Приказ основних података о документу
Ishodi nove muzeologije ili kako je romanopisac postao muzeolog
Outcomes of new museology or how a novelist became a museologist
dc.creator | Popadić, Milan | |
dc.date.accessioned | 2021-10-12T12:02:26Z | |
dc.date.available | 2021-10-12T12:02:26Z | |
dc.date.issued | 2014 | |
dc.identifier.issn | 0023-5164 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/1892 | |
dc.description.abstract | Polazeći od slučaja Muzeja nevinosti otvorenog u Istanbulu 2012. godine, kao modela savremene muzejske prakse, te od istraživanja Muzejskog društva Velike Britanije o odnosu javnog mnjenja i muzeja iz 2013. godine, u radu se problematizuje predmet muzeologije kao naučne discipline i njenog odnosa sa konceptom 'nove muzeologije'. U tom smislu, kao istraživački problem označavaju se moderne kulturne fikcije pod kojim se podrazumevaju imaginativni sadržaji koji u savremenom svetu imaju kulturnu vrednost, a koji u metodološkom smislu predstavljaju nasleđe nove muzeologije. Cilj rada je tumačenje doprinosa nove muzeologije u korpusu muzeoloških istraživanja. | sr |
dc.description.abstract | The paper covers the problem of museology as a scientific discipline and its relation to the concept of 'new museology'. Starting cases are Museum of Innocence as a model of contemporary museum practice (opened in Istanbul in 2012), and the research of the Museums Association of Great Britain on the public opinion about museums (from 2013). In this respect, research problem described as 'modern cultural fictions' arises. By 'modern cultural fictions' we recognize imaginative content with cultural value in contemporary world, which can be related with museums or novels. In methodological terms 'modern cultural fictions' are heritage of new museology. Thus, the goal of the paper is an interpretation this specific contribution of new museology to museology as a scientific discipline. | en |
dc.publisher | Zavod za proučavanje kulturnog razvitka, Beograd | |
dc.rights | openAccess | |
dc.source | Kultura | |
dc.subject | Orhan Pamuk | sr |
dc.subject | nova muzeologija | sr |
dc.subject | nauka o baštini | sr |
dc.subject | muzeologija | sr |
dc.subject | moderne kulturne fikcije | sr |
dc.subject | heritologija | sr |
dc.subject | Orhan Pamuk | en |
dc.subject | new museology | en |
dc.subject | museology | en |
dc.subject | modern cultural functions | en |
dc.subject | heritology | en |
dc.subject | heritage science | en |
dc.title | Ishodi nove muzeologije ili kako je romanopisac postao muzeolog | sr |
dc.title | Outcomes of new museology or how a novelist became a museologist | en |
dc.type | article | |
dc.rights.license | ARR | |
dc.citation.epage | 143 | |
dc.citation.issue | 144 | |
dc.citation.other | (144): 128-143 | |
dc.citation.rank | M51 | |
dc.citation.spage | 128 | |
dc.identifier.doi | 10.5937/kultura1444128p | |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/730/1889.pdf | |
dc.type.version | publishedVersion |