Приказ основних података о документу

dc.creatorIlić, Vladimira
dc.date.accessioned2021-10-12T12:33:02Z
dc.date.available2021-10-12T12:33:02Z
dc.date.issued2017
dc.identifier.issn0353-1589
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2377
dc.description.abstractThe paper uses the example of the movie Happiness (1998) to analyze cultural ideas on which the (de) construction of a happy American family and happy individuals who "have everything" is based. The paper also analyzes the director's reflexive imagining of every character in the film, whose appearance is based on cultural attitudes and values of individuals, and which arises as an obstacle for establishing intimacy with other people and achieving happiness. Thus, this paper strives to show how culture paradoxically becomes "an obstacle to itself", or rather, how culturally determined attitudes about oneself and others function as an obstacle in achieving culturally determined goals and life purposes.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177035/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceEtnoantropološki problemi
dc.subjectlonelinessen
dc.subjecthappinessen
dc.subjectfilmen
dc.subjectdespairen
dc.subject"having it all"en
dc.title"Having it all" and "not having yourself" An analysis of the representations of happiness and despair in the movie Happinessen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage413
dc.citation.issue2
dc.citation.other12(2): 379-413
dc.citation.rankM24
dc.citation.spage379
dc.citation.volume12
dc.identifier.doi10.21301/EAP.V12I2.3
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1129/2374.pdf
dc.identifier.wos000408776500004
dc.type.versionpublishedVersion


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Приказ основних података о документу