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Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva

Baltic modernism in Belgrade: Design of the building of the Monopoly Administration and the Ministry of Finance in Belgrade (1908) by Krichinsky and Vasilyev

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2017
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Authors
Kadijević, Aleksandar
Article (Published version)
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Abstract
Sintagmom baltička moderna u savremenoj arhitektonskoj istoriografiji se označava specifični regionalni ogranak međunarodnog ar nuvo pokreta s centrima u Sankt Peterburgu i Helsinkiju, koji se od 1900. do 1914. godine proširio na Stokholm, Rigu, Talin i druge baltičke gradove. Iako je spajao nordijsku i slovensku umetničku komponentu, odlikovao se stilskom ujednačenošću zasnovanom na čvrstim personalnim vezama baltičkih arhitekata. To važi i za znamenite ruske arhitekte Stjepana Kričinskog (Stepan Samojlovič Kričinskij) i Nikolaja Vasiljeva (Nikolaj Vasil’evič Vasil’ev), čiji je pobednički konkursni nacrt za beogradsku palatu Uprave monopola i Ministarstva finansija (1908) delimično osvetljen u srpskoj istoriografiji. Iako istican, nije potpunije sagledan u arhitektonskom kontekstu iz kojeg je proistekao.
The term “Baltic Modernism” in the contemporary architectural historiography is used to denote a specific regional branch of international Art Nouveau movement with the centers in Saint Petersburg and Helsinki, that spread from Stockholm, Riga, Tallinn and other Baltic cities in the period from 1900 to 1914. Although it was a blend of Nordic and Slavic artistic components it was endowed with a stylish consistency grounded on steady personal relationships between the Baltic architects. This also accounts for the renown Russian architects, Stepan Krichinsky (Stepan Samojlovič Kričinskij) and Nikolay Vasilyev (Nikolaj Vasil’evič Vasil’ev), whose awarded competition drawing for Belgrade Palace of Monopoly Administration and the Ministry of Finance (1908) has been partially addressed in the Serbian historiography. Albite comprehensive, it has never been fully examined in the architectural context from which it was derived.
Keywords:
Vasiljev / Uprava monopola / Srbija / Rusija / Kričinski / arhitektura / Vasilyev / Serbia / Russia / Monopoly Administration / Krichinsky / architecture
Source:
Nasleđe, 2017, 18, 65-78
Publisher:
  • Zavod za zaštitu spomenika kulture grada Beograda, Beograd

DOI: 10.5937/nasledje1718065K

ISSN: 1450-605X

[ Google Scholar ]
URI
http://reff.f.bg.ac.rs/handle/123456789/2300
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za istoriju umetnosti
Institution/Community
Istorija umetnosti / History of Art
TY  - JOUR
AU  - Kadijević, Aleksandar
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2300
AB  - Sintagmom baltička moderna u savremenoj arhitektonskoj istoriografiji se označava specifični regionalni ogranak međunarodnog ar nuvo pokreta s centrima u Sankt Peterburgu i Helsinkiju, koji se od 1900. do 1914. godine proširio na Stokholm, Rigu, Talin i druge baltičke gradove. Iako je spajao nordijsku i slovensku umetničku komponentu, odlikovao se stilskom ujednačenošću zasnovanom na čvrstim personalnim vezama baltičkih arhitekata. To važi i za znamenite ruske arhitekte Stjepana Kričinskog (Stepan Samojlovič Kričinskij) i Nikolaja Vasiljeva (Nikolaj Vasil’evič Vasil’ev), čiji je pobednički konkursni nacrt za beogradsku palatu Uprave monopola i Ministarstva finansija (1908) delimično osvetljen u srpskoj istoriografiji. Iako istican, nije potpunije sagledan u arhitektonskom kontekstu iz kojeg je proistekao.
AB  - The term “Baltic Modernism” in the contemporary architectural historiography is used to denote a specific regional branch of international Art Nouveau movement with the centers in Saint Petersburg and Helsinki, that spread from Stockholm, Riga, Tallinn and other Baltic cities in the period from 1900 to 1914. Although it was a blend of Nordic and Slavic artistic components it was endowed with a stylish consistency grounded on steady personal relationships between the Baltic architects. This also accounts for the renown Russian architects, Stepan Krichinsky (Stepan Samojlovič Kričinskij) and Nikolay Vasilyev (Nikolaj Vasil’evič Vasil’ev), whose awarded competition drawing for Belgrade Palace of Monopoly Administration and the Ministry of Finance (1908) has been partially addressed in the Serbian historiography. Albite comprehensive, it has never been fully examined in the architectural context from which it was derived.
PB  - Zavod za zaštitu spomenika kulture grada Beograda, Beograd
T2  - Nasleđe
T1  - Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva
T1  - Baltic modernism in Belgrade: Design of the building of the Monopoly Administration and the Ministry of Finance in Belgrade (1908) by Krichinsky and Vasilyev
EP  - 78
IS  - 18
SP  - 65
DO  - 10.5937/nasledje1718065K
ER  - 
@article{
author = "Kadijević, Aleksandar",
year = "2017",
abstract = "Sintagmom baltička moderna u savremenoj arhitektonskoj istoriografiji se označava specifični regionalni ogranak međunarodnog ar nuvo pokreta s centrima u Sankt Peterburgu i Helsinkiju, koji se od 1900. do 1914. godine proširio na Stokholm, Rigu, Talin i druge baltičke gradove. Iako je spajao nordijsku i slovensku umetničku komponentu, odlikovao se stilskom ujednačenošću zasnovanom na čvrstim personalnim vezama baltičkih arhitekata. To važi i za znamenite ruske arhitekte Stjepana Kričinskog (Stepan Samojlovič Kričinskij) i Nikolaja Vasiljeva (Nikolaj Vasil’evič Vasil’ev), čiji je pobednički konkursni nacrt za beogradsku palatu Uprave monopola i Ministarstva finansija (1908) delimično osvetljen u srpskoj istoriografiji. Iako istican, nije potpunije sagledan u arhitektonskom kontekstu iz kojeg je proistekao., The term “Baltic Modernism” in the contemporary architectural historiography is used to denote a specific regional branch of international Art Nouveau movement with the centers in Saint Petersburg and Helsinki, that spread from Stockholm, Riga, Tallinn and other Baltic cities in the period from 1900 to 1914. Although it was a blend of Nordic and Slavic artistic components it was endowed with a stylish consistency grounded on steady personal relationships between the Baltic architects. This also accounts for the renown Russian architects, Stepan Krichinsky (Stepan Samojlovič Kričinskij) and Nikolay Vasilyev (Nikolaj Vasil’evič Vasil’ev), whose awarded competition drawing for Belgrade Palace of Monopoly Administration and the Ministry of Finance (1908) has been partially addressed in the Serbian historiography. Albite comprehensive, it has never been fully examined in the architectural context from which it was derived.",
publisher = "Zavod za zaštitu spomenika kulture grada Beograda, Beograd",
journal = "Nasleđe",
title = "Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva, Baltic modernism in Belgrade: Design of the building of the Monopoly Administration and the Ministry of Finance in Belgrade (1908) by Krichinsky and Vasilyev",
pages = "78-65",
number = "18",
doi = "10.5937/nasledje1718065K"
}
Kadijević, A.. (2017). Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva. in Nasleđe
Zavod za zaštitu spomenika kulture grada Beograda, Beograd.(18), 65-78.
https://doi.org/10.5937/nasledje1718065K
Kadijević A. Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva. in Nasleđe. 2017;(18):65-78.
doi:10.5937/nasledje1718065K .
Kadijević, Aleksandar, "Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva" in Nasleđe, no. 18 (2017):65-78,
https://doi.org/10.5937/nasledje1718065K . .

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