catholicon du monastère de Gradac. Répertoire des fresques et observations sur les particularités de certaines représentations
(Институт за историју уметности, Филозофски факултет Универзитета у Београду, 2012)
У раду је изложен иконографски програм фресака Благовештенске цркве манастира Градца, идентификовани су неки до сад непрепознати делови живописа, објављени сачувани натписи на фрескама, као и текстови
на свицима архијереја ...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
Et in Patria ego: Medieval monuments in travelogues from Serbia from the beginning of the 19th century
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The paper analyzes writings on medieval monuments in Serbia noted in a number of literary essays written after the Second Serbian uprising. Seeing as in prior historiographical accounts these data on Serbian antiques were ...
Newly discovered portraits of rulers and the dating of the oldest frescoes in Lipljan
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
On the facade of the church of the Presentation of the Virgin, in Lipljan, the damaged depictions of two rulers were discovered under a more recent layer of fresco mortar. The depictions can be identified as portraits of ...
Literarno tumačenje likovnog dela - primeri iz metodologije Srpske istorije umetnosti prve polovine 20. veka / Literary interpretation of a painting: Examples from the methodology of Serbian art history in the first half of the 20th century
(Univerzitet u Kragujevcu - Filološko-umetnički fakultet, Kragujevac, 2011)
U radu se prepoznaju i klasifikuju primeri (ostataka) literarnog tumačenja umetnosti u okvirima novoformirane istorije umetnosti kao nauke. Razmatra se zašto svaki naučnik koji uvodi novi metod ove nauke istovremeno nastavlja ...
Critical regionalism in the work of architect Branislav Mitrovic
(Matica srpska, Novi Sad, 2019)
In the Serbian architecture from the end of the twentieth and at the beginning of the twenty-first century, Branislav Mitrovic (1948) distinguished himself as the most successful author of the whole orientation, as opponent ...
About typology and meaning of the Serbian public architectural monuments (19-20th centuries)
(Matica srpska, Novi Sad, 2017)
During the last two centuries in the wider Balkan region a wide variety of Serbian public monuments and memorials were raised. Different by their form and function, they show the status of culture of memory that induced ...
Novija srpska arhitektura i njena publika / Newer Serbian architecture and its audience
(Matica srpska, Novi Sad, 2011)
U ovom preglednom članku retrospektivno se razmatraju glavni pravci razvoja srpske arhitekture od početka XVIII do kraja XX veka, kao i vidovi njihove društvene recepcije. Problematizuju se polazišna idejna, tehnička, ...
Globalizacija kao restriktivna kulturna praksa i elementi njene predistorije u srpskoj arhitekturi / Globalisation as restrictive cultural practice and elements of its prehistory in Serbian architecture
(Zavod za zaštitu spomenika kulture grada Beograda, Beograd, 2019)
Kao sveprožimajuća sociokulturna paradigma koja svet pretvara u jedno mesto smanjujući razlike, na srpsku arhitekturu globalizacija utiče dvojako: kao komunikacijski podsticajna transkulturalna ideologija i tržišnim ...