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dc.creatorVranešević, Branka
dc.date.accessioned2021-10-12T12:32:08Z
dc.date.available2021-10-12T12:32:08Z
dc.date.issued2017
dc.identifier.issn0352-6844
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2362
dc.description.abstractOne of the issues confronting the theory, art history and architecture is the question of ornament. Ornament criticism began with Vitruvius's treatise in the 1st century AD and culminated with Adolf Loos's article in the beginning of the 20th century, leading to the complete elimination of ornaments primarily from architectural practice, but they fortunately never ceased to exist. Ornaments were accused as blatant, shallow, vulgar and a meaningless decoration. But, research conducted in the last decades argues that they can be symbolic in meaning and function. This paper examines different views and arguments of scholars expressed in historiography and how those views can reflect on our interpretation of ornaments found on early Christian floor mosaics.en
dc.publisherMatica srpska, Novi Sad
dc.rightsrestrictedAccess
dc.sourceZbornik Matice srpske za likovne umetnosti
dc.subjectornamentsen
dc.subjectfloor mosaicsen
dc.subjectearly Christianityen
dc.subjectdecorationen
dc.subjectcriticismen
dc.titleRethinking Decoration: Ornaments on Early Christian Floor Mosaicsen
dc.typearticle
dc.rights.licenseARR
dc.citation.epage35
dc.citation.issue45
dc.citation.other(45): 25-35
dc.citation.rankM51
dc.citation.spage25
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_reff_2362
dc.identifier.wos000424588600002
dc.type.versionpublishedVersion


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