The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers' aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.
TY - JOUR
AU - Vukadinović, Maja
AU - Marković, Slobodan
PY - 2017
UR - http://reff.f.bg.ac.rs/handle/123456789/2397
AB - The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers' aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.
PB - Društvo psihologa Srbije, Beograd
T2 - Psihologija
T1 - The relationship between the dancers' and the audience's aesthetic experience
EP - 481
IS - 4
SP - 465
VL - 50
DO - 10.2298/PSI160222009V
ER -
@article{
author = "Vukadinović, Maja and Marković, Slobodan",
year = "2017",
abstract = "The study investigates the aesthetic experience of a dance performance from the perspective of both the dancers and the audience. The audience observed three short custom-made choreographies that were presented live and then watched the recorded versions, and judged them on an instrument designed to measure the aesthetic experience of dance. The choreographies were performed by six dancers. The dancers judged their own performances as well as the recorded versions of the performances. The analyses revealed that the dancers' aesthetic experience of a dance performance is similar when they perform choreography and watch it on video. On the other hand, the audience showed a higher sensitivity to live performance: they judged the live performance higher on all dimensions of aesthetic experience compared to their video presentation.",
publisher = "Društvo psihologa Srbije, Beograd",
journal = "Psihologija",
title = "The relationship between the dancers' and the audience's aesthetic experience",
pages = "481-465",
number = "4",
volume = "50",
doi = "10.2298/PSI160222009V"
}
Vukadinović, M.,& Marković, S.. (2017). The relationship between the dancers' and the audience's aesthetic experience. in Psihologija
Društvo psihologa Srbije, Beograd., 50(4), 465-481.
https://doi.org/10.2298/PSI160222009V
Vukadinović M, Marković S. The relationship between the dancers' and the audience's aesthetic experience. in Psihologija. 2017;50(4):465-481.
doi:10.2298/PSI160222009V .
Vukadinović, Maja, Marković, Slobodan, "The relationship between the dancers' and the audience's aesthetic experience" in Psihologija, 50, no. 4 (2017):465-481,
https://doi.org/10.2298/PSI160222009V . .
