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Second World War monuments in Yugoslavia as witnesses of the past and the future
(Routledge Journals, Taylor & Francis Ltd, Abingdon, 2016)
Memorializing the victims of the Second World War was an important part of the cultural and political propaganda in the socialist Yugoslavia. The heroes and the victims of war were remembered through numerous memorials, ...
Илустрација у служби обнове средњовековља : топографско-историјски прикази из Византијских споменика по Србији Феликса Каницa / The medieval revival and historical topographic representations in The Byzantine monuments of Serbia by Felix Kanitz
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
Дело Феликса Каница Serbiens byzantinische Mоnumente.
Gezeichnet und beschrieben von F. Kanitz [Византијски
споменици по Србији. Нацртао и описао Ф. Каниц] из
1862. године, обjaвљено на немачком и српском језику,
није ...
The lost traces of the frescoes on the western frontage of the ascension Church in Žiča
(Srpska akademija nauka i umetnosti SANU - Vizantološki institut, Beograd, 2013)
On the lower layer of the façade mortar that once covered the western
frontage of the Žiča katholikon, traces were registered of the figure of an
archangel (the western face of the tower) and parts of ornamental friezes
...
Observations on the oldest known icons of the Monastery of King Marko (I): The issue of the patronage of Helena Dragas and the inscription on the shield of St Demetrios
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2013)
The paper refutes the assumption of Peter Miljkovie-Pepek that the oldest icons in the treasury of Monastery of King Marko were painted between 1395 and 1405, as a gift the Byzantine empress Helena Dragas made to the ...
A note on two unpublised Coptic extiles from Belgrade
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
This text presents to the academic public two so-far unpublished pieces from the collection of Coptic textiles housed at the Museum of Applied Art in Belgrade. The aim of this text is to identify the motifs represented on ...
The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early ...
On the attempts to locate the “inhabited cities” of porphyrogennetos’ Pagania a historiographic overview with special reference to controversial issues
(Srpska akademija nauka i umetnosti SANU - Vizantološki institut, Beograd, 2013)
In this paper there was made an attempt at determining more precisely the
location of the four “inhabited cities” (κάστρα οíκούμενα) of Pagania,
mentioned in the De administrando imperio of Constantine Porphyrogennetos:
...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
The iconostasis in Decani - the original painted programme and subsequent changes
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted ...
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In the katholikon of the monastery of Praskvica there are remains of two
layers of post-Byzantine wall-painting: the earlier, from the third quarter
of the sixteenth century, and later, from the first half of the ...