Space Crisis: Encounter in the Museum Building or Online?
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
After witnessing a huge turnaround in the wider social context in the previous period, it seems that the question of the future of museums in the digital environment has begun to take on a very optimistic tone full of potential. There is a growing visibility of these heritage institutions on social networks and an increasingly diverse offer of virtual tours, as well as the use of modern virtual and augmented reality technologies in the interpretation and presentation of cultural heritage, while some works of art and collections are created exclusively for cyberspace. Nevertheless, the museum as a meeting place still seems irreplaceable. At a time of isolation, growing loneliness and fears, studies on the emotions of visitors during their stay in the museum in the last few years show that real, physical spaces of the museum encourage constructive attitudes. Encounters with other visitors as well as with the exhibited artifacts especially prove to be important for positive feelings and t...he need to visit the museum. We will issue these theoretical premises on selected examples and examine whether modern technologies serve as additional tools of promotion and other possible ways of presenting museum content or, oppositely, whether social media and NFT galleries manage to overcome the need for the museum itself as a place of physical encounter.
Ključne reči:
museum space / Wunderkammer / digital art / wellbeing / heterotopiaIzvor:
INSAM Journal of Contemporary Music, Art and Technology, 2022, 9, 74-87Izdavač:
- Institute for Contemporary Artistic Music, Sarajevo
Finansiranje / projekti:
- “Man and Society in Times of Crisis – Cultural Heritage in Times of Crisis: Heritological and Architectural Aspect” supported by the Faculty of Philosophy, University of Belgrade
Institucija/grupa
Istorija umetnosti / History of ArtTY - JOUR AU - Jokanović, Milena B. PY - 2022 UR - http://reff.f.bg.ac.rs/handle/123456789/4077 AB - After witnessing a huge turnaround in the wider social context in the previous period, it seems that the question of the future of museums in the digital environment has begun to take on a very optimistic tone full of potential. There is a growing visibility of these heritage institutions on social networks and an increasingly diverse offer of virtual tours, as well as the use of modern virtual and augmented reality technologies in the interpretation and presentation of cultural heritage, while some works of art and collections are created exclusively for cyberspace. Nevertheless, the museum as a meeting place still seems irreplaceable. At a time of isolation, growing loneliness and fears, studies on the emotions of visitors during their stay in the museum in the last few years show that real, physical spaces of the museum encourage constructive attitudes. Encounters with other visitors as well as with the exhibited artifacts especially prove to be important for positive feelings and the need to visit the museum. We will issue these theoretical premises on selected examples and examine whether modern technologies serve as additional tools of promotion and other possible ways of presenting museum content or, oppositely, whether social media and NFT galleries manage to overcome the need for the museum itself as a place of physical encounter. PB - Institute for Contemporary Artistic Music, Sarajevo T2 - INSAM Journal of Contemporary Music, Art and Technology T1 - Space Crisis: Encounter in the Museum Building or Online? EP - 87 EP - IS - 9 SP - 74 DO - 10.51191/issn.2637-1898.2022.5.9.74 ER -
@article{ author = "Jokanović, Milena B.", year = "2022", abstract = "After witnessing a huge turnaround in the wider social context in the previous period, it seems that the question of the future of museums in the digital environment has begun to take on a very optimistic tone full of potential. There is a growing visibility of these heritage institutions on social networks and an increasingly diverse offer of virtual tours, as well as the use of modern virtual and augmented reality technologies in the interpretation and presentation of cultural heritage, while some works of art and collections are created exclusively for cyberspace. Nevertheless, the museum as a meeting place still seems irreplaceable. At a time of isolation, growing loneliness and fears, studies on the emotions of visitors during their stay in the museum in the last few years show that real, physical spaces of the museum encourage constructive attitudes. Encounters with other visitors as well as with the exhibited artifacts especially prove to be important for positive feelings and the need to visit the museum. We will issue these theoretical premises on selected examples and examine whether modern technologies serve as additional tools of promotion and other possible ways of presenting museum content or, oppositely, whether social media and NFT galleries manage to overcome the need for the museum itself as a place of physical encounter.", publisher = "Institute for Contemporary Artistic Music, Sarajevo", journal = "INSAM Journal of Contemporary Music, Art and Technology", title = "Space Crisis: Encounter in the Museum Building or Online?", pages = "87--74", number = "9", doi = "10.51191/issn.2637-1898.2022.5.9.74" }
Jokanović, M. B.. (2022). Space Crisis: Encounter in the Museum Building or Online?. in INSAM Journal of Contemporary Music, Art and Technology Institute for Contemporary Artistic Music, Sarajevo.(9), 74-87. https://doi.org/10.51191/issn.2637-1898.2022.5.9.74
Jokanović MB. Space Crisis: Encounter in the Museum Building or Online?. in INSAM Journal of Contemporary Music, Art and Technology. 2022;(9):74-87. doi:10.51191/issn.2637-1898.2022.5.9.74 .
Jokanović, Milena B., "Space Crisis: Encounter in the Museum Building or Online?" in INSAM Journal of Contemporary Music, Art and Technology, no. 9 (2022):74-87, https://doi.org/10.51191/issn.2637-1898.2022.5.9.74 . .