Slikarstvo priprate Zrza i bogosluženje Strasne sedmice
The fresco painting of the narthex of Zrze and the liturgy of Holy Week
Apstrakt
Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice.
The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week.
Ključne reči:
vizantijsko slikarstvo / srpska umetnost / srednji vek / manastir Zrze / ikonografija / bogosluženje Strasne sedmice / Serbian art / monastery of Zrze / medieval art / liturgy of the Holy Week / iconography / Byzantine paintingIzvor:
Zograf, 2011, 35, 211-222Izdavač:
- Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Institucija/grupa
Istorija umetnosti / History of ArtTY - JOUR AU - Todić, Branislav PY - 2011 UR - http://reff.f.bg.ac.rs/handle/123456789/1213 AB - Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice. AB - The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week. PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd T2 - Zograf T1 - Slikarstvo priprate Zrza i bogosluženje Strasne sedmice T1 - The fresco painting of the narthex of Zrze and the liturgy of Holy Week EP - 222 SP - 211 VL - 35 DO - 10.2298/ZOG1135211T ER -
@article{ author = "Todić, Branislav", year = "2011", abstract = "Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije monaštva (anahoreti, predstavnici kinovijskog monaštva i monasi koji su postali episkopi i učitelji crkve). Ostale freske - skraćeni ciklus Hristovih stradanja s Nedremanim okom, Sveta Trojica u vidu Gostoljublja Avramovog, s junicom koja tuguje za zaklanim teletom, i Pričešće apostola s Judom na čelu jedne apostolske skupine - nastale su pod uticajem bogosluženja Strasne sedmice., The frescoes in the narthex of the Church of the Transfiguration at the Zrze Monastery near Prilep (1368/1369) depict several unusual themes, as well as a very rare iconography. The holy monks painted in the lower zone of frescoes can be interpreted as the three categories of monasticism: anchorites, representatives of coenobitic monasticism and monks who became the bishops and teachers of the Church. The remaining frescoes - an abbreviated cycle of Christ's Passion with the Anapeson, the Holy Trinity in guise of the Hospitality of Abraham, with a heifer lamenting over a slaughtered calf, and the Communion of Apostles, with Judas heading communion with the wine - were painted under the influence of the liturgy served during Holy Week.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd", journal = "Zograf", title = "Slikarstvo priprate Zrza i bogosluženje Strasne sedmice, The fresco painting of the narthex of Zrze and the liturgy of Holy Week", pages = "222-211", volume = "35", doi = "10.2298/ZOG1135211T" }
Todić, B.. (2011). Slikarstvo priprate Zrza i bogosluženje Strasne sedmice. in Zograf Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 35, 211-222. https://doi.org/10.2298/ZOG1135211T
Todić B. Slikarstvo priprate Zrza i bogosluženje Strasne sedmice. in Zograf. 2011;35:211-222. doi:10.2298/ZOG1135211T .
Todić, Branislav, "Slikarstvo priprate Zrza i bogosluženje Strasne sedmice" in Zograf, 35 (2011):211-222, https://doi.org/10.2298/ZOG1135211T . .