The iconostasis in Decani - the original painted programme and subsequent changes
Abstract
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth cen...tury.
Keywords:
St. Stefan Decanski / sixteenth century / monastery of Decani / iconostasis / fourteenth centurySource:
Zograf, 2012, 36, 115-129Publisher:
- Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Funding / projects:
- Serbian Medieval Art and its European Context (RS-177036)
DOI: 10.2298/ZOG1236115T
ISSN: 0350-1361
WoS: 000327679600010
Scopus: 2-s2.0-84894842975
Institution/Community
Istorija umetnosti / History of ArtTY - JOUR AU - Todić, Branislav PY - 2012 UR - http://reff.f.bg.ac.rs/handle/123456789/1462 AB - The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century. PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd T2 - Zograf T1 - The iconostasis in Decani - the original painted programme and subsequent changes EP - 129 SP - 115 VL - 36 DO - 10.2298/ZOG1236115T ER -
@article{ author = "Todić, Branislav", year = "2012", abstract = "The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd", journal = "Zograf", title = "The iconostasis in Decani - the original painted programme and subsequent changes", pages = "129-115", volume = "36", doi = "10.2298/ZOG1236115T" }
Todić, B.. (2012). The iconostasis in Decani - the original painted programme and subsequent changes. in Zograf Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 36, 115-129. https://doi.org/10.2298/ZOG1236115T
Todić B. The iconostasis in Decani - the original painted programme and subsequent changes. in Zograf. 2012;36:115-129. doi:10.2298/ZOG1236115T .
Todić, Branislav, "The iconostasis in Decani - the original painted programme and subsequent changes" in Zograf, 36 (2012):115-129, https://doi.org/10.2298/ZOG1236115T . .