Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic
Abstract
It was in the monastery of Saint Francis in Venice in the year 1520 when Bozidar Vukovic purchased the icon of the Holy Mandylion. By that particular acquisition, this prominent publisher originating from Zeta has visualized his new position in the sixteenth century Venice. The multi-layered identity of Bozidar Vukovic was manifested by the subsequent inclusion of the noble coat of arms of the House of Vukovic on the back of the icon. By the use of verbal and visual language the artificial initiation of Bozidar Vukovic within the distinguished members of Venetian society has been confirmed.
Keywords:
Venice / sacred image / Mandylion / identity / Bozidar VukovicSource:
Zograf, 2015, 39, 151-159Publisher:
- Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
Funding / projects:
DOI: 10.2298/ZOG1539151B
ISSN: 0350-1361
WoS: 000377580200011
Scopus: 2-s2.0-84964720751
Institution/Community
Istorija umetnosti / History of ArtTY - JOUR AU - Borozan, Igor PY - 2015 UR - http://reff.f.bg.ac.rs/handle/123456789/1955 AB - It was in the monastery of Saint Francis in Venice in the year 1520 when Bozidar Vukovic purchased the icon of the Holy Mandylion. By that particular acquisition, this prominent publisher originating from Zeta has visualized his new position in the sixteenth century Venice. The multi-layered identity of Bozidar Vukovic was manifested by the subsequent inclusion of the noble coat of arms of the House of Vukovic on the back of the icon. By the use of verbal and visual language the artificial initiation of Bozidar Vukovic within the distinguished members of Venetian society has been confirmed. PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd T2 - Zograf T1 - Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic EP - 159 SP - 151 VL - 39 DO - 10.2298/ZOG1539151B ER -
@article{ author = "Borozan, Igor", year = "2015", abstract = "It was in the monastery of Saint Francis in Venice in the year 1520 when Bozidar Vukovic purchased the icon of the Holy Mandylion. By that particular acquisition, this prominent publisher originating from Zeta has visualized his new position in the sixteenth century Venice. The multi-layered identity of Bozidar Vukovic was manifested by the subsequent inclusion of the noble coat of arms of the House of Vukovic on the back of the icon. By the use of verbal and visual language the artificial initiation of Bozidar Vukovic within the distinguished members of Venetian society has been confirmed.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd", journal = "Zograf", title = "Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic", pages = "159-151", volume = "39", doi = "10.2298/ZOG1539151B" }
Borozan, I.. (2015). Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic. in Zograf Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 39, 151-159. https://doi.org/10.2298/ZOG1539151B
Borozan I. Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic. in Zograf. 2015;39:151-159. doi:10.2298/ZOG1539151B .
Borozan, Igor, "Icon of the Holy Mandylion and representation of multi-layered visual identity of Bozidar Vukovic" in Zograf, 39 (2015):151-159, https://doi.org/10.2298/ZOG1539151B . .