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The iconostasis in Decani - the original painted programme and subsequent changes

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2012
1459.pdf (1.186Mb)
Authors
Todić, Branislav
Article (Published version)
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Abstract
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth cen...tury.

Keywords:
St. Stefan Decanski / sixteenth century / monastery of Decani / iconostasis / fourteenth century
Source:
Zograf, 2012, 36, 115-129
Publisher:
  • Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Funding / projects:
  • Serbian Medieval Art and its European Context (RS-177036)

DOI: 10.2298/ZOG1236115T

ISSN: 0350-1361

WoS: 000327679600010

Scopus: 2-s2.0-84894842975
[ Google Scholar ]
URI
http://reff.f.bg.ac.rs/handle/123456789/1462
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za istoriju umetnosti
Institution/Community
Istorija umetnosti / History of Art
TY  - JOUR
AU  - Todić, Branislav
PY  - 2012
UR  - http://reff.f.bg.ac.rs/handle/123456789/1462
AB  - The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2  - Zograf
T1  - The iconostasis in Decani - the original painted programme and subsequent changes
EP  - 129
SP  - 115
VL  - 36
DO  - 10.2298/ZOG1236115T
ER  - 
@article{
author = "Todić, Branislav",
year = "2012",
abstract = "The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted around 1343, were related to the relics of King Stefan Decanski and with the wall painting in the church space in front of the altar The removal of those icons at the end of the sixteenth century and their replacement with new ones explains the strengthening cult of St. Stefan Decanski. In 1577 an icon of St. Stephen was placed over the king's portrait depicted in the fourteenth century fresco painting, and by 1593/1594, the new despotic icons of Christ and the Virgin were painted for the iconostasis, then an expanded Deesis that was placed above them, with a large cross fixed on the top. The central icons were painted by the painter Longin, and the cross is attributed to Andreja, a painter known for his frescoes from the seventh and eighth decade of the seventeenth century.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "The iconostasis in Decani - the original painted programme and subsequent changes",
pages = "129-115",
volume = "36",
doi = "10.2298/ZOG1236115T"
}
Todić, B.. (2012). The iconostasis in Decani - the original painted programme and subsequent changes. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 36, 115-129.
https://doi.org/10.2298/ZOG1236115T
Todić B. The iconostasis in Decani - the original painted programme and subsequent changes. in Zograf. 2012;36:115-129.
doi:10.2298/ZOG1236115T .
Todić, Branislav, "The iconostasis in Decani - the original painted programme and subsequent changes" in Zograf, 36 (2012):115-129,
https://doi.org/10.2298/ZOG1236115T . .

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