Veza između denotativnog i konotativnog značenja umetničkih slika
Denotative and connotative meanings of paintings
Апстракт
Cilj ovog istraživanja bio je ispitivanje veze između procena denotativnog i konotativnog značenja slika. Denotativni domen definisan je preko kategorija motiva i poruke, a konotativni domen kao subjektivni doživljaj, odnosno, afektivna i metaforička impresija koju slika ostavlja na posmatrača. U preliminarnom istraživanju empirijski je definisana lista od 39 osnovnih motiva. Iz ranijih istraživanja preuzeti su instrumenti DZN-8 (Marković, 2006) za četiri bazične dimenzije poruke i SDS-16 (Radonjić i Marković, 2005) za četiri bazične dimenzije subjektivnog doživljaja slika. U prvom eksperimentu ispitanici su asocirali 39 motiva sa 18 slika. U drugom eksperimentu ispitanici su procenjivali poruke koje su sadržane u 24 figuralnih i apstraktnih slika. Korelacione analize pokazale su da su dimenzije SDS-16 značajno povezane sa svega pet od 39 motiva. Korelacione analize procena na faktorima SDS-16 i DZN-8 pokazuju da su Subjektivizam i Konstruktivizam u značajnim negativnim korelacijama sa... Regularnošću, a pozitivnim sa Pobuđenošću. Sa druge strane, Dekoracija je u negativnoj korelaciji sa Pobuđenošću, a pozitivnom sa Atraktivnošću i Smirenošću.
In this study the relationships between judgments of paintings denotative and connotative meanings was investigated. Denotative domain was defined as motif (represented object, e.g. portrait, landscape etc.) and message (information carried by paintings, e.g. celebration of patriotism). Connotative domain was defined as subjective experience, i.e. affective or metaphoric impression produced by painting (e.g. feeling of pleasure, impression of dynamics, and so on). In preliminary study the list of 39 motifs was specified empirically. The four dimensions of pictorial message were taken from the previous study (Marković, 2006): Subjectivism, Ideology, Decoration and Constructivism vs. Realism. The four dimensions of paintings subjective experience were taken from the previous study as well (Radonjić and Marković, 2005): Regularity, Attraction, Arousal and Relaxation. In Experiment 1 subjects were asked to associate 39 motifs with 18 paintings. In Experiment 2 subjects were asked to judge ...24 paintings on four dimensions of pictorial message. Results form Experiment 1 have shown that dimensions of paintings subjective experience were significantly correlated with only five motifs (e.g. everyday life was negatively correlated with Arousal, battle was negatively correlated with Relaxation, and so on). Results from Experiment 2 have shown that Subjectivism and Constructivism are negatively correlated with Regularity, and positively correlated with Arousal. Decoration is negatively correlated with Arousal and positively with Attraction and Relaxation.
Кључне речи:
umetničke slike / subjektivni doživljaj / motiv / faktorska analiza / denotativno i konotativno značenje / subjective experience / paintings / motif / factor analysis / denotative and connotative meaningsИзвор:
Psihologija, 2007, 40, 1, 75-91Издавач:
- Društvo psihologa Srbije, Beograd
Финансирање / пројекти:
- Фундаментални когнитивни процеси и функције (RS-MESTD-MPN2006-2010-149039)
DOI: 10.2298/PSI0701075V
ISSN: 0048-5705
WoS: 000253743100004
Scopus: 2-s2.0-84858644546
Институција/група
Psihologija / PsychologyTY - JOUR AU - Vasić, Sandra AU - Marković, Slobodan PY - 2007 UR - http://reff.f.bg.ac.rs/handle/123456789/718 AB - Cilj ovog istraživanja bio je ispitivanje veze između procena denotativnog i konotativnog značenja slika. Denotativni domen definisan je preko kategorija motiva i poruke, a konotativni domen kao subjektivni doživljaj, odnosno, afektivna i metaforička impresija koju slika ostavlja na posmatrača. U preliminarnom istraživanju empirijski je definisana lista od 39 osnovnih motiva. Iz ranijih istraživanja preuzeti su instrumenti DZN-8 (Marković, 2006) za četiri bazične dimenzije poruke i SDS-16 (Radonjić i Marković, 2005) za četiri bazične dimenzije subjektivnog doživljaja slika. U prvom eksperimentu ispitanici su asocirali 39 motiva sa 18 slika. U drugom eksperimentu ispitanici su procenjivali poruke koje su sadržane u 24 figuralnih i apstraktnih slika. Korelacione analize pokazale su da su dimenzije SDS-16 značajno povezane sa svega pet od 39 motiva. Korelacione analize procena na faktorima SDS-16 i DZN-8 pokazuju da su Subjektivizam i Konstruktivizam u značajnim negativnim korelacijama sa Regularnošću, a pozitivnim sa Pobuđenošću. Sa druge strane, Dekoracija je u negativnoj korelaciji sa Pobuđenošću, a pozitivnom sa Atraktivnošću i Smirenošću. AB - In this study the relationships between judgments of paintings denotative and connotative meanings was investigated. Denotative domain was defined as motif (represented object, e.g. portrait, landscape etc.) and message (information carried by paintings, e.g. celebration of patriotism). Connotative domain was defined as subjective experience, i.e. affective or metaphoric impression produced by painting (e.g. feeling of pleasure, impression of dynamics, and so on). In preliminary study the list of 39 motifs was specified empirically. The four dimensions of pictorial message were taken from the previous study (Marković, 2006): Subjectivism, Ideology, Decoration and Constructivism vs. Realism. The four dimensions of paintings subjective experience were taken from the previous study as well (Radonjić and Marković, 2005): Regularity, Attraction, Arousal and Relaxation. In Experiment 1 subjects were asked to associate 39 motifs with 18 paintings. In Experiment 2 subjects were asked to judge 24 paintings on four dimensions of pictorial message. Results form Experiment 1 have shown that dimensions of paintings subjective experience were significantly correlated with only five motifs (e.g. everyday life was negatively correlated with Arousal, battle was negatively correlated with Relaxation, and so on). Results from Experiment 2 have shown that Subjectivism and Constructivism are negatively correlated with Regularity, and positively correlated with Arousal. Decoration is negatively correlated with Arousal and positively with Attraction and Relaxation. PB - Društvo psihologa Srbije, Beograd T2 - Psihologija T1 - Veza između denotativnog i konotativnog značenja umetničkih slika T1 - Denotative and connotative meanings of paintings EP - 91 IS - 1 SP - 75 VL - 40 DO - 10.2298/PSI0701075V ER -
@article{ author = "Vasić, Sandra and Marković, Slobodan", year = "2007", abstract = "Cilj ovog istraživanja bio je ispitivanje veze između procena denotativnog i konotativnog značenja slika. Denotativni domen definisan je preko kategorija motiva i poruke, a konotativni domen kao subjektivni doživljaj, odnosno, afektivna i metaforička impresija koju slika ostavlja na posmatrača. U preliminarnom istraživanju empirijski je definisana lista od 39 osnovnih motiva. Iz ranijih istraživanja preuzeti su instrumenti DZN-8 (Marković, 2006) za četiri bazične dimenzije poruke i SDS-16 (Radonjić i Marković, 2005) za četiri bazične dimenzije subjektivnog doživljaja slika. U prvom eksperimentu ispitanici su asocirali 39 motiva sa 18 slika. U drugom eksperimentu ispitanici su procenjivali poruke koje su sadržane u 24 figuralnih i apstraktnih slika. Korelacione analize pokazale su da su dimenzije SDS-16 značajno povezane sa svega pet od 39 motiva. Korelacione analize procena na faktorima SDS-16 i DZN-8 pokazuju da su Subjektivizam i Konstruktivizam u značajnim negativnim korelacijama sa Regularnošću, a pozitivnim sa Pobuđenošću. Sa druge strane, Dekoracija je u negativnoj korelaciji sa Pobuđenošću, a pozitivnom sa Atraktivnošću i Smirenošću., In this study the relationships between judgments of paintings denotative and connotative meanings was investigated. Denotative domain was defined as motif (represented object, e.g. portrait, landscape etc.) and message (information carried by paintings, e.g. celebration of patriotism). Connotative domain was defined as subjective experience, i.e. affective or metaphoric impression produced by painting (e.g. feeling of pleasure, impression of dynamics, and so on). In preliminary study the list of 39 motifs was specified empirically. The four dimensions of pictorial message were taken from the previous study (Marković, 2006): Subjectivism, Ideology, Decoration and Constructivism vs. Realism. The four dimensions of paintings subjective experience were taken from the previous study as well (Radonjić and Marković, 2005): Regularity, Attraction, Arousal and Relaxation. In Experiment 1 subjects were asked to associate 39 motifs with 18 paintings. In Experiment 2 subjects were asked to judge 24 paintings on four dimensions of pictorial message. Results form Experiment 1 have shown that dimensions of paintings subjective experience were significantly correlated with only five motifs (e.g. everyday life was negatively correlated with Arousal, battle was negatively correlated with Relaxation, and so on). Results from Experiment 2 have shown that Subjectivism and Constructivism are negatively correlated with Regularity, and positively correlated with Arousal. Decoration is negatively correlated with Arousal and positively with Attraction and Relaxation.", publisher = "Društvo psihologa Srbije, Beograd", journal = "Psihologija", title = "Veza između denotativnog i konotativnog značenja umetničkih slika, Denotative and connotative meanings of paintings", pages = "91-75", number = "1", volume = "40", doi = "10.2298/PSI0701075V" }
Vasić, S.,& Marković, S.. (2007). Veza između denotativnog i konotativnog značenja umetničkih slika. in Psihologija Društvo psihologa Srbije, Beograd., 40(1), 75-91. https://doi.org/10.2298/PSI0701075V
Vasić S, Marković S. Veza između denotativnog i konotativnog značenja umetničkih slika. in Psihologija. 2007;40(1):75-91. doi:10.2298/PSI0701075V .
Vasić, Sandra, Marković, Slobodan, "Veza između denotativnog i konotativnog značenja umetničkih slika" in Psihologija, 40, no. 1 (2007):75-91, https://doi.org/10.2298/PSI0701075V . .