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dc.creatorVojvodić, Dragan
dc.date.accessioned2021-10-12T12:21:14Z
dc.date.available2021-10-12T12:21:14Z
dc.date.issued2016
dc.identifier.issn0350-1361
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2189
dc.description.abstractBased on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko's Church) in Prizren was not created in the 14th century as previously believed. It was painted in the last third of the 16th century by an icon painter close to the circle of Serbian painters formed in Pec. The suggestion of stylistic ties between this icon and the first fresco layer at the Church of the Holy Savior in Prizren and the wall paintings in the Church of St. Nicholas (the Tutic Church) is not acceptable. Furthermore, comparison of wall paintings in these and other contemporaneous churches in the area of Prizren, as well as the local icon paintings, does not substantiate the suggestion that an urban painting workshop operated in 14th-century Prizren.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177036/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceZograf
dc.subjectthe icon of the Theotokos from Prizrenen
dc.subjectthe Church of the Holy Savior in Prizrenen
dc.subjectthe Church of St. Nicholas (the Tutic Church)en
dc.subjectpainting in old Prizrenen
dc.titleThe icon of the Theotokos from the Church of St. Nicholas (Rajko's Church) and the question of painting workshops in medieval Prizrenen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage115
dc.citation.other40: 94-115
dc.citation.spage94
dc.citation.volume40
dc.identifier.doi10.2298/ZOG1640095V
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/968/2186.pdf
dc.identifier.scopus2-s2.0-85018171293
dc.identifier.wos000416092400006
dc.type.versionpublishedVersion


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