TY  - JOUR
AU  - Ajduk, Marija
AU  - Milosavljević, Ljubica
AU  - Banić Grubišić, Ana
PY  - 2023
UR  - https://eap-iea.org/index.php/eap/article/view/1206/1130
UR  - http://reff.f.bg.ac.rs/handle/123456789/6286
AB  - The development of the Internet and digital technologies has influenced the ever–greater migrations of printed content to the digital sphere (blogs, online media, Internet portals, social networks), which has also brought with itself changes in readers’ habits and in the concept and format of texts as wells. Music press is no exception in that respect. In the context of South European states, these processes coincide with the period of political, social, cultural and economic transition, giving rise to the development of numerous regional and local specific forms  of popular culture.  The existence of the SFRY  as a shared state enabled the creation of an authentic cultural space, which continued to develop even after its disintegration. This paper endeavours to shed light one segment of that local authenticity through an analysis of music press. The aim the authors of this paper aspire to achieve is the presentation of the development path of the printed media in the first place in the Socialist Federal Republic of Yugoslavia, then in Serbia, as well as the reconstructions of the modality of the transformation of this media in the transition period from an anthropological perspective. The wish is to identify the perception and significance of music as a local cultural phenomenon through the qualitative analysis of the archival material and the available Internet sources as well, then to trace the cultural changes that have been going on over time as a result of global and local social and cultural turmoil. We do not refer to press only as the medium which has an informative role, but rather as the medium that reflects the local community’s attitudes, simultaneously constructing narratives on popular culture that are incorporated in our everyday life.
AB  - Razvoj Interneta i digitalnih tehnologija uticao je na sve veću migraciju
štampanog sadržaja u digitalnu sferu (blogovi, online mediji, internet portali,
društvene mreže), što je takođe dovelo do promena u navikama čitalaca, kao i
u konceptu i formatu textova. Muzička štampa u tom pogledu nije izuzetak. U
zemljama Južne Evrope, ovi procesi se poklapaju sa periodom političkih, socijalnih, kulturnih i ekonomskih transformacija koje su dovele do razvoja brojnih
regionalnih i lokalnih specifičnih oblika popularne kulture. Postojanje SFRJ kao
jedinstvene države omogućilo je stvaranje autentičnog kulturnog prostora koji je
nastavio da se razvija čak i nakon njenog raspada. Ovaj članak pokušava da osvetli jedan segment ove lokalne autentičnosti analizom muzičke štampe. Cilj koji
autori ovog članka žele da postignu je predstavljanje razvoja štampanih muzičkih
medija, pre svega u Socijalističkoj Federativnoj Republici Jugoslaviji, zatim u
Srbiji, kao i rekonstrukcija modaliteta transformacije ovih medija u prelaznom
periodu. gledišta. Cilj je definisati percepciju i značaj muzike kao lokalnog kulturnog fenomena kroz kvalitativnu analizu arhivskog materijala, kao i dostupnog
materijala na mreži, a zatim pratiti kulturne promene koje su se dešavale tokom
vremena kao rezultat globalnih i lokalnih društvenih i kulturnih previranja. Štampu tretiramo ne samo kao sredstvo koje igra informativnu ulogu, već više kao
sredstvo koje odražava stavove lokalne zajednice, istovremeno stvarajući narative
o popularnoj kulturi koji su uključeni u naš svakodnevni život.
AB  - Le développement de l’Internet et des technologies numériques a influencé
une migration de plus en plus grande du contenu imprimé dans la sphère numérique (blogs, médias en ligne, portails web, réseaux sociaux), ce qui a aussi
provoqué des changements dans les habitudes des lecteurs, ainsi que dans la
conception et le format des textes. La presse musicale ne fait pas exception à
cet égard. Dans les pays de l’Europe du Sud, ces processus concordent avec la
période des transformations politiques, sociales, culturelles et économiques qui
ont mené au développement des nombreuses formes particulières régionales et
locales de la culture populaire. L’existence de la Yougoslavie en tant qu’un état
unique a permis la création d’un espace culturel authentique qui a continué à se
développer même après son démantèlement. Cet article tente d’éclaircir un segment de cette authenticité locale par l’analyse de la presse musicale. L’objectif
que les auteurs de cet article désirent atteindre est celui de présenter le développement des médias musicaux imprimés, tout d’abord u dans la République
fédérative socialiste de Yougoslavie, ensuite en Serbie, ainsi que de reconstruire
les modalités de transformation de ces médias dans la période de transition.
L’objectif est de définir la perception et l’importance de la musique comme
d’un phénomène culturel local à travers une analyse qualitative du matériel d’archives, tout comme du matériel accessible sur les réseaux, et de suivre ensuite
les changements culturels survenus au fil du temps et causés par les agitations
sociales et culturelles globales et locales. Nous traitons la presse non seulement
comme un moyen qui joue un rôle informatif, mais plutôt comme un moyen qui
indique les positions de la communauté locale, créant en même temps des récits
sur la culture populaire qui sont incorporés dans notre vie quotidienne.
PB  - Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju
T2  - Etnoantropološki problemi
T1  - (Post)Yugoslavian music press in transition
T1  - (Post) jugoslovenska muzička štampa u tranziciji
T1  - La presse musicale (post) yougoslave en transition
EP  - 1114
IS  - 4
SP  - 1081
VL  - 18
DO  - 10.21301/eap.v18i4.3
ER  - 

@article{
author = "Ajduk, Marija and Milosavljević, Ljubica and Banić Grubišić, Ana",
year = "2023",
abstract = "The development of the Internet and digital technologies has influenced the ever–greater migrations of printed content to the digital sphere (blogs, online media, Internet portals, social networks), which has also brought with itself changes in readers’ habits and in the concept and format of texts as wells. Music press is no exception in that respect. In the context of South European states, these processes coincide with the period of political, social, cultural and economic transition, giving rise to the development of numerous regional and local specific forms  of popular culture.  The existence of the SFRY  as a shared state enabled the creation of an authentic cultural space, which continued to develop even after its disintegration. This paper endeavours to shed light one segment of that local authenticity through an analysis of music press. The aim the authors of this paper aspire to achieve is the presentation of the development path of the printed media in the first place in the Socialist Federal Republic of Yugoslavia, then in Serbia, as well as the reconstructions of the modality of the transformation of this media in the transition period from an anthropological perspective. The wish is to identify the perception and significance of music as a local cultural phenomenon through the qualitative analysis of the archival material and the available Internet sources as well, then to trace the cultural changes that have been going on over time as a result of global and local social and cultural turmoil. We do not refer to press only as the medium which has an informative role, but rather as the medium that reflects the local community’s attitudes, simultaneously constructing narratives on popular culture that are incorporated in our everyday life., Razvoj Interneta i digitalnih tehnologija uticao je na sve veću migraciju
štampanog sadržaja u digitalnu sferu (blogovi, online mediji, internet portali,
društvene mreže), što je takođe dovelo do promena u navikama čitalaca, kao i
u konceptu i formatu textova. Muzička štampa u tom pogledu nije izuzetak. U
zemljama Južne Evrope, ovi procesi se poklapaju sa periodom političkih, socijalnih, kulturnih i ekonomskih transformacija koje su dovele do razvoja brojnih
regionalnih i lokalnih specifičnih oblika popularne kulture. Postojanje SFRJ kao
jedinstvene države omogućilo je stvaranje autentičnog kulturnog prostora koji je
nastavio da se razvija čak i nakon njenog raspada. Ovaj članak pokušava da osvetli jedan segment ove lokalne autentičnosti analizom muzičke štampe. Cilj koji
autori ovog članka žele da postignu je predstavljanje razvoja štampanih muzičkih
medija, pre svega u Socijalističkoj Federativnoj Republici Jugoslaviji, zatim u
Srbiji, kao i rekonstrukcija modaliteta transformacije ovih medija u prelaznom
periodu. gledišta. Cilj je definisati percepciju i značaj muzike kao lokalnog kulturnog fenomena kroz kvalitativnu analizu arhivskog materijala, kao i dostupnog
materijala na mreži, a zatim pratiti kulturne promene koje su se dešavale tokom
vremena kao rezultat globalnih i lokalnih društvenih i kulturnih previranja. Štampu tretiramo ne samo kao sredstvo koje igra informativnu ulogu, već više kao
sredstvo koje odražava stavove lokalne zajednice, istovremeno stvarajući narative
o popularnoj kulturi koji su uključeni u naš svakodnevni život., Le développement de l’Internet et des technologies numériques a influencé
une migration de plus en plus grande du contenu imprimé dans la sphère numérique (blogs, médias en ligne, portails web, réseaux sociaux), ce qui a aussi
provoqué des changements dans les habitudes des lecteurs, ainsi que dans la
conception et le format des textes. La presse musicale ne fait pas exception à
cet égard. Dans les pays de l’Europe du Sud, ces processus concordent avec la
période des transformations politiques, sociales, culturelles et économiques qui
ont mené au développement des nombreuses formes particulières régionales et
locales de la culture populaire. L’existence de la Yougoslavie en tant qu’un état
unique a permis la création d’un espace culturel authentique qui a continué à se
développer même après son démantèlement. Cet article tente d’éclaircir un segment de cette authenticité locale par l’analyse de la presse musicale. L’objectif
que les auteurs de cet article désirent atteindre est celui de présenter le développement des médias musicaux imprimés, tout d’abord u dans la République
fédérative socialiste de Yougoslavie, ensuite en Serbie, ainsi que de reconstruire
les modalités de transformation de ces médias dans la période de transition.
L’objectif est de définir la perception et l’importance de la musique comme
d’un phénomène culturel local à travers une analyse qualitative du matériel d’archives, tout comme du matériel accessible sur les réseaux, et de suivre ensuite
les changements culturels survenus au fil du temps et causés par les agitations
sociales et culturelles globales et locales. Nous traitons la presse non seulement
comme un moyen qui joue un rôle informatif, mais plutôt comme un moyen qui
indique les positions de la communauté locale, créant en même temps des récits
sur la culture populaire qui sont incorporés dans notre vie quotidienne.",
publisher = "Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju",
journal = "Etnoantropološki problemi",
title = "(Post)Yugoslavian music press in transition, (Post) jugoslovenska muzička štampa u tranziciji, La presse musicale (post) yougoslave en transition",
pages = "1114-1081",
number = "4",
volume = "18",
doi = "10.21301/eap.v18i4.3"
}

Ajduk, M., Milosavljević, L.,& Banić Grubišić, A.. (2023). (Post)Yugoslavian music press in transition. in Etnoantropološki problemi
Filozofski fakultet Univerziteta u Beogradu, Odeljenje za etnologiju i antropologiju., 18(4), 1081-1114.
https://doi.org/10.21301/eap.v18i4.3

Ajduk M, Milosavljević L, Banić Grubišić A. (Post)Yugoslavian music press in transition. in Etnoantropološki problemi. 2023;18(4):1081-1114.
doi:10.21301/eap.v18i4.3 .

Ajduk, Marija, Milosavljević, Ljubica, Banić Grubišić, Ana, "(Post)Yugoslavian music press in transition" in Etnoantropološki problemi, 18, no. 4 (2023):1081-1114,
https://doi.org/10.21301/eap.v18i4.3 . .

TY  - JOUR
AU  - Milosavljević, Ljubica
AU  - Banić Grubišić, Ana
AU  - Ajduk, Marija
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/6295
AB  - Antropološko istraživanje – sprovedeno u periodu od 2020. do 2022. godine – dizajnirano je s ciljem da uputi u najvažnija pitanja koja se odnose na strukturalne preduslove za rad u starosti, ali i na motive trinaest sagovornika za preduzimanje poslovnih aktivnosti nakon penzionisanja. Na ovaj način bilo je moguće odgovoriti i na neka ključna pitanja koja se tiču kvaliteta života u starosti, i to na osnovu procena ljudi koji ga žive, što je u skladu sa antropološkom orijentacijom preduzetog kvalitativnog istraživanja. Rad u starosti bio je tako shvatan ili kao preimućstvo ili kao egzistencijalna nužnost, što je dalje imalo implikacija i na pojedine strategije delovanja pojedina- ca. Među njima, kao najznačajnije, izdvajaju se one koje podrazumevaju nastavak rada u okviru ranijih obrazovnih i radnih usmerenja ili pak potpunu promenu delatnosti od one u kojoj su ostva- rili pravo na penziju. Na osnovu dobijenih etnografskih podataka bilo je moguće konstatovati i specifičan vid preduzetništva poput srebrnog preduzetništva, pored rada u okviru neformalne ekonomije i/ili prema propisanim zakonskim rešenjima.
AB  - The task of the qualitative research done in work at one’s
old age, i.e. the work activities performed by the so-called
old-age pensioners in the Republic of Serbia, was to provide
the key information about the structural preconditions for
its performance, as well as about the respondents’ main
motives to replace the presupposed inactive sphere with
an active one. The given analysis was carried out through
the prism of the process of the population ageing that is
rated as crisis demographic movement lasting for a longer
period of time based on the results obtained through the
field research conducted in the period from 2020 to 2022
on the basis of a semi-structured interview made with 13
collocutors coming from four cities.
The following can be singled out as the most significant results of the research: first of all, the collocutors’ two dominant work strategies. The first implies the continuation of
their earlier educational and professional specializations
most often in the case of the better-educated respondents
who retired from higher job positions. Contrary to that, the
second requires a complete change in the activity within
which they earn money; they are mainly the collocutors
with a lower degree of education, who simultaneously also
belong to the category of the younger old. The research
study has confirmed that older participants on the labor
market may also work in legal settings which are easier to
monitor, and in the informal economic frameworks which
are only possible to assess.
The silver entrepreneurship also appears to be a specific
type of entrepreneurship. It is assessed as possessing a
potential – which has also been confirmed by the results
of the concrete research – but it must necessarily be
also supported systemically with the aim of achieving a
greater number of the benefits that, generally speaking,
arise from work in older age, which on their part include:
the improvement of the socioeconomic position, keeping
one’s vigor, retaining and expanding social relationships,
self-esteem, as well as the need to contribute to the welfare of (younger) household and/or family members. In this manner, some of the most important principles connected with the active ageing concept that,
amongst other things, also advocates prolonged staying in the active sphere of work, which on
its part needs to be perceived through the presence of the voluntariness of those performing
it, whereas on the other hand any compelling of anyone to work should be resolved through
adequate social protection measures, have been confirmed.
Not only are the obtained results indicative of the complexity of the topic and the significance
of studying and bringing into connection the two phenomena: work and ageing that only seemingly exclude each other, but they may also serve as a source for future research studies that
require an explicit interdisciplinary approach. As is shown, this is all the more so since the work
performed by society’s elderly population does not only exert an influence on their everyday
life, but it also has an influence on the lives of the members of their families and the society as
a whole where they are becoming older and work.
PB  - Institut društvenih nauka, Beograd
T2  - Stanovništvo
T1  - Rad nakon penzionisanja u Srbiji iz antropološke perspektive
T1  - Work after retiring in Serbia from an anthropological perspective
EP  - 21
SP  - 1
DO  - 10.59954/stnv.519
ER  - 

@article{
author = "Milosavljević, Ljubica and Banić Grubišić, Ana and Ajduk, Marija",
year = "2023",
abstract = "Antropološko istraživanje – sprovedeno u periodu od 2020. do 2022. godine – dizajnirano je s ciljem da uputi u najvažnija pitanja koja se odnose na strukturalne preduslove za rad u starosti, ali i na motive trinaest sagovornika za preduzimanje poslovnih aktivnosti nakon penzionisanja. Na ovaj način bilo je moguće odgovoriti i na neka ključna pitanja koja se tiču kvaliteta života u starosti, i to na osnovu procena ljudi koji ga žive, što je u skladu sa antropološkom orijentacijom preduzetog kvalitativnog istraživanja. Rad u starosti bio je tako shvatan ili kao preimućstvo ili kao egzistencijalna nužnost, što je dalje imalo implikacija i na pojedine strategije delovanja pojedina- ca. Među njima, kao najznačajnije, izdvajaju se one koje podrazumevaju nastavak rada u okviru ranijih obrazovnih i radnih usmerenja ili pak potpunu promenu delatnosti od one u kojoj su ostva- rili pravo na penziju. Na osnovu dobijenih etnografskih podataka bilo je moguće konstatovati i specifičan vid preduzetništva poput srebrnog preduzetništva, pored rada u okviru neformalne ekonomije i/ili prema propisanim zakonskim rešenjima., The task of the qualitative research done in work at one’s
old age, i.e. the work activities performed by the so-called
old-age pensioners in the Republic of Serbia, was to provide
the key information about the structural preconditions for
its performance, as well as about the respondents’ main
motives to replace the presupposed inactive sphere with
an active one. The given analysis was carried out through
the prism of the process of the population ageing that is
rated as crisis demographic movement lasting for a longer
period of time based on the results obtained through the
field research conducted in the period from 2020 to 2022
on the basis of a semi-structured interview made with 13
collocutors coming from four cities.
The following can be singled out as the most significant results of the research: first of all, the collocutors’ two dominant work strategies. The first implies the continuation of
their earlier educational and professional specializations
most often in the case of the better-educated respondents
who retired from higher job positions. Contrary to that, the
second requires a complete change in the activity within
which they earn money; they are mainly the collocutors
with a lower degree of education, who simultaneously also
belong to the category of the younger old. The research
study has confirmed that older participants on the labor
market may also work in legal settings which are easier to
monitor, and in the informal economic frameworks which
are only possible to assess.
The silver entrepreneurship also appears to be a specific
type of entrepreneurship. It is assessed as possessing a
potential – which has also been confirmed by the results
of the concrete research – but it must necessarily be
also supported systemically with the aim of achieving a
greater number of the benefits that, generally speaking,
arise from work in older age, which on their part include:
the improvement of the socioeconomic position, keeping
one’s vigor, retaining and expanding social relationships,
self-esteem, as well as the need to contribute to the welfare of (younger) household and/or family members. In this manner, some of the most important principles connected with the active ageing concept that,
amongst other things, also advocates prolonged staying in the active sphere of work, which on
its part needs to be perceived through the presence of the voluntariness of those performing
it, whereas on the other hand any compelling of anyone to work should be resolved through
adequate social protection measures, have been confirmed.
Not only are the obtained results indicative of the complexity of the topic and the significance
of studying and bringing into connection the two phenomena: work and ageing that only seemingly exclude each other, but they may also serve as a source for future research studies that
require an explicit interdisciplinary approach. As is shown, this is all the more so since the work
performed by society’s elderly population does not only exert an influence on their everyday
life, but it also has an influence on the lives of the members of their families and the society as
a whole where they are becoming older and work.",
publisher = "Institut društvenih nauka, Beograd",
journal = "Stanovništvo",
title = "Rad nakon penzionisanja u Srbiji iz antropološke perspektive, Work after retiring in Serbia from an anthropological perspective",
pages = "21-1",
doi = "10.59954/stnv.519"
}

Milosavljević, L., Banić Grubišić, A.,& Ajduk, M.. (2023). Rad nakon penzionisanja u Srbiji iz antropološke perspektive. in Stanovništvo
Institut društvenih nauka, Beograd., 1-21.
https://doi.org/10.59954/stnv.519

Milosavljević L, Banić Grubišić A, Ajduk M. Rad nakon penzionisanja u Srbiji iz antropološke perspektive. in Stanovništvo. 2023;:1-21.
doi:10.59954/stnv.519 .

Milosavljević, Ljubica, Banić Grubišić, Ana, Ajduk, Marija, "Rad nakon penzionisanja u Srbiji iz antropološke perspektive" in Stanovništvo (2023):1-21,
https://doi.org/10.59954/stnv.519 . .

TY  - CONF
AU  - Ajduk, Marija
AU  - Milosavljević, Ljubica
AU  - Banić Grubišić, Ana
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/6288
AB  - The development of the Internet and digital technologies has influenced the ever-greater migrations of printed
content to the digital sphere (blogs, online media, Internet portals, social networks), which has also brought with
itself changes in readers’ habits and in the concept and format of texts as wells. Music press is no exception in that
respect. In the context of South European states, these processes coincide with the period of political, social,
cultural and economic transition, which has resulted in the development of numerous regional and local specific
forms of popular culture. The existence of the SFRY as a shared state enabled the creation of an authentic cultural
space which continued to develop even after its disintegration. This paper endeavors to shed light on one segment
of that local authenticity through an analysis of music press. The aim the authors of this paper aspire to achieve is
the presentation of the development path of the printed media in the first place in the Socialist Federal Republic
of Yugoslavia, then in Serbia, as well as the reconstructions of the modality of the transformation of this media in
the transition period from an anthropological perspective. The wish is to identify the perception and significance
of music as a local cultural phenomenon through the qualitative analysis of the archival material and the available
Internet material as well, then to trace the cultural changes that have been going on over time as a result of global
and local social and cultural turmoil, too. We do not refer to press only as the medium which has an informative
role, but rather as the medium that reflects the local community’s attitudes, simultaneously also constructing narratives on popular culture that are incorporated in our everyday life.
PB  - Saarbrücken: Universität des Saarlandes
C3  - Populäre Kulturen / Popular Cultures, 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft: the book of abstracts
T1  - (Post)Yugoslavian music press in transition : an anthropological perspective
EP  - 27
SP  - 27
UR  - https://hdl.handle.net/21.15107/rcub_reff_6288
ER  - 

@conference{
author = "Ajduk, Marija and Milosavljević, Ljubica and Banić Grubišić, Ana",
year = "2023",
abstract = "The development of the Internet and digital technologies has influenced the ever-greater migrations of printed
content to the digital sphere (blogs, online media, Internet portals, social networks), which has also brought with
itself changes in readers’ habits and in the concept and format of texts as wells. Music press is no exception in that
respect. In the context of South European states, these processes coincide with the period of political, social,
cultural and economic transition, which has resulted in the development of numerous regional and local specific
forms of popular culture. The existence of the SFRY as a shared state enabled the creation of an authentic cultural
space which continued to develop even after its disintegration. This paper endeavors to shed light on one segment
of that local authenticity through an analysis of music press. The aim the authors of this paper aspire to achieve is
the presentation of the development path of the printed media in the first place in the Socialist Federal Republic
of Yugoslavia, then in Serbia, as well as the reconstructions of the modality of the transformation of this media in
the transition period from an anthropological perspective. The wish is to identify the perception and significance
of music as a local cultural phenomenon through the qualitative analysis of the archival material and the available
Internet material as well, then to trace the cultural changes that have been going on over time as a result of global
and local social and cultural turmoil, too. We do not refer to press only as the medium which has an informative
role, but rather as the medium that reflects the local community’s attitudes, simultaneously also constructing narratives on popular culture that are incorporated in our everyday life.",
publisher = "Saarbrücken: Universität des Saarlandes",
journal = "Populäre Kulturen / Popular Cultures, 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft: the book of abstracts",
title = "(Post)Yugoslavian music press in transition : an anthropological perspective",
pages = "27-27",
url = "https://hdl.handle.net/21.15107/rcub_reff_6288"
}

Ajduk, M., Milosavljević, L.,& Banić Grubišić, A.. (2023). (Post)Yugoslavian music press in transition : an anthropological perspective. in Populäre Kulturen / Popular Cultures, 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft: the book of abstracts
Saarbrücken: Universität des Saarlandes., 27-27.
https://hdl.handle.net/21.15107/rcub_reff_6288

Ajduk M, Milosavljević L, Banić Grubišić A. (Post)Yugoslavian music press in transition : an anthropological perspective. in Populäre Kulturen / Popular Cultures, 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft: the book of abstracts. 2023;:27-27.
https://hdl.handle.net/21.15107/rcub_reff_6288 .

Ajduk, Marija, Milosavljević, Ljubica, Banić Grubišić, Ana, "(Post)Yugoslavian music press in transition : an anthropological perspective" in Populäre Kulturen / Popular Cultures, 8. Jahrestagung der Kulturwissenschaftlichen Gesellschaft: the book of abstracts (2023):27-27,
https://hdl.handle.net/21.15107/rcub_reff_6288 .

TY  - JOUR
AU  - Ajduk, Marija
AU  - Milosavljević, Ljubica
AU  - Banić Grubišić, Ana
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/6296
AB  - На темељу вишедеценијске традиције представљања џеза путем фестивала,
најпре у Југославији, затим и у Србији, 2021. године у Београду је покренута
манифестација Jazz in the Garden. Назив новог фестивала апострофира место
одржавања – Ботаничку башту „Јевремовац”. Кроз антрополошку анализу ове
манифестације настојаћемо да покажемо на које све начине манифестација
у развоју, попут ове, утиче на процес конструисања једног дела београдског
идентитета, кроз његову повезаност са локалном џез сценом. Такође ћемо
размотрити утицај на креирање другачије перцепције и нових значења
познатог градског простора, као што је Ботаничка башта „Јевремовац”, у
којој се поменути фестивал одржава.
AB  - Based on the several decades-old tradition of presenting jazz through festivals
firstly in Yugoslavia, and consequently in Serbia, the Jazz in the Garden
manifestation was founded in Belgrade in 2021. The name of the new festival
apostrophises the location of the event – “Jevremovac” Botanical Garden. With
the anthropological analysis of this manifestation, we will strive to demonstrate
how the manifestation in development like this one influences the construction
process of one part of Belgrade’s identity through its connections with the
local jazz scene. We will also consider the influence of the creation of different
perceptions and new meanings of the well-known city space like the Botanical
Garden “Jevremovac” in which the festival is held.
PB  - Музиколошки институт Српске академије наука и уметности
T2  - Muzikologija
T1  - Музички фестивали као простор конструисања локалних идентитета на примеру манифестације Јazz in the Garden
T1  - Music Festivals as a Space for Construction of Local Identities on the example of the manifestation Jazz in the Garden
EP  - 52
IS  - 35
SP  - 37
DO  - 10.2298/MUZ2335037A
ER  - 

@article{
author = "Ajduk, Marija and Milosavljević, Ljubica and Banić Grubišić, Ana",
year = "2023",
abstract = "На темељу вишедеценијске традиције представљања џеза путем фестивала,
најпре у Југославији, затим и у Србији, 2021. године у Београду је покренута
манифестација Jazz in the Garden. Назив новог фестивала апострофира место
одржавања – Ботаничку башту „Јевремовац”. Кроз антрополошку анализу ове
манифестације настојаћемо да покажемо на које све начине манифестација
у развоју, попут ове, утиче на процес конструисања једног дела београдског
идентитета, кроз његову повезаност са локалном џез сценом. Такође ћемо
размотрити утицај на креирање другачије перцепције и нових значења
познатог градског простора, као што је Ботаничка башта „Јевремовац”, у
којој се поменути фестивал одржава., Based on the several decades-old tradition of presenting jazz through festivals
firstly in Yugoslavia, and consequently in Serbia, the Jazz in the Garden
manifestation was founded in Belgrade in 2021. The name of the new festival
apostrophises the location of the event – “Jevremovac” Botanical Garden. With
the anthropological analysis of this manifestation, we will strive to demonstrate
how the manifestation in development like this one influences the construction
process of one part of Belgrade’s identity through its connections with the
local jazz scene. We will also consider the influence of the creation of different
perceptions and new meanings of the well-known city space like the Botanical
Garden “Jevremovac” in which the festival is held.",
publisher = "Музиколошки институт Српске академије наука и уметности",
journal = "Muzikologija",
title = "Музички фестивали као простор конструисања локалних идентитета на примеру манифестације Јazz in the Garden, Music Festivals as a Space for Construction of Local Identities on the example of the manifestation Jazz in the Garden",
pages = "52-37",
number = "35",
doi = "10.2298/MUZ2335037A"
}

Ajduk, M., Milosavljević, L.,& Banić Grubišić, A.. (2023). Музички фестивали као простор конструисања локалних идентитета на примеру манифестације Јazz in the Garden. in Muzikologija
Музиколошки институт Српске академије наука и уметности.(35), 37-52.
https://doi.org/10.2298/MUZ2335037A

Ajduk M, Milosavljević L, Banić Grubišić A. Музички фестивали као простор конструисања локалних идентитета на примеру манифестације Јazz in the Garden. in Muzikologija. 2023;(35):37-52.
doi:10.2298/MUZ2335037A .

Ajduk, Marija, Milosavljević, Ljubica, Banić Grubišić, Ana, "Музички фестивали као простор конструисања локалних идентитета на примеру манифестације Јazz in the Garden" in Muzikologija, no. 35 (2023):37-52,
https://doi.org/10.2298/MUZ2335037A . .

TY  - CHAP
AU  - Banić Grubišić, Ana
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/5396
AB  - Na primeru savremenog lokalnog ekološkog aktivizma u digitalnom okruženju,
u radu se razmatra kulturna dimenzija heštega kao predmeta i kao oruđa antropoloških i folklorističkih istraživanja. U tom smislu cilj ovog rada je dvojak – s
jedne strane promišlja se upotreba heštega kao pomoćne etnografske alatke pri
sprovođenju kvalitativnih istraživanja u digitalnom okruženju, a s druge strane se
ukazuje na sociokulturni značaj heštega, posebno u kontekstu stvaranja idiokulture digitalnog ekološkog aktivizma u Srbiji. Hešteg se posmatra kao značajan fenomen savremene folklorne komunikacije, odnosno kao sastavni deo ekspresivne
kulture digitalnog okruženja.
AB  - Using the example of contemporary local environmental activism in the digital
environment, this paper discusses the cultural dimension of hashtags as an object
and as a tool of anthropological and folkloristic research. In this sense, the aim of
this paper is twofold: on the one hand, it considers the use of hashtags as an ethnographic tool in conducting qualitative research in the digital environment; on
the other hand, it demonstrates the sociocultural significance of hashtags, especially in the context of creating an idioculture of digital environmental activism in Serbia. The hashtag is considered as a significant phenomenon of contemporary
folkloric communication, i.e. as an integral part of the expressive culture of the
digital environment.
PB  - Етнографски институт САНУ
PB  - Архив Војводине
T2  - Хоризонти будућности: антрополошки и други научни приступи
T1  - #ustanakzaopstanak – putevima hešteg etnografije u potrazi za digitalnim manifestacijama ekološkog aktivizma u Srbiji
T1  - #ustanakzaopstanak – on the paths of hashtag ethnography in search of digital manifestations of environmental activism in Serbia
EP  - 120
SP  - 99
UR  - https://hdl.handle.net/21.15107/rcub_reff_5396
ER  - 

@inbook{
author = "Banić Grubišić, Ana",
year = "2023",
abstract = "Na primeru savremenog lokalnog ekološkog aktivizma u digitalnom okruženju,
u radu se razmatra kulturna dimenzija heštega kao predmeta i kao oruđa antropoloških i folklorističkih istraživanja. U tom smislu cilj ovog rada je dvojak – s
jedne strane promišlja se upotreba heštega kao pomoćne etnografske alatke pri
sprovođenju kvalitativnih istraživanja u digitalnom okruženju, a s druge strane se
ukazuje na sociokulturni značaj heštega, posebno u kontekstu stvaranja idiokulture digitalnog ekološkog aktivizma u Srbiji. Hešteg se posmatra kao značajan fenomen savremene folklorne komunikacije, odnosno kao sastavni deo ekspresivne
kulture digitalnog okruženja., Using the example of contemporary local environmental activism in the digital
environment, this paper discusses the cultural dimension of hashtags as an object
and as a tool of anthropological and folkloristic research. In this sense, the aim of
this paper is twofold: on the one hand, it considers the use of hashtags as an ethnographic tool in conducting qualitative research in the digital environment; on
the other hand, it demonstrates the sociocultural significance of hashtags, especially in the context of creating an idioculture of digital environmental activism in Serbia. The hashtag is considered as a significant phenomenon of contemporary
folkloric communication, i.e. as an integral part of the expressive culture of the
digital environment.",
publisher = "Етнографски институт САНУ, Архив Војводине",
journal = "Хоризонти будућности: антрополошки и други научни приступи",
booktitle = "#ustanakzaopstanak – putevima hešteg etnografije u potrazi za digitalnim manifestacijama ekološkog aktivizma u Srbiji, #ustanakzaopstanak – on the paths of hashtag ethnography in search of digital manifestations of environmental activism in Serbia",
pages = "120-99",
url = "https://hdl.handle.net/21.15107/rcub_reff_5396"
}

Banić Grubišić, A.. (2023). #ustanakzaopstanak – putevima hešteg etnografije u potrazi za digitalnim manifestacijama ekološkog aktivizma u Srbiji. in Хоризонти будућности: антрополошки и други научни приступи
Етнографски институт САНУ., 99-120.
https://hdl.handle.net/21.15107/rcub_reff_5396

Banić Grubišić A. #ustanakzaopstanak – putevima hešteg etnografije u potrazi za digitalnim manifestacijama ekološkog aktivizma u Srbiji. in Хоризонти будућности: антрополошки и други научни приступи. 2023;:99-120.
https://hdl.handle.net/21.15107/rcub_reff_5396 .

Banić Grubišić, Ana, "#ustanakzaopstanak – putevima hešteg etnografije u potrazi za digitalnim manifestacijama ekološkog aktivizma u Srbiji" in Хоризонти будућности: антрополошки и други научни приступи (2023):99-120,
https://hdl.handle.net/21.15107/rcub_reff_5396 .

TY  - CONF
AU  - Banić Grubišić, Ana
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/5431
AB  - This paper deals with the social construction and representation of heroes and villains of the contemporary Serbian environmental movement. In the last few years, growing environmental problems have led to establishment of several informal environmental initiatives and organizations in Serbia. These local environmental initiatives and organizations with a strong social media presence are dedicated to raising environmental awareness among the general public and protesting against the privatization of natural resources and the opening of new factories and new mining sites, which inevitably lead to environmental pollution. Various practices of digital activism play a significant role in informing and mobilizing concerned citizens. Analytical data is collected from 2017 to 2022. on social networking platforms and consist of various expressive materials created and shared digitally. One of the primary themes that pervade numerous and genre-diverse units of digital protest folklore of eco-activism in Serbia is we : them dichotomy, i.e., people/folk vs. private investors and local politicians. For example, in internet memes and other pieces of photoshoplore, environmental activists are depicted as new folk heroes. At the same time, domestic and foreign private investors, politicians, and local authorities are perceived as the main culprits for a (potential) environmental disaster. The main objective of this paper is to explain these processes of heroization and villainization in the digital eco-activism practices in postsocialist Serbia. Also, this paper tries to point out the importance of visual communication, as well as the role of humor, satire, and parody in the creation of new folk heroes.
PB  - Brno: Société Internationale d’Ethnologie et de Folklore
PB  - Institute of Ethnology, Czech Academy of Sciences
PB  - Department of European Ethnology, Faculty of Arts, Masaryk University
PB  - National Institute of Folk Culture
C3  - Living Uncertainty 16th Congress of Société Internationale d’Ethnologie et de Folklore (SIEF)
T1  - From vernacular creativity to digital activism – construction of heroes and villains in contemporary Serbian environmental movement
EP  - 49
SP  - 49
DO  - 10.22582/SIEF2023prg
ER  - 

@conference{
author = "Banić Grubišić, Ana",
year = "2023",
abstract = "This paper deals with the social construction and representation of heroes and villains of the contemporary Serbian environmental movement. In the last few years, growing environmental problems have led to establishment of several informal environmental initiatives and organizations in Serbia. These local environmental initiatives and organizations with a strong social media presence are dedicated to raising environmental awareness among the general public and protesting against the privatization of natural resources and the opening of new factories and new mining sites, which inevitably lead to environmental pollution. Various practices of digital activism play a significant role in informing and mobilizing concerned citizens. Analytical data is collected from 2017 to 2022. on social networking platforms and consist of various expressive materials created and shared digitally. One of the primary themes that pervade numerous and genre-diverse units of digital protest folklore of eco-activism in Serbia is we : them dichotomy, i.e., people/folk vs. private investors and local politicians. For example, in internet memes and other pieces of photoshoplore, environmental activists are depicted as new folk heroes. At the same time, domestic and foreign private investors, politicians, and local authorities are perceived as the main culprits for a (potential) environmental disaster. The main objective of this paper is to explain these processes of heroization and villainization in the digital eco-activism practices in postsocialist Serbia. Also, this paper tries to point out the importance of visual communication, as well as the role of humor, satire, and parody in the creation of new folk heroes.",
publisher = "Brno: Société Internationale d’Ethnologie et de Folklore, Institute of Ethnology, Czech Academy of Sciences, Department of European Ethnology, Faculty of Arts, Masaryk University, National Institute of Folk Culture",
journal = "Living Uncertainty 16th Congress of Société Internationale d’Ethnologie et de Folklore (SIEF)",
title = "From vernacular creativity to digital activism – construction of heroes and villains in contemporary Serbian environmental movement",
pages = "49-49",
doi = "10.22582/SIEF2023prg"
}

Banić Grubišić, A.. (2023). From vernacular creativity to digital activism – construction of heroes and villains in contemporary Serbian environmental movement. in Living Uncertainty 16th Congress of Société Internationale d’Ethnologie et de Folklore (SIEF)
Brno: Société Internationale d’Ethnologie et de Folklore., 49-49.
https://doi.org/10.22582/SIEF2023prg

Banić Grubišić A. From vernacular creativity to digital activism – construction of heroes and villains in contemporary Serbian environmental movement. in Living Uncertainty 16th Congress of Société Internationale d’Ethnologie et de Folklore (SIEF). 2023;:49-49.
doi:10.22582/SIEF2023prg .

Banić Grubišić, Ana, "From vernacular creativity to digital activism – construction of heroes and villains in contemporary Serbian environmental movement" in Living Uncertainty 16th Congress of Société Internationale d’Ethnologie et de Folklore (SIEF) (2023):49-49,
https://doi.org/10.22582/SIEF2023prg . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2022
UR  - http://reff.f.bg.ac.rs/handle/123456789/5433
AB  - Predmet  ovog  rada  je  razmatranje  savremene  folklorne  komunikacije  na  temu Kovid-19 pandemije u Srbiji. U radu su predstavljeni dominantni žanrovi folklora pandemije  koji  se  putem  kanala  digitalne  komunikacije  stvaraju,  modifikuju  i  prenose  u domaćem kontekstu. Cilj rada je utvrđivanje lokalnih specifičnosti i sadržaja srpskog „koronalora”,  kao  i  analiza  potencijalnih  funkcija  i  značenja  za  zajednicu  koja  kreira,  rekreira i deli ove sadržaje.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu
T2  - Antropologija
T1  - Koronalor: o folkloru Kovid-19 pandemije u Republici Srbiji
T1  - Coronalore – folklore of the Covid-19 pandemic in the Republic of Serbia
EP  - 117
IS  - 2
SP  - 95
VL  - 22
UR  - https://hdl.handle.net/21.15107/rcub_reff_5433
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2022",
abstract = "Predmet  ovog  rada  je  razmatranje  savremene  folklorne  komunikacije  na  temu Kovid-19 pandemije u Srbiji. U radu su predstavljeni dominantni žanrovi folklora pandemije  koji  se  putem  kanala  digitalne  komunikacije  stvaraju,  modifikuju  i  prenose  u domaćem kontekstu. Cilj rada je utvrđivanje lokalnih specifičnosti i sadržaja srpskog „koronalora”,  kao  i  analiza  potencijalnih  funkcija  i  značenja  za  zajednicu  koja  kreira,  rekreira i deli ove sadržaje.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu",
journal = "Antropologija",
title = "Koronalor: o folkloru Kovid-19 pandemije u Republici Srbiji, Coronalore – folklore of the Covid-19 pandemic in the Republic of Serbia",
pages = "117-95",
number = "2",
volume = "22",
url = "https://hdl.handle.net/21.15107/rcub_reff_5433"
}

Banić Grubišić, A.. (2022). Koronalor: o folkloru Kovid-19 pandemije u Republici Srbiji. in Antropologija
Beograd: Filozofski fakultet Univerziteta u Beogradu., 22(2), 95-117.
https://hdl.handle.net/21.15107/rcub_reff_5433

Banić Grubišić A. Koronalor: o folkloru Kovid-19 pandemije u Republici Srbiji. in Antropologija. 2022;22(2):95-117.
https://hdl.handle.net/21.15107/rcub_reff_5433 .

Banić Grubišić, Ana, "Koronalor: o folkloru Kovid-19 pandemije u Republici Srbiji" in Antropologija, 22, no. 2 (2022):95-117,
https://hdl.handle.net/21.15107/rcub_reff_5433 .

TY  - CHAP
AU  - Banić Grubišić, Ana
PY  - 2022
UR  - http://reff.f.bg.ac.rs/handle/123456789/5453
AB  - У овом раду се, из перспективе антропологије музике, приступа анализи „другог таласа“ ромског хип хопа у Србији. У питању је поновљено истраживање које је, с једне стране, усмерено на проверу резултата етнографског истраживања феномена ромског хип хопа у Србији 2009. године, а с друге на мапирање сличности и разлика између ова два таласа урбаног музичког израза младих Рома. Како налази претходног истраживања показују, кључна карактеристика првог таласа ромског хип хопа на овим просторима јесте да је створен „одозго“ – заслугом невладине организације. Једном речју, ромски хип хоп није представљао спонтани, самоникли и самосвојни изражај, већ је био институционално потпомогнут и стога активистичко-радионичарског типа. С тим у вези, посебна пажња у интерпретацији биће посвећена разматрању другог таласа ромског хип хопа у контексту „терета репрезентације“ (енг. „burden of representation”), концепта који је у хуманистику увео историчар уметности Кобена Мерсер у циљу објашњења уметничког стваралаштва мањинских и маргинализованих популација.
AB  - This paper analysis the so-called “second wave” of Roma hip hop in Serbia
from the perspective of the anthropology of music. It is a repeated study (restudy) that, on the one hand, is aimed at verifying the results of ethnographic
research on the phenomenon of Roma hip hop in Serbia conducted in 2009, and
on the other hand, at mapping the similarities and differences between these
two waves of urban musical expression of Roma youth. As the findings of the
previous research show, the main characteristic of the first wave of Roma hip
hop in Serbia is that it was created “from above” – by a non-governmental organization. In short, Roma hip hop did not represent a spontaneous, grassroots, and
independent expression but was institutionally supported and, therefore, of the
activist-workshop type. In this regard, particular attention in the interpretation
will be a consideration of the second wave of Roma hip hop in the context of the
“burden of representation”, a concept introduced to the humanities by a British
art historian Kobena Mercer in order to explain the artistic work of various
minorities groups and marginalized populations.
PB  - Београд: Српска академија наука и уметности
T2  - Допринос Рома култури народа у Србији
T1  - Други талас ромског хип хопа у Србији : изван терета репрезентације?
T1  - The Second Wave of the Roma Hip-Hop in Serbia – Beyond the Burden of Representation
EP  - 163
SP  - 145
UR  - https://hdl.handle.net/21.15107/rcub_reff_5453
ER  - 

@inbook{
author = "Banić Grubišić, Ana",
year = "2022",
abstract = "У овом раду се, из перспективе антропологије музике, приступа анализи „другог таласа“ ромског хип хопа у Србији. У питању је поновљено истраживање које је, с једне стране, усмерено на проверу резултата етнографског истраживања феномена ромског хип хопа у Србији 2009. године, а с друге на мапирање сличности и разлика између ова два таласа урбаног музичког израза младих Рома. Како налази претходног истраживања показују, кључна карактеристика првог таласа ромског хип хопа на овим просторима јесте да је створен „одозго“ – заслугом невладине организације. Једном речју, ромски хип хоп није представљао спонтани, самоникли и самосвојни изражај, већ је био институционално потпомогнут и стога активистичко-радионичарског типа. С тим у вези, посебна пажња у интерпретацији биће посвећена разматрању другог таласа ромског хип хопа у контексту „терета репрезентације“ (енг. „burden of representation”), концепта који је у хуманистику увео историчар уметности Кобена Мерсер у циљу објашњења уметничког стваралаштва мањинских и маргинализованих популација., This paper analysis the so-called “second wave” of Roma hip hop in Serbia
from the perspective of the anthropology of music. It is a repeated study (restudy) that, on the one hand, is aimed at verifying the results of ethnographic
research on the phenomenon of Roma hip hop in Serbia conducted in 2009, and
on the other hand, at mapping the similarities and differences between these
two waves of urban musical expression of Roma youth. As the findings of the
previous research show, the main characteristic of the first wave of Roma hip
hop in Serbia is that it was created “from above” – by a non-governmental organization. In short, Roma hip hop did not represent a spontaneous, grassroots, and
independent expression but was institutionally supported and, therefore, of the
activist-workshop type. In this regard, particular attention in the interpretation
will be a consideration of the second wave of Roma hip hop in the context of the
“burden of representation”, a concept introduced to the humanities by a British
art historian Kobena Mercer in order to explain the artistic work of various
minorities groups and marginalized populations.",
publisher = "Београд: Српска академија наука и уметности",
journal = "Допринос Рома култури народа у Србији",
booktitle = "Други талас ромског хип хопа у Србији : изван терета репрезентације?, The Second Wave of the Roma Hip-Hop in Serbia – Beyond the Burden of Representation",
pages = "163-145",
url = "https://hdl.handle.net/21.15107/rcub_reff_5453"
}

Banić Grubišić, A.. (2022). Други талас ромског хип хопа у Србији : изван терета репрезентације?. in Допринос Рома култури народа у Србији
Београд: Српска академија наука и уметности., 145-163.
https://hdl.handle.net/21.15107/rcub_reff_5453

Banić Grubišić A. Други талас ромског хип хопа у Србији : изван терета репрезентације?. in Допринос Рома култури народа у Србији. 2022;:145-163.
https://hdl.handle.net/21.15107/rcub_reff_5453 .

Banić Grubišić, Ana, "Други талас ромског хип хопа у Србији : изван терета репрезентације?" in Допринос Рома култури народа у Србији (2022):145-163,
https://hdl.handle.net/21.15107/rcub_reff_5453 .

TY  - JOUR
AU  - Gačanović, Ivana
AU  - Banić Grubišić, Ana
PY  - 2022
UR  - http://reff.f.bg.ac.rs/handle/123456789/4371
AB  - U ovom radu je analizirana mini-serija Netfliks produkcije Upravnica (The Chair) iz 2021. godine, dramedija čije su autorke nastojale da ponude „verodostojan” prikaz, a time i kulturnu kritiku, funkcionisanja savremenog američkog univerziteta i visokog  obrazovanja.  U  ovoj  seriji  se,  između  ostalog,  obrađuju  društveno  značajne i  aktuelne  teme  poput  pitanja  rasne,  rodne,  dobne  i  klasne  (ne)ravnopravnosti  u akademskom okruženju i širem društvu, problem krize humanistike, pitanje političke korektnosti i fenomena tzv. „kulture otkazivanja” i mnoga druga. Serija Upravnica je analizirana na dva nivoa, s jedne strane kao tekst – na nivou poruka koje šalje, i s druge strane na osnovu opštih reakcija akademske i šire javnosti koje je pobudila. U tom smislu, recepcija publike se posmatra kao neka vrsta korektiva koji nastoji da potvrdi ili opovrgne određene poruke koje serija šalje i na taj način nam daje potpuniju predstavu o njima.
AB  - This paper offers an analysis of the 2021 Netflix mini-series The  Chair, a dramedy whose authors sought to give an “authentic” depiction, but also a cul-tural critique, of the functioning of a contemporary US university and US higher education. The series includes four important elements of higher education – the institution of the university, its administration, university staff (professors/lecturers), and the student population; due to the format of the series, however, these elements have not been given equal attention. Furthermore, through the story of a woman of color at a university who suddenly finds herself in the posi-tion of department chair, this six-part mini-series addresses and/or elaborates on a whole set of messages and issues with which the wider audience can identify – an audience interested in questions regarding universities, the humanities, and wider social issues such as gender, race, age and class (in)equalities in academia, and also in western society more generally (particularly in the USA), the prob-lem of a crisis in the humanities, of neoliberalism at universities, the question of political correctness and the phenomenon of so-called cancel culture. The series is viewed both as a text and as a popular culture artifact, that is, as a product that meets certain societal needs (besides the need for mere entertainment), depicts real-life social relationships and transmits certain values, i.e., conveys a certain message. The series can also be seen as an educational text which can acquaint viewers with the purpose, values and people who work in academia, particularly in the humanities. In order to consider its various meanings more comprehen-sively, the series has been analyzed on two levels: the connotative and the deno-tative. The intersection of these two levels of analysis provides a fuller, clearer picture of the importance of the series as a work of pop culture which seeks to offer a cultural critique, and which has elicited a wide range of responses, most-ly from the academic public. The public’s reception is thus viewed as a sort of corrective which seeks to confirm or refute certain messages conveyed by the series and thus provides us with a more complete view of them.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Kulturna kritika ili samo mali beg od stvarnosti?Antropološka analiza serije Upravnica
T1  - A Cultural Critique or Just a Little Escapism? An Anthropological Analysis of the TV Series The Chair
EP  - 486
IS  - 2
SP  - 455
VL  - 17
DO  - 10.21301/eap.v17i2.2
ER  - 

@article{
author = "Gačanović, Ivana and Banić Grubišić, Ana",
year = "2022",
abstract = "U ovom radu je analizirana mini-serija Netfliks produkcije Upravnica (The Chair) iz 2021. godine, dramedija čije su autorke nastojale da ponude „verodostojan” prikaz, a time i kulturnu kritiku, funkcionisanja savremenog američkog univerziteta i visokog  obrazovanja.  U  ovoj  seriji  se,  između  ostalog,  obrađuju  društveno  značajne i  aktuelne  teme  poput  pitanja  rasne,  rodne,  dobne  i  klasne  (ne)ravnopravnosti  u akademskom okruženju i širem društvu, problem krize humanistike, pitanje političke korektnosti i fenomena tzv. „kulture otkazivanja” i mnoga druga. Serija Upravnica je analizirana na dva nivoa, s jedne strane kao tekst – na nivou poruka koje šalje, i s druge strane na osnovu opštih reakcija akademske i šire javnosti koje je pobudila. U tom smislu, recepcija publike se posmatra kao neka vrsta korektiva koji nastoji da potvrdi ili opovrgne određene poruke koje serija šalje i na taj način nam daje potpuniju predstavu o njima., This paper offers an analysis of the 2021 Netflix mini-series The  Chair, a dramedy whose authors sought to give an “authentic” depiction, but also a cul-tural critique, of the functioning of a contemporary US university and US higher education. The series includes four important elements of higher education – the institution of the university, its administration, university staff (professors/lecturers), and the student population; due to the format of the series, however, these elements have not been given equal attention. Furthermore, through the story of a woman of color at a university who suddenly finds herself in the posi-tion of department chair, this six-part mini-series addresses and/or elaborates on a whole set of messages and issues with which the wider audience can identify – an audience interested in questions regarding universities, the humanities, and wider social issues such as gender, race, age and class (in)equalities in academia, and also in western society more generally (particularly in the USA), the prob-lem of a crisis in the humanities, of neoliberalism at universities, the question of political correctness and the phenomenon of so-called cancel culture. The series is viewed both as a text and as a popular culture artifact, that is, as a product that meets certain societal needs (besides the need for mere entertainment), depicts real-life social relationships and transmits certain values, i.e., conveys a certain message. The series can also be seen as an educational text which can acquaint viewers with the purpose, values and people who work in academia, particularly in the humanities. In order to consider its various meanings more comprehen-sively, the series has been analyzed on two levels: the connotative and the deno-tative. The intersection of these two levels of analysis provides a fuller, clearer picture of the importance of the series as a work of pop culture which seeks to offer a cultural critique, and which has elicited a wide range of responses, most-ly from the academic public. The public’s reception is thus viewed as a sort of corrective which seeks to confirm or refute certain messages conveyed by the series and thus provides us with a more complete view of them.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Kulturna kritika ili samo mali beg od stvarnosti?Antropološka analiza serije Upravnica, A Cultural Critique or Just a Little Escapism? An Anthropological Analysis of the TV Series The Chair",
pages = "486-455",
number = "2",
volume = "17",
doi = "10.21301/eap.v17i2.2"
}

Gačanović, I.,& Banić Grubišić, A.. (2022). Kulturna kritika ili samo mali beg od stvarnosti?Antropološka analiza serije Upravnica. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 17(2), 455-486.
https://doi.org/10.21301/eap.v17i2.2

Gačanović I, Banić Grubišić A. Kulturna kritika ili samo mali beg od stvarnosti?Antropološka analiza serije Upravnica. in Etnoantropološki problemi. 2022;17(2):455-486.
doi:10.21301/eap.v17i2.2 .

Gačanović, Ivana, Banić Grubišić, Ana, "Kulturna kritika ili samo mali beg od stvarnosti?Antropološka analiza serije Upravnica" in Etnoantropološki problemi, 17, no. 2 (2022):455-486,
https://doi.org/10.21301/eap.v17i2.2 . .

TY  - JOUR
AU  - Antonijević, Dragana
AU  - Banić Grubišić, Ana
AU  - Rašić, Miloš
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/5435
AB  - This review paper provides an overview of the ten-year long anthropologi-cal research on the cultural identity of guest workers and their descendants as part of the projects implemented by the associates of the Department of Ethnology and Anthropology of the Faculty of Philosophy, University of Belgrade and the SASA Institute of Ethno-graphy. The projects were supported by the Serbian Ethnological and Anthropological So-ciety and the Faculty of Philosophy in Belgrade. The phenomenon of “temporary workers abroad”, or the so-called guest workers (Gastarbeiter), which emerged in the early 1960s and continued in the decades to come, has long remained beyond the interest of Serbian anthropological and ethnological science. This is why, after having noticed a scientific research gap related to this phenomenon, in 2010 we initiated the anthropological research of the cultural identity of guest workers. Our intention was to take into account different factors of guest-worker identity construction and to look at the processes, discourses and concepts related to this socio-cultural group from different angles. Over time, as we delved deeper into the problem of migrant workers and migration in general, our interests, and consequently our research, expanded to other topics in addition to cultural identity. In that context, this review paper intends to inform the scientific and professional public about the findings of research on migrants working temporarily abroad and their descendants, and to highlight some of the most important topics that we focused on in this research, while being aware that the phenomenon of migrants and migration is so diverse that it is impossible to include or investigate all its elements that make it so complex.
AB  - Ovaj  pregledni  rad  nudi presek  desetogodišnjih  antropoloških  istraživanja kulturnog identiteta gastarbajtera i njihovih potomaka kroz projekte koji su re-alizovali saradnici Odeljenja za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu i Etnografskog instituta SANU. Projekte su podržali Etnološko-antropološko društvo Srbije i Filozofski fakultet u Beogradu. Feno-men „radnika na privremenom radu u inostranstvu“, odnosno tzv. gastarbajtera, koji datira od početka 60ih godina 20. veka i nastavio se u narednim decenijama, dugo je ostao po strani interesovanja srpske antropološke i etnološke nauke. To je i bio razlog zbog čega smo 2010. godine započeli antropološko istraživanje kulturnog identiteta gastarbajtera, uočivši „prazan prostor“ u naučnom bavljenju ovim fenomenom. Namera je bila da se u obzir uzmu različiti faktori konstrukci-je identiteta gastarbajtera i iz različitih uglova sagledaju procesi, diskursi i pred-stave vezane za ovu socio-kulturnu grupu. Vremenom, kako smo dublje zalazili u problem radnih migranata i migracija uopšte, naša interesovanja, a samim tim i istraživanja, proširila su se i na druge teme osim kulturnog identiteta. U tom smislu, ovaj pregledni rad ima nameru da informiše naučnu i stručnu javnost o rezultatima istraživanja migranata na privremenom radu u inostranstvu i njihovih potomaka, da istakne neke najvažnije istraživačke teme kojima smo se bavili, uz svest o tome da je fenomen migranata i migracija toliko raznovrstan da je nemo-guće obuhvatiti niti istražiti sve što taj fenomen čini tako kompleksnim.
AB  - Cet article de synthèse offre une revue des recherches anthropologiques sur
l’identité culturelle des gasterbeiters et de leurs descendants à travers les projets
réalisés par les chercheurs du Département d’ethnologie et d’anthropologie de
la Faculté de Philosophie de l’Université de Belgrade et de l’Institut ethnographique de l’Académie serbe des sciences et des arts (acronyme serbe: SANU).
Les projets ont été soutenus par l’Association ethno-anthropologique de Serbie
et la Faculté de Philosophie de Belgrade. Le phénomène des « travailleurs temporaires à l’étranger », appelés gasterbeiters, qui date du début des années 60 du
20e siècle et s’est poursuivi dans les décennies suivantes, est longtemps resté
en dehors de l’intérêt de la science anthropologique et ethnologique serbe. C’est
pourquoi, après avoir identifié « un espace vide » dans les recherches scientifiques sur ce phénomène, nous avons entrepris en 2010 une recherche anthropologique sur l’identité culturelle des gasterbeiters,. L’intention a été de prendre
en compte différents facteurs de construction de l’identité des gasterbeiters et
d’examiner sous différents angles les processus, les discours et les représentations liés à ce groupe socioculturel. Avec le temps, comme nous avancions dans
nos recherches sur le problème des travailleurs migrants et des migrations en général, nos intérêts, et par conséquent nos recherches, se sont élargis à des sujets
en dehors l’identité culturelle. En ce sens, cet article de synthèse a l’intention
d’informer le public scientifique et expert sur les résultats des recherches sur les
migrants travailleurs temporaires à l’étranger et leurs descendants, de signaler
certains des sujets de recherche les plus importants que nous avons abordés,
conscients cependant que le phénomène des migrants et des migrations est si
varié qu’il est impossible d’englober ou d’explorer tout ce qui le rend complexe.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio
T2  - Etnoantropološki problemi
T1  - A decade of studying guest workers through the projects of the Serbian Ethnological and Anthropological Society
T1  - Decenija proučavanja gastarbajtera kroz projekte Etnološko-antropološkog društva Srbije
T1  - Une décennie de recherches sur les gasterbeiters dans les projets de l’Association ethno-anthropologique de Serbie
EP  - 1012
IS  - 4
SP  - 981
VL  - 16
DO  - 10.21301/eap.v16i4.1
ER  - 

@article{
author = "Antonijević, Dragana and Banić Grubišić, Ana and Rašić, Miloš",
year = "2021",
abstract = "This review paper provides an overview of the ten-year long anthropologi-cal research on the cultural identity of guest workers and their descendants as part of the projects implemented by the associates of the Department of Ethnology and Anthropology of the Faculty of Philosophy, University of Belgrade and the SASA Institute of Ethno-graphy. The projects were supported by the Serbian Ethnological and Anthropological So-ciety and the Faculty of Philosophy in Belgrade. The phenomenon of “temporary workers abroad”, or the so-called guest workers (Gastarbeiter), which emerged in the early 1960s and continued in the decades to come, has long remained beyond the interest of Serbian anthropological and ethnological science. This is why, after having noticed a scientific research gap related to this phenomenon, in 2010 we initiated the anthropological research of the cultural identity of guest workers. Our intention was to take into account different factors of guest-worker identity construction and to look at the processes, discourses and concepts related to this socio-cultural group from different angles. Over time, as we delved deeper into the problem of migrant workers and migration in general, our interests, and consequently our research, expanded to other topics in addition to cultural identity. In that context, this review paper intends to inform the scientific and professional public about the findings of research on migrants working temporarily abroad and their descendants, and to highlight some of the most important topics that we focused on in this research, while being aware that the phenomenon of migrants and migration is so diverse that it is impossible to include or investigate all its elements that make it so complex., Ovaj  pregledni  rad  nudi presek  desetogodišnjih  antropoloških  istraživanja kulturnog identiteta gastarbajtera i njihovih potomaka kroz projekte koji su re-alizovali saradnici Odeljenja za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu i Etnografskog instituta SANU. Projekte su podržali Etnološko-antropološko društvo Srbije i Filozofski fakultet u Beogradu. Feno-men „radnika na privremenom radu u inostranstvu“, odnosno tzv. gastarbajtera, koji datira od početka 60ih godina 20. veka i nastavio se u narednim decenijama, dugo je ostao po strani interesovanja srpske antropološke i etnološke nauke. To je i bio razlog zbog čega smo 2010. godine započeli antropološko istraživanje kulturnog identiteta gastarbajtera, uočivši „prazan prostor“ u naučnom bavljenju ovim fenomenom. Namera je bila da se u obzir uzmu različiti faktori konstrukci-je identiteta gastarbajtera i iz različitih uglova sagledaju procesi, diskursi i pred-stave vezane za ovu socio-kulturnu grupu. Vremenom, kako smo dublje zalazili u problem radnih migranata i migracija uopšte, naša interesovanja, a samim tim i istraživanja, proširila su se i na druge teme osim kulturnog identiteta. U tom smislu, ovaj pregledni rad ima nameru da informiše naučnu i stručnu javnost o rezultatima istraživanja migranata na privremenom radu u inostranstvu i njihovih potomaka, da istakne neke najvažnije istraživačke teme kojima smo se bavili, uz svest o tome da je fenomen migranata i migracija toliko raznovrstan da je nemo-guće obuhvatiti niti istražiti sve što taj fenomen čini tako kompleksnim., Cet article de synthèse offre une revue des recherches anthropologiques sur
l’identité culturelle des gasterbeiters et de leurs descendants à travers les projets
réalisés par les chercheurs du Département d’ethnologie et d’anthropologie de
la Faculté de Philosophie de l’Université de Belgrade et de l’Institut ethnographique de l’Académie serbe des sciences et des arts (acronyme serbe: SANU).
Les projets ont été soutenus par l’Association ethno-anthropologique de Serbie
et la Faculté de Philosophie de Belgrade. Le phénomène des « travailleurs temporaires à l’étranger », appelés gasterbeiters, qui date du début des années 60 du
20e siècle et s’est poursuivi dans les décennies suivantes, est longtemps resté
en dehors de l’intérêt de la science anthropologique et ethnologique serbe. C’est
pourquoi, après avoir identifié « un espace vide » dans les recherches scientifiques sur ce phénomène, nous avons entrepris en 2010 une recherche anthropologique sur l’identité culturelle des gasterbeiters,. L’intention a été de prendre
en compte différents facteurs de construction de l’identité des gasterbeiters et
d’examiner sous différents angles les processus, les discours et les représentations liés à ce groupe socioculturel. Avec le temps, comme nous avancions dans
nos recherches sur le problème des travailleurs migrants et des migrations en général, nos intérêts, et par conséquent nos recherches, se sont élargis à des sujets
en dehors l’identité culturelle. En ce sens, cet article de synthèse a l’intention
d’informer le public scientifique et expert sur les résultats des recherches sur les
migrants travailleurs temporaires à l’étranger et leurs descendants, de signaler
certains des sujets de recherche les plus importants que nous avons abordés,
conscients cependant que le phénomène des migrants et des migrations est si
varié qu’il est impossible d’englober ou d’explorer tout ce qui le rend complexe.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio",
journal = "Etnoantropološki problemi",
title = "A decade of studying guest workers through the projects of the Serbian Ethnological and Anthropological Society, Decenija proučavanja gastarbajtera kroz projekte Etnološko-antropološkog društva Srbije, Une décennie de recherches sur les gasterbeiters dans les projets de l’Association ethno-anthropologique de Serbie",
pages = "1012-981",
number = "4",
volume = "16",
doi = "10.21301/eap.v16i4.1"
}

Antonijević, D., Banić Grubišić, A.,& Rašić, M.. (2021). A decade of studying guest workers through the projects of the Serbian Ethnological and Anthropological Society. in Etnoantropološki problemi
Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio., 16(4), 981-1012.
https://doi.org/10.21301/eap.v16i4.1

Antonijević D, Banić Grubišić A, Rašić M. A decade of studying guest workers through the projects of the Serbian Ethnological and Anthropological Society. in Etnoantropološki problemi. 2021;16(4):981-1012.
doi:10.21301/eap.v16i4.1 .

Antonijević, Dragana, Banić Grubišić, Ana, Rašić, Miloš, "A decade of studying guest workers through the projects of the Serbian Ethnological and Anthropological Society" in Etnoantropološki problemi, 16, no. 4 (2021):981-1012,
https://doi.org/10.21301/eap.v16i4.1 . .

TY  - JOUR
AU  - Antonijević, Dragana
AU  - Rasić, Milos
AU  - Banić Grubišić, Ana
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3114
AB  - This paper is the result of work on the project "A Study of Awareness and Preservation of Intangible Cultural Heritage Among Young People in Serbia and the Diaspora" carried out in 2019. In view of the UNESCO recommendations that young people should be educated about the importance of cultural heritage as they are the key population in the process of its further preservation, the project was conceived with the aim of conducting a survey on the awareness of young people in Serbia and the diaspora of elements of intangible cultural heritage (ICH) protected in the National Register of ICH of the Republic of Serbia. A target group for the study was selected using the technique of nonprobability sampling, composed of a convenience sample of young people who are members of cultural societies in Novi Sad, Zrenjanin, Uzice, Kraljevo and Nis, and also of third-generation Serbian immigrants in Vienna, Paris and Calgary who are members of Serbian cultural societies in these cities. Taking into account the fact that in cultural societies certain elements of ICH are practiced and learned, the hypothesis was that the target group would serve as a good indicator of the degree of awareness of protected elements of ICH on the national list, as most protected elements constitute rare customs. Related to this is the fundamental analytical question, namely, who does the ICH National List serve and who should be aware of the protected rare elements of intangible cultural heritage, to what degree and why. The research instrument used was a questionnaire with open-ended questions, and the data thus collected were consequently supplemented through interviews. Ten elements were selected from the ICH National List. 66 completed questionnaires were collected, 33 from Serbia and 33 from the diaspora. An analysis of the replies suggests that the degree of awareness among young people of ICH is relatively low.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - How (Un)Aware are Young People in Serbia and the Diaspora of Serbia's Intangible Cultural Heritage?
EP  - 1058
IS  - 4
SP  - 1037
VL  - 15
DO  - 10.21301/eap.v15i4.4
ER  - 

@article{
author = "Antonijević, Dragana and Rasić, Milos and Banić Grubišić, Ana",
year = "2020",
abstract = "This paper is the result of work on the project "A Study of Awareness and Preservation of Intangible Cultural Heritage Among Young People in Serbia and the Diaspora" carried out in 2019. In view of the UNESCO recommendations that young people should be educated about the importance of cultural heritage as they are the key population in the process of its further preservation, the project was conceived with the aim of conducting a survey on the awareness of young people in Serbia and the diaspora of elements of intangible cultural heritage (ICH) protected in the National Register of ICH of the Republic of Serbia. A target group for the study was selected using the technique of nonprobability sampling, composed of a convenience sample of young people who are members of cultural societies in Novi Sad, Zrenjanin, Uzice, Kraljevo and Nis, and also of third-generation Serbian immigrants in Vienna, Paris and Calgary who are members of Serbian cultural societies in these cities. Taking into account the fact that in cultural societies certain elements of ICH are practiced and learned, the hypothesis was that the target group would serve as a good indicator of the degree of awareness of protected elements of ICH on the national list, as most protected elements constitute rare customs. Related to this is the fundamental analytical question, namely, who does the ICH National List serve and who should be aware of the protected rare elements of intangible cultural heritage, to what degree and why. The research instrument used was a questionnaire with open-ended questions, and the data thus collected were consequently supplemented through interviews. Ten elements were selected from the ICH National List. 66 completed questionnaires were collected, 33 from Serbia and 33 from the diaspora. An analysis of the replies suggests that the degree of awareness among young people of ICH is relatively low.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "How (Un)Aware are Young People in Serbia and the Diaspora of Serbia's Intangible Cultural Heritage?",
pages = "1058-1037",
number = "4",
volume = "15",
doi = "10.21301/eap.v15i4.4"
}

Antonijević, D., Rasić, M.,& Banić Grubišić, A.. (2020). How (Un)Aware are Young People in Serbia and the Diaspora of Serbia's Intangible Cultural Heritage?. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 15(4), 1037-1058.
https://doi.org/10.21301/eap.v15i4.4

Antonijević D, Rasić M, Banić Grubišić A. How (Un)Aware are Young People in Serbia and the Diaspora of Serbia's Intangible Cultural Heritage?. in Etnoantropološki problemi. 2020;15(4):1037-1058.
doi:10.21301/eap.v15i4.4 .

Antonijević, Dragana, Rasić, Milos, Banić Grubišić, Ana, "How (Un)Aware are Young People in Serbia and the Diaspora of Serbia's Intangible Cultural Heritage?" in Etnoantropološki problemi, 15, no. 4 (2020):1037-1058,
https://doi.org/10.21301/eap.v15i4.4 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2020
UR  - http://reff.f.bg.ac.rs/handle/123456789/3206
AB  - From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of Munchen, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkic. After outlining the basic genre characteristics of "migrant literature" and the so-called gastarbeiter novel, the paper proceeds to analyze the dominant themes and motifs in the novel The Taxi Driver of Munchen. This work, written in the tradition of realist narration, deals with the immediate experience of migranthood and represents a prototype of the first-generation gastarbeiter novel. It is narrated from the perspective of a "guest worker" in Germany - through the character of the protagonist, the taxi driver Marko Mandic, Romano Mrkic writes about himself and his immigrant experience, about important Others and the complex modalities of migrant identity and (non)bclonging. In addition to depicting the everyday experience of the gastarbeiter in Germany and their struggle to integrate into a new and different social environment, and describing the native population's ethnic prejudice and stereotypes in relation to the guest workers, Mrkic speaks from an insider perspective of "Yugo-Germans'" "adversities" of identity. His characters remain perpetually stuck between "two worlds", between "here" and "there", and between the past and the present, while the "myth of return" expressed through an overemphatic nostalgia for the homeland is the foundation of Mrkio's narrative. Through a thematic analysis of the novel, the paper explores the ideas of integration and assimilation of guest workers, as well as the cultural meanings that the author assigns to these processes.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis
EP  - 128
IS  - 1
SP  - 101
VL  - 15
DO  - 10.21301/eap.v15i1.4
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2020",
abstract = "From the perspective of the anthropology of migrations and literature, the paper analyzes The Taxi Driver of Munchen, a novel with autobiographical elements by the Croatian author and gastarbeiter Romano Mrkic. After outlining the basic genre characteristics of "migrant literature" and the so-called gastarbeiter novel, the paper proceeds to analyze the dominant themes and motifs in the novel The Taxi Driver of Munchen. This work, written in the tradition of realist narration, deals with the immediate experience of migranthood and represents a prototype of the first-generation gastarbeiter novel. It is narrated from the perspective of a "guest worker" in Germany - through the character of the protagonist, the taxi driver Marko Mandic, Romano Mrkic writes about himself and his immigrant experience, about important Others and the complex modalities of migrant identity and (non)bclonging. In addition to depicting the everyday experience of the gastarbeiter in Germany and their struggle to integrate into a new and different social environment, and describing the native population's ethnic prejudice and stereotypes in relation to the guest workers, Mrkic speaks from an insider perspective of "Yugo-Germans'" "adversities" of identity. His characters remain perpetually stuck between "two worlds", between "here" and "there", and between the past and the present, while the "myth of return" expressed through an overemphatic nostalgia for the homeland is the foundation of Mrkio's narrative. Through a thematic analysis of the novel, the paper explores the ideas of integration and assimilation of guest workers, as well as the cultural meanings that the author assigns to these processes.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis",
pages = "128-101",
number = "1",
volume = "15",
doi = "10.21301/eap.v15i1.4"
}

Banić Grubišić, A.. (2020). Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 15(1), 101-128.
https://doi.org/10.21301/eap.v15i1.4

Banić Grubišić A. Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis. in Etnoantropološki problemi. 2020;15(1):101-128.
doi:10.21301/eap.v15i1.4 .

Banić Grubišić, Ana, "Inbetween the Worlds - Gastarbeiter Novel Taxi Driver of Munich: An Anthropological Analysis" in Etnoantropološki problemi, 15, no. 1 (2020):101-128,
https://doi.org/10.21301/eap.v15i1.4 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
AU  - Kulenović, Nina
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2914
AB  - This paper shows preliminary results from an ethnographic study of the modern musical phenomena that gathers "authors from the Serbian scene", who's creations are based on the mixture of the newly composed folk music and turbo-folk, along with various alternative music genres and styles. The research is conducted through the technique of semi-structured interviews with the artists and event organizers, as well as attending different events (concerts, compilation promotion, festivals Zasram and FESRAM), and using written and audiovisual materials that are accessible on the Internet. One of the main aims of this study is to designate the form of "turbotronik" phenomena in the context of music genre and scene, as well as recognizing its local characteristics. Through the analysis of different processes that influence the formatting of a specific music genre (name of the genre, the narrative on genre origin, visual identity, specific sound, the thematic of the songs and characteristics of the genre's public) "turbotronik" is being observed as sort of a "genre in the making".
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Turbotronik - On the Border between the Local Music Scene and a Genre in the Making
EP  - 46
IS  - 1
SP  - 23
VL  - 14
DO  - 10.21301/eap.v14i1.1
ER  - 

@article{
author = "Banić Grubišić, Ana and Kulenović, Nina",
year = "2019",
abstract = "This paper shows preliminary results from an ethnographic study of the modern musical phenomena that gathers "authors from the Serbian scene", who's creations are based on the mixture of the newly composed folk music and turbo-folk, along with various alternative music genres and styles. The research is conducted through the technique of semi-structured interviews with the artists and event organizers, as well as attending different events (concerts, compilation promotion, festivals Zasram and FESRAM), and using written and audiovisual materials that are accessible on the Internet. One of the main aims of this study is to designate the form of "turbotronik" phenomena in the context of music genre and scene, as well as recognizing its local characteristics. Through the analysis of different processes that influence the formatting of a specific music genre (name of the genre, the narrative on genre origin, visual identity, specific sound, the thematic of the songs and characteristics of the genre's public) "turbotronik" is being observed as sort of a "genre in the making".",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Turbotronik - On the Border between the Local Music Scene and a Genre in the Making",
pages = "46-23",
number = "1",
volume = "14",
doi = "10.21301/eap.v14i1.1"
}

Banić Grubišić, A.,& Kulenović, N.. (2019). Turbotronik - On the Border between the Local Music Scene and a Genre in the Making. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(1), 23-46.
https://doi.org/10.21301/eap.v14i1.1

Banić Grubišić A, Kulenović N. Turbotronik - On the Border between the Local Music Scene and a Genre in the Making. in Etnoantropološki problemi. 2019;14(1):23-46.
doi:10.21301/eap.v14i1.1 .

Banić Grubišić, Ana, Kulenović, Nina, "Turbotronik - On the Border between the Local Music Scene and a Genre in the Making" in Etnoantropološki problemi, 14, no. 1 (2019):23-46,
https://doi.org/10.21301/eap.v14i1.1 . .

TY  - JOUR
AU  - Kulenović, Nina
AU  - Banić Grubišić, Ana
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2913
AB  - The subject of this paper is the ethnographic mapping of the origins of the new alternative scene, based on turbo-folk. Mainly located in Belgrade, this alternative scene has been swindling, over the last couple of years, as the circle of artists ('Mangulica FM, Lenhart Tapes, Mega Denke, Gianni Druid, Bombe Devedesetih and others), who freely combine turbo-folk genre with other music forms (electronic music, rap and others) to fulfill modern audience needs. In this research, we will rely on the standpoint that the term "turbo-folk" is not only a tool for music genre's description, but also a value connotated "floating signifier", which pumps its content from the certain community's symbolic repertoire. Turbo-folk showed its symbolic strength in the academic and non-academic discourse, as a tool for cultural switching on/switching off during the last decade of the twentieth century and the first decade of the twenty-first century, when it was instrumentalised as the constitutive otherness of "urban" ("elite", "civilised", "educated", "cosmopolitan") population. The basic assumption of this paper is that the disagreement about classifications, the focus of which is turbo-folk, is rehabilitated, recontextualized and revaluated. In this study, we will re-examine the hypothesis saying that the new alternative scene, which is the subject of this research, endeavours to instrumentalise turbo-folk as an arbor of "urban elite's" cultural critique, its authority and legitimacy of its classification categories.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - "Turbo-folk Rocks!": New Readings of Turbo-folk
EP  - 78
IS  - 1
SP  - 47
VL  - 14
DO  - 10.21301/eap.v14i1.2
ER  - 

@article{
author = "Kulenović, Nina and Banić Grubišić, Ana",
year = "2019",
abstract = "The subject of this paper is the ethnographic mapping of the origins of the new alternative scene, based on turbo-folk. Mainly located in Belgrade, this alternative scene has been swindling, over the last couple of years, as the circle of artists ('Mangulica FM, Lenhart Tapes, Mega Denke, Gianni Druid, Bombe Devedesetih and others), who freely combine turbo-folk genre with other music forms (electronic music, rap and others) to fulfill modern audience needs. In this research, we will rely on the standpoint that the term "turbo-folk" is not only a tool for music genre's description, but also a value connotated "floating signifier", which pumps its content from the certain community's symbolic repertoire. Turbo-folk showed its symbolic strength in the academic and non-academic discourse, as a tool for cultural switching on/switching off during the last decade of the twentieth century and the first decade of the twenty-first century, when it was instrumentalised as the constitutive otherness of "urban" ("elite", "civilised", "educated", "cosmopolitan") population. The basic assumption of this paper is that the disagreement about classifications, the focus of which is turbo-folk, is rehabilitated, recontextualized and revaluated. In this study, we will re-examine the hypothesis saying that the new alternative scene, which is the subject of this research, endeavours to instrumentalise turbo-folk as an arbor of "urban elite's" cultural critique, its authority and legitimacy of its classification categories.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = ""Turbo-folk Rocks!": New Readings of Turbo-folk",
pages = "78-47",
number = "1",
volume = "14",
doi = "10.21301/eap.v14i1.2"
}

Kulenović, N.,& Banić Grubišić, A.. (2019). "Turbo-folk Rocks!": New Readings of Turbo-folk. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(1), 47-78.
https://doi.org/10.21301/eap.v14i1.2

Kulenović N, Banić Grubišić A. "Turbo-folk Rocks!": New Readings of Turbo-folk. in Etnoantropološki problemi. 2019;14(1):47-78.
doi:10.21301/eap.v14i1.2 .

Kulenović, Nina, Banić Grubišić, Ana, ""Turbo-folk Rocks!": New Readings of Turbo-folk" in Etnoantropološki problemi, 14, no. 1 (2019):47-78,
https://doi.org/10.21301/eap.v14i1.2 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2890
AB  - The subject of this paper is a thematic analysis of a bilingual collection of poems by Drago Trumbetas entitled "Poems of guest-workers" ("Gastarbeiter-Gedichte"). The poems in this collection were written during his stay in FR Germany from 1969 to 1980. Drago Trumbetas (1937-2018) was a versatile Croatian self-taught artist and a member of the first wave of Yugoslav economic migrants who went to "temporary" work in the developed countries of Western Europe in the 1960s. During his stay in FR Germany, Trumbetas worked various low paid physical jobs and his artistic expression was strongly imbued with personal migrant experiences. Almost all artistic work of Trumbetas (series of drawings, novels, plays and poetry) is devoted to depicting the life of Yugoslav gastarbeiters. After determining the prevailing topics on the collection of poems, an analysis of their meaning will be undertaken through the anthropological, sociological and historical literature on the phenomenon of "temporary workers abroad". Poetry of Trumbetas has been interpreted in the broader context of the "migrant poetry" development in FR Germany since the 1970s. Particular attention will be paid to analyzing the ways of poetic self-representation of migrant workers, the ways of articulating identity through poetry in a new and different cultural and social environment respectively. The problem of using literary texts written in the first person, which are therefore shaped by the subjective aspirations of individual authors, as relevant sources in ethnological and anthropological studies of migration is problematized in this paper.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Migrant Poetry - Anthropological Analysis on the Collection of Poems by Drago Trumbetas
EP  - 1185
IS  - 4
SP  - 1161
VL  - 14
DO  - 10.21301/eap.v14i4.5
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2019",
abstract = "The subject of this paper is a thematic analysis of a bilingual collection of poems by Drago Trumbetas entitled "Poems of guest-workers" ("Gastarbeiter-Gedichte"). The poems in this collection were written during his stay in FR Germany from 1969 to 1980. Drago Trumbetas (1937-2018) was a versatile Croatian self-taught artist and a member of the first wave of Yugoslav economic migrants who went to "temporary" work in the developed countries of Western Europe in the 1960s. During his stay in FR Germany, Trumbetas worked various low paid physical jobs and his artistic expression was strongly imbued with personal migrant experiences. Almost all artistic work of Trumbetas (series of drawings, novels, plays and poetry) is devoted to depicting the life of Yugoslav gastarbeiters. After determining the prevailing topics on the collection of poems, an analysis of their meaning will be undertaken through the anthropological, sociological and historical literature on the phenomenon of "temporary workers abroad". Poetry of Trumbetas has been interpreted in the broader context of the "migrant poetry" development in FR Germany since the 1970s. Particular attention will be paid to analyzing the ways of poetic self-representation of migrant workers, the ways of articulating identity through poetry in a new and different cultural and social environment respectively. The problem of using literary texts written in the first person, which are therefore shaped by the subjective aspirations of individual authors, as relevant sources in ethnological and anthropological studies of migration is problematized in this paper.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Migrant Poetry - Anthropological Analysis on the Collection of Poems by Drago Trumbetas",
pages = "1185-1161",
number = "4",
volume = "14",
doi = "10.21301/eap.v14i4.5"
}

Banić Grubišić, A.. (2019). Migrant Poetry - Anthropological Analysis on the Collection of Poems by Drago Trumbetas. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(4), 1161-1185.
https://doi.org/10.21301/eap.v14i4.5

Banić Grubišić A. Migrant Poetry - Anthropological Analysis on the Collection of Poems by Drago Trumbetas. in Etnoantropološki problemi. 2019;14(4):1161-1185.
doi:10.21301/eap.v14i4.5 .

Banić Grubišić, Ana, "Migrant Poetry - Anthropological Analysis on the Collection of Poems by Drago Trumbetas" in Etnoantropološki problemi, 14, no. 4 (2019):1161-1185,
https://doi.org/10.21301/eap.v14i4.5 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/5439
AB  - U radu se analizira srpski dugometražni film „Ničije dete” iz 2014. godine. Radnja filma je zasnovana na priči o „divljem detetu”, fascinantnom tropu folklora, književnosti i popularne kulture. U skladu sa antropološkim pristupom proučavanja dugometražnih filmova, ovaj film se posmatra kao moderni mit koji izražava i istražuje ključna pitanja i kulturne kontradikcije u savremenom društvu. Kroz lik divljeg dečaka kojeg su odgajili vukovi i koji prema tome ne poseduje „kulturu” u ovom radu se ispituje na koji način film „Ničije dete” razrešava problem opozicije između prirode i kulture.
AB  - The paper analyzes the Serbian feature film „No One’s Child” from 2014. The
film tells the story about a feral child, a fascinating trope found in folklore, literature
and popular culture. In accordance with the anthropological approach to studying feature films, this movie is viewed as modern myth which express and explore key cultural
questions and contradictions in the contemporary society. Through a character of a
feral boy raised by wolfs and therefore without „culture” this paper examines how the
„No One’s Child” film solves the issue of the nature versus culture opposition.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu
T2  - Antropologija
T1  - Između prirode i kulture - antropološka analiza filma "Ničije dete"
T1  - Between nature and culture – anthropological analyses of the film „No One’s Child”
EP  - 100
IS  - 3
SP  - 87
VL  - 18
UR  - https://hdl.handle.net/21.15107/rcub_reff_5439
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2018",
abstract = "U radu se analizira srpski dugometražni film „Ničije dete” iz 2014. godine. Radnja filma je zasnovana na priči o „divljem detetu”, fascinantnom tropu folklora, književnosti i popularne kulture. U skladu sa antropološkim pristupom proučavanja dugometražnih filmova, ovaj film se posmatra kao moderni mit koji izražava i istražuje ključna pitanja i kulturne kontradikcije u savremenom društvu. Kroz lik divljeg dečaka kojeg su odgajili vukovi i koji prema tome ne poseduje „kulturu” u ovom radu se ispituje na koji način film „Ničije dete” razrešava problem opozicije između prirode i kulture., The paper analyzes the Serbian feature film „No One’s Child” from 2014. The
film tells the story about a feral child, a fascinating trope found in folklore, literature
and popular culture. In accordance with the anthropological approach to studying feature films, this movie is viewed as modern myth which express and explore key cultural
questions and contradictions in the contemporary society. Through a character of a
feral boy raised by wolfs and therefore without „culture” this paper examines how the
„No One’s Child” film solves the issue of the nature versus culture opposition.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu",
journal = "Antropologija",
title = "Između prirode i kulture - antropološka analiza filma "Ničije dete", Between nature and culture – anthropological analyses of the film „No One’s Child”",
pages = "100-87",
number = "3",
volume = "18",
url = "https://hdl.handle.net/21.15107/rcub_reff_5439"
}

Banić Grubišić, A.. (2018). Između prirode i kulture - antropološka analiza filma "Ničije dete". in Antropologija
Beograd: Filozofski fakultet Univerziteta u Beogradu., 18(3), 87-100.
https://hdl.handle.net/21.15107/rcub_reff_5439

Banić Grubišić A. Između prirode i kulture - antropološka analiza filma "Ničije dete". in Antropologija. 2018;18(3):87-100.
https://hdl.handle.net/21.15107/rcub_reff_5439 .

Banić Grubišić, Ana, "Između prirode i kulture - antropološka analiza filma "Ničije dete"" in Antropologija, 18, no. 3 (2018):87-100,
https://hdl.handle.net/21.15107/rcub_reff_5439 .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/5434
AB  - Rad iz antropološke perspektive istražuje kolekciju crteža Drage Trumbetaša pod nazivom „Gastarbajterska serija”. Dragutin Trumbetaš (1937–2018) bio je hrvatski samouki umetnik koji je većinu života proveo radeći različite poslove kao gost-radnik u Nemačkoj. Njegovi crteži gastarbajtera koji su zasnovani na ličnom migrantskom isku-stvu realistično prikazuju teškoće i svakodnevne prakse prvog talasa imigranata koji su šezdesetih godina prošlog veka došli kao privremeni radnici u zemlje Zapadne Evrope. Njegova  umetnost  predstavlja  dragocen  materijal  za  istraživanje  stavova,  vrednosti  i  iskustava  migranata,  osvetljavajući  njihov  proces  akulturacije  u  novo  kulturno  i  druš-tveno okruženje.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu
T2  - Antropologija
T1  - Umetnost i migrantsko iskustvo - "gastarbajterska serija" Drage Trumbetaša
T1  - Art and migrant experience – the „Gastarbeiter Series” of Dragutin Trumbetaš
EP  - 44
IS  - 3
SP  - 23
VL  - 18
UR  - https://hdl.handle.net/21.15107/rcub_reff_5434
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2018",
abstract = "Rad iz antropološke perspektive istražuje kolekciju crteža Drage Trumbetaša pod nazivom „Gastarbajterska serija”. Dragutin Trumbetaš (1937–2018) bio je hrvatski samouki umetnik koji je većinu života proveo radeći različite poslove kao gost-radnik u Nemačkoj. Njegovi crteži gastarbajtera koji su zasnovani na ličnom migrantskom isku-stvu realistično prikazuju teškoće i svakodnevne prakse prvog talasa imigranata koji su šezdesetih godina prošlog veka došli kao privremeni radnici u zemlje Zapadne Evrope. Njegova  umetnost  predstavlja  dragocen  materijal  za  istraživanje  stavova,  vrednosti  i  iskustava  migranata,  osvetljavajući  njihov  proces  akulturacije  u  novo  kulturno  i  druš-tveno okruženje.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu",
journal = "Antropologija",
title = "Umetnost i migrantsko iskustvo - "gastarbajterska serija" Drage Trumbetaša, Art and migrant experience – the „Gastarbeiter Series” of Dragutin Trumbetaš",
pages = "44-23",
number = "3",
volume = "18",
url = "https://hdl.handle.net/21.15107/rcub_reff_5434"
}

Banić Grubišić, A.. (2018). Umetnost i migrantsko iskustvo - "gastarbajterska serija" Drage Trumbetaša. in Antropologija
Beograd: Filozofski fakultet Univerziteta u Beogradu., 18(3), 23-44.
https://hdl.handle.net/21.15107/rcub_reff_5434

Banić Grubišić A. Umetnost i migrantsko iskustvo - "gastarbajterska serija" Drage Trumbetaša. in Antropologija. 2018;18(3):23-44.
https://hdl.handle.net/21.15107/rcub_reff_5434 .

Banić Grubišić, Ana, "Umetnost i migrantsko iskustvo - "gastarbajterska serija" Drage Trumbetaša" in Antropologija, 18, no. 3 (2018):23-44,
https://hdl.handle.net/21.15107/rcub_reff_5434 .

TY  - JOUR
AU  - Kovačević, Ivan
AU  - Banić Grubišić, Ana
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2692
AB  - In this paper, the authors follow the history of development of anthropology of tourism from the 1960s to the present. In addition to the distinct methodology (ethnographic field work), the essential aspect of anthropological study of tourism is an emphasis on the socio-cultural dimension of tourism. Within the anthropological research of tourism, the research interest is focused on understanding the social and cultural nature of tourism.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - The Anthropological Study of Tourism
EP  - 233
IS  - 1
SP  - 219
VL  - 13
DO  - 10.21301/eap.v13i1.11
ER  - 

@article{
author = "Kovačević, Ivan and Banić Grubišić, Ana",
year = "2018",
abstract = "In this paper, the authors follow the history of development of anthropology of tourism from the 1960s to the present. In addition to the distinct methodology (ethnographic field work), the essential aspect of anthropological study of tourism is an emphasis on the socio-cultural dimension of tourism. Within the anthropological research of tourism, the research interest is focused on understanding the social and cultural nature of tourism.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "The Anthropological Study of Tourism",
pages = "233-219",
number = "1",
volume = "13",
doi = "10.21301/eap.v13i1.11"
}

Kovačević, I.,& Banić Grubišić, A.. (2018). The Anthropological Study of Tourism. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(1), 219-233.
https://doi.org/10.21301/eap.v13i1.11

Kovačević I, Banić Grubišić A. The Anthropological Study of Tourism. in Etnoantropološki problemi. 2018;13(1):219-233.
doi:10.21301/eap.v13i1.11 .

Kovačević, Ivan, Banić Grubišić, Ana, "The Anthropological Study of Tourism" in Etnoantropološki problemi, 13, no. 1 (2018):219-233,
https://doi.org/10.21301/eap.v13i1.11 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/5440
AB  - Domaći film Ringeraja (2002) predstavlja građu na osnovu koje se analiziraju kulturne predstave i preovlađujući stereotipi o etnologiji i antropologiji u lokalnoj sredini. Pored analize predstavljanja etnologije kao profesije i konteksta unutar kojeg se etnologija pojavljuje, u radu se razmatra i zamišljanje lika fiktivnog naučnika etnologa/antropologa u popularnoj imaginaciji. Uočavaju se sličnosti i razlike između domaćih predstava o etnologiji/etnolozima i predstava o antropologiji/antropolozima u globalnoj popularnoj kulturi. Poređenjem imaginarnog etnologa/antropologa i načina rada stvarnih etnologa/antropologa u radu se raspravlja o javnom imidžu discipline nakon dvehiljaditih godina.
AB  - The Serbian film Ring a Ring o’ Roses (Ringeraja 2002) represents the data based on which the ideas and cultural notions about ethnology and anthropology in the local context are analyzed. Aside from the analysis of the representation of ethnology as a profession and the context in which it appears, the paper considers the imagining of the character of a fictional ethnologist/anthropologist in the popular imagination. The paper also underlines the similarities and differences between domestic ideas about ethnology/ethnologists and ideas about anthropology/anthropologists in global pop culture. By comparing the imaginary ethnologist/anthropologist and the way in which real ethnologists/anthropologists work, the paper considers the public image of the discipline in the aughts.
AB  - Le film serbe À la ronde, jolie ronde (2002) est le matériau à l’aide duquel
sont analysées les représentations culturelles et les stéréotypes dominants sur
l’ethnologie et l’anthropologie dans le milieu local. En dehors de l’analyse de la
représentation de l’ethnologie en tant que profession et du contexte à l’intérieur
duquel l’ethnologie apparaît, dans cet article est discutée la manière dont est
conçu dans l’imagination populaire le personnage du savant ethnologue/anthropologue imaginaire. Des ressemblances et des différences sont relevées entre les
représentations locales sur l’ethnologie/les ethnologues et les représentations
sur l’anthropologie/les anthropologues dans la culture populaire globale. Par
la comparaison entre l’ethnologue/l’anthropologue imaginaire et la manière de
travailler des ethnologues/anthropologues réels, c’est l’image publique de la
discipline après l’an 2000 qui est discutée dans cet article.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio
T2  - Etnoantropološki problemi
T1  - Predstave o profesiji etnolog/antropolog u filmu Ringeraja
T1  - Notions about the ethnologist/anthropologist profession in the film Ring a Ring o’ Roses
T1  - Représentations sur la profession d’ethnologue/anthropologue dans le film A la ronde, jolie ronde
EP  - 1137
IS  - 4
SP  - 1119
VL  - 12
DO  - 10.21301/eap.v12i4.6
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2017",
abstract = "Domaći film Ringeraja (2002) predstavlja građu na osnovu koje se analiziraju kulturne predstave i preovlađujući stereotipi o etnologiji i antropologiji u lokalnoj sredini. Pored analize predstavljanja etnologije kao profesije i konteksta unutar kojeg se etnologija pojavljuje, u radu se razmatra i zamišljanje lika fiktivnog naučnika etnologa/antropologa u popularnoj imaginaciji. Uočavaju se sličnosti i razlike između domaćih predstava o etnologiji/etnolozima i predstava o antropologiji/antropolozima u globalnoj popularnoj kulturi. Poređenjem imaginarnog etnologa/antropologa i načina rada stvarnih etnologa/antropologa u radu se raspravlja o javnom imidžu discipline nakon dvehiljaditih godina., The Serbian film Ring a Ring o’ Roses (Ringeraja 2002) represents the data based on which the ideas and cultural notions about ethnology and anthropology in the local context are analyzed. Aside from the analysis of the representation of ethnology as a profession and the context in which it appears, the paper considers the imagining of the character of a fictional ethnologist/anthropologist in the popular imagination. The paper also underlines the similarities and differences between domestic ideas about ethnology/ethnologists and ideas about anthropology/anthropologists in global pop culture. By comparing the imaginary ethnologist/anthropologist and the way in which real ethnologists/anthropologists work, the paper considers the public image of the discipline in the aughts., Le film serbe À la ronde, jolie ronde (2002) est le matériau à l’aide duquel
sont analysées les représentations culturelles et les stéréotypes dominants sur
l’ethnologie et l’anthropologie dans le milieu local. En dehors de l’analyse de la
représentation de l’ethnologie en tant que profession et du contexte à l’intérieur
duquel l’ethnologie apparaît, dans cet article est discutée la manière dont est
conçu dans l’imagination populaire le personnage du savant ethnologue/anthropologue imaginaire. Des ressemblances et des différences sont relevées entre les
représentations locales sur l’ethnologie/les ethnologues et les représentations
sur l’anthropologie/les anthropologues dans la culture populaire globale. Par
la comparaison entre l’ethnologue/l’anthropologue imaginaire et la manière de
travailler des ethnologues/anthropologues réels, c’est l’image publique de la
discipline après l’an 2000 qui est discutée dans cet article.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio",
journal = "Etnoantropološki problemi",
title = "Predstave o profesiji etnolog/antropolog u filmu Ringeraja, Notions about the ethnologist/anthropologist profession in the film Ring a Ring o’ Roses, Représentations sur la profession d’ethnologue/anthropologue dans le film A la ronde, jolie ronde",
pages = "1137-1119",
number = "4",
volume = "12",
doi = "10.21301/eap.v12i4.6"
}

Banić Grubišić, A.. (2017). Predstave o profesiji etnolog/antropolog u filmu Ringeraja. in Etnoantropološki problemi
Beograd: Filozofski fakultet Univerziteta u Beogradu i Dosije studio., 12(4), 1119-1137.
https://doi.org/10.21301/eap.v12i4.6

Banić Grubišić A. Predstave o profesiji etnolog/antropolog u filmu Ringeraja. in Etnoantropološki problemi. 2017;12(4):1119-1137.
doi:10.21301/eap.v12i4.6 .

Banić Grubišić, Ana, "Predstave o profesiji etnolog/antropolog u filmu Ringeraja" in Etnoantropološki problemi, 12, no. 4 (2017):1119-1137,
https://doi.org/10.21301/eap.v12i4.6 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/2085
AB  - The paper deals with ways of representing love and amorous relationships in post-apocalyptic movies. In these movies, there is a dualism of romantic and partner love, and these two types of love are there to help build a new world, or rebuild the destroyed society. These images of love emphasize the importance of evolutionist theories for the central ideas of these films - in post-apocalyptic scenarios love mostly serves the purpose of having or protecting progeny, it is represented as the key tool and mechanism of survival.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Love in the time of the post-apocalypse - ways of imagining love after the end of the world
EP  - 74
IS  - 1
SP  - 55
VL  - 10
DO  - 10.21301/eap.v10.i1.3
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2015",
abstract = "The paper deals with ways of representing love and amorous relationships in post-apocalyptic movies. In these movies, there is a dualism of romantic and partner love, and these two types of love are there to help build a new world, or rebuild the destroyed society. These images of love emphasize the importance of evolutionist theories for the central ideas of these films - in post-apocalyptic scenarios love mostly serves the purpose of having or protecting progeny, it is represented as the key tool and mechanism of survival.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Love in the time of the post-apocalypse - ways of imagining love after the end of the world",
pages = "74-55",
number = "1",
volume = "10",
doi = "10.21301/eap.v10.i1.3"
}

Banić Grubišić, A.. (2015). Love in the time of the post-apocalypse - ways of imagining love after the end of the world. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 10(1), 55-74.
https://doi.org/10.21301/eap.v10.i1.3

Banić Grubišić A. Love in the time of the post-apocalypse - ways of imagining love after the end of the world. in Etnoantropološki problemi. 2015;10(1):55-74.
doi:10.21301/eap.v10.i1.3 .

Banić Grubišić, Ana, "Love in the time of the post-apocalypse - ways of imagining love after the end of the world" in Etnoantropološki problemi, 10, no. 1 (2015):55-74,
https://doi.org/10.21301/eap.v10.i1.3 . .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/2033
AB  - The paper deals with ways of representing sexual relations in movies about the post-apocalypse. Different forms of sexual relations which occur in a post-apocalyptic setting are considered with regard to two types of communities/societies which emerge after the end of the world. These movies indicate how much the idea of an instinctual, natural, biological sexuality is widespread in popular imagination - in the post-apocaypse sex is represented as a motivational force on par with hunger.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Conceptions of sex in movies about the post-apocalypse
EP  - 983
IS  - 4
SP  - 965
VL  - 10
DO  - 10.21301/eap.v10i4.10
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2015",
abstract = "The paper deals with ways of representing sexual relations in movies about the post-apocalypse. Different forms of sexual relations which occur in a post-apocalyptic setting are considered with regard to two types of communities/societies which emerge after the end of the world. These movies indicate how much the idea of an instinctual, natural, biological sexuality is widespread in popular imagination - in the post-apocaypse sex is represented as a motivational force on par with hunger.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Conceptions of sex in movies about the post-apocalypse",
pages = "983-965",
number = "4",
volume = "10",
doi = "10.21301/eap.v10i4.10"
}

Banić Grubišić, A.. (2015). Conceptions of sex in movies about the post-apocalypse. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 10(4), 965-983.
https://doi.org/10.21301/eap.v10i4.10

Banić Grubišić A. Conceptions of sex in movies about the post-apocalypse. in Etnoantropološki problemi. 2015;10(4):965-983.
doi:10.21301/eap.v10i4.10 .

Banić Grubišić, Ana, "Conceptions of sex in movies about the post-apocalypse" in Etnoantropološki problemi, 10, no. 4 (2015):965-983,
https://doi.org/10.21301/eap.v10i4.10 . .

TY  - THES
AU  - Banić Grubišić, Ana
PY  - 2014
UR  - http://eteze.bg.ac.rs/application/showtheses?thesesId=2626
UR  - http://nardus.mpn.gov.rs/handle/123456789/4961
UR  - http://vbs.rs/scripts/cobiss?command=DISPLAY&base=70036&RID=524979095
UR  - http://reff.f.bg.ac.rs/handle/123456789/45
AB  - Predmet istraživanja ove disertacije predstavljaju imaginarne distopije budućnosti koje su prikazane u filmovima na temu postapokalipse. Osnovno obeležje ovih filmova naučne fantastike jeste da se u njima prikazuje mogući svet posle kraja sveta do koga je došlo usled neke katastrofe globalnih razmera. Radnja postapokaliptičnog filma odvija se u bližoj ili daljoj budućnosti i prati život onih koji su preživeli katastrofu. U postkataklizmičnoj budućnosti dolazi do radikalne transformacije postojećih političkih, društvenih i kulturnih struktura. Fiktivni postapokaliptični svet u velikom broju filmova ovog (pod)žanra naseljavaju relativno mala, zatvorena „društva“ koja se prikazuju kao izolovane zajednice koje po svojoj strukturi nalikuju na društva koja su kulturni antropolozi u prošlosti istraživali, odnosno koja su nekada važilla za „tipičan“ predmet analize u antropologiji. Analiza se sastoji od šest studija slučaja – u radu se razmatraju značenja kulturnih predstava o (is)hrani, materijalnom nasleđu, urbanom okruženju, kao i o tome na koji način su zamišljeni socijalni odnosi u postkataklizmičnim društvima prikazanim u ovim filmovima. U skladu sa antropološkim pristupom istraživanju dugometražnih igranih filmova, filmovi na temu postapokalipse posmatraju se kao savremeni mitovi u kojima se izražavaju i istražuju ključne kulturne kontradikcije, odnosno u kojima nam se nude imaginarne rezolucije preovlađujućih sociokulturnih tenzija od Drugog svetskog rata do danas. Cilj ovog rada jeste da pokaže šta nam antropološka analiza filmskih narativa postapokalipse može reći o društvu/kulturi koja ih je proizvela, o imaginaciji epohe i sociokulturnim i ideološkim promenama koje su se dešavale tokom druge polovine XX veka.
AB  - The research subject of this dissertation is comprised of imaginary dystopias of the future presented in movies about the post-apocalypse. The basic trait of these science fiction films is that they display a possible world after a doomsday which occurred due to a global catastrophe. The action takes place in the nearer or farther future and follows the lives of those who survived the end of the world. In the post-cataclysmic future extant political, social and cultural structures are radically transformed. In most films of the (sub)genre the fictional post-apocalyptic world is peopled by relatively small, closed “societies” which are shown as isolated communities which are structurally similar to societies explored by cultural anthropologists in the past, and which were once typical fare for anthropological study. The analysis consists of six case studies – the dissertation considers the meanings of cultural ideas about food, material heritage, urban environments, as well as how social relations in these post-apocalyptic societies are imagined within these films. In accordance with the anthropological approach to studying feature live-action films, movies about the postapocalypse are viewed as contemporary myths which express and explore key cultural contradictions and offer imaginary resolutions to cultural tensions from the Second World War onward. The aim of this dissertation is to show what the anthropological analysis of film narratives on the post-apocalypse can tell us about the society/culture which produced them, about the imagination of the era and about the sociocultural and ideological changes which occurred during the second half of the XX century.
PB  - Univerzitet u Beogradu, Filozofski fakultet
T1  - Socijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX veka
T1  - Social antiutopias in the anglosaxon film production since the mid 20th century
UR  - https://hdl.handle.net/21.15107/rcub_nardus_4961
ER  - 

@phdthesis{
author = "Banić Grubišić, Ana",
year = "2014",
abstract = "Predmet istraživanja ove disertacije predstavljaju imaginarne distopije budućnosti koje su prikazane u filmovima na temu postapokalipse. Osnovno obeležje ovih filmova naučne fantastike jeste da se u njima prikazuje mogući svet posle kraja sveta do koga je došlo usled neke katastrofe globalnih razmera. Radnja postapokaliptičnog filma odvija se u bližoj ili daljoj budućnosti i prati život onih koji su preživeli katastrofu. U postkataklizmičnoj budućnosti dolazi do radikalne transformacije postojećih političkih, društvenih i kulturnih struktura. Fiktivni postapokaliptični svet u velikom broju filmova ovog (pod)žanra naseljavaju relativno mala, zatvorena „društva“ koja se prikazuju kao izolovane zajednice koje po svojoj strukturi nalikuju na društva koja su kulturni antropolozi u prošlosti istraživali, odnosno koja su nekada važilla za „tipičan“ predmet analize u antropologiji. Analiza se sastoji od šest studija slučaja – u radu se razmatraju značenja kulturnih predstava o (is)hrani, materijalnom nasleđu, urbanom okruženju, kao i o tome na koji način su zamišljeni socijalni odnosi u postkataklizmičnim društvima prikazanim u ovim filmovima. U skladu sa antropološkim pristupom istraživanju dugometražnih igranih filmova, filmovi na temu postapokalipse posmatraju se kao savremeni mitovi u kojima se izražavaju i istražuju ključne kulturne kontradikcije, odnosno u kojima nam se nude imaginarne rezolucije preovlađujućih sociokulturnih tenzija od Drugog svetskog rata do danas. Cilj ovog rada jeste da pokaže šta nam antropološka analiza filmskih narativa postapokalipse može reći o društvu/kulturi koja ih je proizvela, o imaginaciji epohe i sociokulturnim i ideološkim promenama koje su se dešavale tokom druge polovine XX veka., The research subject of this dissertation is comprised of imaginary dystopias of the future presented in movies about the post-apocalypse. The basic trait of these science fiction films is that they display a possible world after a doomsday which occurred due to a global catastrophe. The action takes place in the nearer or farther future and follows the lives of those who survived the end of the world. In the post-cataclysmic future extant political, social and cultural structures are radically transformed. In most films of the (sub)genre the fictional post-apocalyptic world is peopled by relatively small, closed “societies” which are shown as isolated communities which are structurally similar to societies explored by cultural anthropologists in the past, and which were once typical fare for anthropological study. The analysis consists of six case studies – the dissertation considers the meanings of cultural ideas about food, material heritage, urban environments, as well as how social relations in these post-apocalyptic societies are imagined within these films. In accordance with the anthropological approach to studying feature live-action films, movies about the postapocalypse are viewed as contemporary myths which express and explore key cultural contradictions and offer imaginary resolutions to cultural tensions from the Second World War onward. The aim of this dissertation is to show what the anthropological analysis of film narratives on the post-apocalypse can tell us about the society/culture which produced them, about the imagination of the era and about the sociocultural and ideological changes which occurred during the second half of the XX century.",
publisher = "Univerzitet u Beogradu, Filozofski fakultet",
title = "Socijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX veka, Social antiutopias in the anglosaxon film production since the mid 20th century",
url = "https://hdl.handle.net/21.15107/rcub_nardus_4961"
}

Banić Grubišić, A.. (2014). Socijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX veka. 
Univerzitet u Beogradu, Filozofski fakultet..
https://hdl.handle.net/21.15107/rcub_nardus_4961

Banić Grubišić A. Socijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX veka. 2014;.
https://hdl.handle.net/21.15107/rcub_nardus_4961 .

Banić Grubišić, Ana, "Socijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX veka" (2014),
https://hdl.handle.net/21.15107/rcub_nardus_4961 .

TY  - JOUR
AU  - Antonijević, Dragana
AU  - Krstić, Marija
AU  - Banić Grubišić, Ana
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/1660
AB  - Problemi stranih radnih migranata ne zauzimaju značajno mesto u politici Vlade Republike Srbije. Politika Vlade je pre svega usmerena ka problemima dijaspore i srpskih radnih migranata u inostranstvu. Što se tiče nacionalne politike prema strancima, ona se s jedne strane bavi suzbijanjem ilegalnih imigranata, a s druge strane inkluzijom i readmisijom srpskih izbeglica. Međutim, u Srbiji je neophodan razvoj migratornih politika budući da one čine deo nacionalne strategije evrointegracija. Stoga smatramo da je izuzetno važno da se privuče pažnja i na ovaj aspekt problema migracija, odnosno na problem stranih radnih migranata u Srbiji. U ovom tekstu nastojale smo da damo osnovni pregled procedura, zakona i migratornih strategija koje postoje unutar nacionalne politike, ističući nedovoljnost i manjkavost u tretiranju pitanja stranih radnih migranata.
AB  - Issue of foreign labour migrants in Serbia does not occupy very prominent place in Serbian governmental policies. These policies are mainly focused towards Serbian Diaspora and Serbian labour migrants working abroad. Conversely, national policies on foreigners in Serbia are mostly concentrated on suppression of illegal immigrants and inclusion and readmission of Serbian refugees. The development of Serbian migratory policies represents part of national Euro-integration strategy. Therefore we find relevant to draw attentions to this topic. In this paper we outline basic national legislation procedures, laws and migratory strategies and give review of basic national and other bodies. Furthermore, we focus on gaps in processing problems of labour migrants in Serbia.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Uslovi rada stranih migranata u Republici Srbiji - preliminarna perspektiva
T1  - Condition des travailleurs immigrés dans la République de Serbie: Perspective préliminaire
T1  - Conditions of labour migrants in the Republic of Serbia: Preliminary perspective
EP  - 402
IS  - 2
SP  - 385
VL  - 8
DO  - 10.21301/eap.v8i2.2
ER  - 

@article{
author = "Antonijević, Dragana and Krstić, Marija and Banić Grubišić, Ana",
year = "2013",
abstract = "Problemi stranih radnih migranata ne zauzimaju značajno mesto u politici Vlade Republike Srbije. Politika Vlade je pre svega usmerena ka problemima dijaspore i srpskih radnih migranata u inostranstvu. Što se tiče nacionalne politike prema strancima, ona se s jedne strane bavi suzbijanjem ilegalnih imigranata, a s druge strane inkluzijom i readmisijom srpskih izbeglica. Međutim, u Srbiji je neophodan razvoj migratornih politika budući da one čine deo nacionalne strategije evrointegracija. Stoga smatramo da je izuzetno važno da se privuče pažnja i na ovaj aspekt problema migracija, odnosno na problem stranih radnih migranata u Srbiji. U ovom tekstu nastojale smo da damo osnovni pregled procedura, zakona i migratornih strategija koje postoje unutar nacionalne politike, ističući nedovoljnost i manjkavost u tretiranju pitanja stranih radnih migranata., Issue of foreign labour migrants in Serbia does not occupy very prominent place in Serbian governmental policies. These policies are mainly focused towards Serbian Diaspora and Serbian labour migrants working abroad. Conversely, national policies on foreigners in Serbia are mostly concentrated on suppression of illegal immigrants and inclusion and readmission of Serbian refugees. The development of Serbian migratory policies represents part of national Euro-integration strategy. Therefore we find relevant to draw attentions to this topic. In this paper we outline basic national legislation procedures, laws and migratory strategies and give review of basic national and other bodies. Furthermore, we focus on gaps in processing problems of labour migrants in Serbia.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Uslovi rada stranih migranata u Republici Srbiji - preliminarna perspektiva, Condition des travailleurs immigrés dans la République de Serbie: Perspective préliminaire, Conditions of labour migrants in the Republic of Serbia: Preliminary perspective",
pages = "402-385",
number = "2",
volume = "8",
doi = "10.21301/eap.v8i2.2"
}

Antonijević, D., Krstić, M.,& Banić Grubišić, A.. (2013). Uslovi rada stranih migranata u Republici Srbiji - preliminarna perspektiva. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 8(2), 385-402.
https://doi.org/10.21301/eap.v8i2.2

Antonijević D, Krstić M, Banić Grubišić A. Uslovi rada stranih migranata u Republici Srbiji - preliminarna perspektiva. in Etnoantropološki problemi. 2013;8(2):385-402.
doi:10.21301/eap.v8i2.2 .

Antonijević, Dragana, Krstić, Marija, Banić Grubišić, Ana, "Uslovi rada stranih migranata u Republici Srbiji - preliminarna perspektiva" in Etnoantropološki problemi, 8, no. 2 (2013):385-402,
https://doi.org/10.21301/eap.v8i2.2 . .

TY  - CHAP
AU  - Banić Grubišić, Ana
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/5394
AB  - U ovom radu baviću se predstavama o gradovima budućnosti u filmovima postapokalipse. Kako je prikazano u datim filmovima, globalna kataklizma koja se dešava u budućnosti dovodi do radikalne transformacije postojećih političkih, društvenih i kulturnih struktura koje utiču i na promenu "poznatog" urbanog okruženja. Na osnovu kriterijuma tehnološkog razvoja imaginarnih budućih društava, u radu se opisuju dva najčešća tipa grada budućnosti nakon apokalipse – futuristički grad napredne tehnologije i mali grad/naseobina nazadne tehnologije. Cilj rada jeste da makar delimično odgovori na pitanje šta nam ove popularne kinematografske predstave o gradu budućnosti govore o našem odnosu prema gradu i gradskom životu uopšte.
PB  - Odeljenje za etnologiju i antropologiju Filozofskog fakulteta u Beogradu
PB  - Srpski genealoški centar
T2  - Urbani kulturni identiteti i religioznost u savremenom kontekstu
T1  - Slika grada u filmovima postapokalipse
EP  - 171
SP  - 149
UR  - https://hdl.handle.net/21.15107/rcub_reff_5394
ER  - 

@inbook{
author = "Banić Grubišić, Ana",
year = "2013",
abstract = "U ovom radu baviću se predstavama o gradovima budućnosti u filmovima postapokalipse. Kako je prikazano u datim filmovima, globalna kataklizma koja se dešava u budućnosti dovodi do radikalne transformacije postojećih političkih, društvenih i kulturnih struktura koje utiču i na promenu "poznatog" urbanog okruženja. Na osnovu kriterijuma tehnološkog razvoja imaginarnih budućih društava, u radu se opisuju dva najčešća tipa grada budućnosti nakon apokalipse – futuristički grad napredne tehnologije i mali grad/naseobina nazadne tehnologije. Cilj rada jeste da makar delimično odgovori na pitanje šta nam ove popularne kinematografske predstave o gradu budućnosti govore o našem odnosu prema gradu i gradskom životu uopšte.",
publisher = "Odeljenje za etnologiju i antropologiju Filozofskog fakulteta u Beogradu, Srpski genealoški centar",
journal = "Urbani kulturni identiteti i religioznost u savremenom kontekstu",
booktitle = "Slika grada u filmovima postapokalipse",
pages = "171-149",
url = "https://hdl.handle.net/21.15107/rcub_reff_5394"
}

Banić Grubišić, A.. (2013). Slika grada u filmovima postapokalipse. in Urbani kulturni identiteti i religioznost u savremenom kontekstu
Odeljenje za etnologiju i antropologiju Filozofskog fakulteta u Beogradu., 149-171.
https://hdl.handle.net/21.15107/rcub_reff_5394

Banić Grubišić A. Slika grada u filmovima postapokalipse. in Urbani kulturni identiteti i religioznost u savremenom kontekstu. 2013;:149-171.
https://hdl.handle.net/21.15107/rcub_reff_5394 .

Banić Grubišić, Ana, "Slika grada u filmovima postapokalipse" in Urbani kulturni identiteti i religioznost u savremenom kontekstu (2013):149-171,
https://hdl.handle.net/21.15107/rcub_reff_5394 .

TY  - JOUR
AU  - Banić Grubišić, Ana
PY  - 2013
UR  - http://reff.f.bg.ac.rs/handle/123456789/5452
AB  - U ovom radu nudi se hronološki pregled antropološkog proučavanja medija sa posebnim naglaskom na dugometražni igrani film. Razmatraju se različiti teorijski i medotološki pristupi proučavanja masovnih medija uz osvrt na pitanja i probleme kojima su se antropolozi zainteresovani za medije bavili. Kao relativno "mlada" poddisciplina antropologije, antropologija medija istovremeno kombinuje tekstualni i kontekstualni/etnografski pristup, nudeći time obuhvatnije uvide u globalnu kulturu današnjice. Cilj ovog rada jeste da utvrdi da li postoji i u čemu se sastoji specifičan antropološki pristup medijima, kao i pokušaj da se označe moguće prednosti i doprinosi antropološkog istraživanja medija u odnosu na druge društvene i humanističke discipline.
AB  - This paper provides a chronological overview of the anthropological study of
media with special emphasis on the feature film. It discusses the different theoretical and methodological approaches to the study of mass media with an
overview of the issues and problems anthropologist interested in the field of
mass media were dealing with. As a relatively "young" sub-discipline of
anthropology, anthropology of media at the same time combines textual and
contextual/ethnographic approach, thus offering a comprehensive view of the
global culture of today. The aim of this paper is to determine whether the specific anthropological approach to media exists and what its characteristics are,
in order to indicate the possible benefits of anthropological research of this field in relation to other social sciences and humanities.
PB  - Beograd: Filozofski fakultet Univerziteta u Beogradu
T2  - Antropologija
T1  - Antropološki pristup medijima - kratak pregled (sa posebnim osvrtom na igrani film)
T1  - An anthropological approach to media – a short review (with particular emphasis on feature films)
EP  - 155
IS  - 2
SP  - 135
VL  - 13
UR  - https://hdl.handle.net/21.15107/rcub_reff_5452
ER  - 

@article{
author = "Banić Grubišić, Ana",
year = "2013",
abstract = "U ovom radu nudi se hronološki pregled antropološkog proučavanja medija sa posebnim naglaskom na dugometražni igrani film. Razmatraju se različiti teorijski i medotološki pristupi proučavanja masovnih medija uz osvrt na pitanja i probleme kojima su se antropolozi zainteresovani za medije bavili. Kao relativno "mlada" poddisciplina antropologije, antropologija medija istovremeno kombinuje tekstualni i kontekstualni/etnografski pristup, nudeći time obuhvatnije uvide u globalnu kulturu današnjice. Cilj ovog rada jeste da utvrdi da li postoji i u čemu se sastoji specifičan antropološki pristup medijima, kao i pokušaj da se označe moguće prednosti i doprinosi antropološkog istraživanja medija u odnosu na druge društvene i humanističke discipline., This paper provides a chronological overview of the anthropological study of
media with special emphasis on the feature film. It discusses the different theoretical and methodological approaches to the study of mass media with an
overview of the issues and problems anthropologist interested in the field of
mass media were dealing with. As a relatively "young" sub-discipline of
anthropology, anthropology of media at the same time combines textual and
contextual/ethnographic approach, thus offering a comprehensive view of the
global culture of today. The aim of this paper is to determine whether the specific anthropological approach to media exists and what its characteristics are,
in order to indicate the possible benefits of anthropological research of this field in relation to other social sciences and humanities.",
publisher = "Beograd: Filozofski fakultet Univerziteta u Beogradu",
journal = "Antropologija",
title = "Antropološki pristup medijima - kratak pregled (sa posebnim osvrtom na igrani film), An anthropological approach to media – a short review (with particular emphasis on feature films)",
pages = "155-135",
number = "2",
volume = "13",
url = "https://hdl.handle.net/21.15107/rcub_reff_5452"
}

Banić Grubišić, A.. (2013). Antropološki pristup medijima - kratak pregled (sa posebnim osvrtom na igrani film). in Antropologija
Beograd: Filozofski fakultet Univerziteta u Beogradu., 13(2), 135-155.
https://hdl.handle.net/21.15107/rcub_reff_5452

Banić Grubišić A. Antropološki pristup medijima - kratak pregled (sa posebnim osvrtom na igrani film). in Antropologija. 2013;13(2):135-155.
https://hdl.handle.net/21.15107/rcub_reff_5452 .

Banić Grubišić, Ana, "Antropološki pristup medijima - kratak pregled (sa posebnim osvrtom na igrani film)" in Antropologija, 13, no. 2 (2013):135-155,
https://hdl.handle.net/21.15107/rcub_reff_5452 .