Приказ основних података о документу

dc.creatorMerenik, Sofija
dc.date.accessioned2021-10-12T12:32:18Z
dc.date.available2021-10-12T12:32:18Z
dc.date.issued2017
dc.identifier.issn0352-6844
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2365
dc.description.abstractThe preserved wall paintings of Serbian nobility originate mainly from the period of the rule of King and Emperor Dusan (1331-1346, 1346-1355) and Emperor Uros (1355-1371). Portraits of these rulers or their family members have been preserved in eight aristocratic endowments. These are: narthex of the Church of the Virgin in Kuceviste, the White Church of Karan, the Church of Our Lady in Dobrun, the Church of St. Nicholas in Ljuboten, the Church of St. George in the Polosko, the Church of the Virgin in Lipljan, the narthex of the Church of St. Archangel Michael in Lesnovo, and the Church of St. Nicholas in Psaca. In this paper, the mentioned portraits were analyzed iconographically, especially in relation to their location in the temple where they are presented, and in particular, the relation nobleman (ktitor) - ruler was investigated.en
dc.publisherMatica srpska, Novi Sad
dc.rightsrestrictedAccess
dc.sourceZbornik Matice srpske za likovne umetnosti
dc.subjectyoung King and Emperor Urosen
dc.subjectSerbian rulersen
dc.subjectSerbian nobilityen
dc.subjectroyal portraiten
dc.subjectroyal insigniaen
dc.subjectQueen and Empress Jelenaen
dc.subjectKing and Emperor Dusanen
dc.subjecticonographyen
dc.titleRoyal portraits in wall paintings of Serbian nobility at the time of the Nemanja dynastyen
dc.typearticle
dc.rights.licenseARR
dc.citation.epage126
dc.citation.issue45
dc.citation.other(45): 103-126
dc.citation.rankM51
dc.citation.spage103
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_reff_2365
dc.identifier.wos000424588600007
dc.type.versionpublishedVersion


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Приказ основних података о документу