Studenica. An identity in marble
Апстракт
This paper discusses the nature and inherent symbolics of the material of choice of which the body of the chuch of the Virgin Euergetis at Studenica was fashioned. In view of Byzantine theological concepts deeply ingrained in this material, concepts which were present and well understood also among the learned theologians of medieval Serbia, this paper presents the implied messages behind such a choice of material as well as the possible theological, ideological and political interpretations and applications of this medium at the time of Nemanja's founding of Studenica and raising of the church of the Virgin therein. It thus questions the them:), of its marble facades as simply a case of a Byzantine structure clad in Romanesque garb.
Кључне речи:
triumph of True Faith / Studenica / marble / Logos Incarnate / iconic-presence / Epiphany / church of the VirginИзвор:
Zograf, 2011, 35, 93-100Издавач:
- Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Erdeljan, Jelena PY - 2011 UR - http://reff.f.bg.ac.rs/handle/123456789/1229 AB - This paper discusses the nature and inherent symbolics of the material of choice of which the body of the chuch of the Virgin Euergetis at Studenica was fashioned. In view of Byzantine theological concepts deeply ingrained in this material, concepts which were present and well understood also among the learned theologians of medieval Serbia, this paper presents the implied messages behind such a choice of material as well as the possible theological, ideological and political interpretations and applications of this medium at the time of Nemanja's founding of Studenica and raising of the church of the Virgin therein. It thus questions the them:), of its marble facades as simply a case of a Byzantine structure clad in Romanesque garb. PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd T2 - Zograf T1 - Studenica. An identity in marble EP - 100 SP - 93 VL - 35 DO - 10.2298/ZOG1135093E ER -
@article{ author = "Erdeljan, Jelena", year = "2011", abstract = "This paper discusses the nature and inherent symbolics of the material of choice of which the body of the chuch of the Virgin Euergetis at Studenica was fashioned. In view of Byzantine theological concepts deeply ingrained in this material, concepts which were present and well understood also among the learned theologians of medieval Serbia, this paper presents the implied messages behind such a choice of material as well as the possible theological, ideological and political interpretations and applications of this medium at the time of Nemanja's founding of Studenica and raising of the church of the Virgin therein. It thus questions the them:), of its marble facades as simply a case of a Byzantine structure clad in Romanesque garb.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd", journal = "Zograf", title = "Studenica. An identity in marble", pages = "100-93", volume = "35", doi = "10.2298/ZOG1135093E" }
Erdeljan, J.. (2011). Studenica. An identity in marble. in Zograf Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 35, 93-100. https://doi.org/10.2298/ZOG1135093E
Erdeljan J. Studenica. An identity in marble. in Zograf. 2011;35:93-100. doi:10.2298/ZOG1135093E .
Erdeljan, Jelena, "Studenica. An identity in marble" in Zograf, 35 (2011):93-100, https://doi.org/10.2298/ZOG1135093E . .