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Ishodi nove muzeologije ili kako je romanopisac postao muzeolog

Outcomes of new museology or how a novelist became a museologist

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2014
1889.pdf (527.9Kb)
Authors
Popadić, Milan
Article (Published version)
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Abstract
Polazeći od slučaja Muzeja nevinosti otvorenog u Istanbulu 2012. godine, kao modela savremene muzejske prakse, te od istraživanja Muzejskog društva Velike Britanije o odnosu javnog mnjenja i muzeja iz 2013. godine, u radu se problematizuje predmet muzeologije kao naučne discipline i njenog odnosa sa konceptom 'nove muzeologije'. U tom smislu, kao istraživački problem označavaju se moderne kulturne fikcije pod kojim se podrazumevaju imaginativni sadržaji koji u savremenom svetu imaju kulturnu vrednost, a koji u metodološkom smislu predstavljaju nasleđe nove muzeologije. Cilj rada je tumačenje doprinosa nove muzeologije u korpusu muzeoloških istraživanja.
The paper covers the problem of museology as a scientific discipline and its relation to the concept of 'new museology'. Starting cases are Museum of Innocence as a model of contemporary museum practice (opened in Istanbul in 2012), and the research of the Museums Association of Great Britain on the public opinion about museums (from 2013). In this respect, research problem described as 'modern cultural fictions' arises. By 'modern cultural fictions' we recognize imaginative content with cultural value in contemporary world, which can be related with museums or novels. In methodological terms 'modern cultural fictions' are heritage of new museology. Thus, the goal of the paper is an interpretation this specific contribution of new museology to museology as a scientific discipline.
Keywords:
Orhan Pamuk / nova muzeologija / nauka o baštini / muzeologija / moderne kulturne fikcije / heritologija / Orhan Pamuk / new museology / museology / modern cultural functions / heritology / heritage science
Source:
Kultura, 2014, 144, 128-143
Publisher:
  • Zavod za proučavanje kulturnog razvitka, Beograd

DOI: 10.5937/kultura1444128p

ISSN: 0023-5164

[ Google Scholar ]
URI
http://reff.f.bg.ac.rs/handle/123456789/1892
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za istoriju umetnosti
Institution/Community
Istorija umetnosti / History of Art
TY  - JOUR
AU  - Popadić, Milan
PY  - 2014
UR  - http://reff.f.bg.ac.rs/handle/123456789/1892
AB  - Polazeći od slučaja Muzeja nevinosti otvorenog u Istanbulu 2012. godine, kao modela savremene muzejske prakse, te od istraživanja Muzejskog društva Velike Britanije o odnosu javnog mnjenja i muzeja iz 2013. godine, u radu se problematizuje predmet muzeologije kao naučne discipline i njenog odnosa sa konceptom 'nove muzeologije'. U tom smislu, kao istraživački problem označavaju se moderne kulturne fikcije pod kojim se podrazumevaju imaginativni sadržaji koji u savremenom svetu imaju kulturnu vrednost, a koji u metodološkom smislu predstavljaju nasleđe nove muzeologije. Cilj rada je tumačenje doprinosa nove muzeologije u korpusu muzeoloških istraživanja.
AB  - The paper covers the problem of museology as a scientific discipline and its relation to the concept of 'new museology'. Starting cases are Museum of Innocence as a model of contemporary museum practice (opened in Istanbul in 2012), and the research of the Museums Association of Great Britain on the public opinion about museums (from 2013). In this respect, research problem described as 'modern cultural fictions' arises. By 'modern cultural fictions' we recognize imaginative content with cultural value in contemporary world, which can be related with museums or novels. In methodological terms 'modern cultural fictions' are heritage of new museology. Thus, the goal of the paper is an interpretation this specific contribution of new museology to museology as a scientific discipline.
PB  - Zavod za proučavanje kulturnog razvitka, Beograd
T2  - Kultura
T1  - Ishodi nove muzeologije ili kako je romanopisac postao muzeolog
T1  - Outcomes of new museology or how a novelist became a museologist
EP  - 143
IS  - 144
SP  - 128
DO  - 10.5937/kultura1444128p
ER  - 
@article{
author = "Popadić, Milan",
year = "2014",
abstract = "Polazeći od slučaja Muzeja nevinosti otvorenog u Istanbulu 2012. godine, kao modela savremene muzejske prakse, te od istraživanja Muzejskog društva Velike Britanije o odnosu javnog mnjenja i muzeja iz 2013. godine, u radu se problematizuje predmet muzeologije kao naučne discipline i njenog odnosa sa konceptom 'nove muzeologije'. U tom smislu, kao istraživački problem označavaju se moderne kulturne fikcije pod kojim se podrazumevaju imaginativni sadržaji koji u savremenom svetu imaju kulturnu vrednost, a koji u metodološkom smislu predstavljaju nasleđe nove muzeologije. Cilj rada je tumačenje doprinosa nove muzeologije u korpusu muzeoloških istraživanja., The paper covers the problem of museology as a scientific discipline and its relation to the concept of 'new museology'. Starting cases are Museum of Innocence as a model of contemporary museum practice (opened in Istanbul in 2012), and the research of the Museums Association of Great Britain on the public opinion about museums (from 2013). In this respect, research problem described as 'modern cultural fictions' arises. By 'modern cultural fictions' we recognize imaginative content with cultural value in contemporary world, which can be related with museums or novels. In methodological terms 'modern cultural fictions' are heritage of new museology. Thus, the goal of the paper is an interpretation this specific contribution of new museology to museology as a scientific discipline.",
publisher = "Zavod za proučavanje kulturnog razvitka, Beograd",
journal = "Kultura",
title = "Ishodi nove muzeologije ili kako je romanopisac postao muzeolog, Outcomes of new museology or how a novelist became a museologist",
pages = "143-128",
number = "144",
doi = "10.5937/kultura1444128p"
}
Popadić, M.. (2014). Ishodi nove muzeologije ili kako je romanopisac postao muzeolog. in Kultura
Zavod za proučavanje kulturnog razvitka, Beograd.(144), 128-143.
https://doi.org/10.5937/kultura1444128p
Popadić M. Ishodi nove muzeologije ili kako je romanopisac postao muzeolog. in Kultura. 2014;(144):128-143.
doi:10.5937/kultura1444128p .
Popadić, Milan, "Ishodi nove muzeologije ili kako je romanopisac postao muzeolog" in Kultura, no. 144 (2014):128-143,
https://doi.org/10.5937/kultura1444128p . .

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