An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work
Апстракт
The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert Rosenstone) in order to develop a suitable framework for an encompassing anthropology of one specific film - Enclave (2015, 92 mins) by Goran Radovanovic. The aim is to achieve a more complete understanding of the author's actions through which the logic of this "contemporary historical film", a film that deals with, history which is still ongoing" practically influences the viewers of the film. Specifically, the paper attempts a precise uncovering of the way in which Radovanovic's audio-visual story of the painstaking rise of a friendship between an Albanian and a Serbian boy in an enclave in Kosovo struggles with, resists, but simultaneously blends with the knowledge, expectations and memories carried by those who had the opportunity to view the film, including, foremost,... the author of this essay. In a nutshell, the key question addressed by the essay is how, or rather, why certain films become meaningful in the lives of those who watched them, or, as Stanley Cavell would put it, what are the reasons of one's own (or anyone else's) understanding of a specific film, such as it is?
Кључне речи:
the logic of remembrance / historical poetics of film / historical film / autoethnography / anthropology of a filmИзвор:
Etnoantropološki problemi, 2017, 12, 4, 1013-1062Издавач:
- Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
Финансирање / пројекти:
- Трансформација културних идентитета у савременој Србији и Европска унија (RS-MESTD-Basic Research (BR or ON)-177018)
Институција/група
Etnologija i antropologija / Ethnology and AnthropologyTY - JOUR AU - Naumović, Slobodan PY - 2017 UR - http://reff.f.bg.ac.rs/handle/123456789/2345 AB - The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert Rosenstone) in order to develop a suitable framework for an encompassing anthropology of one specific film - Enclave (2015, 92 mins) by Goran Radovanovic. The aim is to achieve a more complete understanding of the author's actions through which the logic of this "contemporary historical film", a film that deals with, history which is still ongoing" practically influences the viewers of the film. Specifically, the paper attempts a precise uncovering of the way in which Radovanovic's audio-visual story of the painstaking rise of a friendship between an Albanian and a Serbian boy in an enclave in Kosovo struggles with, resists, but simultaneously blends with the knowledge, expectations and memories carried by those who had the opportunity to view the film, including, foremost, the author of this essay. In a nutshell, the key question addressed by the essay is how, or rather, why certain films become meaningful in the lives of those who watched them, or, as Stanley Cavell would put it, what are the reasons of one's own (or anyone else's) understanding of a specific film, such as it is? PB - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd T2 - Etnoantropološki problemi T1 - An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work EP - 1062 IS - 4 SP - 1013 VL - 12 DO - 10.21301/eap.v12I4.3 ER -
@article{ author = "Naumović, Slobodan", year = "2017", abstract = "The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert Rosenstone) in order to develop a suitable framework for an encompassing anthropology of one specific film - Enclave (2015, 92 mins) by Goran Radovanovic. The aim is to achieve a more complete understanding of the author's actions through which the logic of this "contemporary historical film", a film that deals with, history which is still ongoing" practically influences the viewers of the film. Specifically, the paper attempts a precise uncovering of the way in which Radovanovic's audio-visual story of the painstaking rise of a friendship between an Albanian and a Serbian boy in an enclave in Kosovo struggles with, resists, but simultaneously blends with the knowledge, expectations and memories carried by those who had the opportunity to view the film, including, foremost, the author of this essay. In a nutshell, the key question addressed by the essay is how, or rather, why certain films become meaningful in the lives of those who watched them, or, as Stanley Cavell would put it, what are the reasons of one's own (or anyone else's) understanding of a specific film, such as it is?", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd", journal = "Etnoantropološki problemi", title = "An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work", pages = "1062-1013", number = "4", volume = "12", doi = "10.21301/eap.v12I4.3" }
Naumović, S.. (2017). An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work. in Etnoantropološki problemi Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 12(4), 1013-1062. https://doi.org/10.21301/eap.v12I4.3
Naumović S. An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work. in Etnoantropološki problemi. 2017;12(4):1013-1062. doi:10.21301/eap.v12I4.3 .
Naumović, Slobodan, "An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work" in Etnoantropološki problemi, 12, no. 4 (2017):1013-1062, https://doi.org/10.21301/eap.v12I4.3 . .