Perceptual, semantic and affective dimensions of experience of abstract and representational paintings
2011
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In this study the difference between representational and abstract paintings in judgments on perceptual, semantic and affective dimensions was investigated. Two groups of participants judged the sets of representational and abstract paintings on three groups of dimensions: perceptual (Form, Color, Space and Complexity), semantic (Illusion-Construction of Reality, Expression, Ideology and Decoration), and affective (Hedonic Tone, Arousal, Relaxation and Regularity). The results have shown that representational paintings have higher judgments on the perceptual dimensions of Form and Complexity, the semantic dimension of the Illusion of Reality (the opposite pole of the Construction of Reality), and the affective dimension of Regularity. On the other hand, abstract paintings have higher judgments on the perceptual dimension of Color, the semantic dimensions of Construction of Reality (the opposite pole of the Illusion of Reality) and Expression, and the affective dimension Arousal. A disc...riminant analysis indicated that all three sets of dimensions are relatively good predictors of the classification of representational and abstract paintings (61-100%). The results suggest that the subjective categorization of paintings is generally based on the recognizability of pictorial content (representational vs. abstract), but some formal or stylistic properties play a role in the categorization, as well: some expressionistic representational paintings were classified in an abstract category, and some geometrically abstract paintings were classified as representational.
Ključne reči:
semantic and affective dimensions / representational and abstract paintings / perceptualIzvor:
Psihologija, 2011, 44, 3, 191-210Izdavač:
- Društvo psihologa Srbije, Beograd
DOI: 10.2298/PSI1103191M
ISSN: 0048-5705
WoS: 000296978500001
Scopus: 2-s2.0-84857976992
Institucija/grupa
Psihologija / PsychologyTY - JOUR AU - Marković, Slobodan PY - 2011 UR - http://reff.f.bg.ac.rs/handle/123456789/1316 AB - In this study the difference between representational and abstract paintings in judgments on perceptual, semantic and affective dimensions was investigated. Two groups of participants judged the sets of representational and abstract paintings on three groups of dimensions: perceptual (Form, Color, Space and Complexity), semantic (Illusion-Construction of Reality, Expression, Ideology and Decoration), and affective (Hedonic Tone, Arousal, Relaxation and Regularity). The results have shown that representational paintings have higher judgments on the perceptual dimensions of Form and Complexity, the semantic dimension of the Illusion of Reality (the opposite pole of the Construction of Reality), and the affective dimension of Regularity. On the other hand, abstract paintings have higher judgments on the perceptual dimension of Color, the semantic dimensions of Construction of Reality (the opposite pole of the Illusion of Reality) and Expression, and the affective dimension Arousal. A discriminant analysis indicated that all three sets of dimensions are relatively good predictors of the classification of representational and abstract paintings (61-100%). The results suggest that the subjective categorization of paintings is generally based on the recognizability of pictorial content (representational vs. abstract), but some formal or stylistic properties play a role in the categorization, as well: some expressionistic representational paintings were classified in an abstract category, and some geometrically abstract paintings were classified as representational. PB - Društvo psihologa Srbije, Beograd T2 - Psihologija T1 - Perceptual, semantic and affective dimensions of experience of abstract and representational paintings EP - 210 IS - 3 SP - 191 VL - 44 DO - 10.2298/PSI1103191M ER -
@article{ author = "Marković, Slobodan", year = "2011", abstract = "In this study the difference between representational and abstract paintings in judgments on perceptual, semantic and affective dimensions was investigated. Two groups of participants judged the sets of representational and abstract paintings on three groups of dimensions: perceptual (Form, Color, Space and Complexity), semantic (Illusion-Construction of Reality, Expression, Ideology and Decoration), and affective (Hedonic Tone, Arousal, Relaxation and Regularity). The results have shown that representational paintings have higher judgments on the perceptual dimensions of Form and Complexity, the semantic dimension of the Illusion of Reality (the opposite pole of the Construction of Reality), and the affective dimension of Regularity. On the other hand, abstract paintings have higher judgments on the perceptual dimension of Color, the semantic dimensions of Construction of Reality (the opposite pole of the Illusion of Reality) and Expression, and the affective dimension Arousal. A discriminant analysis indicated that all three sets of dimensions are relatively good predictors of the classification of representational and abstract paintings (61-100%). The results suggest that the subjective categorization of paintings is generally based on the recognizability of pictorial content (representational vs. abstract), but some formal or stylistic properties play a role in the categorization, as well: some expressionistic representational paintings were classified in an abstract category, and some geometrically abstract paintings were classified as representational.", publisher = "Društvo psihologa Srbije, Beograd", journal = "Psihologija", title = "Perceptual, semantic and affective dimensions of experience of abstract and representational paintings", pages = "210-191", number = "3", volume = "44", doi = "10.2298/PSI1103191M" }
Marković, S.. (2011). Perceptual, semantic and affective dimensions of experience of abstract and representational paintings. in Psihologija Društvo psihologa Srbije, Beograd., 44(3), 191-210. https://doi.org/10.2298/PSI1103191M
Marković S. Perceptual, semantic and affective dimensions of experience of abstract and representational paintings. in Psihologija. 2011;44(3):191-210. doi:10.2298/PSI1103191M .
Marković, Slobodan, "Perceptual, semantic and affective dimensions of experience of abstract and representational paintings" in Psihologija, 44, no. 3 (2011):191-210, https://doi.org/10.2298/PSI1103191M . .