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Slikarstvo priprate Zrza i bogosluženje Strasne sedmice

The fresco painting of the narthex of Zrze and the liturgy of Holy Week

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2011
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Todić, Branislav
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Abstract
Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice.
The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week.
Keywords:
vizantijsko slikarstvo / srpska umetnost / srednji vek / manastir Zrze / ikonografija / bogosluženje Strasne sedmice / Serbian art / monastery of Zrze / medieval art / liturgy of the Holy Week / iconography / Byzantine painting
Source:
Zograf, 2011, 35, 211-222
Publisher:
  • Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd

DOI: 10.2298/ZOG1135211T

ISSN: 0350-1361

WoS: 000309322800016

[ Google Scholar ]
6
URI
http://reff.f.bg.ac.rs/handle/123456789/1213
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za istoriju umetnosti
Institution/Community
Istorija umetnosti / History of Art
TY  - JOUR
AU  - Todić, Branislav
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1213
AB  - Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice.
AB  - The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2  - Zograf
T1  - Slikarstvo priprate Zrza i bogosluženje Strasne sedmice
T1  - The fresco painting of the narthex of Zrze and the liturgy of Holy Week
EP  - 222
SP  - 211
VL  - 35
DO  - 10.2298/ZOG1135211T
ER  - 
@article{
author = "Todić, Branislav",
year = "2011",
abstract = "Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice., The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "Slikarstvo priprate Zrza i bogosluženje Strasne sedmice, The fresco painting of the narthex of Zrze and the liturgy of Holy Week",
pages = "222-211",
volume = "35",
doi = "10.2298/ZOG1135211T"
}
Todić, B.. (2011). Slikarstvo priprate Zrza i bogosluženje Strasne sedmice. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 35, 211-222.
https://doi.org/10.2298/ZOG1135211T
Todić B. Slikarstvo priprate Zrza i bogosluženje Strasne sedmice. in Zograf. 2011;35:211-222.
doi:10.2298/ZOG1135211T .
Todić, Branislav, "Slikarstvo priprate Zrza i bogosluženje Strasne sedmice" in Zograf, 35 (2011):211-222,
https://doi.org/10.2298/ZOG1135211T . .

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