REFF - Faculty of Philosophy Repository
University of Belgrade - Faculty of Philosophy
    • English
    • Српски
    • Српски (Serbia)
  • English 
    • English
    • Serbian (Cyrillic)
    • Serbian (Latin)
  • Login
View Item 
  •   REFF
  • Etnologija i antropologija / Ethnology and Anthropology
  • Radovi istraživača / Researcher's publications - Odeljenje za etnologiju i antropologiju
  • View Item
  •   REFF
  • Etnologija i antropologija / Ethnology and Anthropology
  • Radovi istraživača / Researcher's publications - Odeljenje za etnologiju i antropologiju
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir

Thumbnail
2018
2658.pdf (234.4Kb)
Authors
Ajduk, Marija
Article (Published version)
Metadata
Show full item record
Abstract
Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly. It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip (which does not have to be musical), much of the material is actually of a musical character, so this site as such will be analyzed in this paper. The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade ch...oir Viva Vox. Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to evervday life.

Keywords:
YouTube / Viva Vox choir / social community / perception / music / internet
Source:
Etnoantropološki problemi, 2018, 13, 2, 395-413
Publisher:
  • Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
Funding / projects:
  • Transformation of Cultural Identities in Contemporary Serbia and the European Union (RS-177018)

DOI: 10.21301/eap.v13i2.6

ISSN: 0353-1589

WoS: 000440525900007

[ Google Scholar ]
1
URI
http://reff.f.bg.ac.rs/handle/123456789/2661
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za etnologiju i antropologiju
Institution/Community
Etnologija i antropologija / Ethnology and Anthropology
TY  - JOUR
AU  - Ajduk, Marija
PY  - 2018
UR  - http://reff.f.bg.ac.rs/handle/123456789/2661
AB  - Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly. It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip (which does not have to be musical), much of the material is actually of a musical character, so this site as such will be analyzed in this paper. The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade choir Viva Vox. Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to evervday life.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir
EP  - 413
IS  - 2
SP  - 395
VL  - 13
DO  - 10.21301/eap.v13i2.6
ER  - 
@article{
author = "Ajduk, Marija",
year = "2018",
abstract = "Listening to music nowadays is unthinkable without the YouTube Channel through which not only we can get to the desired sound, but also extend our music knowledge to virtual travels through space and time. Due to new technologies, it is possible to get into the music worlds of the sixties, eighties, nineties, and through the music from that period to revive the elapsed epoch, at least briefly. It is also possible to listen to Rock and Roll, classical music, hip hop, techno or any other type of sound that we define. Although YouTube is a website that allows people to show and watch any video clip (which does not have to be musical), much of the material is actually of a musical character, so this site as such will be analyzed in this paper. The idea behind this research is based on the hypothesis that YouTube, through its decade of existence, influenced the understanding, creation and listening to music, which I am trying to show through the analysis of the case study of the Belgrade choir Viva Vox. Namely, after one song uploaded on YouTube, the life of this choir has changed, wherefore the local choir has become a world famous phenomenon. I base my analysis on YouTube website primarily on his social dimension, which means that I consider this page as an important "place" of gathering, where people under their pseudonyms feel free to express their attitude about what they have heard, which in fact often reflects their relationship to evervday life.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir",
pages = "413-395",
number = "2",
volume = "13",
doi = "10.21301/eap.v13i2.6"
}
Ajduk, M.. (2018). Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 13(2), 395-413.
https://doi.org/10.21301/eap.v13i2.6
Ajduk M. Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir. in Etnoantropološki problemi. 2018;13(2):395-413.
doi:10.21301/eap.v13i2.6 .
Ajduk, Marija, "Understanding, creation and listening to the music on YouTube website: The case of Viva Vox choir" in Etnoantropološki problemi, 13, no. 2 (2018):395-413,
https://doi.org/10.21301/eap.v13i2.6 . .

DSpace software copyright © 2002-2015  DuraSpace
About REFF | Send Feedback

OpenAIRERCUB
 

 

All of DSpaceInstitutions/communitiesAuthorsTitlesSubjectsThis institutionAuthorsTitlesSubjects

Statistics

View Usage Statistics

DSpace software copyright © 2002-2015  DuraSpace
About REFF | Send Feedback

OpenAIRERCUB