REFF - Faculty of Philosophy Repository
University of Belgrade - Faculty of Philosophy
    • English
    • Српски
    • Српски (Serbia)
  • English 
    • English
    • Serbian (Cyrillic)
    • Serbian (Latin)
  • Login
View Item 
  •   REFF
  • Sociologija / Sociology
  • Radovi istraživača / Researcher's publications - Odeljenje za sociologiju
  • View Item
  •   REFF
  • Sociologija / Sociology
  • Radovi istraživača / Researcher's publications - Odeljenje za sociologiju
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma

The enemy concept in the partisan war campaign movies: An appendix to sociological analysis of movie

Thumbnail
2010
1109.pdf (259.1Kb)
Authors
Zvijer, Nemanja
Article (Published version)
Metadata
Show full item record
Abstract
Članak se bavi načinima na koje je konstruisana slika neprijatelja u tzv. 'filmovanim ofanzivama'. Reč je o filmovima kinematografije socijalističke Jugoslavije koji su ekranizovali neprijateljske ofanzive (sedam vojnih operacija nemačke vojske i njenih saveznika protiv jugoslovenskih partizana tokom Drugog svetskog rata). Ove ofanzive su u realnom (istorijskom), a možda još više u simboličkom smislu zauzimale značajno mesto u okviru zvaničnog ideološkog diskursa jugoslovenskih komunista. Samim tim filmovane ofanzive su, u ideološkom pogledu, bile značajnije od ostatka filmske produkcije o partizanskoj borbi, ali su takođe bile i važan segment popularne kulture jugoslovenskog socijalizma. U radu će se pokušati ukazati na doslednost filmske konstrukcije neprijatelja kako spram zvanične ideologije, tako i spram tadašnje realnosti u kojoj su filmovi nastali, ali i one istorijske ka kojoj su referirali.
The article deals with different ways of constructing the image of the enemy in the partisan war campaign movies. Those films belong to socialist Yugoslavian cinematography and they are depicting seven military operations of German army and its allies against Yugoslav partisans during the World War Two. Those battles became very significant (in real and symbolic sense) for ideological discourse of Yugoslav communists. Furthermore, from the ideological point of view, movies which were depicting those battles were important segment of ex-Yugoslav cinematography, and they were also important part of the popular culture in socialist Yugoslavia. The paper will try to pinpoint consistency between the concept of enemy in films and the official ideology, as well as consistency with the historical facts. .
Keywords:
socijalistička Jugoslavija / politika / neprijatelj / ideologija / filmovane ofanzive / war combat movies / the enemy / socialist Yugoslavia / politics / ideology
Source:
Sociološki pregled, 2010, 44, 3, 419-437
Publisher:
  • Sociološko društvo Srbije, Beograd

DOI: 10.5937/socpreg1003419Z

ISSN: 0085-6320

[ Google Scholar ]
URI
http://reff.f.bg.ac.rs/handle/123456789/1112
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za sociologiju
Institution/Community
Sociologija / Sociology
TY  - JOUR
AU  - Zvijer, Nemanja
PY  - 2010
UR  - http://reff.f.bg.ac.rs/handle/123456789/1112
AB  - Članak se bavi načinima na koje je konstruisana slika neprijatelja u tzv. 'filmovanim ofanzivama'. Reč je o filmovima kinematografije socijalističke Jugoslavije koji su ekranizovali neprijateljske ofanzive (sedam vojnih operacija nemačke vojske i njenih saveznika protiv jugoslovenskih partizana tokom Drugog svetskog rata). Ove ofanzive su u realnom (istorijskom), a možda još više u simboličkom smislu zauzimale značajno mesto u okviru zvaničnog ideološkog diskursa jugoslovenskih komunista. Samim tim filmovane ofanzive su, u ideološkom pogledu, bile značajnije od ostatka filmske produkcije o partizanskoj borbi, ali su takođe bile i važan segment popularne kulture jugoslovenskog socijalizma. U radu će se pokušati ukazati na doslednost filmske konstrukcije neprijatelja kako spram zvanične ideologije, tako i spram tadašnje realnosti u kojoj su filmovi nastali, ali i one istorijske ka kojoj su referirali.
AB  - The article deals with different ways of constructing the image of the enemy in the partisan war campaign movies. Those films belong to socialist Yugoslavian cinematography and they are depicting seven military operations of German army and its allies against Yugoslav partisans during the World War Two. Those battles became very significant (in real and symbolic sense) for ideological discourse of Yugoslav communists. Furthermore, from the ideological point of view, movies which were depicting those battles were important segment of ex-Yugoslav cinematography, and they were also important part of the popular culture in socialist Yugoslavia. The paper will try to pinpoint consistency between the concept of enemy in films and the official ideology, as well as consistency with the historical facts. .
PB  - Sociološko društvo Srbije, Beograd
T2  - Sociološki pregled
T1  - Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma
T1  - The enemy concept in the partisan war campaign movies: An appendix to sociological analysis of movie
EP  - 437
IS  - 3
SP  - 419
VL  - 44
DO  - 10.5937/socpreg1003419Z
ER  - 
@article{
author = "Zvijer, Nemanja",
year = "2010",
abstract = "Članak se bavi načinima na koje je konstruisana slika neprijatelja u tzv. 'filmovanim ofanzivama'. Reč je o filmovima kinematografije socijalističke Jugoslavije koji su ekranizovali neprijateljske ofanzive (sedam vojnih operacija nemačke vojske i njenih saveznika protiv jugoslovenskih partizana tokom Drugog svetskog rata). Ove ofanzive su u realnom (istorijskom), a možda još više u simboličkom smislu zauzimale značajno mesto u okviru zvaničnog ideološkog diskursa jugoslovenskih komunista. Samim tim filmovane ofanzive su, u ideološkom pogledu, bile značajnije od ostatka filmske produkcije o partizanskoj borbi, ali su takođe bile i važan segment popularne kulture jugoslovenskog socijalizma. U radu će se pokušati ukazati na doslednost filmske konstrukcije neprijatelja kako spram zvanične ideologije, tako i spram tadašnje realnosti u kojoj su filmovi nastali, ali i one istorijske ka kojoj su referirali., The article deals with different ways of constructing the image of the enemy in the partisan war campaign movies. Those films belong to socialist Yugoslavian cinematography and they are depicting seven military operations of German army and its allies against Yugoslav partisans during the World War Two. Those battles became very significant (in real and symbolic sense) for ideological discourse of Yugoslav communists. Furthermore, from the ideological point of view, movies which were depicting those battles were important segment of ex-Yugoslav cinematography, and they were also important part of the popular culture in socialist Yugoslavia. The paper will try to pinpoint consistency between the concept of enemy in films and the official ideology, as well as consistency with the historical facts. .",
publisher = "Sociološko društvo Srbije, Beograd",
journal = "Sociološki pregled",
title = "Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma, The enemy concept in the partisan war campaign movies: An appendix to sociological analysis of movie",
pages = "437-419",
number = "3",
volume = "44",
doi = "10.5937/socpreg1003419Z"
}
Zvijer, N.. (2010). Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma. in Sociološki pregled
Sociološko društvo Srbije, Beograd., 44(3), 419-437.
https://doi.org/10.5937/socpreg1003419Z
Zvijer N. Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma. in Sociološki pregled. 2010;44(3):419-437.
doi:10.5937/socpreg1003419Z .
Zvijer, Nemanja, "Koncept neprijatelja u filmovanim ofanzivama - prilog sociološkoj analizi filma" in Sociološki pregled, 44, no. 3 (2010):419-437,
https://doi.org/10.5937/socpreg1003419Z . .

DSpace software copyright © 2002-2015  DuraSpace
About REFF | Send Feedback

OpenAIRERCUB
 

 

All of DSpaceInstitutions/communitiesAuthorsTitlesSubjectsThis institutionAuthorsTitlesSubjects

Statistics

View Usage Statistics

DSpace software copyright © 2002-2015  DuraSpace
About REFF | Send Feedback

OpenAIRERCUB